Theatrical Review: Blithe Spirit

Theatrical Review: Blithe Spirit
Written by: Sir Noël Peirce Coward
Directed by: Stephanie French
Theatrical Review by: Paul Adam Smeltz

“HAIL to thee, blithe spirit!
Bird thou never wert—
That from heaven or near it
Pourest thy full heart
In profuse strains of unpremeditated art.”

From “To a Skylark” by Percy Bysshe Shelley

The East Stroudsburg University (ESU) Department of Theatre and Stage II presented their production of “Blithe Spirit” written by Sir Noël Peirce Coward who was well known as a versatile creative force especially during the 1920s, 30s, and 40s. Not only was he a playwright, he also acted and directed a number of productions and composed several songs which were equally popular. His plays became known for their wit and flamboyant style which reflected his own personality traits. He was knighted in 1969 and continued writing until shortly before the time of his death in 1973 at the age of 74.

As with almost all productions presented at ESU, the first experience of the play the audience encounters it the well designed and visually stunning set. The scene created for “Blithe Spirit” is no exception. The scenic designer and the construction crew who built the walls, floors, staircase, and other fixtures didn’t just decorate the stage, but built a house in which became a well pronounced character contributing its impressive attributes to the play. Several audience members were seen stumbling while taking their seats as their attentions were consistently distracted by the shear scope and detail of what lied before them on stage.

However, presenting this degree of detail and craftsmanship upon a stage is a very risky venture. It brings the expectations of what the audience will experience once the play begins to a very high level. If the acting or blocking of the play doesn’t meet the scene’s standards, a great disappointment may become prevalent in spite of the fact the theatrical experience would have been very satisfying with a more modest approach to the set’s design. But, as this reviewer is pleased to report, this was not a concern for this production as the acting and direction not only met the expectations created by the scenic design but exceeded them to a great degree.

“Blithe Spirit” was written in 1941 during the WWII bombing of London and was first presented in the city’s theatrical district known as the “West End” where it set a record for non-musical British plays with nearly 2000 performances. It ran for over 650 performances in the New York, NY theatre district known as Broadway and adapted was to film in 1945. Noel Coward also created a musical version of the play titled “High Spirits” which appeared on Broadway in 1964. The title of the play is taken from the poem “To a Skylark” written by Percy Bysshe Shelley in 1820.

“Blithe Spirit” has often been served as a shining example of a comedic style known as “comedy of Manners” or “Bedroom Comedy” which are considered the highest form of comedy. The lowest forms are often said to be “Puns” and “Slapstick.” Perhaps this is because they generally get more laughs from a larger spectrum of people. Regardless of one’s understanding of comedy or one’s level in regards to their sense of humor, this production manages to mix the sophistication and humor Noel Coward was well known for into a delightful concoction enjoyable to any comedic palate.

The play begins when an author named Charles Condomine (as portrayed by Gabryal Rabinowitz) and his wife Ruth (as portrayed by Kristin Walsh) invites their friends Dr. Bradman (as portrayed by Shamus Halloran) and his wife Mrs. Bradman (as portrayed by Kimberly Konczos) to a séance in order to gather material for a future book relating to the paranormal. Except for the highly infectious comedic entrances made by their maid Edith (as portrayed by Stephanie Clare), the play’s beginning seems rather boring and contains the overly dignified upper crust British traits commonly associated with the well to do citizens of the island nation. However, it is soon revealed these archaic and heavy handed mannerisms merely serves as a counterweight to the frivolity that delightfully dominates the majority of the play.

The entrance of Madame Acarti (as portrayed by Marshall Haskell who also served the production as part of its set construction crew) enlivens the play with her (well his) other worldly presence especially after a few martinis are consumed. This presence of Madame Acarti is soon enhanced by the arrival of the spirit of Charles’ first wife Elvira (as portrayed by Shannon Leigh Christmann). It is interesting to note the play seems rather dull until those akin to the dead show up. As a quote accredited to Sir Noël Peirce Coward presented in the play’s program states, “We have no reliable guarantee that the afterlife will be any less exasperating than this one, have we?” Well, the afterlife may not be “any less exasperating” but it seems those who dwell in it have a bit more fun as they’re able (perhaps due to the lack of the daily cares and social constrictions encountered in the living life) to let their hair down.

The plot of “Blithe Spirit” develops as the relationship between Charles and his long dead wife begins to rekindle. This first concerns his present wife, Ruth, who feels his mental condition is deteriorating. However, once it is proven to her the ghost does exist, she feels the jealousy and frustration known to anyone who ventured into a relationship with someone who has a deceased spouse. It is quite unsettling to have one’s attempts to gain undivided attention and affection when there’s an unseen and irreproachable pedestaled entity in their midst.

However, Ruth does not sit idly by while her husband is our “dilly dallying” (did I really write that?) about with his former wife. She soon contacts Madame Acarti and plots to get rid her undead rival once and for all. She is also not above telling her rival off through a series of angry exchanges which are often misdirected as she doesn’t have any idea where Elvira is at any given point in time. All this adds to the comic effect of the work and it is presented with great deal of relish by the cast. The sense the actors truly enjoyed themselves while being on stage made them a joy to watch.

The play was further enhanced by musical performances of several songs written by Sir Noël Peirce Coward. These songs were sung by members of the cast along with Karen Guilliams (who served the production by providing Sound Effects) and Paula Dixon creating a zeitgeist allowing the audience to place themselves in the times the play was written and first presented. It is rumored the director replaced some scenes from the original work in order to include the songs.

This directorial act may stir some degree of controversy as many theatrical purists feel all works should be presented on stage as written by the playwright unaltered. However, this seldom happens as even the best of actors often forget every single word they’re given in a script and occasionally resort to adlibbing a few words or sentences here and there. This is recognized as acceptable as long as the actor stays in character and it doesn’t cause other actors to forget their lines. There is also a school of thought the director may override the script in order to reveal a more meaningful production. This “going off book” is often done to emphasize aspects found through a deeper analysis of the play and not readily apparent in the work as written.

While this reviewer can readily associate himself with either side of the argument, it seems Ms. French’s approach (if the rumor is true) does the Sir Noël Peirce Coward’s work a great service by including his songs to underscore the period and thus bringing an enhanced understanding to a modern audience. These changes (if they occurred as rumored) reflected a deep respect and admiration to the play which was translated well to the audience. It would be quite a challenge to find any member of the audience not wishing to see another Noel Coward play even if they knew of the alleged changes that was made to the work. Of course, if the rumored this reviewer shared is untrue, a reader might rightfully suppose those who originated it is full of what those who practice the art of theatre refer to as “Blockage.” Regardless of this or any other rumor that may be associated with this production, it is a well acted and directed one.

This reviewer seldom mentions the technical aspects of the theatrical art other then those comments directed to the scenic design of the piece due to the fact technical theatre was never my forte. I do know, however, there are certain effects one can gain with lighting that creates a mood along with a sense of time and space. It would be remiss to conclude this review without mention of the uncanny and impressive lighting presented during the production which illustrates this property in textbook exactness. If for no other reason to see this play (and there are a multitude of reasons beyond this one), the effects of lighting can have to enhance a scene should be experienced.

The East Stroudsburg University (ESU) Department of Theatre and Stage II production of “Blithe Spirit” by Sir Noël Peirce Coward was Directed by Stephanie French (who also served as the production’s Vocal Coach as assisted by Michelle Jones) and was assisted with her directorial duties by Felicia Revero who also served the production as a member of the set construction crew. The production was Stage Managed by Jessica Pachuta who also served as one of the production’s Props Assistants. She was assisted by Elyse Burnett and Zenobia Colah who both served the production further as Prop Assistants. Margaret Joyce Ball served the production as its Musical Director and Vocal Coach while Charles Cole served as the production’s pianist. The English Dialect and Cultural Advisor was Patricia McKenzie.

Yoshinori Tanokura designed the set as assisted by Tiffany Cruz (who also was a part of the Set Construction Crew and was a scenic artist) and Costumes as assisted by Ahleea Zama and Gillian Reinartz. The Lighting was designed by Wilburn Bonnell while Robert McIntyre served as the production‘s Master Electrician (as well as a member of the production’s Set Construction Crew) and was assisted by Katie Dembesky, Kelsey Pulzone (who also served as a member of the production’s Set Construction Crew and prop assistant), Mary Dennis (who also served the production as a member of the Set Construction Crew), Tim Carpenter, and Tyler Whitman who was also the production‘s Spotlight Operator. The Light Board Operator was Meg Dowling who also served the production as a member of the Set Construction Crew and Property Master, Michael Thomas was the production’s Technical Director and also served as a member of the production’s Set Construction Crew.

