Film Review: Gasland

Film Review: Gasland
Written and Directed by: Josh Fox
Review by: Paul Adam Smeltz

The documentary film titled, “Gasland” was presented in the Home of Don Slepian and Jan Julia as a special screening event on Friday May 20th. A small group of environmental activists along with representatives from the Pocono Progressives and the local chapter of www.moveon.com were present. The film was directed by Josh Fox who received a letter from a natural gas company in May of 2008 offering to lease his family’s land in Milanville, PA for $100,000 to drill for gas. His research into the environmental impact the drilling for natural gas through the method known as hydraulic fracturing (fracking) and the profound dangers it possesses led him to begin filming this documentary. “Gasland” was released in 2010 and has won several awards The Special Jury Prize at The 2010 Sundance Film Festival as well as being nominated for The 2011#Academy of Motion Picture Arts and Sciences (AMPAS) Award for Best Documentary Feature.

The film depicts his journey to areas in a geological location known as the Marcellus Shale which exists under large parts of Pennsylvania, New York, Ohio and West Virginia where fracking has already occurred. His journey encountered instances in which the health of pets, livestock, and humans was adversely affected by the chemicals used in the fracking process as well as the natural gas it extracted going into their water supplies. The film demonstrated the later occurrence through the home owners’ ability to ignite their flowing tap water.

Mr. Fox’s journey continued to his journey across the county to the western states of Colorado, Wyoming, Utah, and Texas where fracking has been a part of their communities for over a decade. He found similar instances of the adverse effects fracking had on those living in the area but also found many have begun legal remedies such as court injunction or settlement monies to compensate their plight. The film also enlisted members of the medical profession, former Environmental Protection Agency (EPA) personnel, Political figures, and University Academia to underline the practices and overwhelming risks of fracking. The film ended it’s journey to the US Congressional subcommittee was discussing the Fracturing Responsibility and Awareness of Chemicals Act which was a bill designed to amend the Safe Drinking Water Act by repeal an exemption for hydraulic fracturing which was done in the passage of the Energy Policy Act of 2005 during the George W. Bush administration.

“Gasland” is Josh Fox’s second documentary and was made in about eighteen months. His first documentary was titled, “Memorial Day” which deals with how the US instills it’s “Girls Gone Wild” culture on other nations in spite of they being in direct conflict to morals these countries established centuries ago. This reviewer has not seen “Memorial Day” but many reports indicate it’s a challenging film to follow as it utilize many of the elements “art Film” employ in it’s narrative. If this is indeed the case, “Gasland” is a much simpler film conveying a direct message leaving no one viewing it uncertain what it is.

The serves the topic well by pointing out a fact and not overdoing it through an overwhelming abundance of repetitions. This can be seen in the depictions of running tap water being set afire. The film repeats the act in several households, but, just as one is about to say, “OK, we got the point already.” the film moves onto another aspect of the problem Fracking creates. This approach reminded this reviewer of the early Michael Moore documentaries before the elements of self indulgence and self importance began to become prominent in them.

However, the film is not without its problems if the allegations challenging its factual citations are found to be true. Some studies are said to indicate some water wells were contained by biogenic methane which occurs naturally in underground coal beds. A scene depicting natural gas bubbling up from the ground on a home owner’s land was found to be the result of fermenting organic matter and not related to the practice of fracking. This is an unfortunate aspect of many Point of View (POV) Documentaries as the filmmaker often tends to be led by his or her own biases and doesn’t take the time to determine whether the evidence he or she utilizes in the film stands up to honest scrutiny. This is unfortunate because this often leads an audience aware of it’s discrepancies of some aspects of the film’s facts to doubt the validity of every fact the film presents.

The film was followed by a lively discussion on the dangers of hydraulic fracturing and how to prevent it from being established in the local community. Many ideas were shared and a few may be implemented at a future time. You’ll find more photographs taken during the after film discussion in The Special Events 2011 Gallery at www.facebook.com/forwardian.dude.

While this reviewer is unable to determine the validity of the facts presented in the film, I can say it was a well made piece and worth watching even if one has to take an extra grain of salt with them to wherever it is being shown. Presently, the film is available on DVD for small screenings in homes, centers, and other similar facilities. More information about the film and how to obtain a copy of the DVD can be found at www.gaslandthemovie.com.

Jazzing it Up Smoothly

The ArtMusic Coffeehouse in East Stroudsburg, PA presented a very smooth evening of music on Thursday May 19th which was performed by Jazz Pianist Davy Lantz IV. As with all concerts held at The ArtMusic Coffeehouse, a meditative musical interlude was performed by Don Slepian who was the evening’s host. His improvised movements provided a relaxed focus for each member of the audience could affix their concentration upon. This allowed them to prepare for the remainder of the evening’s music with a refreshed perspective as the thoughts and concerns of the day melted from their consciousness. It was while the audience was exploring their transcendental awareness did a young man approach the house piano to begin his mesmerizing performance.

Davy Lantz IV is well known in the local jazz community and is considered a rising star in the genre. This consideration is well deserved as demonstrated by the original compositions and the stylings of established work he performed during the concert. A soft silence touched those who attended the concert as each attendee could be seen closing their eyes as they contemplated each note that traveled their way from within. This was enhanced by the conversation engaged in during the concert between the pianist and his audience which inspired many to take up instruments made available by the concert’s hosts to add their inner song to their experience.

David Lantz IV is presently studying jazz piano at the Juilliard School of Music in NYC, NY. His past performances include being a part of a jazz trio which performed at the Governor's Awards for the Arts in Williamsport, PA. Davy was also a member of COTA Cats during his high school years which is an educational arm The Delaware Water Gap Celebration of the Arts (COTA) Annual Jazz and Arts Festival which takes place every year. The COTA Cats program is designed to seek out students who have an outstanding musical talent for the art of Jazz and to develop that talent through group and individual mentorships throughout the year leading up to a orchestral performance during the festival itself. You’ll find more Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery at www.facebook.com/forwardian.dude.

The ArtMusic Coffeehouse is held in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA as part of the Concerts In Your Home Series. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as it they take place in a private home. The Next The ArtMusic Coffeehouse Concert will feature Sundad on Friday May 27th, Craig Bickhart on Saturday June 11th, and Robb Taylor on Saturday June 25th. They begin at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seat.

Springing into The PoconoArts

The Pocono Arts Council and The Jacob Stroud Corporation co hosted their Annual Visual and Performing Art Celebration on Saturday May 14th to kick off their Art on Main Summer Season which features the work of visual artists, artisans, and performing artists throughout the region. Although this year’s festival was touched by the unseasonably cooler temperatures along with some drizzling precipitation that dampened some spirits, the effects of the climatic conditions began to diminish for me when I encountered my first smile. This was followed by more smiles, embraces, and delightful conversations as the community of art lovers joined together to share their mutual affections toward the work and each other. It was a long winter for many with little to do in regards to the arts and it was good to anticipate the promise of a resurgence of more activity in this regard which this festival has come to represent.

Throughout the town, there were numerous artists and artisans filling the sidewalks and local businesses. One such business was Josephine’s Fleur de lis who presented The Karen Laposh Trunk Show featuring functional art work created by Karen Laposh. Beyond their intrinsic beauty, they served as an aid to diners who choose not to reach for the items placed upon their tables to enhance their meals. I admit to forgetting what she named the work, but I do remember her pointing out they were not “Lazy Susans” as she knows a Susan and she is far from being lazy. You’ll be able to learn more about Karen LaPosh and all Josephine’s Fleur de lis has to offer by exploring their website at www.josephinesonmain.com.

Another local business who share the talent of a local artist was D. R.’s Framing and Art Gallery who held an Artist’s Reception featuring the work of Nancy Pitcher. Her work had a striking quality to it as the depicted scenes increasingly came alive with each glance. Many of the images seems simplistic in their nature, but I’ve often found when one gives a thing extraordinary attention, it becomes extraordinary. My experience with her work severed to prove the assertion. You’ll be able to learn more about the work of Nancy Picture, the other artists presented in the gallery, and all D. R.’s Framing and Art Gallery has to offer by exploring their website at www.drsgallery.com for more information.

Outside the stores and along the streets, the results of The 5th Annual "Fine Art" Parking Meter Competition was seen as the town’s parking meters were adorned with bags depicting a bevy of creative images to enhance the downtown area. There were also a number of Artisans and artists who participated in The PoconoArts Squared components of the event also shared their talents and wares. These PoconoArts Squared events are monthly gatherings held around the Monroe County Courthouse Square and affords a wonderful opportunity to view, purchase, and learn about the art and all the care and skill that goes into its creation by the artists and artisans themselves.

Among those participating in this PoconoArts Squared initiating event were Margaret Benson who presented her Functional Pottery, Rita Heim-Robinson of Morning Glory Studio who presented her Acrylic Paintings, Nikol Kallinteris who presented her Jewelry, Crafts, and Clothing, Ken McGoy who presented his Paintings, Cassandra S. Ferrari of Cassandra’s Beads who presented her work, Christa Nebbia who presented her Wind Chimes, Mariana Russo who presented her Mixed Media works, Mandala Design Works who shared their collective creativity, Kitty Cat Ears and Tails were presented by Starving Otaku Productions, Chainmail Jewelry was presented by Tristan Buckley, and Arielle Sekula presented her Paintings and Polymer Clay Figures (very cool Ninjas) while healing services were presented by Gorman Chiropractic. Please Explore The Pocono Arts Council website (listed below) to learn more about these artists and artisans and how you can share your creative endeavors in future PoconoArts Squared events.

