The Sherman Theatre* in Stroudsburg, PA hosted the return of Raymond the Amish Comic on Saturday November 10th. The hilarious evening began with comic Marc W. Jeretus (www.marcjuretus.com) who opened the audience’s mouths with laughter. It was a great night filled with laughter and insight to the world we take for granted while the silliness of it all was pointed out in ways only great comedy can. Richard Berkowitz*, Cheryl Yost*, and Brook* (all of the Sherman) were there along with Arline M. Smeltz*, Gary Lambert, Lisa Werle*, and Jane*. The next show at The Sherman Theatre* will be The Pocono Lively Arts* Production of “Oliver!“ November 16th - 18th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Amish Comedy at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, November 10, 2007
Theatrical Review: The Male Animal
THE MALE ANIMAL
Written by: James Thurber and Elliot Nugent
Directed by: Robert Armin
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “The Male Animal” by James Thurber and Elliot Nugent. Written in 1942, the play served as a herald to the horrors associated with the Communist Witch Hunts during the infamous McCarthy era of the 1950s. However, what makes this play relevant to a modern audience is its discreetly placed warning of what may occur if any of the freedoms we take for granted are ever compromised either out of fear of persecution or it seems more convenient to do so.
“The Male Animal” takes place on a college campus where Professor Thomas (Tommy) Turner finds himself embroiled in controversy when he off handedly mentioned he’d like to read a piece of literature to his English Composition Class considered to be highly subversive. His statement to his contemplated intentions are mentioned in a somewhat radical editorial in a campus literary magazine decrying the censorship of ideas among the faculty in order to appease a politically minded board of trustees. The editorial elevates Professor Turner as a heroic symbol of defiance for his willingness to expose the subversive material to his students. Professor Turner’s fear of the consequences of how the editorial will effect him and his career is transformed to defiance derived from anger at the response to the editorial and later to the realization of the consequences to the freedoms embedded in our constitutional system if he denounces the editorial and declines to read the piece mentioned in it.
It is worthy to reiterate such fears or retribution were very real during the 1940s and they were largely left to fester into what became the McCarthy era of the 1950s. In these days of fear and anger over the terrorist attacks pf September 11th, 2001, it may be wise to consider where our willingness to look the other way while some of our constitutional freedoms are put aside for the sake of national security will lead us to. The well written play serves as a warning and illustrates the importance of safeguarding our freedoms whenever they are threatened.
The production has been advertised as a romantic comedy. Although there were some moments of romance and comedy, I found them too brief to place the production in such a category. Perhaps the present reality of our times relate too closely with those presented in the play to encourage an audience to find much humor in what is transpiring. There wasn’t much evidence of any considerable effort to make the play funny or to emphasize the romantic elements of the work.
However, this does not detract from the merits of the production as the evening proved to be a good theatrical experience. In spite of the occasional dropped and stepped on lines associated with an opening performance, the play was well cast and equally well acted. The direction was sound and the blocking was very appropriate to the play. Although not an extraordinary performance, it is quite satisfying and the themes presented in the play makes it a evening well spent.
The Production was Directed Robert Armin and Stage Managed by Irene Garner. Lillian Gonzalez served as Costumer and Richard Sorger served as Choreographer and Dance Instructor. The cast consisted of Amy Cramer* who portrayed Ellen Turner (the wife of Professor Turner), Glenn Geiser-Getz who portrayed Professor Thomas “Tommy” Turner (the faculty member embroiled in controversy), Kathi Spiegelmyer who Portrayed Patricia Stanley (the sister of Ellen Turner), Matt Christie who portrayed Wally Myers (the star football hero of the present), Jack Butler who portrayed Dean Damon (the dean of the Department for whom Professor Turner is a member of), Sue Butler who portrayed Mrs. Damon (the wife of Dean Damon), Brian Krinsky who portrayed Michael Barnes (the student who writes the controversial editorial), Tom Schario who portrays Joe Ferguson (the football hero of days gone by who also has some remaining affections for Ellen Turner), Bob Otto who portrayed Ed Keller (a member of the college Board of Trustee who objects to anything considered subversive being exposed to the light of day), Amy Jo Shaefer who portrayed Myrtle Keller (Ed Keller’s wife), and Samantha Crawn who portrayed Nutsy Miller.
This production of “The Male Animal” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until November 18th. Tickets can be reserved by calling 570-421-5093. Their next production will be “The Shawnee Christmas Spectacular“ taking place November 23rd through December 30th. “The Male Animal” is recommended to those who would like to enjoy a satisfying night of theatre while contemplating where the dismissal of our willingness to defend our freedoms may lead.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: James Thurber and Elliot Nugent
Directed by: Robert Armin
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “The Male Animal” by James Thurber and Elliot Nugent. Written in 1942, the play served as a herald to the horrors associated with the Communist Witch Hunts during the infamous McCarthy era of the 1950s. However, what makes this play relevant to a modern audience is its discreetly placed warning of what may occur if any of the freedoms we take for granted are ever compromised either out of fear of persecution or it seems more convenient to do so.
“The Male Animal” takes place on a college campus where Professor Thomas (Tommy) Turner finds himself embroiled in controversy when he off handedly mentioned he’d like to read a piece of literature to his English Composition Class considered to be highly subversive. His statement to his contemplated intentions are mentioned in a somewhat radical editorial in a campus literary magazine decrying the censorship of ideas among the faculty in order to appease a politically minded board of trustees. The editorial elevates Professor Turner as a heroic symbol of defiance for his willingness to expose the subversive material to his students. Professor Turner’s fear of the consequences of how the editorial will effect him and his career is transformed to defiance derived from anger at the response to the editorial and later to the realization of the consequences to the freedoms embedded in our constitutional system if he denounces the editorial and declines to read the piece mentioned in it.
It is worthy to reiterate such fears or retribution were very real during the 1940s and they were largely left to fester into what became the McCarthy era of the 1950s. In these days of fear and anger over the terrorist attacks pf September 11th, 2001, it may be wise to consider where our willingness to look the other way while some of our constitutional freedoms are put aside for the sake of national security will lead us to. The well written play serves as a warning and illustrates the importance of safeguarding our freedoms whenever they are threatened.
The production has been advertised as a romantic comedy. Although there were some moments of romance and comedy, I found them too brief to place the production in such a category. Perhaps the present reality of our times relate too closely with those presented in the play to encourage an audience to find much humor in what is transpiring. There wasn’t much evidence of any considerable effort to make the play funny or to emphasize the romantic elements of the work.
However, this does not detract from the merits of the production as the evening proved to be a good theatrical experience. In spite of the occasional dropped and stepped on lines associated with an opening performance, the play was well cast and equally well acted. The direction was sound and the blocking was very appropriate to the play. Although not an extraordinary performance, it is quite satisfying and the themes presented in the play makes it a evening well spent.
The Production was Directed Robert Armin and Stage Managed by Irene Garner. Lillian Gonzalez served as Costumer and Richard Sorger served as Choreographer and Dance Instructor. The cast consisted of Amy Cramer* who portrayed Ellen Turner (the wife of Professor Turner), Glenn Geiser-Getz who portrayed Professor Thomas “Tommy” Turner (the faculty member embroiled in controversy), Kathi Spiegelmyer who Portrayed Patricia Stanley (the sister of Ellen Turner), Matt Christie who portrayed Wally Myers (the star football hero of the present), Jack Butler who portrayed Dean Damon (the dean of the Department for whom Professor Turner is a member of), Sue Butler who portrayed Mrs. Damon (the wife of Dean Damon), Brian Krinsky who portrayed Michael Barnes (the student who writes the controversial editorial), Tom Schario who portrays Joe Ferguson (the football hero of days gone by who also has some remaining affections for Ellen Turner), Bob Otto who portrayed Ed Keller (a member of the college Board of Trustee who objects to anything considered subversive being exposed to the light of day), Amy Jo Shaefer who portrayed Myrtle Keller (Ed Keller’s wife), and Samantha Crawn who portrayed Nutsy Miller.
This production of “The Male Animal” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until November 18th. Tickets can be reserved by calling 570-421-5093. Their next production will be “The Shawnee Christmas Spectacular“ taking place November 23rd through December 30th. “The Male Animal” is recommended to those who would like to enjoy a satisfying night of theatre while contemplating where the dismissal of our willingness to defend our freedoms may lead.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, November 07, 2007
Poem: Roasting Mickey And Other Lost Arts
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Roasting Mickey And Other Lost Arts
by Peter Serra copyright 2007
Flipping baseball cards was different from today's road rage bird.
Shooting marbles and bottle caps filled with wax
Was different from drive-bye's ending in bang.
Girls loved Buster Brown's with socks neatly folded
Guys learned to bop and flaunt it
Poodle skirts jumped double-dutch
At the hop was a dance
Crashing parties caused trouble and frowns
To crash today is a long way down.
Guys roasted mickey over fire with sticks,
Little hobo's, little cares,
Wrapped it in tinfoil if we could get it.
Marshmallows saw quick transformation, the spud took longer to cook.
Keep the fire going with twigs, branches and popsicle sticks,
There was no hurry, we were kids.
Kings was played with a high bouncer and killers were delivered in boxes,
Two for a quarter it ruled in the street
The pinky had measles and a blue ball was cheap.
Sidewalks were squares of Pennsylvania slate.
Some streets had cobblestones that glistened after a rain.
The space between slates could break the devil's dishes
If kids jumped on a crack one could break the devil's back.
A kid jumps on crack today, and he gets hurt.
Electrified buses and trolly cars
The trolly had rails and the buses had cables
With long pole-connectors that looked like bug antenna searching,
Reaching up to the wires on the street they called Bergen.
The trolly had steel wheels, museum pieces in our lifetime.
Hitchhiking at the rear of the electrified bus was easier than others.
If the driver failed to stop where we wished to get off,
Pulling the overhead cable meant immediate halt,
And away we ran from the invalid bus as the driver
Repositioned the cables and cussed.
The grocer totaled the bill on a brown bag in pencil.
Top shelf items were captured by the grabber, a mechanical hand used to retrieve,
As we waited patiently chewing a slice of American cheese.
The butcher's floor was sawdust over black and white octagon tiles. Cutlets were flattened to thickness by order, mama knew how to supervise.
A yoyo was a kid's toy, not a greeting.
Schools actually taught
Subway seats had bamboo weave
And old folks had worth.
Hammer and nails box and board
Two halves of a skate and off we roared.
Scooter.
Skates had a key and clamp
One size fit all like light from a lamp.
Riding hood was hit with lies
Big nose big teeth big eyes,
Now the hoods are in SUV's
Big wheels big deals big rides.
Lost in time it seems are the old ways.
Aptitude tests were the mountain guru's of the time.
Back then they let a kid live.
Thank God we survived
.Brooklyn, 1950's.
Roasting Mickey And Other Lost Arts
by Peter Serra copyright 2007
Flipping baseball cards was different from today's road rage bird.
Shooting marbles and bottle caps filled with wax
Was different from drive-bye's ending in bang.
Girls loved Buster Brown's with socks neatly folded
Guys learned to bop and flaunt it
Poodle skirts jumped double-dutch
At the hop was a dance
Crashing parties caused trouble and frowns
To crash today is a long way down.
Guys roasted mickey over fire with sticks,
Little hobo's, little cares,
Wrapped it in tinfoil if we could get it.
Marshmallows saw quick transformation, the spud took longer to cook.
Keep the fire going with twigs, branches and popsicle sticks,
There was no hurry, we were kids.
Kings was played with a high bouncer and killers were delivered in boxes,
Two for a quarter it ruled in the street
The pinky had measles and a blue ball was cheap.
Sidewalks were squares of Pennsylvania slate.
Some streets had cobblestones that glistened after a rain.
The space between slates could break the devil's dishes
If kids jumped on a crack one could break the devil's back.
A kid jumps on crack today, and he gets hurt.
Electrified buses and trolly cars
The trolly had rails and the buses had cables
With long pole-connectors that looked like bug antenna searching,
Reaching up to the wires on the street they called Bergen.
The trolly had steel wheels, museum pieces in our lifetime.
Hitchhiking at the rear of the electrified bus was easier than others.