Stephanie Carifi was the production’s Hair and Make Up Designer as assisted by Agnetta Kerchner who both served as Costume and Makeup Artists alongside Sarah Martins. The hairstylist for Elvira was Caitlyn Pulzone. The House Managers were Joey Dougherty and Joey Goldstein while the Box Office Managers were Justin O’ Hearn and Mervant Rivera. The Poster and Program Cover Design for the production was done by Greg Back. Those members of the Set Construction Crew not already mentioned are Eric Lang, Michelle Tuite, Brad Reigner, Paul Cenci, and Spencer Hartey. Yoshi Tanokura was a Scenic Artist and Tyler Adams and Jackie Knollhuff were part of the running crew.

This production of “Blithe Spirit” by Sir Noël Peirce Coward will continue its run at The East Stroudsburg University (ESU) in East Stroudsburg, PA at The University’s Fine and Performing Arts Center in it’s Smith-McFarland Theatre until April 17th and is recommended for those who wish to partake in a theatrical experience from a bygone time that is kept alive. From its beginning with the high powered frantic entrance of Edith who delighted the audience to the superbly droll appearance of Charles, Ruth, and their borderline snobbish friends, to the wildly bizarre Madame Acarti, to Elvira whose spirited manifestation enchants the entire audience toward some otherworldly laughter, this is one play not to be passed over. Please contact The East Stroudsburg University (ESU) Theatre Department at 570-422-3483 for more information about future productions and to reserve your ticket.

Photograph provided by David Dougherty of www.davedocphotography.com.

Theatrical Review: “Love, Sex, and the I. R. S.”

Theatrical Review: “Love, Sex, and the I. R. S.”
Written by: William “Billy” Zandt and Jane Milmore
Directed by: Debbie Kilfoil
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented Prestige Productions’ “Love, Sex, and the I.R.S” by William “Billy” Zandt and Jane Milmore. The play (originally titled, “Tax My Mistress”) was written in 1979 and has become a favorite among numerous community theatre companies who perform it during the US Federal Tax filing season whose deadline is April 15th. However, it has also been presented in foreign countries as well. It is known for its plentiful sight gags, double entendre, and funny lines. This production of “Love, Sex, and the I. R. S” presented them all intact.

The play centers around the premise a young man named “Jon Trachtman” (as portrayed by Joe Arner) has been filing his Federal income tax returns declaring his roommate, “Leslie Arthur” (as portrayed by Jim Lynch), as his wife for several years. Complications (which are more of them in this play than the tax code itself) begin when Jon discovers he’s being audited in which he tells Leslie of his deception and pleads with him to present himself as his wife when the Auditor, named, “Floyd Spinner” (as portrayed by Fred Broadbent) arrives. Of course, he agrees.

I did mention there’s a lot of complications in the plot of this play, didn’t I? Well, here are a few of them. Jon is having a romantic relationship with a woman named “Kate Dennis” (as portrayed by Samantha Crawn) who is also having a romantic relationship with Leslie with whom she plans to leave Jon for. Leslie has a girl friend named “Connie” (as portrayed by Jenell Manzi) who he loves but is broken hearted since he feels his love for her is unrequited. Jon and Leslie rent their apartment from Mr. Jensen (as portrayed by Dan Luddeni) who has a clause in their rental agreement that no unmarried couples are allowed to cohabitate which allows him to check the apartment from time to time to make sure there are no women living there. Then, there’s Jon’s mother “Vivian Trachtman” (as portrayed by Pat Van Varick) who further complicates things as only a mother could. This is especially evident when she obtains a Justice of the Peace, named, “Arnold Grunion” (as portrayed by Merlin Clarke) to marry her son and her “Fiancé.” Are you still with me?

The play does seem a bit dated as many of the attitudes among the characters toward women, homosexuals, and life in general are associated with those prevalent nearly 30 years ago. Even the style of acting is reminiscent of the time. This is especially true of Jim Lynch’s over the top performance of his role which brought to mind a combined Tony Randall and Jack Lemmon “Odd Couple” performance. However, if one can remember they’re watching a play written during (as the author once mentioned in a reminiscence of his work) “a more innocent age when a car jack was something you fixed a tire with and crack was something you saw on a plumber,” its fun and frivolity shines through making it an enjoyable theatrical experience and one comes to realize Jim Lynch could not portray his character any other way without betraying what the author intended.

In fact, the overall acting was spot on and enhanced the comedic effect of the production. The timing was very fast paced as a slapstick comedy requires while taking the time to slow it down long enough for the audience to absorb a gag line delivered in the mayhem. This balance is a very difficult thing to achieve and the direction of the play given by Debbie Kilfoil creates this balance with a great deal of finesse. And, the 1980’s mindset of the play soon becomes as easily forgotten as the realizations modern feminism can be while enjoying William Shakespeare’s “The Taming of the Shrew.”

The Shawnee Playhouse presentation of Prestige Productions of William “Billy” Zandt and Jane Milmore’s “Love, Sex, and the I. R. S.” was Directed by Debbie Kilfoil and was Stage Managed by Irene Garner. The set was designed by Mike Crawn while Joseph Bednarchik served as the production’s Lighting Director. All of the productions presented at The Shawnee Playhouse are produced by Ginny and Charlie Kirkwood. The Executive of The Shawnee Playhouse is Midge McClosky while its group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus and Ariel Hudak. Becky Haskell serves as the playhouse’s Sales and Marketing Director.

Prestige Productions’ “Love, Sex, and the I. R. S.” by William “Billy” Zandt and Jane Milmore continues its run until April 17th. It’s fun night at the theatre and I would recommend seeing it to anyone who would enjoy a good laugh or a mere smile. In any case, the joyously complicated roller coaster ride is worth the price of admission. Just bring some smelling sauce or some bad smelling cheese to revive yourself.

Prestige Productions is creator of The State Theatre of Easton, PA Summer Acting Camp. It is directed by Denise Crawn and is now in its 9th year teaching young people the skills associated with the theatrical arts. The 2011 Summer Acting Camp will be held July 11th - 22nd with a camp recital held Saturday July 23rd. To learn more about Prestige Productions and their Summer Acting Camp (including registration information), please Explore The State Theatre Website at www.statetheatre.org of call 610-252-3132.

Future presentations at The Shawnee Playhouse will include The Center Stage Players production of “Love Letters” by A. R. Gurney April 22nd - May 1st, “The Seafarer” by Conor McPherson, “River’s Edge: The Story of Shawnee” by Midge McClosky and Rod Foote May 20th - September 2nd, “Sisters of Swing: The Story of the Andrews Sisters” by Beth Gilleland, Bob Beverage, and Raymond Berg June 1st - September 3rd, and “Nunsense 2: The Second Coming” by Dan Goggin June 17th - September 4th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.

Elementary, My Dear Dreamland

The Dreamland Creations in Stroudsburg, PA held an Artists’ Reception on Sunday April 3rd which featured the work of numerous artists for their exhibition titled, “The Elements Show.” As with all their themed exhibitions, “The Elements Show” provided artists an opportunity to explore their creative imaginations as they are encouraged to devise their own interpretation to what the particular theme means to them and how it should be envisioned. This never fails to lead to an array of styles and approaches to the theme which enhances the experience for those who attend the exhibition as well.

The were many depictions of Earth, Wind, Water, and Fire which are elements most familiar to many who attended the show. But, there were many pieces that challenged the imagination to decipher its association to the theme. Some of the images examined and even re invented the very nature of these familiar elements while other artists explored an entirely new direction. This led those who experienced the work to a deeper understanding of the theme inspiring them to questions such as “What is the elemental nature of the world we experience?, of life?, of my very being?”

As if to propagate this line of questioning further, the music for the evening was provided by Rezlep and the Apparatus. Rezlep is well known for is ability to up the ante of consciousness through his multilayered performances in which he combines his original lyrics and music with dialogues from films and other audio sources. It’s a mind trip into the macabre that invites all who come to listen to partake of. The elements we are accustomed to are twisted and distorted to the point where we begin to see their true essence and recognize aspects we have been taught to forget. It is through listening to Rezlep and the Apparatus we begin to fully understand what many of the artists were trying to convey through their work and we become more enlightened because of it. The pairing of the visual work and music was an excellent one to experience.

The visual artists participating in “The Elements Show” include Rendi, J. J. Schutz, Shane Izykowski, Abby Braman, Michael S. Cooke, Brianna Ace, Ana Marie Hendricks, Myke Maldonado, Tim Nebel, Shirley Escribano, Susan Field, Will Mohlenhoff, Crystal Handelong, Noel Leas, Alison Grey, Ka-son Reeves, Mary McCauley, Victoria Penna, Janet, Morgan Lola Crespo, Sander Martijn, Heather Hummel, Mark Purcell, david Schappert, Joel Vazquez, Emilio Arostequi, Sean Cash, Sophie Crumb, Chris Frantz, Fake 111, and Paul (yeah, that‘s me). The Exhibition continues until May 30th. You’ll find more photographs taken during the reception in The Dreamland Creations 2011 Gallery at www.facebook.com/forwardian.dude.

