Photography
by Paparazzi Paul.
I've
began serving The Delaware Water Gap, PA Celebration of the Arts
(COTA) Festival as a member of their Security Staff in 2003. It was
during the 26th
Annual event did I meet one of the founders, Phil Woods, while I was
hurriedly on my way to my shift. He stopped me on route.
“Where
are you going?” he asked.
“To
my next shift.” I replied.
“Why
are you in a hurry?” he asked.
“Because
I'm a little late.” I responded with a desire to leave the
conversation quickly as not to be more late than I was.
It
was to this did Phil say, “This is a festival to relax and enjoy.
Don't rush. You'll get there when you get there.”
These
words not only encouraged me to embrace the mood of that festival and
the many that followed more fully, but they proved to be a life
lesson from which my days spent living were enhanced by my adherence
to them. Phil Woods has taught many such lessons throughout the
decades of his life. This was not only through the words he shared
and the instruction he gave to his music students who later became
teachers of great renown themselves, but through the music he
composed and performed as their communiques were of the language of
the heart that echoed the melodies of the soul.
Phil
Woods passed away on September 29th,
2015 which was shortly after the 38th
Annual Celebration of the Arts Festival on Sunday September 13th.
The 2015 festival honored the life of co founder Rick Chamberlain who
passed away a few months prior. So, a profound sense of loss touched
the hearts of those who planned and attended the festival marking its
39th
year of existence as all three of its founders (co founder, Ed
Joubert, passed away in 1981) had left us. Yet, the music and
memories Phil left behind filled the multitudes who attended the 2016
festival with an overwhelming sense of joy and appreciation that
transformed the sadness of the times into something truly wonderful.
The
39th
Annual Celebration of the Arts Festival began on Friday September 9th
and continued until Sunday September 11th
throughout the town of Delaware Water Gap, PA. Although the event
officially commenced with the Artists' Reception at The Antoine Dutot
Museum and Gallery for their Music Motif Show, I began my festival
experience at The Castle Inn Gallery
which
is located within The Shoppes at The Castle Inn Complex
www.castleinnpa.com. An
Artists' Reception featuring the work of Andrea Robins Rimberg, James
Chesnick, Kari Nespola, Shary Maloney, Tanya Little McCoy, Jeannie
Dempsey, and Gallery Curator Jose Santamaria was a well attended one
and showcased a number of abstract pieces along with some still life
compositions that easily flowed gently throughout the gallery to
create a sensation of oneness within the viewer. The music and
cuisine that was provided enhanced the extraordinary qualities of the
exhibit and the work presented in it. I also meandered around the
complex to explore its other offerings and discovered the Live
Inspired Gallery www.facebook.com/LiveInspiredGallery
that was being prepared for their October 8th
opening, but one could already tell it would be a wonderful place to
visit as the images that were hung had the element of love in their
hues.
It
was after some time of enjoying the art and conversation that
abounded at the Castle Inn Gallery did I venture over to The
Antoine Dutot Museum and Gallery (aka The Dutot) www.dutotmuseum.com
where the official beginning of the festival took place. The sounds
of Classical and Americana melodies met my ears as an ensemble known
as Calliope consisting of Gina Bertucci and Barbara McMahon on Flute
along with Laura Goss on Bassoon performed in the Dutot's the parking
lot for those waiting for the gallery to open. Upon its opening, I
ventured in and became enchanted by the variety of pieces that were
created by local artists, photographers, and sculptors for the
festival's Music Motif Show. The gallery filled to capacity as each
piece sounded a visual note that later became a symphony of images
accompanied by inaudible voices found in the choir of the heart.
The
39th
Annual Celebration of the Arts Festival's Music Motif Show at The
Antoine Dutot Museum and Gallery was a juried one with awards given
to those whose creative endeavors proved to be the brightest of all
the stars that shone their inspiring magnitudes. The jurors for the
show were Andrea Robbins-Rimberg, Bud Nealy, and Katherine Lockwood.
Congratulatory applauses rang out as each recipient of the prizes
awarded were named whose joy combined with that of the gathering
until a crescendo of love engulfed the event. The exhibition will
continue to be on display until September 18th.