If the driver failed to stop where we wished to get off,
Pulling the overhead cable meant immediate halt,
And away we ran from the invalid bus as the driver
Repositioned the cables and cussed.
The grocer totaled the bill on a brown bag in pencil.
Top shelf items were captured by the grabber, a mechanical hand used to retrieve,
As we waited patiently chewing a slice of American cheese.
The butcher's floor was sawdust over black and white octagon tiles. Cutlets were flattened to thickness by order, mama knew how to supervise.
A yoyo was a kid's toy, not a greeting.
Schools actually taught
Subway seats had bamboo weave
And old folks had worth.
Hammer and nails box and board
Two halves of a skate and off we roared.
Scooter.
Skates had a key and clamp
One size fit all like light from a lamp.
Riding hood was hit with lies
Big nose big teeth big eyes,
Now the hoods are in SUV's
Big wheels big deals big rides.
Lost in time it seems are the old ways.
Aptitude tests were the mountain guru's of the time.
Back then they let a kid live.
Thank God we survived
.Brooklyn, 1950's.
Poem: Mind Dancing
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Mind Dancing
by Peter Serra copyright 2007
While you were gone I played in my head
I danced around until the right words were said.
Truth interjected a backhand return
Denouncing deception concealment and wrong.
I dithered and bickered back stepped and crawled
Within the darkness with back to the wall.
A side swing solid and strong
Caused me to stare at all that was wrong
Frozen and captured unable to move
Truth hit the heart with positive proof.
I knew it was useless-continue this way
With sun shining brightly on all of my ways.
Acts 17:30In the past God overlooked such ignorance, but now he commands all people everywhere to repent.
Mind Dancing
by Peter Serra copyright 2007
While you were gone I played in my head
I danced around until the right words were said.
Truth interjected a backhand return
Denouncing deception concealment and wrong.
I dithered and bickered back stepped and crawled
Within the darkness with back to the wall.
A side swing solid and strong
Caused me to stare at all that was wrong
Frozen and captured unable to move
Truth hit the heart with positive proof.
I knew it was useless-continue this way
With sun shining brightly on all of my ways.
Acts 17:30In the past God overlooked such ignorance, but now he commands all people everywhere to repent.
Monday, November 05, 2007
Theatrical Review: The Velveteen Rabbit
THE VELVETEEN RABBIT
Based on the Children’s Book by: Margery Williams.
Theatrical Review by: Paul Adam Smeltz
The Fine Arts Discovery Series* presented The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” as it was performed at The Sherman Theatre* in Stroudsburg, PA on Sunday November 4th. The production utilized nearly every tool available in the vast theatrical arsenal to enhance the art of story telling. These tools included Mime, Puppetry, Music, and Dance to which The Enchantment Theatre Company employed with great effect.
The book is about a stuffed rabbit who believes in the promise that love can make him real. He and a boy embarks on numerous adventures as the affection for one another increases with every life affirming moment. However, when the boy is stricken with Scarlet fever, all material with the possibility of containing remnants of the disease must be destroyed. This includes the favored stuffed animal he slept with through his illness. It is while awaiting his destruction the rabbit encounters a fairy and becomes a real rabbit.
Most well written children stories holds something for the adults who reads them to their children. We’re reminded of what we’ve learned as children and tend to put aside as we become more a part of an adult world. We become attached to our daily routines and depend on a reality filled with responsibilities and how well we can defend ourselves from the emotions that keep us from being taken seriously. “The Velveteen Rabbit” reminds us it is not our responsibilities or our ability to keep our emotions in check that make us real. It is love. Without it, all we have or do is meaningless.
The Enchantment Theatre Company kept faith with “The Velveteen Rabbit’s” lesson while enhancing the telling of it through the techniques I mentioned earlier. The production touched the children in ways they may not yet be able to understand along with the parents who were visibly reflective of what they’ve experienced. The simplicity of the production enhanced the subtlety embodied in the original tale. This is children’s theatre at its best.
The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” was presented one day only at The Sherman Theatre*. As a custom with The Fine Arts Discovery Series*, there was a workshop for children prior to the performance. This consisted of a reading of the original book featuring the storytelling skills of Anita Bondi* and an opportunity for the children to create a book of their own. Their next presentation will be an African Dance Ensemble called, “Kulu Mele” on February 10th at The Sherman Theatre*. Tickets can be reserved by calling 570-420-2808.
You’ll be able to find pictures from the production in The Forwardian Arts Society Velveteen Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Based on the Children’s Book by: Margery Williams.
Theatrical Review by: Paul Adam Smeltz
The Fine Arts Discovery Series* presented The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” as it was performed at The Sherman Theatre* in Stroudsburg, PA on Sunday November 4th. The production utilized nearly every tool available in the vast theatrical arsenal to enhance the art of story telling. These tools included Mime, Puppetry, Music, and Dance to which The Enchantment Theatre Company employed with great effect.
The book is about a stuffed rabbit who believes in the promise that love can make him real. He and a boy embarks on numerous adventures as the affection for one another increases with every life affirming moment. However, when the boy is stricken with Scarlet fever, all material with the possibility of containing remnants of the disease must be destroyed. This includes the favored stuffed animal he slept with through his illness. It is while awaiting his destruction the rabbit encounters a fairy and becomes a real rabbit.
Most well written children stories holds something for the adults who reads them to their children. We’re reminded of what we’ve learned as children and tend to put aside as we become more a part of an adult world. We become attached to our daily routines and depend on a reality filled with responsibilities and how well we can defend ourselves from the emotions that keep us from being taken seriously. “The Velveteen Rabbit” reminds us it is not our responsibilities or our ability to keep our emotions in check that make us real. It is love. Without it, all we have or do is meaningless.
The Enchantment Theatre Company kept faith with “The Velveteen Rabbit’s” lesson while enhancing the telling of it through the techniques I mentioned earlier. The production touched the children in ways they may not yet be able to understand along with the parents who were visibly reflective of what they’ve experienced. The simplicity of the production enhanced the subtlety embodied in the original tale. This is children’s theatre at its best.
The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” was presented one day only at The Sherman Theatre*. As a custom with The Fine Arts Discovery Series*, there was a workshop for children prior to the performance. This consisted of a reading of the original book featuring the storytelling skills of Anita Bondi* and an opportunity for the children to create a book of their own. Their next presentation will be an African Dance Ensemble called, “Kulu Mele” on February 10th at The Sherman Theatre*. Tickets can be reserved by calling 570-420-2808.
You’ll be able to find pictures from the production in The Forwardian Arts Society Velveteen Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Band-O-ESU-Rama
The Sherman Theatre* in Stroudsburg, PA hosted the East Stroudsburg University (ESU)* presentation of their “Band-O-Rama” featuring the University Woodwind Ensemble, The University/Community Concert Band, and The Warrior Marching Band and Color Guard on Sunday November 4th. It was a fun time with plenty of school spirit. Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will be the return of Raymond the Amish Comic on Saturday November 10th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numereous photographs at The Forwardian Arts Society Band-O-ESU-Rama Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sherman Who
The Sherman Theatre* in Stroudsburg, PA presented the classic rock sounds of The Who as the tribute band entitled, “Bargain” played their most famous songs on Saturday November 3rd. The band was preceded by a group who was equally good but, unfortunately, their name escapes me. However, my lack of memory dose in no way reflects the quality of the band’s performance. It only denotes my inability to remember some things at times. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, and Gary Lambert*. The next show at The Sherman Theatre* will be the return of Raymond the Amish Comic on Saturday November 10th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Sherman Who Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
November Evening on Main
The Jacob Stroud Corporation* in Stroudsburg, PA held their monthly Evening on Main event on Saturday November 3rd. The cooler weather of the season enticed few to meander through the streets of Stroudsburg to find the only two galleries to hold exhibitions. These included an exhibition featuring Jim Smeltz* at The D. R. Custom Framing Gallery and The Artspace Gallery* held a members’ show with special guest John Sittig of The River Front Studio in Shawnee on the Delaware, PA. Greg Waltzer* was among those I met that evening. I welcome any of you who would like to share their recollections the event with me. The exhibitions will continue until the end of November. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society November Evening on Main Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, November 04, 2007
Poem: Emergency-911
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Emergency-911
by Peter Serra copyright 2007
From: Christian visions From A Common Man
Once the sound of peaceful pace busy feet from place to place
Within an instant hope is forced to halt in silent marvel gaze
At courage racing in the brave.
In the Finest thoughts as flint faced the beast for innocence.
EMT healing hands joined the Boldest in the task presented to the Tower's Best.
Bells and preacher disbelief forestall movement of the feet.
All is well return remain halts the flight of downward gain.
Hope laid stricken bound in tears as truth in windows gripped despair.
Heart to heart and eye to eye as a beggars bowl advanced
Ignites the bond in common man.
Determined feet in turnout coats through the heat and blinding smoke.
Hope renewed in just a glance of axe and strength in hero's hand.
Of light in crowded stairwell floors
Of steadfast hearts beating grace into the maw of hell they raced
To meet the beast face to face.
Angels marveled in refrain:
No greater love can man display.
Flashing lights and sirens prayed as courage faced the beast.
Falling beams of crippled steel as arrows to the heart,
Concrete sighs afflict the eye and all things fed the heat.
Flashing lights and sirens prayed as courage faced the beast.
A moment in the sun's retreat children's laughter turned to gray.
O my God! all voices speak through crashing sounds and panicked feet.
Flashing lights and sirens prayed as courage faced the beast.
"Haul away now lads haul away fast with hope in your helmets and strength in your hands.
Haul away now lads haul away fast from the top of the rubble to a pocket of chance.
"Remember truth is freedom's key.
Hold to the breast thoughts long past of what life used to be.
Captured thoughts of what was lost is food to keep us free.
The mind reasons, separation brief.
Yes, in paradise united.
Still, the heart weeps.
Have mercy, O Lord, on us who remain and into your kingdom embrace the Brave.
Proverbs 11:21Be sure of this: The wicked will not go unpunished, but those who are righteous will go free.
Emergency-911
by Peter Serra copyright 2007
From: Christian visions From A Common Man
Once the sound of peaceful pace busy feet from place to place
Within an instant hope is forced to halt in silent marvel gaze
At courage racing in the brave.
In the Finest thoughts as flint faced the beast for innocence.
EMT healing hands joined the Boldest in the task presented to the Tower's Best.
Bells and preacher disbelief forestall movement of the feet.
All is well return remain halts the flight of downward gain.
Hope laid stricken bound in tears as truth in windows gripped despair.
Heart to heart and eye to eye as a beggars bowl advanced
Ignites the bond in common man.
Determined feet in turnout coats through the heat and blinding smoke.
Hope renewed in just a glance of axe and strength in hero's hand.
Of light in crowded stairwell floors
Of steadfast hearts beating grace into the maw of hell they raced
To meet the beast face to face.
Angels marveled in refrain:
No greater love can man display.
Flashing lights and sirens prayed as courage faced the beast.
Falling beams of crippled steel as arrows to the heart,
Concrete sighs afflict the eye and all things fed the heat.
Flashing lights and sirens prayed as courage faced the beast.
A moment in the sun's retreat children's laughter turned to gray.
O my God! all voices speak through crashing sounds and panicked feet.
Flashing lights and sirens prayed as courage faced the beast.
"Haul away now lads haul away fast with hope in your helmets and strength in your hands.
Haul away now lads haul away fast from the top of the rubble to a pocket of chance.
"Remember truth is freedom's key.
Hold to the breast thoughts long past of what life used to be.
Captured thoughts of what was lost is food to keep us free.
The mind reasons, separation brief.
Yes, in paradise united.
Still, the heart weeps.
Have mercy, O Lord, on us who remain and into your kingdom embrace the Brave.
Proverbs 11:21Be sure of this: The wicked will not go unpunished, but those who are righteous will go free.
Poem: Prism
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Prism
by Peter Serra copyright 2007
The nature of light is to reveal.
In darkness all is concealed.
In one lives deception, in the other correction.
A forest of night a room without light
A candle of wax absent wick,
Inhibited movement caution advised
What good is beauty, what purpose is life,
Absent the prism of light?
Corrective lenses high wattage bulb
Movement captured by the timing of strobe
Fly to the paper moth to the flame
The nature of man does the same.