The Dreamland Creations in Stroudsburg, PA serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercing reaching out to the vast community of conventional and non mainstream artists throughout the area. Their next Artists’ Reception will feature numerous artists who will present their work for an exhibition titled, “The Mythology Show.” The reception will take place Sunday June 5th beginning at 4pm. The Exhibition will continue until August 1st. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information about the artists, the current and future exhibitions, and all they have to offer.

The Art of Rendi at the Jukebox

The Main St. Jukebox in Stroudsburg, PA held an Artist’s Reception on Saturday April 2nd which featured the works created by an artist simply known as Rendi who is well known throughout the area for his skills in creating body art (aka tattoos) for those who wish to adorn their earthly and spiritual forms. There were those among the numerous attendees who are intimately familiar with his life enhancing endeavors but much of this was not on display due to the chilled outdoor temperatures still prevalent in the Pocono Areas of PA. However, the pieces placed along the walls of The Main Street Jukebox provided an insight to the artist’s imagination from which they are of a common origin.

The public display of Rendi’s work inspired those who came to experience it an opportunity to explore the nether regions of spirits in order to discover the lighter and darker aspects of their beings. However, this journey was not as a solemn one as one might expect as many of the pieces contained a great deal of humor which served to lighten our loads while we traveled with the artist to our individual destinations. In doing so, we come to realize embracing both the darker and lighter aspects of our beings allows us to accept ourselves as a whole thus enriching our experiences and relationships in the human realm with ourselves and others.

The musical guest performing for the reception was Rezlep and the Apparatus who has become quite well known and a favorite among who frequent The Main Street Jukebox. By combining original music and lyrics along with segments of dialogues lifted from films and other sources, a world is opened up before the audiences who are present during his performance who Rezlep mischievously invites to explore. Once they enter, he is free to amuse, bemuse, and confuse them until they are filled with a delightful uncertainty of where this journey will lead while tempered by a thoughtful laughter deriving from the fact the trip is a very enjoyable one. You’ll find more photographs taken during the reception in The Main Street Jukebox 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to the Art Exhibitions held at The Main Street Jukebox, they offer recordings made on CDs, Tapes, and Vinyl. The Artwork of Rendi Exhibition continues until April 29th. The Next featured event to be held at The Main Street Jukebox will be their annual Record Store Day on Saturday April 16th beginning at 10am. During the day, there will be special sales on records and live music. The Next Exhibition will feature The Art of Shirley Escribano with an Artist’s Reception held on Saturday May 7th beginning at 6pm. The exhibition will continue until May 27th. Please Explore The Main St. Jukebox Website at www.myspace.com/mainstjukebox or call 570-424-2246 for more information about these events and all they have to offer.

Theatrical Review: “Skyscraper”

Theatrical Review: “Skyscraper”
Written by: David Auburn
Directed by: Rob Ramos
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players production of “Skyscraper” by David Auburn who is best known for his play “Proof” which was awarded the 2001 Tony Award for Best Play and The Pulitzer Prize for Drama. It also became a film in 2005. “Skyscraper” was Mr. Auburn’s first full length play and was first presented in 1997. Prior to writing this play, he spent two years in The Juilliard School's playwriting program in which he study under Marsha Norman and Christopher Durang. For those who are familiar with their work, their influence on Mr. Auburn can be clearly seen. Yet, “Skyscraper” does have Mr. Auburn’s individual voice which became more profound in his later works.

This well acted production of “Skyscraper” takes place in the city of Chicago, Ill in 1997 and begins with an awkward prologue in which the characters are introduced. It’s awkward in that it seems unnecessary and does nothing to provide meaning to the play or it’s characters. This awkwardness is made more evident but the fact the characters are clumsily bumping into one another and falling flat upon the stage. Perhaps the playwright was commenting on what he feels about plays who find it necessary to present an air of self importance by adding a pretentious prologue to the work, but it’s real presence in this play eludes this reviewer.

However, once the play begins with a scene on a rooftop between a woman named “Vivian” as portrayed by Amy Cramer (who also as the production’s Scenic Designer) and a 110 year old man named “Louis” as portrayed by Robin Kessler, it begins to captivate the audience by bringing them into the relationship of the two characters. Their pivotally to the play isn’t fully realized until the end of the production, but their comic/tragic relationship faithfully reflects the essence of the theatrical arts as it compels us with a desire to learn more about them.

We are then introduced to characters who aid us in our discovery while establishing their own individual characteristics from which we would like to learn more about. They include Jessica (as portrayed by Juliet Dunham) who is a photographer filled with the desire to save a historic building doomed for demolition, Jane (as portrayed by Kate DiGerolamo) whose purpose in life seems to be to date lots of men, Raymond (as portrayed by John Bradley) who owns the company responsible for the building’s impending demolition, and Joseph (as portrayed by Ryan Moore) who is Raymond’s philosophical employee and brother who becomes unemployed and mistakenly becomes the focus of Jane’s sensual desires. The cast is rounded off by the appearance of Cameron Cramer as the waiter who also serves the production as a stagehand.

It’s been said the “Skyscraper” is “a serious comedy about the deterioration of ingenuity and art.” While it is indeed a serious comedy, it is much more profound than a play about the deterioration of ingenuity and art. But, trying to define this play by placing any description to what it’s about would be a great disservice to the work. It is about a good number of things as the play doesn’t evolve through the typical plot driven narrative most theatre goers are accustomed to. Instead, the play’s exposition is revealed through its characters and the stories they have to tell through their words and deeds.

This theatrical approach tends to involve the audience more deeply into the play as they are inspired to think “Ah, that’s what the play is about” until another exchange between the characters cause the audience to think “Oh, wait. This is what the play is about.” Perceptions of what the play is saying to the audience change throughout the production and this make the theatrical experience much more engaging, Of course, there are times when this approach becomes a devise just used to confuse the audience so they avoid realizing what a bad play it is, but this is certainly not the case with “Skyscraper.”

Except for the presence of the prologue this reviewer has already mentioned, the play is well crafted and the acting presented in this production was very good. This is especially true of the portrayal of Louis by Robin Kessler. It is very difficult for a young actor to play a much older one without succumbing to the temptation of creating a characterization of the role. But, Mr. Kessler’s portrayal brings Louis to life in a very believable way. This does not discount the talents of the other actors in the play as their individual theatrical skills are quite considerable. However, the play does tend to center around the Louis character and any violation to the “suspension of disbelief” by the actor portraying the role diminishes the believability of the entire play along with all of its the characters.

The well crafted direction of the play should be acknowledged as a definitive element to bringing Mr. Auburn’s work to a meaningful and faithful production. Rob Ramos has appeared in several productions presented at The Shawnee Playhouse and other venues. The skills he accumulated as an outstanding actor translates well in his role as a director. It is said a director who wishes to be a good one must first become an accomplished actor. The thought behind this is not only does the director needs to have an intimate understanding of the play and all it’s themes (apparent and implied), but he/she needs to know how to inspire the actors to bring about performances that honors the work. This production of David Auburn’s “Skyscraper” gives credence to this mindset and kudos to Mr. Ramos for giving it a great deal of validity.

The Worthington Players production of “Skyscraper” by David Auburn was directed by Rob Ramos and Stage Managed by Tom Nordon. The Lighting and Sound Technician was David Schappert. All of the productions presented at The Shawnee Playhouse are produced by Ginny and Charlie Kirkwood. The Executive of The Shawnee Playhouse is Midge McClosky while its group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus and Ariel Hudak. Becky Haskell serves as the playhouse’s Sales and Marketing Director.

The Worthington Players production of “Skyscraper” by David Auburn continues its run until April 3rd. It’s unfortunate this reviewer was unable to review this production earlier during its presentation, but there is still time for those who read this review to see it. I would recommend doing so as it does hold a great deal of meaning for those who manage to attend the production before it closes. You may do so by contacting The Shawnee Playhouse from the information found at the conclusion of this review.

The Worthington Players serves as the artistic arm of The Shawnee Institute which was formed in December of 1999 as a 501-C3 organization designed to provide diverse, quality artistic programs to the residents of the historic village of Shawnee and the surrounding areas. In addition to holding its Annual Playwright Completion, The Worthington Players performs their non-musical productions from January to March. Please contact The Shawnee Playhouse to learn how you can become a part of The Worthington Players and support The Shawnee Institute.

Future presentations at The Shawnee Playhouse will include The Prestige Productions presentation of “Love, Sex, and The I. R. S.” by William Van Zant and Jane Milmore April 8th - 17th along with The Center Stage Players production of “Love Letters” by A. R. Gurney April 22nd - May 1st and “The Seafarer” by Conor McPherson. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.

The ESU Student Art Show

The East Stroudsburg University (ESU) of PA Art Department held an Artists’ Reception for their students participating in “The ESU Art Association All University Student Juried Art Exhibit” on Wednesday March 30th in The Madelon Powers located within The campus’ Fine and Performing Arts Building. A wide variety of styles and topics were encountered by each member of the well attended event as they peered within realm of the students’ imaginations and considerable talent. The work was indeed impressive as some were very seemingly simplistic pieces while others were much more sophisticated in their appearance. However, upon creating a closer relation with each work, one found intricate aspects to the “simple” pieces which gave them a deeper presence while one can move toward the more sophisticated work to discover a detail in the object which allows its meaningful communication to the viewer to simply exist.