The theatrical arts were represented through a production of “Voyage of the Forgotten Immigrants” written by Kathy Kroll was presented at The School of Visual and Performing Arts with performances by Ann Matthews, Janice Brightman, Noel Nelson, Tiffani Thompson, Drew Zafiropoulos, Josephe Carnevale, Jenny Aniano, Barbara Kavelines, Aliza Zafiropoulos, Laurel Aniano, Gavin Bauman, and Elexa Bauman. The production was directed by Shellie Bransford and Stage Managed by Mary Louise Vavelines. The Sets, Lights, and Sound for the production was done by Steve Henderson-Grady while the make up was applied by Cheryl Klinle. The Graphic design was done by Minnie Ospa while Susie Forrester served the production as it’s photographer. I did ot experience the presentation, but there were many approving smiles leaving the School with many saying it was a good show. You can learn more about this and other presentations held at The School of Visual and Performing Arts along with their educational offerings by exploring their website at www.schoolofvisualandperformingarts.org.

There was music throughout the town which included a performance by Robert Young of The Alabaster Box who served as lead singer for a band who shared songs of faith outside their newly established place of worship. #The Alabaster Box seeks to utilize music, passion, and all types of creativity and art to express worship in accord to the precepts of the Christian faith. You’ll be able to learn more about The Alabaster Box and all they have to offer by exploring their website at www.abwac.com for more information.

With all the wonders of the day, it’s a challenge to point out one outstanding aspect of the entire experience. However, if there was one, it would be the Artists’ Reception of the Members’ Exhibition held at The Artspace Gallery which houses the offices of The Pocono Arts Council. This annual show provided an opportunity for local artists who are members of the Council and the Gallery to strut their stuff. And, the stuff they were strutting proved to be a grand and glorious colorful array of images and flowing hues. The sheer magnitude of the number and essence of the pieces presented nearly overwhelmed the senses but, in doing so, those who attended the reception experienced it later as a cleansing allowing them to enter the world outside the gallery afresh. It’s difficult to imagine how anyone could judge the work presented in order to award the prizes the Arts Council utilizes to recognize those artists with talents that stands above their peers, but the gallery did find such individuals whose jobs must have proved very daunting.

The award recipients in each category were Sharon Cosgrove who received the award for 1st place, Carol Pooley who received the award for 2nd place, and Carlo Salvo who received the award for 3rd place while Jill Swersie was awarded Honorable Mentioned in The Oils Category. Ka-son Reeves received the award for 1st place, Derek Cameron received the award for 2nd place, and Jessica Yusko received the award for 3rd place while Jean Perry was awarded Honorable Mentioned in The Acrylics Category. Jan Swift received the award for 1st place, Will Daskal received the award for 2nd place, Bev Abel received the award for 3rd place while Joan Sayer was awarded Honorable Mentioned in The Watercolors Category. Alice Prall was received the award for 1st place, Brandon Durand received the award for 2nd place, and Tom Augusta received the award for 3rd place while Paula George was awarded Honorable Mentioned in The Works on Paper Category. Pam Mading received the award for 1st place, Iraina Caramelli received the award for 2nd place, Nancy Bohm was chosen to be 3rd place while Barb Robinson was awarded Honorable Mentioned in The Mixed Media Category. Bill Maile received the award for 1st place, Don Sack received the award for 2nd place, and Mary Jane Arner received the award for 3rd place while Don Manza was awarded Honorable Mentioned in The Photography Category. Jorge Cruz received the award for 1st place, Lois Kirkwood received the award for 2nd place, and Andrea Rimberg received the award for 3rd place, while Pat Bruck was awarded Honorable Mentioned in The 3D Works Non Functional Category. April Field received the award for 1st place in The Fine Crafts - Functional Category and Christine Medley received the award for Best of Show for her work in Photography. The Jurors who judged the incredible work were Edwin Havas and Lenore Fiore Mills.

Other work featured during the Artists’ Reception were creations by Eino Antilla, Joyce Bambach, Stephanie Bockhorn, James Chesnick, Mark Ciocca, Arlene Conklin, M. J. Cramer, George Debronsky, Stephanie DiPasquale, Shirley Epstein, Sherley Escribano, Susan Field, Marcia Flammonde, Constance Fowlkes, Debra Frantz, Shelly Grillo, Judith Hankins, Charles Hanson, Julian Harr, Marlana Holsten, Jill Howell, Dee Huxster, Grace Ikai, Kent Johnson, Jaclyn Keller, Linda Kreckel, Karen Laposh, Bud LaRosa, Reva B. Levy, Jordon Lewis, Tricia Lowery Lippert, Patricia Mack, Myke Maldonado, Clair Marcus, John McAllister, Clavertis Miller, Carlisle Nostrame, Diane Paulhamus, Gordon Perry, Jill Perry, Matthew Pierce, Joan Polishook, Joan Raushi, Bob Reilly, Laurinda Faye Rubin, Marianna Russo, June Schott, Jim Smeltz, Chris Sparling Richard Spezzano, Alicia Turner, Jan Ward, Susanne Werfelman, Linford Werkheiser, Polly Werkheiser, and Sally Weiner Grotta. This was an incredible display which left a lingering impression upon those who experienced it. The Exhibition continues until May 29th.

Outside The ArtSpace Gallery, The Lost Ramblers performed outside just prior to the awards ceremonies while The SheilaMark Duo performed during them. As incredible as it seemed, their sounds lured attendees out of the gallery with their siren’s song. While The Lost Ramblers inspired people to kick up their heels with some down home bluegrass renditions, the sultry sounds of The SheilaMark Duo wooed the senses creating an internal environment transcending all others.

As I was leaving the festival, I saw Stan Stewart performing on the corner of 7th and Main Streets. I’ve heard him play in the past and would have liked to return to experience it again. Alas, this was not a possibility as I wasn’t the driver of the vehicle. However, the memory inspired by the open passenger’s door window sustained me as the notes he created echoed throughout my mind bringing it to a much welcomed state. You’ll find more photographs taken throughout the day in The Evening on Main 2011 Gallery at www.facebook.com/forwardian.dude

The PoconoArts Council is designed to build the communities in which it serves artistically and culturally by providing leadership, service, and education. It does so by offering avenues for artists to display their work through the ArtSpace and other galleries, educational opportunities for those who would like to explore and/or enhance their creative natures, and encouragement to those who seek to express and/or support the arts. You’ll be able to learn more about The PoconoArts Council and all they offer at www.poconoarts.org for more information.

The Jacob Stroud Corporation seeks to honor the rich and diverse culture of the Pocono Mountains of PA which Stroudsburg, PA serves as its focal point. They do so through their support of area businesses, tourist attractions, and artistic endeavors of their citizens. You’ll be able to learn more about The PoconoArts Council and all they offer at www.stroudsburg.net for more information.

Chakras and the Kingdead

The Main St. Jukebox in Stroudsburg, PA Artist’s Reception on Saturday May 7th for their exhibition titled, “Focus: The Art of Sherley Escribano.” As those who frequent Dreamland Creations knows, her work as a tattoo artist never fails to infuse the fleshy canvases of her clients with a spiritual charm which touches their owner’s lives. So, it was with a similar expectation did many who knew of Sherley and her gifts come to The Main Street Jukebox to experience the power of her creations as they were placed upon its walls. None were disappointed.

A number of her pieces represented her interpretation of the Chakras which are energy centers located throughout the body. There are hundreds of the, but the ones most familiar are the seven located along the spinal column. They are known as The Base (or Root) Chakra, The Spleen Chakra, The Solar Plexus Chakra, The Heart Chakra, The Throat Chakra, The Third Eye Chakra, and the Crown Chakra. Each correspond with a physical and spiritual state of being with its own individual properties. The beauty and intricacies of her work would transcend the subject which she depicted if it were not for their celestial origin. However, most who know of these energy centers and have learned from their healing effect would agree she came pretty damn close.

The music for the reception was provided by the band Kingdead. Those who have become fans of “Dream of Fire” and “This Way to the Egress” recognized the members of this incredible band as its personnel was a combination of the two. Their music was purely instrumental which complimented the art upon the wall through its mind bending, spirit blending echoes which found their way into the deepest unexplored corridors of the psyche allowing us to discover something we don’t quite fully recognize even days after the performance although we know it’s of our own creation. Although we’ve heard the music for the first time during the reception, we have heard it before long before our births and we’ll continue to do so every time we close our eyes to enter the ephemeral state that exists between our dreaming and awakening.