Within the rainbow nothing's concealed
In the spectrum of light love is revealed.
All that is must be tested, even the black light must undergo inspection
And where there is darkness its movement arrested.
1 John 4:1Dear friends, do not believe every spirit, but test the spirits to see if they are from God,
because many false prophets have gone out into the world.
Prism
by Peter Serra copyright 2007
The nature of light is to reveal.
In darkness all is concealed.
In one lives deception, in the other correction.
A forest of night a room without light
A candle of wax absent wick,
Inhibited movement caution advised
What good is beauty, what purpose is life,
Absent the prism of light?
Corrective lenses high wattage bulb
Movement captured by the timing of strobe
Fly to the paper moth to the flame
The nature of man does the same.
Within the rainbow nothing's concealed
In the spectrum of light love is revealed.
All that is must be tested, even the black light must undergo inspection
And where there is darkness its movement arrested.
1 John 4:1Dear friends, do not believe every spirit, but test the spirits to see if they are from God,
because many false prophets have gone out into the world.
Struggles
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Struggles
By Peter F. Serra copyright 2007
It seems that when we master the walk
along comes the struggle to talk.
There's a struggle outside of the gate wanting to get in
Companions of sin bringing welts filled with pain.
Like the wobble of a top at the end of its spin
We struggle to remain upright
As a ship listing we look for a pier of support,
As would a ghost slanted and bent
Diminished with every breath.
Like the advent of troubling days
And water rushing the shore to lord-over the sand
We struggle with footing that's wet
And struggle sometimes to forget.
There are times we struggle to recall
A time when the struggle was spent
Always wondering just when the struggles will end.
Galatians 6:9Let us not become weary of doing good,
for at the proper time we will reap a harvest
if we do not give up
Struggles
By Peter F. Serra copyright 2007
It seems that when we master the walk
along comes the struggle to talk.
There's a struggle outside of the gate wanting to get in
Companions of sin bringing welts filled with pain.
Like the wobble of a top at the end of its spin
We struggle to remain upright
As a ship listing we look for a pier of support,
As would a ghost slanted and bent
Diminished with every breath.
Like the advent of troubling days
And water rushing the shore to lord-over the sand
We struggle with footing that's wet
And struggle sometimes to forget.
There are times we struggle to recall
A time when the struggle was spent
Always wondering just when the struggles will end.
Galatians 6:9Let us not become weary of doing good,
for at the proper time we will reap a harvest
if we do not give up
Sunday, October 28, 2007
Mudworks Show and Sale
The Mudworks and Friends First Annual Art Show and Sale took place at 3 Moons Yoga* in Delaware Water Gap, PA on October 27th and 28th. The exhibition featured a variety of crafts and designs create by numerous artists including Shelly of Willow of the Wisp Dolls*, Ursula Pooley of Me Crazy Jewelry*, Jo Ann Stratakos of Mudworks pottery*, and Jone Bush of Wander Wheel Studio. Arline M. Smeltz* was among the many who visited the event. Please contact 3 Moons Yoga* at 570-730-2026 for more information. You’ll find numerous photographs at The Forwardian Arts Society Mudworks Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, October 27, 2007
Haunted Sherman Theatre
The Sherman Theatre* in Stroudsburg, PA presented their Annual Haunted Theatre event on October 26th and 27th featuring a horrifying experience climaxing with a Midnight screening of “The Rocky Horror Picture Show on the final evening. The film was preceded by party and the audience participation was led by Sweet Translucent Dreams. Many of those who’ve never seen the movie live were devirginalized. Cheryl Yost*, Bill Kelly*, Richard Berkowitz*, and Arline M. Smeltz* were among those who participated in the Haunted theatre while Neil and Jessica Johnson* were among those who enjoyed the terror inflicted upon them. The Sherman’s* next event will be their presentation of “Bargain-The Who Tribute Band” on Saturday November 3rd. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Haunted Sherman Theatre Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, October 25, 2007
Lofty Sherman Skiers
The Sherman Theatre* in Stroudsburg, PA presented The Loft Ski Shop’s film event featuring skiers from around the world on Thursday October 25th. It was a fascinating look at the skill involved in the sport that often elevates itself to an art form. The talent demonstrated in the film was uncanny and few among the audience may have the skills to match it. Cheryl Yost*, Bill Kelly*, Richard Berkowitz*, and Arline M. Smeltz* along with were among those who enjoyed the event. The Sherman’s* next event will be their Haunted Theatre on October 26th and 27th. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Lofty Sherman Skiers at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, October 21, 2007
A Choice Audition
Over The Edge Productions* held auditions for a new play written and directed by John Cusumano* entitled, “Choices” at The School of Visual and Performing Arts (SVPA)* in Stroudsburg, PA on Sunday October 21st. Marie Steeger*, Chris Webster*, and Michael Wetmore* were among the many who allowed their talent to explore the characters they sought to play. The date of the performance is yet to be announced. Please contact Over The Edge Productions* at 570-801-3303 for more information. You’ll find numerous pictures at The Forwardian Arts Society A Choice Audition Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, October 20, 2007
Theatrical Review: Schoolhouse Rock Live!
STEEL SCHOOLHOUSE ROCK LIVE!
Book by: Scott Ferguson, George Keating, and Klye Hall.
Music and Lyrics by: Lynn Ahrens, Bob Dorough*, Dave Frishberg, Kathy Mandry, George Newall, and Tom Yohe.
Directed by: Margaret Joyce Ball
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University (ESU)* in East Stroudsburg, PA presented their Theatre Department’s production of “Schoolhouse Rock Live!” The play was originally adapted and produced for the stage by Theatre BAM from the memorable animation series shown between Saturday morning cartoons. For those of us who grew up during these broadcasts, not only learned something about Mathematics, U. S. History, Governmental procedures, and English Grammar, but we were also given a songbook which we stored in our subconscious to be taken out whenever we needed to relive our youth once again.
Experiencing this production of “Schoolhouse Rock Live!” reopened this songbook in a very delightful way. Although the play is directed toward elementary school children, those of us who have not quite grown up enjoyed it as well. Personally, there were many times I felt like singing along to the tunes I remembers only to have my very adult, theatrical critic stifle such expressions. However, these were later pushed aside but the exuberance of the performance and the audience members who were quite less inhibited.
“Schoolhouse Rock Live!” evolves around a young school teacher named, “Tom” (as portrayed by Robin A Kessler*) whose concerns and imagination brings his thoughts to the animation series and creates a cast characters who demonstrate their continued relevance in education. This ensemble cast consisted of Krista Beam, Michelle DiBella, Brian Foley*, Francesca Garrard, Kendra Getz (who also served in scene painting and set construction), Shamus Halloran, Rachel Mack, Jenell Anne Manzi, Christopher Palardy*, and Kristen Stachina.
Although I did find some slight flaws in the production like a few actors in the ensemble appearing with the blank stars associated with the thinking of their lines and dance steps and not being in the moment the play, I found it to be a very enjoyable experience enabling the creation of new memories and the resurrection of those lovingly placed in the past. The only other fault I find is the run of the show will be nearly completed by the time this review is published. This is very unfortunate as it deserves the audience a longer run would provide.
The Production was Directed Margaret Joyce Ball and Stage Managed by E. R. Koenig* who also served in scene painting and set construction. Samantha Avola and Alex Wirth served as the assistant Stage Managers while Erick served as The Lighting Designer and Paul W McKay served as Set designer and Technical Director. The scene painting and set construction were completed by Jason Barry*, Mathew Bouboulis, Katherine Burkard, Matty Colazzo, Kenneth Garry, Rich Gross, and Angelo Revillo*.
This production of “Schoolhouse Rock Live!” will continue its run at The Fine and Performing Arts Building on the Campus of East Stroudsburg University (ESU) in East Stroudsburg, PA until October 21st. Tickets can be reserved by calling 570-422-3483. Their next production will be “The Laramie Project by Moises Kaufman November 27th thought December 2nd. This play is recommended to those who would like to reopen the educational songbooks of their youthful hearts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Book by: Scott Ferguson, George Keating, and Klye Hall.
Music and Lyrics by: Lynn Ahrens, Bob Dorough*, Dave Frishberg, Kathy Mandry, George Newall, and Tom Yohe.
Directed by: Margaret Joyce Ball
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University (ESU)* in East Stroudsburg, PA presented their Theatre Department’s production of “Schoolhouse Rock Live!” The play was originally adapted and produced for the stage by Theatre BAM from the memorable animation series shown between Saturday morning cartoons. For those of us who grew up during these broadcasts, not only learned something about Mathematics, U. S. History, Governmental procedures, and English Grammar, but we were also given a songbook which we stored in our subconscious to be taken out whenever we needed to relive our youth once again.
Experiencing this production of “Schoolhouse Rock Live!” reopened this songbook in a very delightful way. Although the play is directed toward elementary school children, those of us who have not quite grown up enjoyed it as well. Personally, there were many times I felt like singing along to the tunes I remembers only to have my very adult, theatrical critic stifle such expressions. However, these were later pushed aside but the exuberance of the performance and the audience members who were quite less inhibited.
“Schoolhouse Rock Live!” evolves around a young school teacher named, “Tom” (as portrayed by Robin A Kessler*) whose concerns and imagination brings his thoughts to the animation series and creates a cast characters who demonstrate their continued relevance in education. This ensemble cast consisted of Krista Beam, Michelle DiBella, Brian Foley*, Francesca Garrard, Kendra Getz (who also served in scene painting and set construction), Shamus Halloran, Rachel Mack, Jenell Anne Manzi, Christopher Palardy*, and Kristen Stachina.
Although I did find some slight flaws in the production like a few actors in the ensemble appearing with the blank stars associated with the thinking of their lines and dance steps and not being in the moment the play, I found it to be a very enjoyable experience enabling the creation of new memories and the resurrection of those lovingly placed in the past. The only other fault I find is the run of the show will be nearly completed by the time this review is published. This is very unfortunate as it deserves the audience a longer run would provide.
The Production was Directed Margaret Joyce Ball and Stage Managed by E. R. Koenig* who also served in scene painting and set construction. Samantha Avola and Alex Wirth served as the assistant Stage Managers while Erick served as The Lighting Designer and Paul W McKay served as Set designer and Technical Director. The scene painting and set construction were completed by Jason Barry*, Mathew Bouboulis, Katherine Burkard, Matty Colazzo, Kenneth Garry, Rich Gross, and Angelo Revillo*.
This production of “Schoolhouse Rock Live!” will continue its run at The Fine and Performing Arts Building on the Campus of East Stroudsburg University (ESU) in East Stroudsburg, PA until October 21st. Tickets can be reserved by calling 570-422-3483. Their next production will be “The Laramie Project by Moises Kaufman November 27th thought December 2nd. This play is recommended to those who would like to reopen the educational songbooks of their youthful hearts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, October 08, 2007
Theatrical Review: Steel Magnolias
STEEL MAGNOLIAS
Written by: Robert Harling
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Center Stage Players* production of Robert Harling‘s “Steel Magnolias” on their main stage. The play was the basis of the film of the same name which has become a cinematic icon for many.
The film has become well known for its rarity in presenting a small ensemble cast without the special effects or the other overstated characteristics attributed to a successful film. The play, “Steel Magnolias,” brings the audience’s focus more pointedly back to the ensemble cast and the experiences they encounter by making these experiences more real for us through the more physical presence of those living them. In other words, a live performance of the play provides something a film version can not. No matter how well the film is made or how faithful it is to the source material, film has a distancing effect on its audience while theatre often eliminates such effects.
I would normally take this time in a reviews to relay the plot of the play but to do so would ruin the enjoyment of the production. However, the play is not so much about what happens on stage as it is about how the characters respond to the situations they find themselves in and the support they gain from the friendship they have in one another. This attribute elevates the play as we realize this is a lesson which could be applied to our daily lives.
Many of us go through life thinking it’s just a series of experiences. But, these experiences are not our lives nor do they define us. How we respond to these experiences and how we accept and give support to those around us either enhances or diminishes the quality of our lives. “Steel Magnolias” reminds us we’re not defined by our circumstances but by how we meet them.