Awards were given throughout the event to those students who proved themselves to be event more exceptional artists among their peers. James Gloria of The Totts Gap Arts Institute (TGAI) in Bangor, PA served as Juror for the exhibition and his work in selecting which pieces were to receive awards must have been a daunting one. The awards were provided by The ESU Society of the Arts.

These awards were presented to Malinda Peters who received the first place award and $300 for her work titled, “Reflection on Sunglasses,” Drew Dvorsky who received the second place award and $200 for his work titled, “Deep Snow,” and Benjamin Koch who received the third place award and $100 for his work titled, “Decay.” Those who received Honorable Mentioned were Bethany Wert for her work titled, “Forest” and Dominick Frabizio for his work titled, “No Wake” along with Evan Sells and Mel Rivera for their work titled, “A Smuggler‘s Advice from a Caterpillar at a Mad Tea Party in Seville (aka The Wedding Ring).”

The remainder of artist who shared their work included Elisabeth Brennan, Karen Raptakis, Amanda Hoffman. Christopher P. Schatzle, Agnette Krechner, Angelina Fregoni (who serves as The ESU Art Association Treasurer), Mirtha L. Estevez, Kevin Galligan, Erin Raught, Lauriel Gingrich, Jamie Kramer, Bridget Arrow, Courtney Sherba, Sam Peterson, Nicole Thomas, Alma Barrantes, Kayla Littrell, Winnie Geyer, Abby Oxford (who serves as The ESU Art Association Vice President), Abby Braman, Elizabeth Dugan, Nicole Warn, Anthony Negron, Alyssa Kopf, Amanda Boye, Brian Hannessy, Patrick Burns, Alisa Stengel, Samantha Garcia, Caitlyne Steininger, and Laura Suits. Each of the pieces presented by these artists had their own individual outstanding qualities. The love and enthusiasm these students have for the arts shown throughout their work and their conversations. You’ll find more Photographs taken during the reception in The Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

The ESU Art association is a student run organization whose goal is to inspire opportunities to live a better life in relation to art among those residing on campus and the surrounding community. Meetings are held weekly and all art lovers are invited to attend. In addition to those already mentioned in this article, the group’s officers include Steve Simorka who serves as its President. Professor David Mazure serves as the groups Faculty Advisor. The ESU Art Association All University Student Juried Art Exhibition Continues until April 12th. Their next exhibition will be for their Senior Seminar and Portfolio exhibition beginning with an Artists’ Reception to be held Wednesday April 27th and will conclude on May 4th. You can learn more about The ESU Art association and how to become a part of their future endeavors by visiting www.facebook.com/group.php?gid=2208607072&v=wall or by contacting The ESU Art Department at 570-422-3216.

The ESU Society for the Arts consists of a group of local arts enthusiasts and patrons who make annual scholarships and awards possible for arts majors at ESU. For more information about The ESU Society for the Arts and how to become a part of it, please contact Dr. Peter Hawkes at 570-422-3474.

The Totts Gap Arts Institute (TGAI) in Bangor, PA is designed to nurture artists of all ages and to awaken the excitement, passion, and possibility of both the fine and performing arts by offering classes, showcasing talent, and hosting events that will infuse our community and the region with a love and respect for the creative process. You can learn more about The Totts Gap Arts Institute (TGAI) and all it has to offer the community by exploring their website at www.tottsgap.com or by calling 610-588-5817.

A House Filled with the Richness of Ragtime

The ArtMusic Coffeehouse in East Stroudsburg, PA presented the duo known as “Rags to Riches” on Saturday March 26th. An evening of Ragtime melodies delighted the numerous music lovers who attended the concert while Don Slepian and Jan Julia provided an hospitable atmosphere enhancing the musical performance.

Those who frequent the concerts were welcomed back by the culinary treats and the delectable conversations they have shared with friends they’ve established throughout the years. However, many of those who have only recently discovered The ArtMusic Coffeehouse Series mentioned a certain feeling of familiarity as they entered the dwelling as if they have been there for quite a long time. They soon realized this familiarity was due to the fact the home of Don Slepian and Jan Julia reflects the home we all have deep inside our hearts.

As with all concerts given at The ArtMusic Coffeehouse, Rags to Riches was preceded by a performance given by host Don Slepian whose original, impromptu compositions laid a relaxing groundwork enhancing the musical journey that was soon to follow. Rags to Riches’ pianist Don Kawash and bass-baritone Randy Shupp faithfully captures the spirit of the Ragtime Genre as their overwhelming love for the music shown through in their performance. The joyous expression they transmitted were clearly received by all who came to hear them as evident in the glittering smiles seen in each pair of eyes. You’ll find more information about Rags to Riches and the musical history of Ragtime at www.gaslightrags2riches.com. You’ll find more Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery at www.facebook.com/forwardian.dude.

The ArtMusic Coffeehouse holds its concert series in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as it they take place in a private home. The Next The ArtMusic Coffeehouse Concert will feature Ben Carol on Tuesday April 5th and Sundad on Saturday April 16th. Both concerts will begin at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seat.

Ka-son del la Cheeky

The Cheeky Monkey Coffeehouse in Stroudsburg, PA held an Artist’s Reception which featured the work of Ka-son Reeves on Friday March 4th. While most of the wall containing his work were of the stylized depictions of the human condition which many who come to love his work are familiar with, there were a few pieces that were quite different demonstrating his proficiency as an artist. These ranged from realism to symbolic depictions of life’s inner struggles and triumphs.

One of Ka-Son’s works is titled, “Rif” which depicts a young man looking out upon a city landscape. During a conversation with the artist while experiencing this very realistic depiction, he shared his admiration of the great artists such as Rembrandt who utilized shadows and dark textures in his backgrounds until they gained a uncommon equality with the subject without detracting from it’s significance. This masterful feat can be easily seen echoed in this work as each skillful stroke of colors enhances both the fore and background bringing the viewer deeper into not only the scene and the young man’s ponderings but into the viewer as well.

Another one of Ka-Son’s works is a symbolic depiction consisting of two arms burdened with chains. As with all symbolic images, the viewer is free to create their own interpretation. I won’t endeavor to offer my reflections upon this image as it would be erroneous to deprive those who visit the gallery after reading this article of the enjoyment of embracing an interpretation of their own. However, there is something which derived from my continued conversation with Ka-Son which bears repeating.

Ka-Son told me he has many such works in his home which are presently unfinished. He said this was due to his hesitancy in completing them until he had enough talent to do justice to the work. This reminded me of the excavations of Pompeii. When the Roman city of Pompeii was discovered under the ashes of the ancient eruption of Mount Vesuvius, a truer depiction of life in the 70AD era came into being surpassing all previous speculations and understandings. The importance of the Archeological Information it divulged was and continues to be beyond measure.

However, in spite of the excitement these revelations inspired, it was decided much of the area would remain untouched. It was realized the tools they had may be inadequate to explore and comprehend the historical treasures they recently encountered. An agreements was reached to leave much of what was there to a future time when equipment and skills of a more enlightened scientific community matched the task of unwrapping all that is yet to be discovered without detracting from it’s significant offerings. The decision of Ka-Son not to complete his more symbolic pieces until he feels it’s time to do so reflects this disciplined restraint and creates a deeper appreciation for what his considerable skills are presently able to manifest.

The music accompanying the reception was provided by singer/songwriter Jeni Hacket who has become a favorite among those who frequent The Cheeky Monkey Coffeehouse. The soulful combination of original songs and those established by others enhanced the delightful atmosphere permeating the thoughts and conversations of the many who attended the event. Jeni has an uncanny ability of touching an undiscovered quality of each song and present it in a new way. It was often a challenge to determine where her rendition of a song (her own or others) began and those instilled in the listeners’ spirit ended.

The next Artist’s Reception The Cheeky Monkey Coffeehouse* in Stroudsburg, PA will feature the work of David Ohkerling and be held on Friday May 6th beginning at 6pm. This Exhibition will continue until June 30th. The current Exhibition featuring the Art of Ka-Son Reeves continues until May 1st. You’ll find more photographs taken during the reception in The Cheeky Monkey 2011 Gallery at www.facebook.com/forwardian.dude.

The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Future events include their Open Mic Night with takes place every Tuesday evening, The “Just Say It: A Spoken Word Symposium” events which takes place every Thursday evening, their monthly comedy night featuring the Off Track Players on Friday March 11th, The Urban Mountain Voices’ monthly Youth Open Mic Night on Saturday March 26th, and The Forwardian Arts Society monthly Film Lovers’ Gathering on Friday April 15th. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or Call 570-420-8222 for more information.