Together, the Art and Music brought to those who attended the reception something. Something that goes beyond. Something that has led them to themselves. Yet, the final transformation from who we are to whom we shall become remains not fully known. Perhaps the images and sounds experienced throughout the reception will allow all we are to know about what we are to know will be revealed in a dream. But, in the meantime, you’ll find more photographs taken during the reception in The Main Street Jukebox 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to the Art Exhibitions held at The Main Street Jukebox, they offer recordings made on CDs, Tapes, and Vinyl. The “Focus: The Art of Shirley Escribano” Exhibition continues until May 27th. The Next Exhibition will feature The Art of Victoria Penna with an Artist’s Reception held on Saturday June 4th beginning at 6pm. The exhibition will continue until June 24th. Please Explore The Main St. Jukebox Website at www.myspace.com/mainstjukebox or call 570-424-2246 for more information about these events and all they have to offer.

A Bouquet of Colors at PCT

The Pocono Community Theater (PCT) in East Stroudsburg, PA held an Artists’ Reception on Saturday May 7th for their Exhibition titled, “The Flower Show.” The walls of the theater was filled with all the hues associated with the warmer season all residents of the Northeast PA community have been longing for some time now. The work geminated some seeds within those who came to see it as the variety of styles centering on the singular topic pollinated the senses. It was an enjoyable experience that required no antihistamine.

Those artists showing their work in the main lobby gallery included Mary Campagna, Alice M. Prall, Penny Ross, Andrea Robbins-Rimberg, Thomas Augusta, June M. Schott, Shirley Epstein, Endel Uiga, and Lucinda Simpson. Don Manza was the artist featured along the back gallery. You’ll find more photographs taken during the reception in The Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude..

"The Flower Show" Exhibition Continues until June 26th. In addition to exhibitions, The Pocono Community Theater presents workshops, festivals, and films. To learn more about The Pocono Community Theater and all they have to offer the community, please explore their Website at www.poconocommunitytheater.org for more information.

A Beautiful Day with ECA

The Eastburg Community Alliance (ECA) held its Annual Books, Brushes, and Blooms: Spring Arts and Literary Festival on Saturday May 7th. Although there was a chill in the air which made good on its promise of a shortly lived but significant rain storm, a warmth was shared by those involved with the festival among those who were fortunate enough to venture across the tracks to Millers Park in East Stroudsburg, PA to enjoy it. The festival featured artists, authors, gardeners, non-profits, and artisans along with musical performances throughout the day.

The musicians who performed included Blue Planet/Planeta Azul and Regina Sayles whose musical stylings and energies create an aura of appreciation that greets the ear, heart, and soul of those who experience their offerings. There were others scheduled to perform, but I was unable to attend their sets due to me not being able to be in more than one place at a time and the sudden deterioration of the climatic conditions of the day. However, I know by reputation and past experiences their presentations met the excellent standards set by those I did manage to see.

The festival also hosted numerous vendors who shared their writings, arts, jewelry, and other items to be purchased by those who would be enhanced by their wares. While some paid a rental fee for their space, many chose to donate the proceeds generated by the sales of their wares to The Dansbury Depot Preservation Project which the ECA dedicates itself to the successful relocation and restoration of the Historic East Stroudsburg Station for the cultural and economic betterment of the East Stroudsburg community. There were a many groups and individuals participating during the festival and I’m sure I missed mentioning quite a few. However, if you were among those not listed, please feel free to let yourself known by sharing your comments and reflections of the day.

Those included in this article are Jewelers such as Steven and Cassandra S. Ferrari of Cansandra’s Beads, Helene Elko of Mandela Jewelry, Jewelry from Clay by Nancy Knott, Penny and Bob Common of Uncommon Designs, Artists and Photographers such as Rita Heim-Robinson of Morning Glory Studios, Pamela R. Frost of New Creation Photography, Arrielle Sekula, John Kolbek, Authors and publishing companies such as Lisa Bauman Wispe author of “Fritter’s Spring,” Debra Butler author of “What Matters,” and Gihon River Press, Inc who published books relating to the holocaust. Other vendors included those representing The Pocono Community Theater, The Monroe Career and Technical Institute, The East Stroudsburg Rail Tower Society, The Eastern Monroe Public Library Bookmobile, The Exchange Club of the Poconos, The American Association of University Women (AAUW), Josie Porter Farm of Community Supported Agriculture (CSA), The All Inclusive Travel Agency, and Strauser Nature’s Helper. You’ll find more photographs I took during The Annual Books, Brushes, and Blooms: Spring Arts and Literary Festival in the Festival 2011 Gallery at www.facebook.com/forwardian.dude.

The Eastburg Community Alliance (ECA) was formed over 30 years ago by local leaders and business owners wishing to enhance the social, economic, and ascetic development of downtown East Stroudsburg, PA. The ECA has helped to provide the streetlights and banners that distinguish the downtown area as well as their Mosaic project found along Crystal Street. To learn more information about The Eastburg Community Alliance and how to become a part of all they have to offer, please explore their website at www.eastburgalliance.com.

Theatrical Review: The Seafarer

Theatrical Review: The Seafarer
Written by: Connor McPherson
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Center Stage Players‘ production of “The Seafarer” by Conor McPherson which was written in 2006. It was first performed in London's National Theatre that same year and received an Olivier Award nomination for Best Play. The play was then performed in the United States where it earned a Tony nomination in 2008. The work is best known for being written in a working-class Dublin use of language while adopting the lyricism found throughout the Irish theatre tradition.

“The Seafarer” takes it name from an Anglo-Saxon poem written circa 755 A. D. and is titled, “The Seafarer.” It is one of the four surviving manuscripts recorded in the Exeter Book and is told from the point of view of an old seafarer who is reminiscing about his life. The play takes place on Christmas eve in North Dublin, Ireland and is about a man named, “James ‘Sharky’ Harkin” (as portrayed by Denny Carrig) who is an Alcoholic. He comes to live with his blind older brother named “Richard Harkin” (as portrayed by Scott E. McIntosh) after losing his job. The play begins as “Sharky” enters the house to discover his brother and a house guest named, “Ivan Curry” (as portrayed by Jack Butler who also served the production as one of its Set Designers) are beginning to awaken from a night of drunkenness.

It may be prudent to note that the play, at this point, moves as slowly as many of the characters in the scene as they begin to awaken from their drunken stupor. While this pacing may be seen as painfully tedious to many theatre goers, it serves as a faithful reflection of the characters state of being and encourages the audience to emphasize with them. It also allows us to not only learn about the characters’ traits and their place in the play, but we also learn of their deeper pain and how it was instilled in their souls.

The play progresses as “Sharkey” discovers his brother, Richard, has invited friends over for a night of drinking and poker. This bothers as “Sharkey” as he had hoped to stay off the bottle for the holidays in order to combat his alcoholic demons. The guest include a man named, “Nicky Giblin” (as portrayed by David Schappert) who has been as “Sharkey‘s” love rival and a mysterious Mr. Lockhart (as portrayed by Patrick Turner who serves as a member of The Center Stage Players’ Board of Directors) whom we soon discover is a demon more insidious than those found in any bottle.

Prior to the game commencing, Mr. Lockhart reminds “Sharky” he had wagered his soul in a game of poker against Lockhart in a bid to gain his freedom after being arrested for the killing of a vagrant twenty-five years ago. We also discover that, in spite of winning that game, “Sharky” inexplicably promised Mr. Lockhart another game in the future so he would have an opportunity to win his soul and take him to Hell. This leads to a gamut of emotions as Mr. Lockhart entices not only “Sharky” into reliving the regrets of his past but of those who enter into the game thus creating a Hell for them to dwell during its duration.

The Center Stage Players’ production of “The Seafarer” by Conor McPherson was very well done as it’s slow methodic pacing compelled the audience to experience each painful wound as this slowly festered before our eyes. This allowed each theatre goer to examine the scares life has placed within them and to contemplate their addictive attachment to them. The play ends with a sense of accomplishment and redemption. Perhaps this may give hope to those who recognize their demons and wish to leave the Hell they have created.

The Shawnee Playhouse presentation of The Center Stage Players’ production of “The Seafarer” by Conor McPherson was Directed by Sue Butler who also serves as The Center Stage Players’ President and as one of the production’s Set Designers. The production was Stage Managed by Juliet Dunham and was assisted by Lillian Ramirez-Gonzalez who also serves as The Center Stage Players’ Secretary. The Program Design and publicity for the production was done by Katerhine Neville who serves as The Center Stage Player’ Treasurer. Other members of The Center Stage Players include Mary Stewart Erm who serves as Vice President along with Pat Van Varick and Dan Eash who serves as members of The Center Stage Players‘ Board of Directors.

The Executive Director of The Shawnee Playhouse is Midge McClosky while the producers are Ginny and Charlie Kirkwood. The Sales Manager is Mary Horn as Becky Haskell serves in Marketing. Members of the Box Office Staff are Barbara Ross and Christina McManus. The Playhouse’s costumer is Missy Benefield. The Shawnee Playhouse publicity is handled by Amy Cramer while David Schrage is its Webmaster.

This presentation of The Center Stage Players’ production of “The Seafarer” by Conor McPherson will conclude its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until May 15th. I would recommend seeing this production as it’s a wonderful opportunity to see actors who love the theatre performing a comedy that truly inspires its audience to laugh. It also allows the audience to explore how the rumors of their lives in which they try to keep hidden from others would look in the bright light of humor.