“Steel Magnolias” cast consists of Midge McClosky* who portrayed Truvy (the owner of Truvy;s Beauty Shop where the entire play takes place), Kathi Spigelmyer who portrayed Annelle (the new beautician who grow in her awareness and spirituality as her life progresses), Michele Frankenberg who portrayed Clairee (the receptionist and friend of Truvy), Pat Van Varick who portrayed Ouiser (a cantankerous woman whose negative outlook on life is often overshadowed by the love she has for and from her friends), Katherine Neville who portrayed M’ Lynn (the mother of a bride to be who learns to allow her child to grow into her life and beyond), and Sara Ferguson who portrayed Shelby (M’ Lynn’s daughter who embarks on a life of her own).
To say the play was well acted would be a very gross understatement. Each actress brought to their role a depth seldom seen in local theatre. Together, this ensemble cast brought a meaningfulness to the production through their combined strengths. The production itself presented the exact blend of humor and pathos needed to honor the work and make it an enjoyable theatrical experience to everyone involved.
The Production was Directed Sue Butler and Jack Butler served as the Assistant director. Both were responsible for the very well designed set as they had the authentic feel of a salon. “Steel Magnolias” was Stage Managed by Lillian Ramirez-Gonzalez with the lighting designed by Arthur Ritter.
This production of “Steel Magnolias” by Robert Harling will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until October 28th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who like to see how they are more than their experiences demonstrated before their eyes.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Robert Harling
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Center Stage Players* production of Robert Harling‘s “Steel Magnolias” on their main stage. The play was the basis of the film of the same name which has become a cinematic icon for many.
The film has become well known for its rarity in presenting a small ensemble cast without the special effects or the other overstated characteristics attributed to a successful film. The play, “Steel Magnolias,” brings the audience’s focus more pointedly back to the ensemble cast and the experiences they encounter by making these experiences more real for us through the more physical presence of those living them. In other words, a live performance of the play provides something a film version can not. No matter how well the film is made or how faithful it is to the source material, film has a distancing effect on its audience while theatre often eliminates such effects.
I would normally take this time in a reviews to relay the plot of the play but to do so would ruin the enjoyment of the production. However, the play is not so much about what happens on stage as it is about how the characters respond to the situations they find themselves in and the support they gain from the friendship they have in one another. This attribute elevates the play as we realize this is a lesson which could be applied to our daily lives.
Many of us go through life thinking it’s just a series of experiences. But, these experiences are not our lives nor do they define us. How we respond to these experiences and how we accept and give support to those around us either enhances or diminishes the quality of our lives. “Steel Magnolias” reminds us we’re not defined by our circumstances but by how we meet them.
“Steel Magnolias” cast consists of Midge McClosky* who portrayed Truvy (the owner of Truvy;s Beauty Shop where the entire play takes place), Kathi Spigelmyer who portrayed Annelle (the new beautician who grow in her awareness and spirituality as her life progresses), Michele Frankenberg who portrayed Clairee (the receptionist and friend of Truvy), Pat Van Varick who portrayed Ouiser (a cantankerous woman whose negative outlook on life is often overshadowed by the love she has for and from her friends), Katherine Neville who portrayed M’ Lynn (the mother of a bride to be who learns to allow her child to grow into her life and beyond), and Sara Ferguson who portrayed Shelby (M’ Lynn’s daughter who embarks on a life of her own).
To say the play was well acted would be a very gross understatement. Each actress brought to their role a depth seldom seen in local theatre. Together, this ensemble cast brought a meaningfulness to the production through their combined strengths. The production itself presented the exact blend of humor and pathos needed to honor the work and make it an enjoyable theatrical experience to everyone involved.
The Production was Directed Sue Butler and Jack Butler served as the Assistant director. Both were responsible for the very well designed set as they had the authentic feel of a salon. “Steel Magnolias” was Stage Managed by Lillian Ramirez-Gonzalez with the lighting designed by Arthur Ritter.
This production of “Steel Magnolias” by Robert Harling will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until October 28th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who like to see how they are more than their experiences demonstrated before their eyes.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
October Evening on Main
The Jacob Stroud Corporation* (www.stroudsburg.net) in Stroudsburg, PA held their monthly Evening on Main event on Saturday October 6th. A great number of visual and performing artists lent their talents to help make the evening a wonderful event for all who come to experience it. These included an exhibition entitled, “Structured Randomness” at The ArtSpace Gallery* (www.spezmedia.com/artspace) which featured a wide range of works by Greg Waltzer* (www.gregwaltzer.com) along with a gallery performances by New Atlantis* (www.newatlantismusic.com). Other Opening Receptions included work by new artist Chance Tedesco whose work was shown at The D. R.‘s Custom Design Framing and Art Gallery featuring a variety of charcoal, acrylic, and graphite pieces. The works of these artists brought a balance of serenity and excitement to their viewers as they explored the meaningful intricacies of Greg Waltzer’s* work and looked afresh through the new eyes of Chance Tedesco.
However, it is worthwhile noting a revelation I and other attendees of the Evening on Main St. Stroudsburg had during the event. Art exhibition are not confined to designated galleries but can be found in any venue and in any circumstances; even those dwelling in the human heart. This revelation was well demonstrated in The Yellow Moon Boutique (www.yellowmoonboutique.com) whose show entitled, “An Autumn Showing” featured the Watercolor Paintings of Thomas Augusta. These works not only enhanced the merchandise populating the boutique, but they along with the atmosphere they helped create elevated the appreciation of the arts and where they can be found.
Jane and Don Slepian* (www.donslepian.com) along with Will Daskal*(www.willdaskal.com) and his wife were among the many friends I met during the evening. However, I have made many new friends which was a wonderful treat making the event even more meaningful to me. I do welcome any of you who would like to share their recollections the event with me. The exhibitions will continue until the end of October. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find Numerous photographs at The Forwardian Arts Society October Evening on Main Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
However, it is worthwhile noting a revelation I and other attendees of the Evening on Main St. Stroudsburg had during the event. Art exhibition are not confined to designated galleries but can be found in any venue and in any circumstances; even those dwelling in the human heart. This revelation was well demonstrated in The Yellow Moon Boutique (www.yellowmoonboutique.com) whose show entitled, “An Autumn Showing” featured the Watercolor Paintings of Thomas Augusta. These works not only enhanced the merchandise populating the boutique, but they along with the atmosphere they helped create elevated the appreciation of the arts and where they can be found.
Jane and Don Slepian* (www.donslepian.com) along with Will Daskal*(www.willdaskal.com) and his wife were among the many friends I met during the evening. However, I have made many new friends which was a wonderful treat making the event even more meaningful to me. I do welcome any of you who would like to share their recollections the event with me. The exhibitions will continue until the end of October. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find Numerous photographs at The Forwardian Arts Society October Evening on Main Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Friday, October 05, 2007
Spooky Sherman Meetings II
The Sherman Theatre* in Stroudsburg, PA held their second meeting to plan this year’s Haunted Theatre Event on Friday October 5th. The Actual event will be held October 26th and 27th. Ideas from the first meeting were furthered along proving the people involved are a sick group of individuals. Cheryl Yost*, Bill Kelly*, and Arline M. Smeltz* along with Richard and Catherine Berkowitz* were among those who contributed their ideas toward the event. The next meeting to plan The Haunted Theatre Event will be announced soon but they are still in need of numerous volunteers to participate as actors in the individual rooms and props of all kinds. The more grotesque the better. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Spooky Sherman Meetings Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, October 02, 2007
Sherman Feats
The Sherman Theatre* in Stroudsburg, PA presented the classic rock band “Little Feat” on Monday October 1st. The band was preceded by a local group called, “The Scott Weis Band” whose music not only served as a satisfying prelude to the main feature but also held their own to the point an audience member might forfeit their expectations anything was to follow. This was simply because the musical need was fulfilled by this fantastic band. Yet, more music was to come enhancing everything that came before. Fans of “Little Feat” sang along with each song and danced to every beat. It was a lively show to say the least but that doesn‘t mean more can be said in appreciation to the concert and to The Sherman Theatre* who made it happen. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Scot Flax* of NEMO Magazine, Arline M. Smeltz*, and Gary Lambert*. The next show at The Sherman Theatre* will be Waidestock 2007 featuring a variety of bands performing music from a variety of sounds including rock, alternative, punk, and ska on Saturday October 20th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Sherman Feats Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 30, 2007
Art Across The River 2007
The Annual Art Across The River Festival took place simultaneously in Portland, PA and Columbia, NJ on Sunday September 30th. The event featured numerous artists and crafters from the areas which could be visited by crossing a foot bridge connecting the two towns separated by the Delaware River. Theresa Popiolek*, Linda Mann*, and Marcia Flammonde* were among the participants along with many new friends I met that day. Arline M. Smeltz* and Tricia Lippert Lowery* were among the many who visited the event. You’ll find numerous photographs at The Forwardian Arts Society Art Across The River Gallery 2007 at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, September 29, 2007
Co Op Bookhouse
The Eastern Monroe Public Library (EMPL)* in Stroudsburg, PA presented Jazz Quintet Co-Op-Bop* www.co-opbop.net during their Bookhouse Concert Series on Friday September 28th. The Concert was filled with the lively relaxed sounds great jazz is known for to a delightfully pleasant evening for all who attended. Rob Ramos* and Linnae Cintron* (both of The EMPL) along with Arline M. Smeltz* was among appreciative audience who attended the event. The Next Bookhouse concert will be Singer-Songwriter Zac Lawless www.zaclawless.com with Ross the Mentalist on Friday October 26th. Please contact The Eastern Monroe Public Library* at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society Co Op Bookhouse Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, September 24, 2007
Spooky Sherman Meetings
The Sherman Theatre* in Stroudsburg, PA held their first meeting to plan this year’s Haunted Theatre Event on Monday September 24th. The Actual event will be held October 26th and 27th. Many ideas were shared but they won’t be revealed here as they may cause nightmares. Cheryl Yost*, Theresa Woehrel*, Bill Kelly*, and Arline M. Smeltz* along with Richard and Catherine Berkowitz* were among those who contributed their ideas toward the event. If you knew what some of those ideas were, you may not send too much time with these people. Pretty scary stuff. The next meeting to plan The Haunted Theatre Event will be Friday October 5th at 6pm. Numerous volunteers are welcomed to participate especially actors and people with theatre and/or film experience. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Spooky Sherman Meetings Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 23, 2007
Stroud Finale
The Stroud Township* Summer Gazebo Concert Series near Stroudsburg, PA presented The Bonnie Childs Trio* as their final concert for the 2007 Summer season on Sunday September 23rd. It was a wonderful early evening filled with nostalgic songs that created meaningful memories for all who experienced them. Arline M. Smeltz* were among those who enjoyed the entertaining finale. You’ll find numerous photographs at The Forwardian Arts Society Stroud Finale Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Columcille Equinox
The Columcille Megalithic Park and Celtic Center* in Bangor, PA held a Fall Equinox Celebration and Celtic Concert featuring a dedication of the new stone work "The Celtic Eye" with bagpipe music by Darius Kaufman* along with Sarah Cohea on recorders and Ann Socha on Celtic Harp on Sunday September 23rd. It was an inspiring afternoon filed with peaceful reverence fot the change in seasons. Bill Cohea* of The Columcille Megalithic Park and Celtic Center*, Arline M. Smeltz*, Mark Letchy*, Wendy Watkins*, Gary Lambert*, Peter Taney*, Amy Cramer*, and Cheryl Peretz* along with Pat and Terri Gaughan* were among the people who made the afternoon a wonderful way to spend the first day of Autumn. The next event at The Columcille Megalithic Park and Celtic Center* will be a Samhuinn Celebration with a Torch lit pageant on Sunday October 27th. Please contact The Columcille Megalithic Park and Celtic Center* at (610) 588-1174 for more information. You’ll find numoerous photographs at The Forwardian Arts Society Columcille Equinox Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 16, 2007
Musical Habitat
The Monroe Chapter of Habitat for Humanity held a Habitat Awareness Concert entitled “Raise The Roof” at The St. Paul Lutheran Church in Tannersville, PA featuring the lending of choirs (both individually and collectively) from the vast area on Sunday September 16th. It was an inspiring evening filled with religious music and hymns all to benefit those who are without homes. The Monroe Chapter of Habitat for Humanity works with local builders to provide homes for families who are in need of them. Arline M. Smeltz*, Anna Busteed*, and Suzanne McCool were among the voices that made the evening a delight to experience while Don and Rose Busteed* were among the appreciative audience. Please contact The Monroe Chapter of Habitat for Humanity at 570-476-9846 for more information. You’ll find numerous photographs at The Forwardian Arts Society Musical Habitat Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, September 15, 2007
Electric Mussorgsky
The Unitarian Universalist Fellowship of the Poconos* in Stroudsburg, PA presented a live concert entitled “Mussorgsky: Pictures at an Exhibition” and was performed by Electric Diamond featuring Don Slepian* along with Greg and Hong Waltzer* on September 15th. It was a wonderfully relaxed presentation filled with many meditative sounds and images. Arline M. Smeltz* and Jane Slepian* along with Spencer and Nancy Reed* were among the appreciative audience who experienced a transcendence during the performance. Please contact The Unitarian Universalist Fellowship of the Poconos* at 570-420-0580 for more information about them and the work they do relating to the arts. You’ll find numerous photographs at The Forwardian Arts Society Electric Mussorgsky Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, September 10, 2007
COTA 2007
The Celebration of the Arts (COTA)* began their 30th Annual festival on Thursday September 6th with a World Premiere presentation of “Buttercup Days” which is a Jazz Suite composed by COTA* Co-Founder Phil Woods* at The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA and is based upon the A. A. Milne work entitled, “Now We Are Six.” This special event was held as an addition to the three day event usually associated with COTA* in commemoration of their 30th Anniversary. The evening was filled with poetry, singing, and the great jazz compositions which enchanted and entertained the large audience which attended the event. It was a great prelude to the festival and it was appreciated by all.