Theatrical Review: “Broadway on the Red Carpet”

Theatrical Review: “Broadway on the Red Carpet”
Book, Music, and Lyrics by: Numerous
Directed and Choreographed by: Brandon Hanks and Kaitie Kaiser
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA recently presented their production of “Broadway on the Red Carpet” which was a musical revue consisting of a collection of songs from Broadway Musicals which later became films. These included “Hair,” “West Side Story,” “Wicked,” “Grease,” “Gypsy,” “Chicago,” “Seussical,” “You’re a Good Man Charlie Brown,” “In the Heights,” “Jekyll and Hyde,” “The Wiz,” “Secret Garden,” and “Rent.” However, songs from films that later became musicals were also featured throughout revue which included “Little Shop of Horrors,” Hairspray,” “The Wizard of OZ,” and “Xanadu.” Selections from the musicals “Singing in the Rain” which had multiple musical sources such as theatrical musicals and popular songs before becoming a film and “White Christmas” which originated from the film, “Holiday Inn.”

The presentation was well done as a very talented, high energy cast sang and danced to recreate the iconic moments of each production represented during the revue. The ensemble cast consisted of Shauna Schopper, Esteban Vasquez, Maria Stein, Kara Snyder, Joseph Ambrosia, Lauren Santerelli, Hailey Canto, Sara Ferguson, Jillian Dente, Kara Snyder, Kristopher Sanchez, Stephanie Clare, and Steve Spangler along with Kaitie Kaiser and Brandon Hanks who served as the production‘s co Director and co Choreographer. Musical accompaniment was provided by Ann Mullen who served the production as the Band’s Music Director on piano, Marshall Haskell on Drums, and Noah Talbot on Bass. An informative narrative strung the performances together with humor and insights to how the transition from theatre to film came about, was received, and other tidbits which enhanced the enjoyment of the show.

And, “Broadway on the Red Carpet” was indeed an enjoyable show which proved to be a very pleasurable evening at the theatre. The only unfortunate aspect of the show was the length of its run which was from February 25th - 27th. So, by the time you read this, the show would have concluded its performance. But, for those who came out to see it, many delightful memories can be tucked away and saved for a day when our hearts needs a cause to smile.

The Shawnee Playhouse production of “Broadway on the Red Carpet” was authored by a variety of sources but was derived from an original concept presented at The Smiling Rhino Theatre. This production was (as mentioned earlier) Directed and Choreographed by Brandon Hanks and Kaitie Kaiser and Staged Managed by Emily Cioc. Brent Schlosshauer served as the Production’s Set Designer while Eric Dwyer served as the Lighting Designer and Operator. Amy Rau served as the production’s Music Director while Missy Benefield served as its costumer. The Shawnee Playhouse producers are Ginny and Charlie Kirkwood with Midge McClosky serving as the playhouse’s Executive Director. The Box Office Manager is Mary Horn as assisted by Christina McManus. Becky Haskell serves as The Shawnee Playhouse’s Sales and Marketing Director.

The Shawnee Playhouse was built in 1904 by C.C. Worthington and was known as the Worthington Hall to provide entertainment and educational benefit to residents and visitors of Shawnee on Delaware, PA. Local actors and actresses formed the troupe called, “The Shawnee Players” and performed from 1904 until World War II when Fred Waring and the Pennsylvanians began broadcasting their famous radio programs from the Hall. The Hall later fell into disuse until the Kirkwood family purchased the Resort in 1978 and began to restoring The Worthington Hall to it‘s present state remaining the building “The Shawnee Playhouse.” The Shawnee Playhouse continues its tradition of providing professional quality live theatre to those who enjoy the art form.

Future presentations at The Shawnee Playhouse will include their production of “Branigan’s Blarney” by Rod Foote March 4th - 20th, The Worthington Players production of “The Skyscraper” by David Auburn March 25th - April 3rd, The Prestige Productions presentation of “Love, Sex, and The I. R. S.” by William Van Zant and Jane Milmore April 8th - 17th, and The Center Stage Players productions of “Love Letters” by A. R. Gurney April 22nd - May 1st and “The Seafarer“ by Connor McPherson May 6th - 15th.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please Explore The Shawnee Playhouse Website at www.theshawneeplayhouse.com or call 570-421-5093 for more information about their productions and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.

A Melodious Duo Fills a House

The ArtMusic Coffeehouse in East Stroudsburg, PA presented The SheilaMark Duo on Friday February 25th. Although the gathering was rather small due to the still wintry weather conditions, the music presented by Sheila and Mark Hamza filled the home of Don Slepian and Jan Julia enhancing it’s welcoming and calming effects on all who come to visit their abode. The concert consisted of Mark playing his accordion while Sheila sang songs which touched the heart and brought smiles to the faces of all who partook of their reminiscent qualities.

The SheilaMark Duo performs in a variety of venues and can be seen almost anywhere throughout the area at any given time. Besides begin a part of the duo, Sheila has played with a number of Celtic bands and has performed in numerous festivals. She recently publish a CD titled, "Celtic Lady of the Lake." Mark and his accordion is often seen (among other places) roaming around The Annual Delaware Water Gap, PA Celebration of the Arts (COTA) Jazz and Arts Festival which takes place in September. He can also be seen playing his huge Hammond Organ with his fellow musicians of The Great Swamp Blues Band in several locations. Please feel free to explore The SheilaMark Duo website at www.sheilamarkproductions.com to learn more information about them, their music, and where you might catch their next solo and collaborative performances.

Along with the wonderful music, the evening also included an opportunity to enjoy some delightful conversation and some delicious culinary treats. A peaceful and welcoming environment never fails to engulf those who come visit the house which many has come to feel at home. The ArtMusic Coffeehouse is not only a place one can go to hear some great music; it is also a place one can experience love. You’ll find more Photographs taken during the concert in The ArtMusic Coffeehouse 2011 Gallery at www.facebook.com/forwardian.dude.

The ArtMusic Coffeehouse holds its concert series in the home of Don Slepian and Jan Julia who reside in the borough of East Stroudsburg, PA. A variety of musical forms are presented including folk, jazz, classical, and electronic music. Although the concerts welcomes all who wish to attend, seating is limited as it they take place in a private home. The Next The ArtMusic Coffeehouse Concert will feature Ann and Will Rowland on Monday March 7th beginning at 8pm. Please Explore The ArtMusic Coffeehouse Website at www.ArtMusicCoffeehouse.com or Call 570-476-6307 for more information and to reserve your seat.

Theatrical Review: “Spanakopita”

Theatrical Review: “Spanakopita”
Written by: Larry Rosler
Directed by: Byrdie Jacques and Sara Ferguson
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players production of “Spanakopita” by Larry Rosler who won the full length play category of their 2010 Playwright Completion. This Annual Competition not only gives local playwrights an opportunity to have their work presented on The Shawnee Playhouse stage but also gives the audiences who frequent the venue a chance to experience some new and interesting work. This production of “Spanakopita” proved to be no exception to this tradition as the audience was treated to a very entertaining experience at the theatre.

The play’s title “Spanakopita” derives from a Greek dessert consisting of chopped spinach and a variety of cheeses along with other ingredients which are combined and wrapped in a pastry. The name of the dish could be translated from the Greek to “spinach pie” in English. A full listing of the ingredients made the dish sound delicious and a danger to any weight loss determinations. However, viewing the play allows one to experience the ecstasy of what can be found while consuming the pastry without the need to run a few extra laps at the gym.

The play takes place on an Island Villa off the Greek coast in which an older couple named “Richard” as portrayed by Glenn Geyser Getz and “Diane” as portrayed by Juliet Dunham are spending their vacation with Diane’s friend “Zoe” as portrayed by Nicole Dietz. While Diane wants to go out to explore and experience all things Grecian, Richard would rather just sit and read. In the meantime, the recently divorced Zoe is having adventures of her own which includes meeting a young Greek man named Andreas as portrayed by Patrick Murphy whom she describes as a god.

The relationship between the characters becomes amusingly complicated when Richard (who has always disliked Zoe) feels he has fallen in love with her. Except for a moment of intoxicated indiscretion, the feeling is not reciprocated. The relationships experience further complications when the sexual opportunist Andreas begins seducing Diane. This seduction is appreciated. The plot of this well written and acted play leads its characters toward revelations about themselves and the relationships they’ve chosen while the audience laughs at their genuinely funny antics. In other words, it was fun play.

The Worthington Players production of “Spanakopita” by Larry Rosler was directed by Byrdie Jacques and Sara Ferguson and Stage Managed by Lydia Sampson. The Lighting and Sound Technician was Robert Kobus. All of the productions presented at The Shawnee Playhouse are produced by Ginny and Charlie Kirkwood. The Executive of The Shawnee Playhouse is Midge McClosky while its group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus and Ariel Hudak. Becky Haskell serves as the playhouse’s Sales and Marketing Director.