The Center Stage Players is a non-profit community theater group which was formed in April of 1990 and led by a board of directors. Membership is open to everyone regardless of experience. All auditions to their productions are open to the public as they strive to provide an environment in which persons with an interest in theater can grow and develop in all aspects of theater. Please feel free to Explore The Center Stage Players Website at www.sites.google.com/site/centerstageplayersorg to learn more information about them.

The Shawnee Playhouse provides professional quality year-round entertainment in a historic yet comfortable setting while bringing their guests a variety of theatrical experiences to the residents and vacationers of the area. They also serve as a training ground for young theatre performers and technicians. Future presentations at The Shawnee Playhouse will include “River’s Edge: The Story of Shawnee” by Midge McClosky and Rod Foote May 20th - September 2nd, “Sisters of Swing: The Story of the Andrews Sisters” by Beth Gilleland, Bob Beverage, and Raymond Berg June 1st - September 3rd, and “Nunsense 2: The Second Coming” by Dan Goggin June 17th - September 4th. Please contact The Shawnee Playhouse at 570-421-5093 or Explore their Website at www.theshawneeplayhouse.com for more information and to reserve your ticket.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of selected productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies) of The Shawnee Playhouse.

Photograph provided by The Shawnee Playhouse and depicts the characters in The Center Stage Players‘ Production of “The Seafarer” by Conor McPherson.

COTA Meets in May

The Celebration of the Arts (COTA) held their monthly meeting Tuesday May 3rd at The Deer Head Inn in Delaware Water Gap, PA in order to plan for their 34th Annual Jazz and Arts Festival. New and established friends met to receive updates on how things are progressing and to share new ideas on how to make this year’s festival even better than the ones that came before. One of these sharings included a wonderful opportunity for those who would like to obtain their tickets to this year’s festival early and at a 20% discount. You’ll be able to learn how you can get your discounted tickets at their website (listed later).

However, although the information shared and explored were germane to the meeting and to the success of this year’s festival, the most meaningful aspect was the opportunity to gather together with fellow jazz lovers. This combination of catching up on what the friends one has made throughout previous festivals and re learning why we love the musical form and the festival it celebrate through the conversation we hold with those who come to COTA for the first time enlivens our endeavors as we work toward our wonderful goals. You’ll find more photographs taken during the gathering in The COTA Meetings 2011 Gallery at www.facebook.com/forwardian.dude.

The 34th Annual Celebration of the Arts Jazz and Arts Festival is scheduled to begin Friday September 9th and will continue until Sunday September 11th. The festival begins on Friday evening with an Artists’ Reception at The Antoine Dutot Museum and Gallery for their Annual Music Motif Exhibition and continues with the night of Music, Theater, and Dance presented at The Presbyterian Church of the Mountain. The festival continues the following Saturday and Sunday with outdoor performances of Jazz on the Main Stage along with numerous strolling musicians, story tellers, and vendors offering a variety of high quality crafts, art, and food. You’ll be able to read my article about The 33rd Annual Celebration of the Arts Jazz and Arts Festival which took place in 2010 at www.cotajazz.org/cota-2010.html.

The Celebration of the Arts (COTA) presents and supports the arts and the music of jazz in all its forms and historical breadth through youth education, performing arts presentations, scholarship opportunities, and community outreach throughout the Pocono area. Their next monthly meeting will be held Tuesday June 14th at The Deer Head Inn in Delaware Water Gap, PA beginning at 7:30pm. Those who would like to lend their time, talents, and insights are welcomed to attend. Numerous volunteer positions are available and they include Program Ad Sales Manager, a Program Ad Salesperson, Back and Front gate workers, Security, and Marketing/PR personnel. More information about these positions, the festival, and how to purchase tickets in advance at a 20% discount can be obtained by Exploring The COTA Website at www.cotajazz.org or by calling 570-424-2210. I hope to see you there.

A Transformative Night of ArtMusic

The ArtMusic Coffeehouse in East Stroudsburg, PA presented singer/songwriter Hans York on Saturday April 30th. After the program, the performer shared an observation on how caterpillars live their lives until one day they cease doing all the things they do to remain caterpillars and begin the process of becoming butterflies. He further shared how humans are in the process of being human in our present state and will soon begin the process of transcending toward something more grand. Those who came to the Slepian home for the concert shared a similar transformation as very few left unchanged bye the music the experienced.

Hans York was born and raised in Germany during the allied occupation from which he was introduced to sounds embodied in music originating from the UK and US. While I attended collage, I’ve often been fascinated by the insights students from other countries had in regards to the US and its culture. This sense of fascination was revisited while I listened to Mr. York’s insightful interpretation of the musical styles he grew up with. His bouncy rhythms and jubilant lyrics mood moved the audience to a new understanding of the music they have grown all too familiar with. This was a welcomed re introduction as could be seen in the glittering eyes, the snapping fingers, and the tapping feet in all who heard the songs sung that night.

As with all Artmusic Concerts, the music presented by Hans York was preceded by the soothing and meditative sounds created by composer, keyboardist, and host of the event, Don Slepian. The mood he creates through his musical interludes never fails to enhance the performance which follows. Tonight was no exception as each tone echoed upon the soul of each listener preparing them for the wonderful music, food, and conversation eager to be shared. You’ll find more Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery at www.facebook.com/forwardian.dude.

The ArtMusic Coffeehouse is held in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA as part of the Concerts In Your Home Series. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as it they take place in a private home. The Next The ArtMusic Coffeehouse Concert will feature Bob Marshall on Friday May 6th, Lynn Hanson on Thursday May 19th, Sundad on Friday May 27th, Craig Bickhart on Saturday June 11th, and Robb Taylor on Saturday June 25th. They begin at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seat.

A Closing for Ka-Son

The Cheeky Monkey Coffeehouse in Stroudsburg, PA held a Closing Reception as a fitting adieu honoring the work of Ka-son Reeves who began showing his work at the establishment as part of their “Espresso Yourself” Series on Friday March 4th and will continue to do so until Sunday May 1st. A large number of people came out to experience the engaging work which included long time fans of the artist who‘ve come to appreciate the deeper meanings and intricacies of the work, colleagues who have come to respect the artist’s skills, and those who entered the Coffeehouse merely seeking a beverage and discovered something to quench their artistic thirst waiting for them upon its walls.

The music accompanying the reception was provided a favorite among those who frequent The Cheeky Monkey Coffeehouse. Jeni Hacket shared her repertoire of established and original songs to the delight of those who experienced them. The music enhanced the conversations inspired by the work some attendees engaged in while others were either silenced as they embraced her voice or playfully moved to the joous rhythms and lyrics embodied in many of the songs. In any case, the art and music combined to create a wonderful atmosphere as those present said and affectionate and appreciative “Good bye” to Ka-Son Reeves and the work that inspired them while preparing their anticipations to welcome another fine artist who will be presented upon the Cheeky Monkey’s walls in the near future.

The next Artist’s Reception The Cheeky Monkey Coffeehouse* in Stroudsburg, PA will feature the work of David Ohkerling as a continuation of their “Espresso Yourself” Series and be held on Friday May 6th beginning at 6pm. This Exhibition will continue until June 30th. You’ll find more photographs taken during the reception in The Cheeky Monkey 2011 Gallery at www.facebook.com/forwardian.dude.

Future events at The Cheeky Monkey include their Open Mic Night with Takes place every Tuesday evening, The “Just Say It: A Spoken Word Symposium” events which take place every Thursday evening, The Urban Mountain Voices’ Youth Open Mic Night on Saturday May 28th, and The Forwardian Arts Society Film Lovers’ Gathering on Friday May 13th. The Cheeky Monkey Coffeehouse also offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or Call 570-420-8222 for more information.

Springtime for Gershwin at ESU

The East Stroudsburg University (ESU) of PA presented their Music Department’s Spring Choral Concert titled, “A Gershwin Portrait” under the direction of Dr. James Maroney on Wednesday April 27th in The Cecilia S. Cohen Recital Hall which is located within the Campus‘ Fine and Performing Arts Building. The concert featured the ESU A Cappella Ensemble, their Concert Choir which consists of both University Students and members of the community, and a small orchestra comprised of musicians well known for their considerable talents.

The recital hall was nearly filled to capacity when the ESU A Capella Ensemble took the stage. Their combined voices created a soulful harmony on which each audience member could linger long after the performance came to its conclusion. The Ensemble’s performance was followed by the Concert Choir whose blend of voices transcended even the those who came before allowing each concert attendee to appreciate the art of music and all it can inspire even more. It wasn’t long before the evening’s musicians entered the recital hall to lend their instruments to the vocals in order to present the selections composed by George and Ira Gershwin. These selections were presented in six sections.

The First Section was titled, “Opening” which served as a reflection of how the composers’ introductory musical prelude created an anticipation to the larger work which was to follow. The Second Section was titled, “Gershwin at the Opera” which explored their contributions to the Operatic Arts through the compositions they created through their opera “Porgy and Bess” which premiered in 1935. The Third Section was titled, “A Gershwin Swing Set” which reflected the influence the musical styles of the era had on the composers. The remaining sections furthered illustrated the influences the times had on the composers as well as the influences the composers had on the times. This was notably demonstrated by the concluding segment titled, “Sing a Gershwin Showstopper” which included songs contained in musicals and other works which stood out by basically stopping the show.