The next exhibition will feature the work of Bev Abel, Lurene
Nakielny, and Dawn Whatley. An Artists' Reception is scheduled for
Friday September 23rd
beginning at 7pm. The exhibit will continue to be on display until
October 9th.
The
first day of the festival also offered an
evening of Classical Music, Literary and Poetry Readings, and Dance
at The
Presbyterian Church of the Mountain www.churchofthemountain.org
which
is located across the street of the Dutot.
It began
with some welcoming remarks given by The Reverent Sherry Blackman who
is the minister of the church followed by an introduction of the
show's host, Dave Hymes. The comedic talents of Mr. Hymes delighted
the sizable audience and enhanced the enjoyment of the performances.
Classical
Guitarist Eric Falcao performed a number of times throughout the
evening and wooed the gathering with his remarkable interpretations
of each piece he rendered. Dancer Laura Buzzard of The Totts Gap Arts
Institute www.tottsgap.org
located in Bangor, PA wonderfully performed pieces titled, “Gravity”
by Sarah Bareilles as choreographed by Angeline Gloria and “Regards”
by Tracy Chapman as choreographed by Jennifer Muller. Author Greg
Back www.gregbackwords.com
appeared on stage to share a reading of some intriguing passages from
his novel titled, “Incarnate” which is the first book of “The
Dwindling” Series.
Poet
Jerry Grealish shared some thoughtful words with the gathering that
allowed them to see the world anew and was later joined by Upright
Bassist Joe Michaels whose musical accompaniment added a textual
dimension to the work. Guitarist Marty Wilson enchanted the audience
with a resonant magic as he began his set with the song “Somewhere
Over the Rainbow” which was written for the movie “The Wizard of
Oz (1939)” by Harold Arlen E. Y. Harburg while accompanied by the
vocals of Denny Carrig. He concluded his set with an instrumental
version of the song “In My Life” by the Beatles and is found on
their 1965 album titled, “Rubber Soul.” The event came to a close
with a Finale in which Jerry Grealish shared his words as Joe
Michaels, Marty Wilson, and Laura Buzzard utilized their talents to
improvise their music and dance to the poetry. It was after this did
Dave Hymes bid the gathering farewell and invited them back for the
remainder of the festival.
I
arrived the next day at the festival site at 8am with the
temperatures already in the 80s with a humidity that matched to learn
what duties were to be performed in my capacity as a member of the
COTA Security Team. The Security Command Center was filled with my
fellow Security Team members with many of whom I became friends with
during the years. It was a delight to see them as well as meeting
those who were new to the festival. It was after a time did I learn
of my first assignment which was in the area known as The Back Gate
which is an entry point to a number of people closely associated with
the festival. These include musicians, members of COTA's Board of
Directors, food vendor owners and workers, Special Guests, and so on
with many of whom I've come to know during the years. I was partnered
with another member of the Security Team named, “Fran” of whom I
have enjoyed sharing Security Duties in previous years.
When
our shift ended and we were relived by fellow members of the Security
Team, we ventured back to the Security Command Center before
exploring the festival that was about to begin. My eyes and ears were
greeted by the lively music of The Dixie Gents who were the days
strolling musicians and consisted of Paul Hubbell on Soprano
Saxophone, Ben Mauger on Trumpet, and Ray Schweisguth on Banjo along
with Gary Risner and Paul Scott on Trombone. After a while, I
ventured to the food court to purchase my customary festival
breakfast of a delicious egg, ham, and cheese sandwich on a croissant
at The Presbyterian Church of the Mountain’s food booth. I then
strolled back to The Rick Chamberlain Stage to witness the first band
to perform on it for the festival.
The
Celebration Jazz Quartet consisted of Jay Rattman on Baritone
Saxophone and Neil Wetzel on Tenor Saxophone along with Nelson Hill
and Matt Vashlishan on Alto Saxophone. A number of the compositions
they played were written by Phil Woods and their exemplary renderings
of the pieces honored the composer and the music. I ventured back to
the food area where Bryan Cowan's Second Take Quintet were performing
on the Rising Star Stage which features “exceptional young players
who were nurtured and developed through COTA Programs.” The band
consists of Bryan Cowan on Saxophone, Spencer Sivco on Trumpet,
Taylor Davis on Keyboard, Miles Gilbert on Upright Bass, and Packie
Cronin on Drums. Their performance was lively and proved to be
beyond exceptional as their rhythms and riffs captivated the large
crowd that gathered.