The festival continued the next evening on Friday September 7th in Delaware Water Gap, PA with Opening Reception of the Music Motif Show at The Antoine Dutot Museum and Gallery* (www.dutotmuseum.com) and an evening of Music, Theatre, and Dance at The Presbyterian Church of the Mountain*(www.churchofthemountain.org) My duties of preparing the presentations at the church prohibited me from attending the Opening Reception, but this does not mean my evening was void of meaningful and satisfying experiences. After all, I did manage to visit the gallery later during the festival and I enjoyed that experience a great deal. The evening at the church began with the theatrical hilarity of The Water Gap Players which has gained a reputation of presenting biting comedic sketches sprinkled with social and political commentary brining some thought to those who enjoy the humor. The evening continued with the renderings of Calliope whose soothing sounds pleases all who cherish the classics of the centuries.
Anita Bondi* and Company presented their final performance. After making her introductory remarks which included the announcement of this being their final performance, there was a pause before she expressed her appreciation for the opportunity to share her love for dance with the simple words of “Thank you.” Each member of the audience utilized that pause to recount the many meaningful insights the years of performances and how they had enhanced their lives. The hearing of the words “Thank you” placed each remembrances forever in their hearts. The performance which followed was an accumulation of all the love embodied Anita Bondi* and Company’s love and talent in this discipline.
The evening at The Presbyterian Church of the Mountain* concluded with the relaxing sounds of Jazz Pianist Donna Antonnow and her trio. It was a wonderful end to a great evening as it entreated the audience to discover what was yet to come during the two day outdoor festival. Ah, the delights that awaited them.
The outdoor festival on was greeted by some opening remarks by PA State Representative John J. Siptroth*. The music began Saturday September 8th at 12 noon with The Absolute Trio and ended after 9pm on Sunday September 9th with the Bottom O’ the Fox All Stars. These brief doesn’t come near to bring all the incredible happenings of the festival justice. In fact, no amount of words can do so. All I can say is, I’ve taken a great many pictures as they seem to share more than words can convey. You’ll find even more pictures taken by COTA’s official photographers on their website at www.cotajazz.org. There will also be a broadcast of the entire festival on WVIA TV (PBS)* sometime in November if not earlier.
The greatest please I had during the festival is meeting people. I have seen many among The Forwardian Arts Society fellowship during my time at COTA* and they are too numerous to mention without the risk of forgetting to name a few. However, I do welcome your comments, recollections, and reflections on what your experiences were. So, please feel free to comment on this blog and/or the picture I took. Share them with your friends who may not see this. I thank you for being my friend and for all the things you mean to me.
You’ll find a complete album of photographs taken during the Celebration of the Arts at The Forwardian Arts Society COTA 2007 Gallery at 360.yahoo.com/pauladam.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
The festival continued the next evening on Friday September 7th in Delaware Water Gap, PA with Opening Reception of the Music Motif Show at The Antoine Dutot Museum and Gallery* (www.dutotmuseum.com) and an evening of Music, Theatre, and Dance at The Presbyterian Church of the Mountain*(www.churchofthemountain.org) My duties of preparing the presentations at the church prohibited me from attending the Opening Reception, but this does not mean my evening was void of meaningful and satisfying experiences. After all, I did manage to visit the gallery later during the festival and I enjoyed that experience a great deal. The evening at the church began with the theatrical hilarity of The Water Gap Players which has gained a reputation of presenting biting comedic sketches sprinkled with social and political commentary brining some thought to those who enjoy the humor. The evening continued with the renderings of Calliope whose soothing sounds pleases all who cherish the classics of the centuries.
Anita Bondi* and Company presented their final performance. After making her introductory remarks which included the announcement of this being their final performance, there was a pause before she expressed her appreciation for the opportunity to share her love for dance with the simple words of “Thank you.” Each member of the audience utilized that pause to recount the many meaningful insights the years of performances and how they had enhanced their lives. The hearing of the words “Thank you” placed each remembrances forever in their hearts. The performance which followed was an accumulation of all the love embodied Anita Bondi* and Company’s love and talent in this discipline.
The evening at The Presbyterian Church of the Mountain* concluded with the relaxing sounds of Jazz Pianist Donna Antonnow and her trio. It was a wonderful end to a great evening as it entreated the audience to discover what was yet to come during the two day outdoor festival. Ah, the delights that awaited them.
The outdoor festival on was greeted by some opening remarks by PA State Representative John J. Siptroth*. The music began Saturday September 8th at 12 noon with The Absolute Trio and ended after 9pm on Sunday September 9th with the Bottom O’ the Fox All Stars. These brief doesn’t come near to bring all the incredible happenings of the festival justice. In fact, no amount of words can do so. All I can say is, I’ve taken a great many pictures as they seem to share more than words can convey. You’ll find even more pictures taken by COTA’s official photographers on their website at www.cotajazz.org. There will also be a broadcast of the entire festival on WVIA TV (PBS)* sometime in November if not earlier.
The greatest please I had during the festival is meeting people. I have seen many among The Forwardian Arts Society fellowship during my time at COTA* and they are too numerous to mention without the risk of forgetting to name a few. However, I do welcome your comments, recollections, and reflections on what your experiences were. So, please feel free to comment on this blog and/or the picture I took. Share them with your friends who may not see this. I thank you for being my friend and for all the things you mean to me.
You’ll find a complete album of photographs taken during the Celebration of the Arts at The Forwardian Arts Society COTA 2007 Gallery at 360.yahoo.com/pauladam.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, September 05, 2007
Final COTA Meeting
The Celebration of the Arts (COTA)* held their final meeting to plan their 30th annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Deer Head Inn in Delaware Water Gap, PA on Tuesday September 4th. However, before the meeting took place, The Water Gap Races presented their first “Run in the Gap.” It had very little to do with the meetings but I couldn’t help think associating the beginning of that race to the beginning of another 30 years of COTA with all the stamina and endurance that will require. It was great to witness this event as it was the meeting which brought many month of planning and coordinating to an end toward this year’s event. COTA* will begin Thursday September 6th at The Sherman Theatre* in Stroudsburg, PA with a special presentation for children of all ages and continues in Delaware Water Gap, PA on Friday September 7th until Sunday September 9th. Cyndie Dutkiewicz*, Lauren Chamberlain-Mussner*, Jim Wyckoff*, Christine Trembly*, Cheryl Read*, and Tim Helman* (Board Members of COTA) were among those who attended. Richard Chamberlain* and Phil Woods* (two of the co founders of COTA*) were there along with Marie Steeger*, Cheryl Joubert*, Jill Goodwin*, Katie Roche*, Pat and Terri Gaughan* and Bob and Jamie Garner* and were also present. Please Contact COTA* at 570-424-2210 or visit www.cotajazz.org for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 02, 2007
Stroudfest 2007 and More
The First Annual Stroudfest 2007 took place throughout Stroudsburg, PA on Saturday September 1st. The Courthouse Square and the entire Main Street was filled with music, art, food, and merchandise representing the variety of businesses populating the downtown area. The entire event was a joyous celebration of what the town has to offer culturally alongside the material conveniences which enhances our lives. This included many musical performances at the Main Stage and an acoustic performance by Split Fifty* at The Main St. Jukebox*. This event was followed by the Monthly Evening on Main which features the galleries which enlightens the Main Street area. These Galleries include Artspace featuring the works of Richard Spezzano* and Don Manza. In addition to this, The Sherman Theatre* held its First Annual Reggae Festival within its arts center. Please contact Stroudfest at 570-421-2200 for more information on this and next year’s festival. I’ve meet so many of Our Good Friends who are members of The Forwardian Arts Society, any attempt to name them all would result in neglecting more than a few. So, I won’t. However, I invite you to share your experiences of the events on this Blog and/or comment on my words and images. You’ll find numerous photographs at The Forwardian Arts Society Stroudfest 2007 and More Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, August 29, 2007
The COTA Wind Down
The Celebration of the Arts (COTA)* held their next to the last meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Sycamore Grill in Delaware Water Gap, PA on Tuesday August 28th. It was great to witness the many things putting together a festival of this size and meaning involves becoming solidified toward this year’s event. COTA will begin Thursday September 6th at The Sherman Theatre* in Stroudsburg, PA with a special presentation for children of all ages and continues in Delaware Water Gap, PA on Friday September 7th until Sunday September 9th. They still need Volunteers in Security, Stage Crew, Ticket Sales, and many other areas so feel free to call them at 570-424-2210 or visit www.cotajazz.org to learn more about it. Cyndie Dutkiewicz* and Lauren Chamberlain-Mussner* Co Chaired the meeting while Jim Wyckoff*, Christine Trembly*, and Tim Helman* (Board Members of COTA) were among those who attended. Nancy Reed*, Marie Steeger*, Gary Lambert*, Cheryl Joubert*, Pat Gaughan* and Richard Chamberlain* along with Bob and Jamie Garner* and were also present. The next and final meeting will be held Tuesday September 4th at The Deer Head in Delaware Water Gap, PA at 7:30pm. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 26, 2007
A Grand Jazz Finale
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented their final Gazebo Concert for the 2007 Summer Season featuring Jay Rattman* on Saxophone, Jesse Green* on Keyboards, Nancy Reed* on Base Guitar and Vocals, Spencer Reed* on Jazz Guitar, and Bill Goodwin* on Drums at 6pm on August 26th. It was a great ending to a wonderful summer filled with many delightful memories to sustain the multitude who have attended the series until next summer arrives. Among this multitude are Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Nancy Scheirer*, John Weiss*, Jill Goodwin*, Lauren Chamberlain-Mussner*, Richard Chamberlain*, and Cyndie Dutkiewicz*. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information regarding The Gazebo Concerts and other work they do relating to the arts. You’ll find numerous photographs at The Forwardian Arts Society PCOM Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 19, 2007
Roches at the Gazebo
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented Kate and Richie Roche* on Sunday August 19th as part of their summer concert series. The concert was held inside the church due to the inclement weather but the smooth sound warmed the audience with its soft selections which included classical jazz pieces and show tunes. Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Ursula Pooley, and Jill Goodwin along with Terri and James Dellaria* were among those who enjoyed the performance. The final concert for the summer season at The Presbyterian Church of the Mountain* will feature Jay Rattman and Friends* at 6pm on August 26th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
A Spectacular Summer Night at The Sherman
The Sherman Theatre* in Stroudsburg, PA presented “One Summer Night” Oldies Spectacular featuring Kenny Vance and the Plantotones, Vito Picone and the Elegants, The Del - Vikings, Cleveland Still and The Dubs, and The Passions on Saturday August 18th. The lively show brought back a great many wonderful memories relating to the times when Doo Wop music was in the musical mainstream of their youth. Yet, those who weren’t born during the 50s and 60s were still able to appreciate the great sounds to the point of becoming fans in their own right. Richard Berkowitz*, Cheryl Yost*, Brook*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz* Jill Goodwin* were among the many who showed their enthusiasm during the evening through their dancing, singing, and clapping of hands. The next show at The Sherman Theatre* will be a Benefit Show for Youth Advocacy Program on Saturday August 25th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Spectacular Summer Night at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, August 16, 2007
The Sherman Tenors
The Sherman Theatre* in Stroudsburg, PA hosted The Pocono Lively Arts* presentation of “Full Circle: The Three Pocono Tenors in Concert” featuring the voices of Michael Doherty, Spencer Taylor, and Jason Zimmer with Ronan Mariano on piano and assisted by Katie Kane on Thursday August 16th. The Show consited of musical selections ranging from Broadway Shows to Opera and included some pop tunes as well. Richard Berkowitz*, Theresa*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz* were among the many who enjoyed the show. The next show at The Sherman Theatre* will be “One Summer Night” Oldies Spectacular featuring many performers from the 50s and 60s on Saturday August 18th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society The Sherman Tenors Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, August 14, 2007
Preparing for COTA
The Celebration of the Arts (COTA)* held their next to the last meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Deer Head Inn* in Delaware Water Gap, PA on Tuesday August 14th. The days are winding down for the event which begins Thursday September 6th at The Sherman Theatre in Stroudsburg, PA and continues in Delaware Water Gap, PA on Friday September 7th until Sunday September 9th. They still need Volunteers in Security, Stage Crew, Ticket Sales, and many other areas so feel free to call them at 570-424-2210 or visit www.cotajazz.org to learn more about it. Lauren Chamberlain-Mussner (Chaired the meeting)*, Christine Trembly*, and Tim Helman* (Board Members of COTA) were among those who attended. Jill Goodwin*, Arline M. Smeltz*, Cheryl Joubert*, Spencer Reed*, Cheryl Reed*, Marie Steeger*, and Gary Lambert* along with Bob and Jamie Garner* and Pat and Terri Gaughan* were also present. The next and final meeting will be held Tuesday August 28th at The Sycamore Grill in Delaware Water Gap, PA at 7:30pm. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 12, 2007
Matt Abel at The Gazebo
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented The Matt Abel Group* on Sunday August 12th as part of their summer concert series. A variety of cover and original songs met the eager audience with engaging lyrics which were as amusing as they were enlightening. Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Gary Lambert*, and Betsy Jackson* of The Shawnee Institute along with Terri and James Dellaria* were among those who enjoyed the performance. The next concert at The Presbyterian Church of the Mountain* will feature Kate and Richie Roache* at 6pm on August 19th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM 07 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Theatrical Review: Count Dracula.