Although there were many wonderful voices that contributed to the performance, they are too many to record in this article. However, there were a number of soloist and duals who lent their voices to the evening and they should be noted here. They are Danielle Tretola, Deanna Knapp, Janay Keys, Robert Wehe David Yablonski, Dawn Krautter, Patrick Mertz, Susan C. Prtune, Lauris Braman, Krista Montgomery, and Hillary Beal.

As mentioned earlier, the small orchestra comprised of musicians known for their considerable talents. They were Pat Turner on Flute, Clarinet, and Tenor Sax, Danny Sahn and Patrick Dorian on Trumpet, Jim Daniels on Trombone, Paul Rostock on Bass, Bob D’Aversa on Drums, and Pauline Fox (who also served as the Choir’s Accompanist) on Piano. The music they created to accompany the singers enhanced the program which led the audience to their feet at it’s conclusion. You’ll find more photographs taken during the concert in The Music 2011 Gallery at www.facebook.com/forwardian.dude.

The ESU Spring Choral Concert was the final one for the 2011 Spring Semester. Other music related presentations for the remainder of the semester to be performed in The Cecilia S. Cohen Recital Hall includes The Pocono Flute Society Concert on Saturday April 30th at 7pm and The 24th Annual Spring Band Concert on Sunday May 1st at 7pm featuring The University/Community Concert Band as directed by Otis French and The University Percussion Ensemble as directed by Jim Wilson. The Student Voice Recitals featuring the Students of James Maroney and Wendy Grice will take place Tuesday May 3rd and 6th at 7:30pm.

The ESU Concert Choir invites all students, faculty, and staff along with community members who love the art of music and our like to perform in their 2011 Fall Semester Concert to join them. The rehearsals will begin Tuesday August 30th at 7:15pm. The Semester’s Concert is scheduled to take place Wednesday December 7th. Please Contact The ESU Music Department at 570-422-3483 for more information.

Artful Portfolios Abound at ESU

The East Stroudsburg University (ESU) of PA held an Artists’ Reception on Wednesday April 27th for their Senior Seminar and Portfolio in Art Student Exhibition in The Madelon Powers which is located within the Campus‘ Fine and Performing Arts Building. The well attended event presented many colorful portfolios which were created by the artists in order to be shown to potential employers and galleries so their work will be displayed and/or utilized in the commercial field.

In addition to the students who presented their portfolios, there were several participants from the ESU Art Department who had their work hung in the gallery. After a brief introduction by the professor moderating the independent studies, each student began describing the processes that went into their work. This also included the sharing of insights relating to the pieces, art, and life they have gained along their creative journey.

The artists who presented their work includes John Carroll, Elizabeth Dugan, Drew Dvorsky, Kevin Galligan, Amanda Hoffman, Agnetta Krechner, Ben Koch, Ashlay Mytyk, Trevor Nash, Tanisha Parker, Malinda Peters, Christopher Schtzle, Evan Sells, Stephan Simork, Maria Sorrentino, and Nicole Thomas. The work of each artist caught the eye and captured the imagination. It leaves one hard pressed to contemplate why any gallery or industry would not want to have the talents of these students a part of their endeavors. The Exhibition Continues until May 4th. You’ll find more photographs taken during the reception in The Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

The East Stroudsburg University (ESU) of PA Senior Seminar and Portfolio in Art Student Exhibition is the final Exhibition for the 2011 Spring Semester. However, the Fall 2011 Semester which takes place between the months of September and December will provide plentiful opportunities to experience the creative energies the University’s students have become well known for. Please Contact The ESU Art Department at 570-422-3216 for more information.

Earth Day at Night

As a chilled darkness touched the streets of Stroudsburg, PA, a small group of dedicated individuals traveled upon its sidewalks on Friday April 22nd brought an eternal light to the town. This light was reflected by the candles they held as they were warmed by their flames and the camaraderie they shared. This Special Celebration of Earth Day was organized by a group dedicated to protecting and enhancing the environment called, “Heartsphere” and, while the gathering who walked the streets of Stroudsburg were small in number, they were not alone. Several businesses along the town’s main street turned off their lights for an hour in order to express their appreciation for all this planet has given them.

These businesses included The Cheeky Monkey Coffeehouse, Goombas Pizza, Le Persil Bistro, and Brooklyn Hero‘s Italian Deli. The celebration also included music provided by Holly Avilla whose performance in front of Brooklyn Hero‘s Italian Deli included opportunities for those who attend to sing along and to follow the beat of her selections upon some drums that were provided by Heartsphere. The parents and children who shared the first steps of this gathering were soon joined by passersbys who discovered a joy and understanding which they placed in the sphere of their hearts. Lorraine Fritz of The Cheeky Monkey Coffeehouse came by to bring some Vanilla Lattes to add warmth to the souls who gathered that night. You’ll find more photographs taken during the celebration in the Special Events 2011 Gallery at www.facebook.com/forwardian.dude.

Heartsphere offers ecologically minded individuals Heart-Centered programs which foster and spark deeper awareness, respect, and knowledge leading to living life in a balance reflected through the acknowledgment of our interconnectedness with all life in the immediate and greater environment. You’ll be able to learn more about Heartsphere and all they have to offer by exploring their website at heartsphere.consciousgathering.com or by contacting them at tosunnymorrow@hotmail.com.

Films Fit for a Forwardian

On a seasonally warm Spring day, The Forwardian Arts Society held their 1st Annual Forwardian Film Festival at The Cheeky Monkey Coffeehouse in Stroudsburg, PA on Friday April 15th.. The event featured five short films showcasing the talents of local filmmakers and actors and was greeted by a vast number of film lovers who came to enjoy the works and the meaningful conversations they would inspire. The evening would end with a deeper appreciation of the skills and techniques a filmmaker must employ to manifest their cinematic dreams.

After a few welcoming remarks, the festival began with a screening of “Misty Mountain” which is a science fiction piece from Denmark dealing with time travel. It starred local actor Bob Walz who was present during the festival. The film had the ability to draw many who experienced into the world it created which moved from the past to the present in unique ways. The enjoyment of this film was enhanced by the insights of its creation provided by Bob himself.

The second film was titled, “The Lottery” which was based on a short story written by Shirley Jackson. It was published in “The New Yorker” magazine in 1948 and received a very negative response due to its controversial themes. This response was so profound, readers canceled their subscription and the story was banned in the Union of South Africa. Since then, it has been accepted as a classic short story while being taught in schools as an example of what a short story is capable of accomplishing in the literary world. Again, Bob Walz, who appeared in the film, lent some insights to how the film was made.

The third film was titled, “lucky” and was filmed as a theatrically staged drama featuring three characters who were a little bit on the criminally shady side. This character driven piece captivated the audience with its dialogue and it’s filming techniques. Again, Bob Walz, who appeared in the film, lent some insights to how the film was made.

The forth film was titled, “Battle of the Bedpan.” As its title suggests, this was a comedy about an elderly man who wages a battle with his home care nurse. This leads to some very funny antics inspiring some light hearted chuckles from the audience. Again, Bob Walz, who appeared in the film, lent some insights to how the film was made.

The film was followed by a brief intermission which allowed the audience to partake of the many delicious beverages The Cheeky Monkey has to offer while commenting on the sinfully satisfying cookies the establishment offered as a complimentary treat to be enjoyed while watching the films. The Cheeky Monkey also provided an opportunity for the participants to support the publication of The Forwardian Arts Society’s Literary and Arts Magazine titled, “Forwardian” though a raffle with prizes donated by the establishment. This proved to be a very joyous and unexpected addition to the festival as those in attendance gleefully took advantage of the opportunity.

The final film shown during the festival as titled, “Spill” and starred Joseph Paul Carnevale who appears at The Cheeky Monkey during its monthly Comedy Night featuring the Off Track Players. The film was a comedy about a janitor who learns of an art competition and decides to participate when he also learns there is no experience necessary. The film reveals he not only is lacking any artistic experience but he is also lacking the tools and equipment he needs to create his work of art. This leads to an amusing process as he endeavors to manifest his masterpiece using the objects that are readily available to him. Other than the music on it’s sound track, the film was presented in silence. Many have commented on how this aspect of the film communicated its ideas more effectively than if there were any spoken words employed. Luckily, Joseph was present during the festival to share his experiences with the audience.

The screenings was followed by a discussion in which conversations led to friendships and a deeper love for the art of film. The winners of the raffle were also selected and the prizes were awarded. The festival ended with many words of appreciation and news of The Forwardian Arts Society’s upcoming monthly Film Lovers Gatherings. The next one is scheduled for Friday May 20th at 7pm and all film lovers are welcomed to attend this free event. The film shown will be selected from those suggested by the festival’s attendees and will be announced at a later date. You’ll find more photographs taken during The First Forwardian Film Festival in The Forwardian Arts Society 2011 Gallery at www.facebook.com/forwardian.dude.