It
was after their set did I venture back to The Rick Chamberlain Stage
to partake of The David Liebman - Expansions Quintet Group
www.daveliebman.com/expansions.php
consisting of David Liebman and Matt Vashlishan on Saxophone, Bobby
Avey on Piano, Tony Marino on Upright Bass, and Alex Ritz on Drums.
Their combined sounds transformed the essence of jazz as many
instruments not associated with the form were employed to the
audience's contemplative delight. It was after this did I stroll to
my next assigned security spot which was the children's area.
During
my time there, the head of security, Brian Labar, informed me I was
requested at The Rick Chamberlain Stage in order to take photographs
of the award ceremonies. I thought this was odd as the official COTA
photographers, Garth Woods and Bob Weidner, usually performed such
tasks utilizing their extraordinary skills. However, not wanting to
pass up an opportunity to capture an occurrence on camera, I gladly
went.
I
arrived as a Member of the COTA Board of Directors, Lauren
Chamberlain, announced the recipient of The 2016 Joanne Mayer Award
which honors the endeavors of an individual COTA Volunteer was Flora
Schubert. After the award was presented, another Member of the COTA
Board of Directors, Tim Helman, announced the recipient of the 2016
Sterling and Dorothy Strauser Award which honors an individual’s
contribution to the arts was Paul Adam Smeltz (OMG. That's me.) In a
daze I walked up the steps, went backstage, and walked upon the stage
to received my award. I did so and was asked to speak which I did
with the most amount of eloquence I could summon up as a profound
sense of appreciation swelled within me. Thank you COTA for honoring
me with this award. It means a lot to me.
It
was soon after the Award Ceremony did Pianist Bill Mays
www.billmays.net
take the stage to perform some gentle tunes. It was during his
performance did I go back to finish my shift at the Children's area
of which many festival goers and staff members of COTA came by to
congratulate me. As my shift concluded, I roamed around the Artists'
and Artisans' area. It was great to visit them as I've made quite a
number of friend among them during the years. They
included Susan Bradford and Anita Bondi (Madala Design Works), Tim
Helman (mixed media), Linda Newswanger (Git Lit Stained Glass), Bud
Nealy (Knives), Susan Lange (Massage Therapist), Jim Smeltz (Art),
Elizabeth Smeltz (Jewelery), Patrice Jiunta (The Jeweler’s Work
Bench www.facebook.com/jewelersworkbench.bartonsville
(Jewelery),
Aita Carmichael (Wearable Art www.aitafashion.com),
Ron Ford (Photography), Harriet Ford (Jewelery), Ursula Pooley
(Jewelery), Andrei Protsouk (Art), Paul Reiche (Furniture), Penny
Ross (iPad drawings), Patricia Transue (Peaceful Images), Debra Walch
(Fused Dichroic Jewelry), Darcy Chamberlain (The COTA Apparel Store),
Nova Chan (Jewelery), and The Shoppes at The Castle Inn who were also
present to share their wares and endeavors.
While
I was roaming and in deep conversation, I wasn't present to
experience the Brian Lynch Quartet www.brianlynchjazz.com.
However, I did manage to be there to enjoy Co-Op Bop www.co-opbop.com
who consists of Alan Gaumer on Trumpet, Craig Kasteinic on the The
Hammond B-3 Organ, Tom Kozic on Guitar, and Gary Rissmiller on Drums
along with Nelson Hill and Tom Hamilton on Saxophone. Together, they
moved the audience with several members of the gathering being
inspired to dance. Co-Op Bop was followed by The Bill Goodwin Trio
with Jon Ballantyne on Piano, Evan Gregor on Upright Bass, and Bill
Goodwin on Drums. It was during their set was Fran and I stationed at
the Front Step Security Station to monitor who were to go back stage.
This area allowed us to enjoy the fullness of the music performed by
the trio which delved into the realms of mesmerism.