COUNT DRACULA
Written by: Ted Tiller
Directed by: Michael J. Harron*
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pennsylvania Repertory Company’s* production of Ted Tiller‘s “Dracula.” The Pennsylvania Repertory Company has gained a well deserved reputation of presenting fine theatre especially through their “Plays in the Curriculum Series“ which presents plays students in local school systems are studying. This is a worthy endeavor gaining a great deal of support from those who care about enhancing the educational experience the theatrical arts can provide.
However, although The Pennsylvania Repertory Company* has presented numerous theatrical gems, this particular production of “Count Dracula” is not one of them. This umpteenth telling of the overly familiar story of the Vampire from Transylvania added nothing to our knowledge nor did it satisfy those of us who are accustomed to the more sophisticated retellings which range from Francis Ford Coppola’s Beauty and the Beast version or Wes Craven Pseudo Biblical rendition which claims Dracula isn’t Vladd the Impaler but Judas Iscariot. Although many may consider the story of Dracula a timeless story mixing horror, romance, and sexuality in a blend unique to the genre, this sentiment wasn’t readily evident in this play. It seems the play was merely written to capitalize on the franchise and cash in on its popularity.
In spite of the mundane manner of the script, the actors portraying the roles they presented did quite well with the work they were given. There were many instances when an actor or actress was quite noticeably transcending the play through a more in-depth exploration of their character. Unfortunately, what made this noticeable was the fact not every everyone decided to go this creative route and stayed within the confines of the written words. There are many times in the theatrical arts when actors and directors must adhere strictly to the playwright’s intent because to do would diminish the integrity of the work but there are times when following your creative instincts are not only appropriate, but necessary to produce work meaningful to everyone experiencing it. Knowing what path to follow and when to do so requires artistic maturity which is usually found in The Pennsylvania Repertory Company’s* production but, surprisingly, not in this one.
“Count Dracula” cast consisted of Katherine Neville who portrayed Sybil Steward, Al Rauch who portrayed Hennessey while serving in The Props Department and participated in the Set Construction, Wayne Dotter who portrayed Dr. Steward and participated in the Set Construction, David Schappert who portrayed Renfield while serving in the Special Effects Department and participated in the Set Construction, Mark Nelson who portrayed Wesley, Justin Rosario who portrayed Jonathan Harker, Kathi Spigelmeyer who portrayed Mina Murry, Professor Emeritus Rob Eilenberger Howell who portrayed Prof. Van Helsing, and Patrick Turner who portrayed Count Dracula.
The Production was Directed Michael Harron* who also designed the set while serving as a Sound Technician along with Glenn Kern and Marty Courtney* and Stage Managed by Brydie Jacques who also served as costumer, in The Props Department, and in The Special Effects Department. Original music for the production was composed by Tick Cummins and Manny Parrish. The Lighting Director was William Kelly*, Additional Set Construction and Stage Crews Members were Sydney Southard, Carl Montano, Edi Martinovie, and Molly Brunkard. The Box Office Staff consisted of Cheryl Yost* and Theresa Woehrel*.
This production of “Count Dracula” by Ted Tiller has concluded its one day run on Saturday August 11th. The next production of The Pennsylvania Repertory Company* will be their annual “Tiny Tim’s Christmas Carol” which will be presented at The Sherman Theater* in Stroudsburg, PA December 13th - 15th. Tickets can be reserved by calling 570-420-2808 or by exploring The Sherman Theatre’s* Website at www.shermantheatre.com.
Photographs from the production can be found at The Forwardian Arts Society Sherman for the Count Gallery on myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Ted Tiller
Directed by: Michael J. Harron*
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pennsylvania Repertory Company’s* production of Ted Tiller‘s “Dracula.” The Pennsylvania Repertory Company has gained a well deserved reputation of presenting fine theatre especially through their “Plays in the Curriculum Series“ which presents plays students in local school systems are studying. This is a worthy endeavor gaining a great deal of support from those who care about enhancing the educational experience the theatrical arts can provide.
However, although The Pennsylvania Repertory Company* has presented numerous theatrical gems, this particular production of “Count Dracula” is not one of them. This umpteenth telling of the overly familiar story of the Vampire from Transylvania added nothing to our knowledge nor did it satisfy those of us who are accustomed to the more sophisticated retellings which range from Francis Ford Coppola’s Beauty and the Beast version or Wes Craven Pseudo Biblical rendition which claims Dracula isn’t Vladd the Impaler but Judas Iscariot. Although many may consider the story of Dracula a timeless story mixing horror, romance, and sexuality in a blend unique to the genre, this sentiment wasn’t readily evident in this play. It seems the play was merely written to capitalize on the franchise and cash in on its popularity.
In spite of the mundane manner of the script, the actors portraying the roles they presented did quite well with the work they were given. There were many instances when an actor or actress was quite noticeably transcending the play through a more in-depth exploration of their character. Unfortunately, what made this noticeable was the fact not every everyone decided to go this creative route and stayed within the confines of the written words. There are many times in the theatrical arts when actors and directors must adhere strictly to the playwright’s intent because to do would diminish the integrity of the work but there are times when following your creative instincts are not only appropriate, but necessary to produce work meaningful to everyone experiencing it. Knowing what path to follow and when to do so requires artistic maturity which is usually found in The Pennsylvania Repertory Company’s* production but, surprisingly, not in this one.
“Count Dracula” cast consisted of Katherine Neville who portrayed Sybil Steward, Al Rauch who portrayed Hennessey while serving in The Props Department and participated in the Set Construction, Wayne Dotter who portrayed Dr. Steward and participated in the Set Construction, David Schappert who portrayed Renfield while serving in the Special Effects Department and participated in the Set Construction, Mark Nelson who portrayed Wesley, Justin Rosario who portrayed Jonathan Harker, Kathi Spigelmeyer who portrayed Mina Murry, Professor Emeritus Rob Eilenberger Howell who portrayed Prof. Van Helsing, and Patrick Turner who portrayed Count Dracula.
The Production was Directed Michael Harron* who also designed the set while serving as a Sound Technician along with Glenn Kern and Marty Courtney* and Stage Managed by Brydie Jacques who also served as costumer, in The Props Department, and in The Special Effects Department. Original music for the production was composed by Tick Cummins and Manny Parrish. The Lighting Director was William Kelly*, Additional Set Construction and Stage Crews Members were Sydney Southard, Carl Montano, Edi Martinovie, and Molly Brunkard. The Box Office Staff consisted of Cheryl Yost* and Theresa Woehrel*.
This production of “Count Dracula” by Ted Tiller has concluded its one day run on Saturday August 11th. The next production of The Pennsylvania Repertory Company* will be their annual “Tiny Tim’s Christmas Carol” which will be presented at The Sherman Theater* in Stroudsburg, PA December 13th - 15th. Tickets can be reserved by calling 570-420-2808 or by exploring The Sherman Theatre’s* Website at www.shermantheatre.com.
Photographs from the production can be found at The Forwardian Arts Society Sherman for the Count Gallery on myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, August 09, 2007
Blues Festival Coverage
Tony Dellaria* has posted some Slideshows, a Festival Write Up, and Podcast Interviews for the 2007 NYS Blues Festival at the following Websites:
www.BluesSource.com
www.bluessource.com/articlesarchive.php www.bluessource.com/slideshows/NYState2007/Day01/index.htm www.bluessource.com/slideshows/NYState2007/Day02/index.htm
Please feel free to explore them and share your comments.
Look for coverage by Tony Dellaria of the 2007 Pocono Blues Festival next Tuesday, August 14th.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
www.BluesSource.com
www.bluessource.com/articlesarchive.php www.bluessource.com/slideshows/NYState2007/Day01/index.htm www.bluessource.com/slideshows/NYState2007/Day02/index.htm
Please feel free to explore them and share your comments.
Look for coverage by Tony Dellaria of the 2007 Pocono Blues Festival next Tuesday, August 14th.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, August 08, 2007
Testament of Music
The Shawnee Press, Inc sponsored a Choral program entitled, “Testament of Praise: A Celebration of Faith” at The Stroudsburg Junior High School in Stroudsburg, PA on Wednesday August 8th as part of their Annual Music in the mountains Choral Symposium. The Choir was directed by David Lantz III with many selections arranged by Joseph M. Martin and inspired by the writings of Charles Wesley who was portrayed by Mark Cabasniss. Arline M. Smeltz* was one of the sixty voices who lent their talents to the evening. A large and appreciative audience attended the program and had their faith uplifted by the music. Proceeds from the event benefited The VNA Hospice House of Monroe County. Please contact at The Shawnee Press, Inc at 1-800-962-8584 for more information. You’ll find numerous photographs at The Forwardian Arts Society Testament of Music Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 05, 2007
Happy Jazz Campers
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented a Mini Jazz Festival featuring students who attended the COTA Jazz Camp first concert on Sunday August 5th as part of their summer concert series. The Jazz Camp took place August 1st - 4th as an educational extension of The Celebration of the Arts (COTA)* www.cotajazz.org whose 30th Anniversary Festival takes place September 6th -9th. Several established Jazz performers lent their expertise to enhance the talents of these students. They included Spencer Reed*, Jay Rattman*, and Jesse Green* along with Richard Chamberlain* and Phil Wood* (co founders of COTA*).