The next event held at The Cheeky Monkey will be an Artist’s Reception featuring the work of David Ohkerling held on Friday May 6th beginning at 6pm. This Exhibition will continue until June 30th. Other future events at The Cheeky Monkey include their Open Mic Night taking place every Tuesday evening, The “Just Say It: A Spoken Word Symposium” events taking place every Thursday evening, their comedy night featuring the Off Track Players on Friday May 27th, and The Urban Mountain Voices’ Youth Open Mic Night on Saturday May 20th. The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-420-8222 for more information.

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. In addition to their annual Forwardian Film Festival, the Film Lovers’ Gatherings, and their literary and arts magazine titled, “Forwardian” mentioned earlier, The Forwardian Arts Society presents a series of “ArtSmash of the Poconos” festivals showcasing the creativity of all visual and performing artists throughout the creative community. These festivals are presented at various times and locations throughout the Summer. The Forwardian Arts Society also offers information and news relating to the arts through its website. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com to learn more information about all they have to offer the creative community.

Theatrical Review: Blithe Spirit

Theatrical Review: Blithe Spirit
Written by: Sir Noël Peirce Coward
Directed by: Stephanie French
Theatrical Review by: Paul Adam Smeltz

“HAIL to thee, blithe spirit!
Bird thou never wert—
That from heaven or near it
Pourest thy full heart
In profuse strains of unpremeditated art.”

From “To a Skylark” by Percy Bysshe Shelley

The East Stroudsburg University (ESU) Department of Theatre and Stage II presented their production of “Blithe Spirit” written by Sir Noël Peirce Coward who was well known as a versatile creative force especially during the 1920s, 30s, and 40s. Not only was he a playwright, he also acted and directed a number of productions and composed several songs which were equally popular. His plays became known for their wit and flamboyant style which reflected his own personality traits. He was knighted in 1969 and continued writing until shortly before the time of his death in 1973 at the age of 74.

As with almost all productions presented at ESU, the first experience of the play the audience encounters it the well designed and visually stunning set. The scene created for “Blithe Spirit” is no exception. The scenic designer and the construction crew who built the walls, floors, staircase, and other fixtures didn’t just decorate the stage, but built a house in which became a well pronounced character contributing its impressive attributes to the play. Several audience members were seen stumbling while taking their seats as their attentions were consistently distracted by the shear scope and detail of what lied before them on stage.

However, presenting this degree of detail and craftsmanship upon a stage is a very risky venture. It brings the expectations of what the audience will experience once the play begins to a very high level. If the acting or blocking of the play doesn’t meet the scene’s standards, a great disappointment may become prevalent in spite of the fact the theatrical experience would have been very satisfying with a more modest approach to the set’s design. But, as this reviewer is pleased to report, this was not a concern for this production as the acting and direction not only met the expectations created by the scenic design but exceeded them to a great degree.

“Blithe Spirit” was written in 1941 during the WWII bombing of London and was first presented in the city’s theatrical district known as the “West End” where it set a record for non-musical British plays with nearly 2000 performances. It ran for over 650 performances in the New York, NY theatre district known as Broadway and adapted was to film in 1945. Noel Coward also created a musical version of the play titled “High Spirits” which appeared on Broadway in 1964. The title of the play is taken from the poem “To a Skylark” written by Percy Bysshe Shelley in 1820.

“Blithe Spirit” has often been served as a shining example of a comedic style known as “comedy of Manners” or “Bedroom Comedy” which are considered the highest form of comedy. The lowest forms are often said to be “Puns” and “Slapstick.” Perhaps this is because they generally get more laughs from a larger spectrum of people. Regardless of one’s understanding of comedy or one’s level in regards to their sense of humor, this production manages to mix the sophistication and humor Noel Coward was well known for into a delightful concoction enjoyable to any comedic palate.

The play begins when an author named Charles Condomine (as portrayed by Gabryal Rabinowitz) and his wife Ruth (as portrayed by Kristin Walsh) invites their friends Dr. Bradman (as portrayed by Shamus Halloran) and his wife Mrs. Bradman (as portrayed by Kimberly Konczos) to a séance in order to gather material for a future book relating to the paranormal. Except for the highly infectious comedic entrances made by their maid Edith (as portrayed by Stephanie Clare), the play’s beginning seems rather boring and contains the overly dignified upper crust British traits commonly associated with the well to do citizens of the island nation. However, it is soon revealed these archaic and heavy handed mannerisms merely serves as a counterweight to the frivolity that delightfully dominates the majority of the play.

The entrance of Madame Acarti (as portrayed by Marshall Haskell who also served the production as part of its set construction crew) enlivens the play with her (well his) other worldly presence especially after a few martinis are consumed. This presence of Madame Acarti is soon enhanced by the arrival of the spirit of Charles’ first wife Elvira (as portrayed by Shannon Leigh Christmann). It is interesting to note the play seems rather dull until those akin to the dead show up. As a quote accredited to Sir Noël Peirce Coward presented in the play’s program states, “We have no reliable guarantee that the afterlife will be any less exasperating than this one, have we?” Well, the afterlife may not be “any less exasperating” but it seems those who dwell in it have a bit more fun as they’re able (perhaps due to the lack of the daily cares and social constrictions encountered in the living life) to let their hair down.

The plot of “Blithe Spirit” develops as the relationship between Charles and his long dead wife begins to rekindle. This first concerns his present wife, Ruth, who feels his mental condition is deteriorating. However, once it is proven to her the ghost does exist, she feels the jealousy and frustration known to anyone who ventured into a relationship with someone who has a deceased spouse. It is quite unsettling to have one’s attempts to gain undivided attention and affection when there’s an unseen and irreproachable pedestaled entity in their midst.

However, Ruth does not sit idly by while her husband is our “dilly dallying” (did I really write that?) about with his former wife. She soon contacts Madame Acarti and plots to get rid her undead rival once and for all. She is also not above telling her rival off through a series of angry exchanges which are often misdirected as she doesn’t have any idea where Elvira is at any given point in time. All this adds to the comic effect of the work and it is presented with great deal of relish by the cast. The sense the actors truly enjoyed themselves while being on stage made them a joy to watch.

The play was further enhanced by musical performances of several songs written by Sir Noël Peirce Coward. These songs were sung by members of the cast along with Karen Guilliams (who served the production by providing Sound Effects) and Paula Dixon creating a zeitgeist allowing the audience to place themselves in the times the play was written and first presented. It is rumored the director replaced some scenes from the original work in order to include the songs.

This directorial act may stir some degree of controversy as many theatrical purists feel all works should be presented on stage as written by the playwright unaltered. However, this seldom happens as even the best of actors often forget every single word they’re given in a script and occasionally resort to adlibbing a few words or sentences here and there. This is recognized as acceptable as long as the actor stays in character and it doesn’t cause other actors to forget their lines. There is also a school of thought the director may override the script in order to reveal a more meaningful production. This “going off book” is often done to emphasize aspects found through a deeper analysis of the play and not readily apparent in the work as written.

While this reviewer can readily associate himself with either side of the argument, it seems Ms. French’s approach (if the rumor is true) does the Sir Noël Peirce Coward’s work a great service by including his songs to underscore the period and thus bringing an enhanced understanding to a modern audience. These changes (if they occurred as rumored) reflected a deep respect and admiration to the play which was translated well to the audience. It would be quite a challenge to find any member of the audience not wishing to see another Noel Coward play even if they knew of the alleged changes that was made to the work. Of course, if the rumored this reviewer shared is untrue, a reader might rightfully suppose those who originated it is full of what those who practice the art of theatre refer to as “Blockage.” Regardless of this or any other rumor that may be associated with this production, it is a well acted and directed one.

This reviewer seldom mentions the technical aspects of the theatrical art other then those comments directed to the scenic design of the piece due to the fact technical theatre was never my forte. I do know, however, there are certain effects one can gain with lighting that creates a mood along with a sense of time and space. It would be remiss to conclude this review without mention of the uncanny and impressive lighting presented during the production which illustrates this property in textbook exactness. If for no other reason to see this play (and there are a multitude of reasons beyond this one), the effects of lighting can have to enhance a scene should be experienced.

The East Stroudsburg University (ESU) Department of Theatre and Stage II production of “Blithe Spirit” by Sir Noël Peirce Coward was Directed by Stephanie French (who also served as the production’s Vocal Coach as assisted by Michelle Jones) and was assisted with her directorial duties by Felicia Revero who also served the production as a member of the set construction crew. The production was Stage Managed by Jessica Pachuta who also served as one of the production’s Props Assistants. She was assisted by Elyse Burnett and Zenobia Colah who both served the production further as Prop Assistants. Margaret Joyce Ball served the production as its Musical Director and Vocal Coach while Charles Cole served as the production’s pianist. The English Dialect and Cultural Advisor was Patricia McKenzie.