It
was as our final shift of the day ended did I venture to the food
court to eat. A variety of eateries ignited my already incendiary
taste bud. They included Zoe’s Ice Cream Emporium, The Friends of
DWG, The Presbyterian Church of the Mountain, Quench Cafe and Juice
Bar
www.facebook.com/pages/Quench-on-6th-Cafe-and-Juice-Bar/214752245221024,
The Willow Tree Inn www.facebook.com/willow.inn?fref=ts,
The Lions Club, and Cafe Duet www.facebook.com/cafeduetstbg?fref=ts.
I finally decided on a simple cheese burger I purchased at The
Presbyterian Church of the Mountain’s food booth. While in the
vicinity, I visited the Rising Star Stage as The William Mullen
Quintet was performing with William Mullen on Saxophone, John Dimase
on Trumpet, Scott Edmunds on Piano, Anna Speer on Bass, and Donovan
Pope on Drums. The power of their performance filled the street with
a number of people who thoroughly enjoyed the music. It was at the
conclusion of their set did The COTA Festival Orchestra
www.cotajazz.org/cota-festival-orchestra
appear on stage as the final performance of the day.
The
orchestra consisted of Nelson Hill, David Demsey, Neil Wetzel, and
Tim Reiche on Saxophone, Chris Persad, Sean McAnally, Eddie Severn,
and Vanessa Jacob on trumpet, Sam Burtis, Bill Smith, Dan Chester,
and Jim Daniels on Trombone, Spencer Reed on Guitar, Skip Wilkins on
Piano, Evan Gregor on Upright Bass, and Tom Whaley on Drums. The
orchestra was led by Saxophonist Jay Rattman and is managed by Erica
Golaszewski. The selections they presented were primarily those Phil
Woods composed and their loving renderings of the pieces added
something otherworldly to them. Thus ended the second day at COTA
upon which I went home to sleep in preparation of another wonderful
day.
Foreboding
clouds met my bleary gaze as I awoke on Sunday September 11th.
However, soon after I arrived at the festival site, the clouds began
to dissipate and a warming sun began its domination of the skies.
This ascendancy would continue the entire day with more seasonal
temperatures and cooling breezes. I was greeted by the sight of
musicians preparing their instruments for the day, and after I met
with my comrades at the Security Command Center to learn where Fran
and I would be stationed for our first shift, I ventured to the
Presbyterian Church of the Mountain's booth to partake another of
their Ham, Egg, and Cheese Sandwich on a croissant prior to the
commencement of the festival's Annual Jazz Mass.
The
Annual Jazz Mass has become a favorite among festival goers for the
music and for the meaningful messages conveyed through the insights
shared by the clergy who participate. A prelude to the service filled
with choral voices under the direction of Teresa Marino and
orchestral renderings as conducted by Mark Kirk filled the air as
those who came to worship were summoned to do so. It was after this
resounding welcome did Reverend Sherry Blackman (Pastor of The Church
of the Mountain) begin the service with the gentle words of the
liturgy the gathering held to their hearts like a beloved. Solo
performances were given by Michele Bautier, Denny Carrig, and Bonnie
Childs. The days meditation (aka Sermon) was given by The Reverend
Karen Nickels (Retired from The Presbyterian Church of the Mountain)
and dealt with the importance of listening and the consequences of
not doing so which include fear and mistrust.
The
Jazz Mass ended and my fellow members of security and I performed the
customary act of asking those attending the service to leave the site
so the front gate would be able to meet the festival’s financial
needs to determine who paid to enjoy the rest of the event. While the
process was being enacted, The Lost Ramblers performed near the front
gate area entertaining everyone with their well known renditions of
bluegrass and country music making the necessary process of waiting
in line an enjoyable one. The Lost Ramblers consisted of John Updike
on the Five String Banjo, Neil Morris on Guitar, Jim Schaffer on Bass
Fiddle, Tony DeMarco on Fiddle, Anthony Hannigan on Mandolin and
Fiddle, and Jillian Hannigan on Flute and Penny whistle. The ensemble
would bless the festival goers even further as they roamed around the
site sharing their music between the staged performances. It was
after experiencing the music of The Lost Ramblers did I venture over
to experience the first musical performance of the day.