A delighted audience was thoroughly entertained by the great music as they glimpsed into the future of the Jazz scene through the sounds created by these talented people. Jill and Bill Goodwin*, Cheryl Joubert*, Cyndie Dutkiewicz*, and Lauren Chamberlain-Mussner* (all of whom are members of COTA’s Board of Directors) along with Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Maria Horn*, Bob Durough*, Nancy Scheirer*, Dave Coulter*, Gary Lambert*, and Pat and Terri Gaughan* were among the numerous people who enjoyed the performance.
The next concert at The Presbyterian Church of the Mountain* will feature The Matt Abel* Group at 6pm on August 12th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find Numerous photographs at The Forwardian Arts Society COTA Jazz Camp Festival Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
A delighted audience was thoroughly entertained by the great music as they glimpsed into the future of the Jazz scene through the sounds created by these talented people. Jill and Bill Goodwin*, Cheryl Joubert*, Cyndie Dutkiewicz*, and Lauren Chamberlain-Mussner* (all of whom are members of COTA’s Board of Directors) along with Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Maria Horn*, Bob Durough*, Nancy Scheirer*, Dave Coulter*, Gary Lambert*, and Pat and Terri Gaughan* were among the numerous people who enjoyed the performance.
The next concert at The Presbyterian Church of the Mountain* will feature The Matt Abel* Group at 6pm on August 12th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find Numerous photographs at The Forwardian Arts Society COTA Jazz Camp Festival Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Evening on Main and Sherman
The Jacob Stroud Corporation* in Stroudsburg, PA held their monthly Evening on Main event on Saturday August 4th. A great number of visual and performing artists lent their talents to help make the evening a wonderful event for all who come to experience it. These included exhibitions at ArtSpace* wich featured a wide range of works by Will Daskal* along with performances by The Mark Williams Band and “It’s Just Comedy” Show at The Sherman Theatre*. A great number of people came to the event and I’ve met up with many of Our Good Friends in the fellowship. They are too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me. Please contact The Jacob Stroud Corporation* at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society Evening on Main and Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, August 04, 2007
Theatrical Review: I Ought To Be In Pictures.
I OUGHT TO BE IN PICTURES
Written by: Neil Simon
Directed by: Chris Centrella
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented their production of Neil Simon‘s “I Ought To Be In Pictures” in their Black Box Theatre. This was the second production placed in this new intimate theatrical setting and it proved to be a wise choice. It not only allowed the audience experience the play through the words and behaviors of the actors but it also allowed them to look into the heart of the play.
“I Ought To Be In Pictures” is about a daughter of an out of work screen writer who comes to visit her father whom she hasn’t seen since her early childhood sixteen years ago. The play explores many of the issue arising from such an occurrence which includes regret, anger, and the desire to make amends. However, it’s all done with the fine mixture of humor and pathos the mastery of Neil Simon has become known for. The audience finds itself laughing while coming to terms with the plays deeper exploration of the issues that invades their hearts. This is what comedic theatre does at its best.
“I Ought To Be In Pictures” cast consists of Rob Ramos* who portrayed Herb (the father who left his home to follow his dream of becoming a writer only to realize an even larger and more fulfilling dream when he rediscovers something he left behind), Eileen Schmitt who portrayed Libby (the daughter who wants to desperately connect with the missing pieces in her life and to follow her own dreams while maintaining her new reconnection), and Marie Steeger* who portrayed Steffy (Herb’s girlfriend who provides the emotional wisdom embodied in the soul of the play). Each actor portrayed their part as if it was written for them. This made the evening a very enjoyable one to those who enjoy good theatre.
However, there was one slight flaw in an otherwise stellar evening at the theatre. There is a term in comedic theatre which refers to those utterance which are meant to illicit laughter from the audience. These utterances are called “Laugh Lines.” It’s customary for the actors speaking these lines to give a pause to allow the audience’s laughter to reach its fullness before proceeding to the next line. This pause was missing during some of the production but such a situation is often self correcting as a play continues it run and the watchful eye of the director and the instinctive nature of the actors progresses with each performance.
The Production was Directed Chris Centrella* and Stage Managed by Irene Garner. The Technical Director was Kayla Goble who also operated the Light board and the Costumer was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Midge McClosky* served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Amy Cramer* served as Marketing Assistant.
This production of “I Ought To Be In Pictures” by Neil Simon will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until August 26th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who enjoy exploring the estranged emotional bonds with others and themselves while doing so with a smile.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Neil Simon
Directed by: Chris Centrella
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented their production of Neil Simon‘s “I Ought To Be In Pictures” in their Black Box Theatre. This was the second production placed in this new intimate theatrical setting and it proved to be a wise choice. It not only allowed the audience experience the play through the words and behaviors of the actors but it also allowed them to look into the heart of the play.
“I Ought To Be In Pictures” is about a daughter of an out of work screen writer who comes to visit her father whom she hasn’t seen since her early childhood sixteen years ago. The play explores many of the issue arising from such an occurrence which includes regret, anger, and the desire to make amends. However, it’s all done with the fine mixture of humor and pathos the mastery of Neil Simon has become known for. The audience finds itself laughing while coming to terms with the plays deeper exploration of the issues that invades their hearts. This is what comedic theatre does at its best.
“I Ought To Be In Pictures” cast consists of Rob Ramos* who portrayed Herb (the father who left his home to follow his dream of becoming a writer only to realize an even larger and more fulfilling dream when he rediscovers something he left behind), Eileen Schmitt who portrayed Libby (the daughter who wants to desperately connect with the missing pieces in her life and to follow her own dreams while maintaining her new reconnection), and Marie Steeger* who portrayed Steffy (Herb’s girlfriend who provides the emotional wisdom embodied in the soul of the play). Each actor portrayed their part as if it was written for them. This made the evening a very enjoyable one to those who enjoy good theatre.
However, there was one slight flaw in an otherwise stellar evening at the theatre. There is a term in comedic theatre which refers to those utterance which are meant to illicit laughter from the audience. These utterances are called “Laugh Lines.” It’s customary for the actors speaking these lines to give a pause to allow the audience’s laughter to reach its fullness before proceeding to the next line. This pause was missing during some of the production but such a situation is often self correcting as a play continues it run and the watchful eye of the director and the instinctive nature of the actors progresses with each performance.
The Production was Directed Chris Centrella* and Stage Managed by Irene Garner. The Technical Director was Kayla Goble who also operated the Light board and the Costumer was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Midge McClosky* served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Amy Cramer* served as Marketing Assistant.
This production of “I Ought To Be In Pictures” by Neil Simon will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until August 26th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who enjoy exploring the estranged emotional bonds with others and themselves while doing so with a smile.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, August 01, 2007
The Filmmaker Evolution Continues
The Cast of The Shining Star Productions’* film entitled, “The Filmmaker” met with writer and director Dave Morton* to further explore the film before the actual production begins at The Dale Snow Theatre of The Fine Arts Buliding on the Campus of East Stroudsburg University in East Stroudsburg, PA on Wednesday August 1st. The film features the talents of Michael Demyan as Will Sennet, Don "Charlie" Johnson as Mike, Angel Berlane as Mary, Talya Lockwood as Ashley, Lou Lebron as Jimmy DeMille, Paul Adam Smeltz (that’s me)* as Professor Roberts, Merrill McGuiness as Lauren, Daniel McLaughlin as Grant, Jason Pallay as Gary, Armando Medina as Mr. DeMille, Matthew Davidson as Brad, Raj Shankar as Big Boy, Elly Koening as The Girl on Date, and Angelo Revilla* as The Guy on Date. The film is a comedy relating to the dreams of a young filmmaker as he encounters the life changing decisions many artists makes when their dreams seem to be in conflict with whatever reality deems more important. Please visit The Shining Star Productions at www.myspace.com/shiningstar_productions for more information. You’ll find numerous photographs at The Forwardian Arts Society Filmmaker Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, July 30, 2007
The Devil Comes Down to Sherman
The Sherman Theatre* in Stroudsburg, PA presented the Charlie Daniels’ Band on Monday July 30th to a house filled with country music fans. It was a night filled with music, dancing, and down home fun. Richard Berkowitz*, Cheryl Yost*, Theresa*, Brook*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, Scott Flax*, and Gary Lambert* who enjoyed the show. The next show at The Sherman Theatre* will be “It’s Just Comedy” featuring “Talent” Saturday August 3rd. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society The Devil Comes Down to Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, July 29, 2007
Theatrical Review: Disney‘s High School Musical.
DISNEY’S HIGH SCHOOL MUSICAL
Based on The Disney’s Channel Original Movie by: Peter Barsocchini
Book by: David Simpatico
Songs by: Numerous People
Directed by: Susan Jordon
Choreographed by: Evie Korovesis
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* production of “Disney‘s High School Musical.” There comes times in many reviewers’ endeavors to critique the work they experience when an internal debate occurs. Does what one feel about the work reflects the quality of the piece or are there other considerations to be reckoned with that goes beyond personal taste and understanding of the art. This is a debate I find myself in while watching and preparing to compose this review of “Disney‘s High School Musical.”
“Disney‘s High School Musical” is not a play I would make a considerable effort to see. I find its shallowness, departure from reality, and it’s blatant commercialism repugnant to everything I hold to be true to what the theatrical experience should be about. However, when I ask myself some pointed questions regarding the production, I begin to see a world of thoughts beyond these sensibilities. Was the play well produced? Within the confines of the play as written, yes it was. Was the play well acted? Within the confines of the characterizations created, yes it was. Was the choreography staged well? Yes and with a great deal of energy. Was the production well received? Well, considering most of the large audience consisted of family and friends of the cast, it was.
“Disney‘s High School Musical” has a very large cast consisting of many teens and adults. To say they are talented and have great potential in their future theatrical endeavors would be a gross understatement. The exuberant energy and dedication they brought to their roles were quite impressive and I’ve found myself looking forward to the day when I see many of in more challenging and meaningful work. The choreography was a nice blend of simplistic and complex movements which added an excitement which brought pleasure to the audience and enhanced the production.
“Disney‘s High School Musical” is about (as the title suggests) a High School Musical. The musical the school’s drama teacher wishes to produce is taken from Shakespeare’s “Romeo and Juliet” and is entitled, “Juliet and Romeo.” The story consists of the rivalry between school factions comprising of Jocks (Athletes), Thespians (Actors), and Brainiacs (Science Students). Two students become infatuated with one another during the audition process of the play and their struggle to overcome peer pressures vaguely parallels those of Romeo and Juliet’s struggle to overcome the pressures of being Monique and Capulet. The play concludes with everyone free to make their own choices in whom to associate with while the leads (Troy Bolton as portrayed by Matthew Roseti and Gabriella Montex as portrayed by Megan Griffith) of “Disney‘s High School Musical” get the leads in “Juliet and Romeo.” Surprise Surprise.
“Disney‘s High School Musical” cast consists of The Jocks were portrayed by Brandon Hanks, Peter Korovesis, Birian Gilbert, Ryan McDermott, Aaron Pappalardo, Patrick Murphy, and Brian Sullivan, The Thespians were portrayed by Ali Dickison, Grant Snuffer, Matthew Catrillo, DeJuan Thompson, Akia Williams (who also portrayed a Skater Dude), Alyssa Glueck (who also portrayed a Brainiac), Natalie Gilbert, Kim Van Camp, and Vanessa Rosas (who also portrayed a Brainiac), The Brainiacs were portrayed by Rachel Cohen, Rachel Hettinger, Dominique Perez, and Rebecca Roeber, the Wildcat (the school’s team) Cheerleaders were portrayed by Kaitie Kaiser, Jullian Dente, Anne Braggs, Jasmine Morales, and Annie Spangler, and Kevin Dwyer portrayed a Skater Dudes. The teachers were portrayed by Michael Catrillo as Coach Bolton, Antionette Martinelli as Ms. Darbus, Heather Clarkson (who also served as Stage manager) as Ms. Tenney and the Science Competition Monitor, and Luke Ackerman (who also served as Stage manager) as the Karaoke Announcer.
The Production was Directed Susan Jordan Choreographed by Evie Koroveses, The Music Director was Ronan Marino, The Production Manager was Brenda Roeber, The Technical Director and Lighting Designer was Scott DeSantis, Sound Designer was Glen Kern, and the Set Designer was Michael Eyth.