The Worthington Players production of “Spanakopita” by Larry Rosler continues its run until February 20th. This reviewer would recommend seeing this romantic comedy even if some of those reading this review don‘t particularly like the Rom-Com genre. By admission, this reviewer often finds plays and films of this genre somewhat lacking because many create unbelievable characters doing unbelievable things in unbelievable locations. However, while “Spanakopita” does contain some of the typical Rom-Com elements, it involves the audience with the characters’ lives in such a way they become not only our friends but we begin to see ourselves within them. This has much to do with the talent of the actors, the theatrical abilities of the directors, and the considerable writing skills of the playwright. And, besides, it’s fun.

The Worthington Players Annual Playwright Completion invites local playwrights to send in their original works in which a panel selects a number of finalist from the submissions. The chosen plays are then presented in a series of staged readings which are viewed by an audience. The audiences vote on which plays are to be presented as full productions and those who receive the most votes become one.

Finalist for this year’s competition include “Mark Twain and Livy” by Joseph P. Ritz, “Bill Wilson’s Bicycle” by Peter S Nicholls, A Cabin for a King” by Sarah McCarroll and Julie Luongo, “Visions of Joanna” by Ken White, “The Queens Are Coming” by Salome Kingsly, “The Last Word” by Thomas Hudak, “Four Strangers and a Wedding” by Thomas Hudak, “The Last Drive-In” by Thomas Hudak, “Polar Bares” by Thomas Hudak. “The Emperor’s New Clothes” by Stephen A. Williams, and “Silence Not” by Cynthia L. Cooper. The Staged Readings for these finalist will take place March 4th, 11th, and 18th at 8pm. Please contact The Shawnee Playhouse to learn more about the readings and how you can participate in the 2012 competition.

The Worthington Players serves as the artistic arm of The Shawnee Institute which was formed in December of 1999 as a 501-C3 organization designed to provide diverse, quality artistic programs to the residents of the historic village of Shawnee and the surrounding areas. In addition to holding its Annual Playwright Completion, The Worthington Players performs their non-musical productions from January to March. Please contact The Shawnee Playhouse to learn how you can become a part of The Worthington Players and support The Shawnee Institute.

Future presentations at The Shawnee Playhouse will include their productions of “Broadway on the Red Carpet” February 25th - 27th and “Branigan’s Blarney” by Rod Foote March 4th - 20th, The Worthington Players production of “The Skyscraper” by David Auburn March 25th - April 3rd, The Prestige Productions presentation of “Love, Sex, and The I. R. S.” by William Van Zant and Jane Milmore April 8th - 17th, and The Center Stage Players production of “Love Letters” by A. R. Gurney April 22nd - May 1st.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.

An Afternoon with the Arts

The Artspace Gallery in Stroudsburg, PA held an Artists’ Reception for their Winter Art Exhibit on Saturday February 12th. The recent frigid weather the Pocono Area had experienced in the past few weeks gave way to a warming trend with was accentuated by the welcoming warmth found within the Gallery. A sizable crowd of art lovers gathered for the reception enhancing the conversation the works inspired.

The numerous artists who participated in the exhibit offered a variety of works which were pleasing to the eye wile their vibrant and cool colors proved to be a beacon for those of us who are anticipating the Spring Season to arrive while celebrating the beauty and wonders of the current Winter Season. The artists who deftly managed to strike this precarious balance included Richard Spezzano, Joyce Bambach, Shirley Epstein, Deb Frantz, Mira Hensley, Marlana Holsten, Dee Huxster, David Klein, Tricia Lippert, Don Manza, works created by those who are a part of MudWorks Pottery, Alice Prall, Andrea Rimberg, Joan Sayer, and Jill Swersi. The exhibition will continue until February 27th. You’ll find more photographs taken during the reception in The Visual Arts 2011 Gallery at www.facebook.com/forwardian.dude.

The Artspace Gallery is a Public Fine Art Gallery run by The PoconoArts Council serving the Monroe and surrounding counties located in Northeast PA. More than twenty juried artists exhibit their works throughout the Spring and Summer Months while promoting fine art in Stroudsburg, PA. Please Explore The Artspace Gallery Website at www.poconoarts.org/artspace or call 570-476-4460 for more information.

Womanhood Celebrated at The Sherman

The Sherman Community Gallery located within The Sherman Theatre in Stroudsburg, PA held an Artists’ Reception on Friday February 11th for an exhibition titled, “Reveries of Form: A Celebration of Women” featuring the work of Photographer Sander Martijn. The reception severed to support the endeavors of the Women’s Leadership Initiative of The United Way of the Greater Lehigh Valley. Music for the event was provided by Abby Braman with Kevin Vanderhoof. However, since I had to leave early, I didn’t have the opportunity to experience their performance.

The work displayed was very intriguing and invited each viewer to delve deeply into each piece as many inspired an expansion of what the art of photography can achieve. This was particularly true of a series of photographs titled, “Combustion.” The concept derives from the phenomenon of Spontaneous Human Combustion in which people seem to burst into flames from an internal source.

As the artist notes in his description of the series, this is a urban legend that is unlikely to be true as there may be other reasons for the occurrence such as falling asleep in bed or a comfortable chair with a lit cigarette. However, the concept (according to the description) fascinates the artist and the images depicting his interpretation of the phenomenon instills this fascination into those who view the work.

The series depicts a woman in various stages of becoming incinerated. Yet, these images goes beyond the basic interest in the urban legend as they capture the sense of a light being ignited within the human soul. This flame of self realization grows with each consecutive image until the woman is consumed and purified of all the elements that keeps her from her full potential as a human being. The images not only depicts the subject’s journey to fulfillment but allows us to embrace the realization we can allow the light within us to flourish until we are no longer part of the light but we become the light.

Although the reception attracted a small gathering, the work deserves a visit to The Sherman Gallery by those who would like see some excellent examples of why many consider photography a very meaningful art form. The exhibition continues until April 1st. Due to an error during uploading the photographs I took during the reception, there are no pictures to be posted to accompany this article. In other words, I messed up.

The Sherman Theatre was built in the 1920s and now is equipped to present many of today’s biggest shows offering a full bar along with the sound, comfort, and historic feel of their incredible performance venue. Their next presentations include A night of dance and music from Club 524 on Saturday February 19th, a performance by the band Conditions as part of their Independent Rock Series on Sunday February 20th, a performance by Conspirator featuring Marc Brownstein and Aron Magner of The Disco Biscuitson Saturday March 5th, a performance by Asleep At The Wheel on Thursday March 10th, and The Led Zepplin Experience: Hammer of the Gods on Saturday March 26th. Please Contact The Sherman Theatre at 570-420-2808 or Explore their Website at www.shermantheatre.com for more information.

A Lyrical Dreamland

The Dreamland Creations in Stroudsburg, PA held an Artists Reception on Sunday February 6th which featured the work of numerous artists for their exhibition titled, “The Lyrics Show.” This was the first of themed exhibitions for 2011 which were made popular during 2010. It provides artists with opportunities to explore their creative imaginations as they are encouraged to devise their own interpretation to what the particular theme means to them and how it should be envisioned. This never fails to lead to an array of styles and approaches to the theme which enhances the experience for those who attend the exhibition as well.

The work presented during “The Lyric Show” exhibition proved to be no exception to this trend as the caliber of the pieces were of a very high standard as was the conversation it all inspired. An extra added enhancement to the exhibition was the posting of the lyrics of the songs that inspired the visual work. While many were of favorite songs recorded by musicians well known to the artists’, there were a number of pieces accompanied by lyrics of songs written my the artist him/herself. This showcased the considerable talent of the artists in question as it provided further depth into the entire work in which the can delved into by those who experience the work. However, regardless whether the lyrics accompanying individual pieces originated from the presenting artists’ or not, the presence of the word along side the art added a new dimension waiting to be explored by anyone who chose to embark on such a journey.

The receptions during 2010 often included musicians who were scheduled to perform prior to the event. However, since the exhibition’s theme related to the lyrics of songs, it was fitting the event would extend an open to musicians to share their songs with the gathering. This lack of planning allowed an arrival of music as varied and interesting as the work presented upon the walls. It was entertaining, intriguing, and mesmerizing as each note was played and sung. These musical artists included Eric J. Becker on Guitar, Holly Avila on Guitar accompanied by Ralph on Accordion and Michael S. Cooke on percussion, Ricky Antonio Delgado on Guitar, Stephan Tsapatoris on Guitar accompanied by Holly Avila on percussion, and Dmitry Kaif on Guitar.

The visual artists participating in “The Lyric Show” include Rendi, J. J. Schutz, Shane Izykowski, Abby Braman, Michael S. Cooke, Brianna Ace, John Kolbek, Ana Marie Hendricks, Myke Maldonado, Skelly, Debra Frantz, Tim Nebel, Shirley Escribano, Stephen Lippay, Kyle Kucsma, Susan Field, Michael Parsons, Laura Below, Will Mohlenhoff, Hayley Lushinsky, and Paul (yeah, that‘s me). The Exhibition continues until March 28th. You’ll find more photographs taken during the reception in The Dreamland Creations 2011 Gallery at www.facebook.com/forwardian.dude.