The
Steve Gilmore/Steve Brown Quartet consisted of Steve Gilmore on
Upright Bass, Steve Brown on Guitar, Chris Persad on Trumpet, and
Bill Goodwin on Drums. The gentle energies of the band proved to be a
rousing element to begin the day. They were followed by Hal Gaiper's
Youngbloods Quartet consisting of Hal Gaiper on Piano, Nathan Bellot
on Saxophone, Dean Torrey on Upright Bass, and David Frazier on
Drums. Together, they enhanced the day through their flowing
melodies.
It
was during their performance did I ventured to the back stage area to
experience the COTA Cats Volume XXXVI preparing to perform. I then
met with Fran in order to begin our fist shift of the day which was
at The Rick Chamberlain Steps Security Station which is an entry
point for musicians and those designated to occupy the back stage
area. It was soon after we settled in did Member of the COTA Board of
Directors, Karen Nickels, present the Fred Waring Award to Marty
Wilson for his outstanding contribution to the arts and the
community. Diane Pallitto followed to announce the names of the COTA
Cats who received scholarships. They were were Packie Cronin who will
be attending Temple University to study Jazz and Music Therapy,
Jonathan Searfoss who will be attending Virginia Polytechnic
University to study Electrical Engineering, and Stephanie Fritz who
is currently attending The Madison Gross School of Arts at Rutgers
University studying Horn and Music Education. She then proceeded to
present an award to COTA Cat, Trent Griffin, for his outstanding
achievements as his fellow band members took the stage.
The
COTA Cats Volume XXXVI www.cotajazz.org/cota-cats
is a big band which consists of high school students attending area
schools who have an interest and proficiency in the musical art of
Jazz. The band is conducted by Tom Fadden who announced he will be
ending his 16 years with the band this year. The COTA Cats were
established in 1981 through the efforts of the late COTA Co Founders
Phil Woods and Rick Chamberlain who sought to inspire and mentor
local area high school musicians in the fine art of big band
performance. Katye Clogg serves as the orchestra's Administrator. The
musicians of this year's class performed a wonderful blend of
compositions with many written by, arranged by, and written for Phil
Woods. It was a wonderful performance and proved to be a wonderful
tribute to Phil Woods. Our shift ended during the performance and I
meandered around to chat with some artists and artisans until the
next performer took the stage.
Pianist
Bill Charlap www.billcharlap.com
captivated the audience with his stylings and interpretations of the
compositions he selected. He was followed by The Jon Gordon Trio
consisting of Jon Gordon on Saxophone, Gary Wang on Upright Bass, and
Mark Ferber on Drums. The blending of their talents struck a chord in
every member of the audience allowing their inward songs to be a part
of the performance. It was after this did Fran and I go to our final
Security Station for the festival which was The Back Gate Area. This
struck us both as an act of happenstance since this was where we
began our shifts for the festival. However, we we're there very long
as the Back Gate personnel were in the process of completing their
tasks and preparing to leave. Since our duties in the Back Gate area
is to support the personnel if and when it's needed, we left when
they did.
As
we returned to the main festival site,
The Bob Dorough Quartet www.bobdorough.com
with Bob Dorough on Piano and Vocals, Aralee Dorough on Ergonomic
Flute, Steve Berger on Guitar, Pat O'Leary on Upright Bass, and Tom
Whaley on Drums were in the midst of their performance sharing songs
and good vibrations that were lovingly embraced by the numerous
members of the audience. It's difficult to describe the joy one gains
when this 90 plus pianist share his magic with those who come to
admire him and his talents throughout the years. But, it's manifested
in the good will that is shared among those who hear him perform
during the set and long afterwards.
It
was after his performance did I venture to the food area to partake
of their offerings with a dinner. The decision what to eat was a
difficult one to make but I eventually decided upon a bowl of Black
Bean and Rice with Chicken mixed with some sour cream and hot sauce I
got from The Willow Tree Inn. I was fortunate enough to share the
meal with another member of the Security Team named, “Jill” and
our conversation enhanced my enjoyment of the cuisine. It was after
our dining together did I go back to the Rick Chamberlain Stage to
enjoy the final band to play for the festival.