Yoshinori Tanokura designed the set as assisted by Tiffany Cruz (who also was a part of the Set Construction Crew and was a scenic artist) and Costumes as assisted by Ahleea Zama and Gillian Reinartz. The Lighting was designed by Wilburn Bonnell while Robert McIntyre served as the production‘s Master Electrician (as well as a member of the production’s Set Construction Crew) and was assisted by Katie Dembesky, Kelsey Pulzone (who also served as a member of the production’s Set Construction Crew and prop assistant), Mary Dennis (who also served the production as a member of the Set Construction Crew), Tim Carpenter, and Tyler Whitman who was also the production‘s Spotlight Operator. The Light Board Operator was Meg Dowling who also served the production as a member of the Set Construction Crew and Property Master, Michael Thomas was the production’s Technical Director and also served as a member of the production’s Set Construction Crew.

Stephanie Carifi was the production’s Hair and Make Up Designer as assisted by Agnetta Kerchner who both served as Costume and Makeup Artists alongside Sarah Martins. The hairstylist for Elvira was Caitlyn Pulzone. The House Managers were Joey Dougherty and Joey Goldstein while the Box Office Managers were Justin O’ Hearn and Mervant Rivera. The Poster and Program Cover Design for the production was done by Greg Back. Those members of the Set Construction Crew not already mentioned are Eric Lang, Michelle Tuite, Brad Reigner, Paul Cenci, and Spencer Hartey. Yoshi Tanokura was a Scenic Artist and Tyler Adams and Jackie Knollhuff were part of the running crew.

This production of “Blithe Spirit” by Sir Noël Peirce Coward will continue its run at The East Stroudsburg University (ESU) in East Stroudsburg, PA at The University’s Fine and Performing Arts Center in it’s Smith-McFarland Theatre until April 17th and is recommended for those who wish to partake in a theatrical experience from a bygone time that is kept alive. From its beginning with the high powered frantic entrance of Edith who delighted the audience to the superbly droll appearance of Charles, Ruth, and their borderline snobbish friends, to the wildly bizarre Madame Acarti, to Elvira whose spirited manifestation enchants the entire audience toward some otherworldly laughter, this is one play not to be passed over. Please contact The East Stroudsburg University (ESU) Theatre Department at 570-422-3483 for more information about future productions and to reserve your ticket.

Photograph provided by David Dougherty of www.davedocphotography.com.

Theatrical Review: “Love, Sex, and the I. R. S.”

Theatrical Review: “Love, Sex, and the I. R. S.”
Written by: William “Billy” Zandt and Jane Milmore
Directed by: Debbie Kilfoil
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented Prestige Productions’ “Love, Sex, and the I.R.S” by William “Billy” Zandt and Jane Milmore. The play (originally titled, “Tax My Mistress”) was written in 1979 and has become a favorite among numerous community theatre companies who perform it during the US Federal Tax filing season whose deadline is April 15th. However, it has also been presented in foreign countries as well. It is known for its plentiful sight gags, double entendre, and funny lines. This production of “Love, Sex, and the I. R. S” presented them all intact.

The play centers around the premise a young man named “Jon Trachtman” (as portrayed by Joe Arner) has been filing his Federal income tax returns declaring his roommate, “Leslie Arthur” (as portrayed by Jim Lynch), as his wife for several years. Complications (which are more of them in this play than the tax code itself) begin when Jon discovers he’s being audited in which he tells Leslie of his deception and pleads with him to present himself as his wife when the Auditor, named, “Floyd Spinner” (as portrayed by Fred Broadbent) arrives. Of course, he agrees.

I did mention there’s a lot of complications in the plot of this play, didn’t I? Well, here are a few of them. Jon is having a romantic relationship with a woman named “Kate Dennis” (as portrayed by Samantha Crawn) who is also having a romantic relationship with Leslie with whom she plans to leave Jon for. Leslie has a girl friend named “Connie” (as portrayed by Jenell Manzi) who he loves but is broken hearted since he feels his love for her is unrequited. Jon and Leslie rent their apartment from Mr. Jensen (as portrayed by Dan Luddeni) who has a clause in their rental agreement that no unmarried couples are allowed to cohabitate which allows him to check the apartment from time to time to make sure there are no women living there. Then, there’s Jon’s mother “Vivian Trachtman” (as portrayed by Pat Van Varick) who further complicates things as only a mother could. This is especially evident when she obtains a Justice of the Peace, named, “Arnold Grunion” (as portrayed by Merlin Clarke) to marry her son and her “Fiancé.” Are you still with me?

The play does seem a bit dated as many of the attitudes among the characters toward women, homosexuals, and life in general are associated with those prevalent nearly 30 years ago. Even the style of acting is reminiscent of the time. This is especially true of Jim Lynch’s over the top performance of his role which brought to mind a combined Tony Randall and Jack Lemmon “Odd Couple” performance. However, if one can remember they’re watching a play written during (as the author once mentioned in a reminiscence of his work) “a more innocent age when a car jack was something you fixed a tire with and crack was something you saw on a plumber,” its fun and frivolity shines through making it an enjoyable theatrical experience and one comes to realize Jim Lynch could not portray his character any other way without betraying what the author intended.

In fact, the overall acting was spot on and enhanced the comedic effect of the production. The timing was very fast paced as a slapstick comedy requires while taking the time to slow it down long enough for the audience to absorb a gag line delivered in the mayhem. This balance is a very difficult thing to achieve and the direction of the play given by Debbie Kilfoil creates this balance with a great deal of finesse. And, the 1980’s mindset of the play soon becomes as easily forgotten as the realizations modern feminism can be while enjoying William Shakespeare’s “The Taming of the Shrew.”

The Shawnee Playhouse presentation of Prestige Productions of William “Billy” Zandt and Jane Milmore’s “Love, Sex, and the I. R. S.” was Directed by Debbie Kilfoil and was Stage Managed by Irene Garner. The set was designed by Mike Crawn while Joseph Bednarchik served as the production’s Lighting Director. All of the productions presented at The Shawnee Playhouse are produced by Ginny and Charlie Kirkwood. The Executive of The Shawnee Playhouse is Midge McClosky while its group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus and Ariel Hudak. Becky Haskell serves as the playhouse’s Sales and Marketing Director.

Prestige Productions’ “Love, Sex, and the I. R. S.” by William “Billy” Zandt and Jane Milmore continues its run until April 17th. It’s fun night at the theatre and I would recommend seeing it to anyone who would enjoy a good laugh or a mere smile. In any case, the joyously complicated roller coaster ride is worth the price of admission. Just bring some smelling sauce or some bad smelling cheese to revive yourself.

Prestige Productions is creator of The State Theatre of Easton, PA Summer Acting Camp. It is directed by Denise Crawn and is now in its 9th year teaching young people the skills associated with the theatrical arts. The 2011 Summer Acting Camp will be held July 11th - 22nd with a camp recital held Saturday July 23rd. To learn more about Prestige Productions and their Summer Acting Camp (including registration information), please Explore The State Theatre Website at www.statetheatre.org of call 610-252-3132.

Future presentations at The Shawnee Playhouse will include The Center Stage Players production of “Love Letters” by A. R. Gurney April 22nd - May 1st, “The Seafarer” by Conor McPherson, “River’s Edge: The Story of Shawnee” by Midge McClosky and Rod Foote May 20th - September 2nd, “Sisters of Swing: The Story of the Andrews Sisters” by Beth Gilleland, Bob Beverage, and Raymond Berg June 1st - September 3rd, and “Nunsense 2: The Second Coming” by Dan Goggin June 17th - September 4th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.

Elementary, My Dear Dreamland

The Dreamland Creations in Stroudsburg, PA held an Artists’ Reception on Sunday April 3rd which featured the work of numerous artists for their exhibition titled, “The Elements Show.” As with all their themed exhibitions, “The Elements Show” provided artists an opportunity to explore their creative imaginations as they are encouraged to devise their own interpretation to what the particular theme means to them and how it should be envisioned. This never fails to lead to an array of styles and approaches to the theme which enhances the experience for those who attend the exhibition as well.

The were many depictions of Earth, Wind, Water, and Fire which are elements most familiar to many who attended the show. But, there were many pieces that challenged the imagination to decipher its association to the theme. Some of the images examined and even re invented the very nature of these familiar elements while other artists explored an entirely new direction. This led those who experienced the work to a deeper understanding of the theme inspiring them to questions such as “What is the elemental nature of the world we experience?, of life?, of my very being?”

As if to propagate this line of questioning further, the music for the evening was provided by Rezlep and the Apparatus. Rezlep is well known for is ability to up the ante of consciousness through his multilayered performances in which he combines his original lyrics and music with dialogues from films and other audio sources. It’s a mind trip into the macabre that invites all who come to listen to partake of. The elements we are accustomed to are twisted and distorted to the point where we begin to see their true essence and recognize aspects we have been taught to forget. It is through listening to Rezlep and the Apparatus we begin to fully understand what many of the artists were trying to convey through their work and we become more enlightened because of it. The pairing of the visual work and music was an excellent one to experience.