The Dreamland Creations in Stroudsburg, PA serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercing reaching out to the vast community of conventional and non mainstream artists throughout the area. Their next Artists’ Reception will feature numerous artists who will present their work for an exhibition titled, “The Elements Show.” The reception will take place Sunday April 3rd beginning at 4pm. The Exhibition will continue until May 30th. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information about the artists, the current and future exhibitions, and all they have to offer.

A Musical Haven

Holly's Wholistic Haven in East Stroudsburg, PA held a drumming session on Saturday January 29th to celebrate the arrival of the new moon and Candlemas. The evening was hosted by Holly Avilla began with a potluck dinner served in her kitchen while those attending had an opportunity to share some great food and even greater conversation. As the shadows of the new moon amplified the darkness outside the Haven, it’s luminary aspects shown throughout the drumming session that followed the meal was enhanced as each avenue of music was inspired by the celestial occurrence and the influential beats of each other. These instruments of the heavens and souls who occupy them included Holly, Seth Lewis, Michael Allcock, Peter Taney, Caroline Burgage, and Arline M, Smeltz.

The evening also served as a celebration of Candlemas which is one of the twelve Great Feasts in the Eastern Orthodox Church. It serves as a remembrance of the Presentation of Jesus at the Temple in which (according to the Gospel according to Luke) the parents of Jesus took their baby to the temple 40 days after his birth to complete Mary's ritual purification after childbirth, and to perform the redemption of the firstborn, in obedience to the Law of Moses. They encounter Simeon the Righteous who has been promised that "he should not see death before he had seen the Lord's Christ." They also encounter an elderly prophetess named Anna offered prayers and praises to God for Jesus while speaking of his role in the redemption of Israel.

However, it’s widely believed by those who practice what’s become known as the Pagan Faiths, Candlemas is a Christianization of the Gaelic festival of Imbolc (aka St Brigid’s Day) which was celebrated in pre-Christian Europe marking the beginning of spring. Regardless of the origin of the holiday, the warmth shared among those who visited the Haven brought forth a Spring like season through their good will. It was a wonderful thing to experience and I’m eagerly awaiting the next opportunity to partake of it again. You’ll find more photographs in the Music 2011 Gallery at www.facebook.com/forwardian.dude.

In addition to gatherings such as the one described in this article, Holly's Wholistic Haven offers astrology and tarot consultations which specialize in relationship and soul mate astrology. Please Contact Holly's Wholistic Haven at 570-369-2797 for more information about these and other services along with future special events.

Theatrical Review: “Whose Afraid of Virginia Woolf?”

Theatrical Review: “Whose Afraid of Virginia Woolf?”
Written by: Edward Albee
Directed by: Jan Julia
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Kaleidoscope Players production of Edward Albee’s “Whose Afraid of Virginia Woolf.” The play won numerous well deserved awards including the 1963 Tony Award for Best Play and the 1962-63 New York Drama Critics' Circle Award for Best Play. However, when it was selected for the 1963 Pulitzer Prize for Drama, the award's advisory board objected to the play's controversial use of profanity and sexual themes and overruled the selection committee. Therefore, there were no Pulitzer Prize for drama awarded in 1963. Although much of the objectionable material has become passé to the modern audience, the play’s impact still resonates as it strikes a chord in the psyche of those who experience it.

As eluded to in the Director’s notes, The title of the play derives from an inscription "Who's Afraid of Virginia Woolf?" Edward Albee saw written in soap on a mirror in a bar he frequented. He later said, “When I started to write the play, it cropped up in my mind again. And of course, who's afraid of Virginia Woolf means who's afraid of the big bad wolf (from the song sung in Walt Disney’s version of “The Three Pigs.”) who's afraid of living life without false illusions. And it did strike me as being a rather typical, university intellectual joke.” This joke is told throughout the play, but one can hardly find it a humorous one as it’s told in a malicious manner filled with sarcasm and anger.

The play takes place around 2am on a Sunday Morning in the home of a professor of history named George (as played by Patrick Bresnyan) and his wife Martha (as played by Chrystyna Janak). They’ve just come home from a party when Martha informs George she invited a young couple named Nick (as played by Scott Colin) and his wife Honey (as played by Liza Grando) to come over. What begins as the title of the first act of "Fun and Games" suggests as a night of a gentile get together among colleagues (Nick is a biology professor), soon evolves into an evening filled with pain and regret as revealed through the games’ titles such as "Humiliate the Host," "Get the Guests," "Hump the Hostess," and "Bringing Up Baby."

To say the play is about anger is to oversimplify the work. It is not just about anger but about all its manifestations and how they are materialized in human intercourse. It is hurtful to watch but its presentation makes it compelling. From its very first moments when George and Martha returns home, the play begins a barrage upon the senses and it never lets up. It does relent once in a while, but this is only to allow us to catch our breath as we await the next flow of physiological punches.

What makes such punches more effective is the fact the audience don’t get the feel they’re watching a play. One is taken aback how the dialogue is very natural and had no hint of being scripted. Actors don’t wait until others are finished saying their lines before they speak. It also has little regard for the audience as well. The play and its acts begins whether the audience is seated and ready for them to begin or not. There is no sense there is any separation between the audience and the characters they have come to observe. We were invited to the home of George and Martha as well and subject to their whims.

We are more than witnesses of the tools of war George and Martha are so apt at applying. We are, like Nick and Honey, pawns and fresh meat as they hurl the weapons of making distinctions and clarifications in order to keep their prey off guard and defensive. We come as Nick had come as those who proclaim we won’t become emotionally involved in the affairs of others, but we do. And, of course we do. Otherwise, why did we come at all? Wasn’t it to observe the lives of those who inhabit the play we’ve come to see? Wasn’t it to see how they ticked and tocked as they chime at one another? Are we that surprised when we’re faced with our fear of living a life without the false illusions of remaining unaffected by what we experience? When George finally asks Martha "Who's Afraid of Virginia Woolf?" One wonder how many members of the audience can refrain from echoing her response “I am.”

To say the acting was suburb would be a gross understatement. It was among the best this reviewer has ever seen on The Shawnee Playhouse or on any other stage. Every moment of the play each actor was in the moment reacting and responding to every instance that occurred on stage and in their character’s mind. The pacing enhanced the production and this is often determined by the play’s director. Kudos to director Jan Julia for establishing this realistic pace which allowed the fourth wall separating actors and audience to dissolve thereby bringing a profound sense of reality to the theatrical experience. It was disturbing, uncomfortable, and revealed more than an audience member would want to reveal to him/herself. But, damn this was good theatre.

The Shawnee Playhouse presentation of The Kaleidoscope Players production of Edward Albee’s “Whose Afraid of Virginia Woolf” was Directed by Jan Julia and was Stage Managed by Irene Garner who also served as part of the production’s set construction crews as assisted by Emily Cioc who also served as part of the production’s lighting set construction crews. The Lighting and Sound Technician was David Schappert who also designed the set. He and Patrick Turner, Levi and Robert Young, Bob Walz, and Marshall Haskell. The Music and Sound Technician was Don Slepian. The Production’s Costumer was Missy Benefield.

The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus while Becky Haskell serves as the playhouse’s Sales and Marketing Director. The Executive Director of The Shawnee Playhouse is Midge McClosky.

This presentation of The Kaleidoscope Players production of Edward Albee’s “Whose Afraid of Virginia Woolf” will conclude its run at The Shawnee Playhouse in Shawnee on the Delaware, PA on February 6th. I would recommend seeing this production who would like to face their fears of losing the illusions that define who they are. A popular song says, “You have to get to Hell before you get to Heaven” and while this play doesn’t promise a place in paradise, it does bring one to a better place by seeing it.

Future Shawnee Playhouse presentations will include The Worthington Players production of a full length play written by Larry Rossler who won their 2010 playwright competition titled, “Spanakoptia” being presented February 12th - 20th. This year’s competition is currently accepting original work until Monday January 31st with the Staged Readings for the finalist taking place March 4th, 11th, and 18th. You may obtain information regarding The Worthington Players 2011 Playwright Competition submission procedures from The Shawnee Playhouse.

Other productions include The Shawnee Playhouse productions of “Broadway on the Red Carpet” February 25th - 27th and “Branigan’s Blarney” by Rod Foote March 4th - 20th, The Worthington Players production of “The Skyscraper” by David Auburn March 25th - April 3rd, The Prestige Productions presentation of “Love, Sex, and The I. R. S.” by William Van Zant and Jane Milmore April 8th - 17th, and The Center Stage Players production of “Love Letters” by A. R. Gurney April 22nd - May 1st.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information (including submissions for The Worthington Players 2011 Playwright Competition) and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.