The
Sheilamark Band www.sheilamarkproductions.com
consists of Sheila Stratton-Hamza on Vocals and Mark Hamza on The
Hammond B-3 Organ, Teddy Wielgopolski on Guitar, and Dean Rickard on
Drums. Their eclectic mixture of Blues, Jazz, and Rock and Roll
filled the gathering with energies which were fused together by their
demonstrative desire to dance. The evening came to an end with an
encore as the crowd kept dancing until the final note indicating the
finale of The 39th
Annual Celebration of the Arts (COTA) Festival and the inspired
anticipation for 2017's event began to take seed in the souls of all.
However,
for those who weren't ready to go home just yet, The Deer Head Inn
www.deerheadinn.com
hosted an After Party that began when the festival ended and
continued until Midnight. A variety of musicians and singers who were
part of the festival shared their talents along side those who were
among the event's audience. The songs selected and the manner in
which they were performed delighted the many who attended which led
to some wonderful conversations among the gathering. I, personally,
partook in quite a number of them as the music accompanied our
intercourse. It was a great festival and I look forward to
experiencing the 40th
Annual Celebration of the Arts (COTA) again next year. I hope to see
you there. In the meantime, you’ll find all 700 plus of the
photographs I took during the Artists' Reception at the Castle Inn
Gallery, the 39th
Annual Celebration of the Arts (COTA), and the After Party at The
Deer head Inn in The It's
COTA Baby Gallery at
www.facebook.com/media/set/?set=a.10155229005968761.1073742014.91146283760&type=3.
In
addition to its annual festival, The Celebration of the Arts presents
CampJazz which is offered every summer to those who seek an
intensive, week long immersion in jazz music and technique mentored
by renowned jazz greats. CampJazz was formed in 2007 by the late Phil
Woods and Rick Chamberlain (co-founders of COTA) as an extension of
the festival and its educational arm to foster and encourage local
talent in a more relaxed environment than that found in a school
setting offering a staff of mentors who are well established in the
national and international Jazz community. CampJazz 2017 is scheduled
to take place from July 17th
to the 22nd.
Scholarship are available to those who wish to attend but are unable
to afford the participation fee. These include the Richard (Richy)
Barz, Ethan Moyer, Bob Hartman, Robert J. Fleese, and Gil Barretto
Memorial Scholarships along with those established by CampJazz
Supporters and The Presbyterian Church of the Mountain. In addition
to these, a special COTA Big Band Scholarship has been established
for non Monroe County, PA residents who wish to participate in the
camp. You can learn more about the COTA CampJazz from their Facebook
page at www.facebook.com/Campjazz
or their Website at www.campjazz.org.
The
Celebration of the Arts (COTA) Jazz and Arts Festival began in 1978
by Phil Woods (1931-2015), Rich Chamberlain (1952-2015), and Ed
Joubert (????-1981). It takes place every year during the Weekend
after Labor Day. From its humble beginnings which consisted of a 4
hour concert held on risers near the steps of an Annex of the Castle
Inn with an audience of just over 500 people which was mostly made up
of friends, family, and some ardent jazz fans, the festival has
evolved to become a Mecca for jazz enthusiasts throughout the world.
The three day festival is presently presented in cooperation with the
Borough of Delaware Water Gap, PA, The Castle Hill Development, Inc.,
and the Delaware Water Gap, PA Joint Toll Bridge Commission. Music
presented at the festival is recorded by Chiaroscuro Records for
later release. In addition to it’s annual festival, The Celebration
of the Arts (COTA) also supports the arts and the music of jazz in
all its forms and historical breadth through youth education,
performing arts presentations, scholarship opportunities, and
community outreach throughout the Pocono area.
Those
who would like to lend their time and talents to The 40th
Annual Celebration of the Arts Jazz and Arts Festival are welcomed to
attend COTA’s Volunteer Meetings. They are held at The Deer Head
Inn in Delaware Water Gap, PA during the Spring and Summer Months.
The festival and all its functions is organized and run by
volunteers. Numerous volunteer positions are available and they
include Back and Front gate workers along with Security and Stage
Crew personnel. I hope to see you at a future meeting so we can serve
the festival together while creating some wonderful memories. Please
feel free to explore The Celebration of the Arts (COTA) Facebook Page
at
www.facebook.com/pages/COTA-Celebration-Of-The-Arts/234094683405815
or visit their website at www.cotajazz.org
for more information about the festival, what the organization has to
offer the community, and how you can be involved in all they do.
Thank you for reading this article.