The visual artists participating in “The Elements Show” include Rendi, J. J. Schutz, Shane Izykowski, Abby Braman, Michael S. Cooke, Brianna Ace, Ana Marie Hendricks, Myke Maldonado, Tim Nebel, Shirley Escribano, Susan Field, Will Mohlenhoff, Crystal Handelong, Noel Leas, Alison Grey, Ka-son Reeves, Mary McCauley, Victoria Penna, Janet, Morgan Lola Crespo, Sander Martijn, Heather Hummel, Mark Purcell, david Schappert, Joel Vazquez, Emilio Arostequi, Sean Cash, Sophie Crumb, Chris Frantz, Fake 111, and Paul (yeah, that‘s me). The Exhibition continues until May 30th. You’ll find more photographs taken during the reception in The Dreamland Creations 2011 Gallery at www.facebook.com/forwardian.dude.

The Dreamland Creations in Stroudsburg, PA serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercing reaching out to the vast community of conventional and non mainstream artists throughout the area. Their next Artists’ Reception will feature numerous artists who will present their work for an exhibition titled, “The Mythology Show.” The reception will take place Sunday June 5th beginning at 4pm. The Exhibition will continue until August 1st. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information about the artists, the current and future exhibitions, and all they have to offer.

The Art of Rendi at the Jukebox

The Main St. Jukebox in Stroudsburg, PA held an Artist’s Reception on Saturday April 2nd which featured the works created by an artist simply known as Rendi who is well known throughout the area for his skills in creating body art (aka tattoos) for those who wish to adorn their earthly and spiritual forms. There were those among the numerous attendees who are intimately familiar with his life enhancing endeavors but much of this was not on display due to the chilled outdoor temperatures still prevalent in the Pocono Areas of PA. However, the pieces placed along the walls of The Main Street Jukebox provided an insight to the artist’s imagination from which they are of a common origin.

The public display of Rendi’s work inspired those who came to experience it an opportunity to explore the nether regions of spirits in order to discover the lighter and darker aspects of their beings. However, this journey was not as a solemn one as one might expect as many of the pieces contained a great deal of humor which served to lighten our loads while we traveled with the artist to our individual destinations. In doing so, we come to realize embracing both the darker and lighter aspects of our beings allows us to accept ourselves as a whole thus enriching our experiences and relationships in the human realm with ourselves and others.

The musical guest performing for the reception was Rezlep and the Apparatus who has become quite well known and a favorite among who frequent The Main Street Jukebox. By combining original music and lyrics along with segments of dialogues lifted from films and other sources, a world is opened up before the audiences who are present during his performance who Rezlep mischievously invites to explore. Once they enter, he is free to amuse, bemuse, and confuse them until they are filled with a delightful uncertainty of where this journey will lead while tempered by a thoughtful laughter deriving from the fact the trip is a very enjoyable one. You’ll find more photographs taken during the reception in The Main Street Jukebox 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to the Art Exhibitions held at The Main Street Jukebox, they offer recordings made on CDs, Tapes, and Vinyl. The Artwork of Rendi Exhibition continues until April 29th. The Next featured event to be held at The Main Street Jukebox will be their annual Record Store Day on Saturday April 16th beginning at 10am. During the day, there will be special sales on records and live music. The Next Exhibition will feature The Art of Shirley Escribano with an Artist’s Reception held on Saturday May 7th beginning at 6pm. The exhibition will continue until May 27th. Please Explore The Main St. Jukebox Website at www.myspace.com/mainstjukebox or call 570-424-2246 for more information about these events and all they have to offer.

Theatrical Review: “Skyscraper”

Theatrical Review: “Skyscraper”
Written by: David Auburn
Directed by: Rob Ramos
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players production of “Skyscraper” by David Auburn who is best known for his play “Proof” which was awarded the 2001 Tony Award for Best Play and The Pulitzer Prize for Drama. It also became a film in 2005. “Skyscraper” was Mr. Auburn’s first full length play and was first presented in 1997. Prior to writing this play, he spent two years in The Juilliard School's playwriting program in which he study under Marsha Norman and Christopher Durang. For those who are familiar with their work, their influence on Mr. Auburn can be clearly seen. Yet, “Skyscraper” does have Mr. Auburn’s individual voice which became more profound in his later works.

This well acted production of “Skyscraper” takes place in the city of Chicago, Ill in 1997 and begins with an awkward prologue in which the characters are introduced. It’s awkward in that it seems unnecessary and does nothing to provide meaning to the play or it’s characters. This awkwardness is made more evident but the fact the characters are clumsily bumping into one another and falling flat upon the stage. Perhaps the playwright was commenting on what he feels about plays who find it necessary to present an air of self importance by adding a pretentious prologue to the work, but it’s real presence in this play eludes this reviewer.

However, once the play begins with a scene on a rooftop between a woman named “Vivian” as portrayed by Amy Cramer (who also as the production’s Scenic Designer) and a 110 year old man named “Louis” as portrayed by Robin Kessler, it begins to captivate the audience by bringing them into the relationship of the two characters. Their pivotally to the play isn’t fully realized until the end of the production, but their comic/tragic relationship faithfully reflects the essence of the theatrical arts as it compels us with a desire to learn more about them.

We are then introduced to characters who aid us in our discovery while establishing their own individual characteristics from which we would like to learn more about. They include Jessica (as portrayed by Juliet Dunham) who is a photographer filled with the desire to save a historic building doomed for demolition, Jane (as portrayed by Kate DiGerolamo) whose purpose in life seems to be to date lots of men, Raymond (as portrayed by John Bradley) who owns the company responsible for the building’s impending demolition, and Joseph (as portrayed by Ryan Moore) who is Raymond’s philosophical employee and brother who becomes unemployed and mistakenly becomes the focus of Jane’s sensual desires. The cast is rounded off by the appearance of Cameron Cramer as the waiter who also serves the production as a stagehand.

It’s been said the “Skyscraper” is “a serious comedy about the deterioration of ingenuity and art.” While it is indeed a serious comedy, it is much more profound than a play about the deterioration of ingenuity and art. But, trying to define this play by placing any description to what it’s about would be a great disservice to the work. It is about a good number of things as the play doesn’t evolve through the typical plot driven narrative most theatre goers are accustomed to. Instead, the play’s exposition is revealed through its characters and the stories they have to tell through their words and deeds.

This theatrical approach tends to involve the audience more deeply into the play as they are inspired to think “Ah, that’s what the play is about” until another exchange between the characters cause the audience to think “Oh, wait. This is what the play is about.” Perceptions of what the play is saying to the audience change throughout the production and this make the theatrical experience much more engaging, Of course, there are times when this approach becomes a devise just used to confuse the audience so they avoid realizing what a bad play it is, but this is certainly not the case with “Skyscraper.”

Except for the presence of the prologue this reviewer has already mentioned, the play is well crafted and the acting presented in this production was very good. This is especially true of the portrayal of Louis by Robin Kessler. It is very difficult for a young actor to play a much older one without succumbing to the temptation of creating a characterization of the role. But, Mr. Kessler’s portrayal brings Louis to life in a very believable way. This does not discount the talents of the other actors in the play as their individual theatrical skills are quite considerable. However, the play does tend to center around the Louis character and any violation to the “suspension of disbelief” by the actor portraying the role diminishes the believability of the entire play along with all of its the characters.

The well crafted direction of the play should be acknowledged as a definitive element to bringing Mr. Auburn’s work to a meaningful and faithful production. Rob Ramos has appeared in several productions presented at The Shawnee Playhouse and other venues. The skills he accumulated as an outstanding actor translates well in his role as a director. It is said a director who wishes to be a good one must first become an accomplished actor. The thought behind this is not only does the director needs to have an intimate understanding of the play and all it’s themes (apparent and implied), but he/she needs to know how to inspire the actors to bring about performances that honors the work. This production of David Auburn’s “Skyscraper” gives credence to this mindset and kudos to Mr. Ramos for giving it a great deal of validity.

The Worthington Players production of “Skyscraper” by David Auburn was directed by Rob Ramos and Stage Managed by Tom Nordon. The Lighting and Sound Technician was David Schappert. All of the productions presented at The Shawnee Playhouse are produced by Ginny and Charlie Kirkwood. The Executive of The Shawnee Playhouse is Midge McClosky while its group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus and Ariel Hudak. Becky Haskell serves as the playhouse’s Sales and Marketing Director.

The Worthington Players production of “Skyscraper” by David Auburn continues its run until April 3rd. It’s unfortunate this reviewer was unable to review this production earlier during its presentation, but there is still time for those who read this review to see it. I would recommend doing so as it does hold a great deal of meaning for those who manage to attend the production before it closes. You may do so by contacting The Shawnee Playhouse from the information found at the conclusion of this review.

The Worthington Players serves as the artistic arm of The Shawnee Institute which was formed in December of 1999 as a 501-C3 organization designed to provide diverse, quality artistic programs to the residents of the historic village of Shawnee and the surrounding areas. In addition to holding its Annual Playwright Completion, The Worthington Players performs their non-musical productions from January to March. Please contact The Shawnee Playhouse to learn how you can become a part of The Worthington Players and support The Shawnee Institute.

Future presentations at The Shawnee Playhouse will include The Prestige Productions presentation of “Love, Sex, and The I. R. S.” by William Van Zant and Jane Milmore April 8th - 17th along with The Center Stage Players production of “Love Letters” by A. R. Gurney April 22nd - May 1st and “The Seafarer” by Conor McPherson. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.