Theatrical Review: Original One Act Plays

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players production of the Original One Act Plays who won their 2010 Playwright Completion. The annual event is a result of inviting playwrights to send in their original works, forming a panel to select the finalist, presenting the chosen plays in a series of staged readings, and tallying the votes received from the viewing audiences to determine which plays will be presented as full productions. This process not only gives a local playwright an opportunity to have his/her work presented on The Shawnee Playhouse stage but also gives the audiences who frequent the venue a chance to experience some new and interesting work.

The first of the one act plays presented was a piece titled, “A Night in the Toll Booth” written by Tom Hudak and directed by Midge McClosky (who also serves as The Shawnee Playhouse Executive Director). The play was about a Toll Booth Collector named Mike T. Fine as played by Kevin Hillman. His line delivery added much to the comedic effect of the work which took place at (as the title suggests) a Toll during the night shift. Although the play did seem to slow down in some spots, it proved to be an amusing theatrical experience creating an anticipation among the audience eager to learn what the author‘s future endeavors may be.

The second of the one act plays presented was a piece titled, “Ethereal Killers” written by Zanne Hall and directed by Amy Cramer. The play took place in a Psychiatrist’s office in which one of the doctor’s more disturbed patients named Fischer (as played by Luke Swierczek) meets with an unsuspecting patient named Midge (as played by Ariel Hudak who also served as a member of the Playhouse‘s Box Office Staff) who begins her first session not knowing she’s doing so with a psychotic killer who recently murdered her doctor (as played briefly by Chris Martinelli). Although the theatrical air still had some comic residual effects of the previous play, it soon became clear there was something sinister transpiring and once this was fully realized the audience began to experience the sense of dread the scenario inspired.

This sense of dread was enhanced as Fischer’s traits which leads to his murderous endeavors were revealed and Midge’s desperate attempts to avoid becoming his next victim found their way to the realm of hopelessness. The audience soon found themselves relating to Midge’s position as each member began to speculate how they might proceed. However, a sudden death brought a finality to all such thoughts by a piercing gun shot which remained echoing in the audience‘s collective minds as a foreboding of what will be the fate of the Doctor‘s future patients.

The final One Act Play presented was titled, “Whimsical Grimm” which was written by Stephen A. Williams and directed by Sara Ferguson. To say this play was funny or even hilarious would be a very gross understatement. This fairytale like work was part surreal, part stream of consciousness, part theatre of the absurd, and had other theatrical elements my theatre teachers mentioned making me wish I paid more attention so I could relate them all in this review. All this reviewer can say for now is “This play was weird. But in a very good way.”

The play mostly focused on the lives of two sets of people. The first was a couple who have been married for 40 years. The husband named Frederick (as played by Dan Eash) finds coming home a frustrating one as his wife Katelizabeth (as played by Kaitie Kaiser) keeps forgetting his name. As the play progresses, it’s discovered this forgetfulness is the least of his marital woes as she is what many in the mental health profession refer to as “a real ditz.”

The second couple consists of a man named Rupert (as played by Chris Martinelli) who experiences a frustration with his maid Gretel (as played by Sarah McCarroll) who seldom cleans, cooks, or do any other maidly things. The situation becomes a bit complicated when Rupert comes home to announce he’s in love and Greta thinks it’s with her. Alas, she discovers it’s with someone else and she is assigned the task of preparing dinner for them. Those audience members who witnessed the antics of these two characters throughout their scene have very little reason not to expect something deviously hilarious is about to transpire and, keeping true to the entirety of the work, it happens in the most delightful way.

The scenes depicting the lives of the two couples were sewn together by two narrator played by Scott E. McIntosh and Amy O’Brian who also portrayed other characters adding to the mayhem. This exceptionally well written play was a joy to experience as was the performances. Although the merits of the previous plays deserved high praise, this was (in this reviewer’s opinion) the best of the bunch and a fitting way to conclude a satisfying evening at the theatre.

The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn. The Box Office Staff includes Chrissy McMannus while Becky Haskell serves as the playhouse’s Sales and Marketing Director. Special recognition for this production was given to Marshall Haskell, Bob Waltz, and Michelle Handy who served in many capacities including that as Stage Manager.

The Worthington Players production of the One Act Plays who won their playwright competition concluded its run at The Shawnee Playhouse in Shawnee on the Delaware, PA on Sunday January 16th. It is unfortunate this reviewer was unable to experience this collection of new and exciting theatrical pieces earlier due to inclement weather conditions. They are worthy of an audience as they are sure to bring an appreciation to the art form. If any of these plays are shown again at The Shawnee Playhouse or any other theatrical venue, it would be well worth it to attend.

In addition to the One Act Plays presented, a full length play also won the 2010 playwright competition. It is titled, “Spanakoptia” and is written by Larry Rossler. It will be presented at The Shawnee Playhouse February 12th - 20th. This year’s competition is currently accepting original work until Monday January 31st with the Staged Readings for the finalist taking place March 4th, 11th, and 18th. You may obtain information regarding The Worthington Players 2011 Playwright Competition submission procedures from The Shawnee Playhouse.

Other Shawnee Playhouse presentations will be The Kaleidoscope Players production of “Whose Afraid of Virginia Woolf” by Edward Albee January 22nd - February 6th, The Shawnee Playhouse productions of “Broadway on the Red Carpet” February 25th - 27th and “Branigan’s Blarney” by Rod Foote March 4th - 20th, The Worthington Players production of “The Skyscraper” by David Auburn March 25th - April 3rd, The Prestige Productions presentation of “Love, Sex, and The I. R. S.” by William Van Zant and Jane Milmore April 8th - 17th, and The Center Stage Players production of “Love Letters” by A. R. Gurney April 22nd - May 1st.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse at 570-421-5093 or Explore their website at www.theshawneeplayhouse.com for more information (including submissions for The Worthington Players 2011 Playwright Competition) and to reserve your ticket.

Photograph provided by The Shawnee Playhouse.

A Happy Monkey

The Cheeky Monkey Coffeehouse in Stroudsburg, PA hosted a Comedy Night on Friday January 14th presented by The Off Track Players. The comedy troupe featured local comedians Joseph Carnevale, Kevin Cronk, Penny Dee, Anthony DiSanto, Matt Duffin, and Tiffani Thompson who showcased their talents in a variety of sketches, monologues, and improvisational games which amused their audience. Audience members were invited to participate in this game which enhanced the delight of experiencing the show.

These games included one called, “ABC” in which a location was selected by the audience and each performer had to begin their sentence in alphabetical order in relation to where they were. Another game consisted of members of the troupe being placed in another location and going through the scene while it change4d from one genre to another. The scene for this game was set in a laundry mat with genres that included science fiction and martial arts films. It was quite amusing.

It was a fun night out and a great opportunity to hear some original work by local comics. The next Comedy Night at The Cheeky Monkey featuring The Off Track Players is scheduled for Friday February 11th beginning at 7pm. You’ll find more photographs taken during the January 14th event in The Cheeky Monkey 2011 Gallery at www.facebook.com/forwardian.dude.

The Off-Track Comedy Players offer a plethora of comedic and non-comedic services (including live-action murder mystery shows) and are available for resorts, clubs as well as private or public events. They’ll also be appearing at The Daniels Family Resort in Canadensis, PA sometime in the near future in addition to their next show at The Cheeky Monkey. Please Explore The Off-Track Comedy Players Website at www.offtrackcomedy.com or Call 570-486-6787 for more information.

Other future events at The Cheeky Monkey include The “Just Say It: A Spoken Word Symposium” events which take place every Thursday evening at 7pm. The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or Call 570-420-8222 for more information.

A Celebration of Dreams

The Dreamland Creations in Stroudsburg, PA Celebrated their 9th Anniversary on Sunday January 9th with an Artists Reception featuring the work of the creative artists who adore the bodies of those who enter the studio with their original creations as well as their skilful interpretations of images they transcribe for their human canvases. “The Dreamland Art Show” was filled with images reflecting those found upon those individuals displaying them throughout the region as well as pieces created solely for the sake of being created. These later pieces led those who experienced them to an uncommon avenue of the artists allowing them to a deeper appreciate of their impressive talents. You’ll find more photographs taken during the reception in The Forwardian Arts Society Dreamland Creations 2011 Gallery at www.facebook.com/forwardian.dude.

Those artists participating in “The Dreamland Art Show” include Rendi, Helen Victoria, Abby Braman, Will Mohlenhoff, Franz Hankel, Shereley Escribano, Steve Triglio, Donnie Bones, Heather Babka, and Myke Maldonado. These artist are well know to all who come visit the studios either to chat with its denizens or to partake of their services. The Exhibition continues until February 1st.

The Dreamland Creations in Stroudsburg, PA serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercing reaching out to the vast community of conventional and non mainstream artists throughout the area. Their next Artists’ Reception will feature works artists from the area and beyond creates for their Lyrics Show. The reception will take place Sunday February 6th beginning at 4pm. The Exhibition will continue until March 28th. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information about the artists, the current and future exhibitions, and all they have to offer.