This Pocono Lively Arts* production of “Disney‘s High School Musical” by David Simpatico has already concluded it’s short run which was July 27th - 29th at The Sherman Theatre* in Stroudsburg, PA. Their next production will be based on the Chrales Dicken’s Classic, “Oliver” running November 16th - 18th. You can reserve tickets by calling the Sherman Theatre* at 570-420-2808 or by exploring their website at www.shermantheatre.com. While I can no longer help the reader of this review decide whether or not to see this play since it‘s already over, I can recommend how going beyond personal taste and experiences can lead to an enjoyable evening at the theatre.
Several Pictures taken by The Forwardian Arts Society could be found at the Disney at The Sherman Gallery at www.myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Based on The Disney’s Channel Original Movie by: Peter Barsocchini
Book by: David Simpatico
Songs by: Numerous People
Directed by: Susan Jordon
Choreographed by: Evie Korovesis
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* production of “Disney‘s High School Musical.” There comes times in many reviewers’ endeavors to critique the work they experience when an internal debate occurs. Does what one feel about the work reflects the quality of the piece or are there other considerations to be reckoned with that goes beyond personal taste and understanding of the art. This is a debate I find myself in while watching and preparing to compose this review of “Disney‘s High School Musical.”
“Disney‘s High School Musical” is not a play I would make a considerable effort to see. I find its shallowness, departure from reality, and it’s blatant commercialism repugnant to everything I hold to be true to what the theatrical experience should be about. However, when I ask myself some pointed questions regarding the production, I begin to see a world of thoughts beyond these sensibilities. Was the play well produced? Within the confines of the play as written, yes it was. Was the play well acted? Within the confines of the characterizations created, yes it was. Was the choreography staged well? Yes and with a great deal of energy. Was the production well received? Well, considering most of the large audience consisted of family and friends of the cast, it was.
“Disney‘s High School Musical” has a very large cast consisting of many teens and adults. To say they are talented and have great potential in their future theatrical endeavors would be a gross understatement. The exuberant energy and dedication they brought to their roles were quite impressive and I’ve found myself looking forward to the day when I see many of in more challenging and meaningful work. The choreography was a nice blend of simplistic and complex movements which added an excitement which brought pleasure to the audience and enhanced the production.
“Disney‘s High School Musical” is about (as the title suggests) a High School Musical. The musical the school’s drama teacher wishes to produce is taken from Shakespeare’s “Romeo and Juliet” and is entitled, “Juliet and Romeo.” The story consists of the rivalry between school factions comprising of Jocks (Athletes), Thespians (Actors), and Brainiacs (Science Students). Two students become infatuated with one another during the audition process of the play and their struggle to overcome peer pressures vaguely parallels those of Romeo and Juliet’s struggle to overcome the pressures of being Monique and Capulet. The play concludes with everyone free to make their own choices in whom to associate with while the leads (Troy Bolton as portrayed by Matthew Roseti and Gabriella Montex as portrayed by Megan Griffith) of “Disney‘s High School Musical” get the leads in “Juliet and Romeo.” Surprise Surprise.
“Disney‘s High School Musical” cast consists of The Jocks were portrayed by Brandon Hanks, Peter Korovesis, Birian Gilbert, Ryan McDermott, Aaron Pappalardo, Patrick Murphy, and Brian Sullivan, The Thespians were portrayed by Ali Dickison, Grant Snuffer, Matthew Catrillo, DeJuan Thompson, Akia Williams (who also portrayed a Skater Dude), Alyssa Glueck (who also portrayed a Brainiac), Natalie Gilbert, Kim Van Camp, and Vanessa Rosas (who also portrayed a Brainiac), The Brainiacs were portrayed by Rachel Cohen, Rachel Hettinger, Dominique Perez, and Rebecca Roeber, the Wildcat (the school’s team) Cheerleaders were portrayed by Kaitie Kaiser, Jullian Dente, Anne Braggs, Jasmine Morales, and Annie Spangler, and Kevin Dwyer portrayed a Skater Dudes. The teachers were portrayed by Michael Catrillo as Coach Bolton, Antionette Martinelli as Ms. Darbus, Heather Clarkson (who also served as Stage manager) as Ms. Tenney and the Science Competition Monitor, and Luke Ackerman (who also served as Stage manager) as the Karaoke Announcer.
The Production was Directed Susan Jordan Choreographed by Evie Koroveses, The Music Director was Ronan Marino, The Production Manager was Brenda Roeber, The Technical Director and Lighting Designer was Scott DeSantis, Sound Designer was Glen Kern, and the Set Designer was Michael Eyth.
This Pocono Lively Arts* production of “Disney‘s High School Musical” by David Simpatico has already concluded it’s short run which was July 27th - 29th at The Sherman Theatre* in Stroudsburg, PA. Their next production will be based on the Chrales Dicken’s Classic, “Oliver” running November 16th - 18th. You can reserve tickets by calling the Sherman Theatre* at 570-420-2808 or by exploring their website at www.shermantheatre.com. While I can no longer help the reader of this review decide whether or not to see this play since it‘s already over, I can recommend how going beyond personal taste and experiences can lead to an enjoyable evening at the theatre.
Several Pictures taken by The Forwardian Arts Society could be found at the Disney at The Sherman Gallery at www.myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, July 28, 2007
The Bookhouse Robin
The Eastern Monroe Public Library (EMPL)* in Stroudsburg, PA presented a concert featuring Acoustic Guitarist Robin Greenstein www.robingreenstein.com with a percussionist (sorry-forgot the name) during their Bookhouse Concert Series on Friday July 27th. The Concert was filled with many original songs written by Ms. Greenstein mixed in with a number of folk tunes which led to a delightfully pleasant evening for all who attended. Rob Ramos*, John Cusumano*, and Linnae Cintron* (all of The EMPL) along with Arline M. Smeltz* was among appreciative audience who attended the event. The Next Bookhouse concert will be jazz quintet Co-Op-Bop* www.co-opbop.net for an incredible night of jazz on Friday September 28th. Please contact The Eastern Monroe Public Library* at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society The Bookhouse Robin Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, July 24, 2007
Second July COTA
The Celebration of the Arts (COTA)* held their monthly meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Deer Head Inn* in Delaware Water Gap, PA on Tuesday July 24th. The General Meetings are held the 2nd and 4th Tuesday of the month and all who wish to participate in the great event are welcomed to attend. Volunteers in Security, Stage Crew, Ticket Sales, and other areas are always valued. Cyndie Dutkiewicz*, Lauren Chamberlain-Mussner (Chaired the meeting)*, Jim Wyckoff*, and Tim Helman* (Board Members of COTA) were among those who attended. Jill Goodwin*, Arline M. Smeltz*, Cheryl Joubert*, Phil Woods*, and Richard Chamberlain* along with Bob and Jamie Garner* and Pat and Terri Gaughan* were also present. The next meeting will be held Tuesday August 14th at 7:30pm. Please contact The Celebration of the Arts at 570-424-2210 for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, July 21, 2007
Buck Hill Falls Festival
The Buck Hill Falls Art Association* in Buck Hill Falls, PA held their Annual Fine Arts and Crafts Festival on July 21st and 22nd. The grand event was filled with numerous pieces of arts to delight the eye and soul along with crafts to adorn the home and body. Hector Byrd* of Functional Bronze Sculptors (www.HVQByrd.com), William D. Hobbs*, William Daskal*, Linda Mann*, Leigh Ann Stratakos* of 3 Moons Yoga, Milan Melicharek, Jamie Agins, and Jennifer Vavala were among the many artists and crafters who shared their work. Ron Ford*, Arline M. Smeltz*, and Tina Mandry* (who served as a volunteer for the festival) were also present at the event. Please contact The Buck Hill Falls Art Association* at 570-595-2514 for more information. You’ll find numerous photographs at The Forwardian Arts Society Buck Hill Falls Festival Gallery at myspace.com/forwardian_arts. Visual Arts JAS 07
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, July 15, 2007
Organs in the Afternoon
The East Stroudsburg United Methodist Church in East Stroudsburg, PA presented a “Program of Organ Music” by Pauline Fox with Brian McNulty, Jonathan Strack, and Our Good Friend Thomas D. Busteed (my Nephew) on Sunday July 15th. The program consisted of pipe organ music from a variety of composers along with some selections which included other musical instruments and voice. Our Good Friends Donald, Anna, and Rose Busteed along with Arline M. Smeltz were present during the much appreciated performance. Please contact The East Stroudsburg United Methodist Church at 570-421-3280 for more information. You’ll find numerous photographs at The Forwardian Arts Society Organs in the Afternoon Gallery at myspace.com/forwardian_arts.
Theatrical Review: The Best Little Whorehouse in Texas.
THE BEST LITTLE WHOREHOUSE IN TEXAS
Music and Lyrics by: Carol Hall
Book by: Larry L. King and Peter Masterson
Based on a story by: Larry L. King
Directed and Choreographed by: Carmela Guiteras Mayo
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of Larry L. King‘s “The Best Little Whorehouse in Texas.” There are times I reflect upon some of the women in my life and wonder what I was thinking. Thanks to this production, I know. From the arousing opening number featuring shadow dances encouraging members of the audience to remark, “Holy Kama Sutra, Batman” to the climatic ending, “The Best Little Whorehouse in Texas” is filled with enough energy, humor, and tantalizations to delight even the most moralistic audience member.
In fact, the play’s down to earthy humor and subsequent wisdom reminds its audience a high moral sense isn’t just for those who proclaim it as their own personal means of gaining attention. It is the providence of anyone who wish to better the lives and situations of everyone they come in contact with including themselves. “The Best Little Whorehouse in Texas” demonstrates this through the independence of its women to enter a profession in which they have a control over their destinies while finding a way to pursue their profession without the pitfall others who made a similar choice have. These pitfalls include abusive pimps, contracting venereal diseases, and serving time in jail.
“The Best Little Whorehouse in Texas” seems to be a manifesto for the decriminalization of prostitution but it is more than that. The play also explores the emotional side of human relationship including those involving neglect and abuse and political and moral hypocrisy. One only have to observe the recent news to be reminded how little things have changed since the time when “The Best Little Whorehouse in Texas” was first presented. Unfortunately, the play may remain relevant for some time to come.
The play is well written as it addresses these issues through humor and music without becoming silly as a lesser play might be tempted to do. The acting was superb as everyone came to the stage with ell developed characters and consistently maintained a high level of performance throughout the evening. The timing of the actors as well as the scene and costume changes were very impressive. This production could be the basis on how a musical on a small stage should be performed.
“The Best Little Whorehouse in Texas” cast consists of Kristen Gehling portrayed Mona (the Madam of the house) with a self assuredness in her wisdom which came from many years of experience. The Girls of “The Best Little Whorehouse in Texas” (aka “The Chicken Ranch”) are Holli Banks who portrayed Jewell, Laurie Sutton who portrayed Angel, Chelsea Best who portrayed Shy, Audrey Holeman who portrayed Dawn, Christina Maslin who portrayed Ruby Rae, Jessica Bay Blyweiss who portrayed Ginger, Becky Day who portrayed Beatrice, and Lindsie Van Winkle who (with a striking resemblance to First Lady Laura Bush) portrayed Linda Lou and a waitress named Doatsy Mae.
Although these ladies were the main attraction of the evening, the male members of the cast were equally impressive. Chris J. Hadley portrayed Sheriff Dodd with a balanced mixture of common sense attitudes and political incorrectness which amused, enlightened, and even disturbed members of the audience with its bluntness. Other male roles were Michael Pine who portrayed the publicity seeking moral watchdog Melvin P. Thorpe, Thomas Schario who portrayed both C. J. Scruggs and the side stepping Governor, Michael Alan Read who portrayed both Local Journalist Edsel Mackey and “Good Ol’ Boy” Senator Wingwoah, Michael Bauer who portrayed Mayor Rufus Poindexter, Chris Johnson who portrayed the TV Colorman for the football game sequence, and Elvin Roytman who portrayed Pete. Besides the roles noted, many of the actors and actresses also portrayed Doggettes, Thorpe Singers, Aggies, and Angelettes.
The Production was Directed and Choreographed by Carmela Guiteras Mayo, The Music Director was Tim Rosser on piano along with Brian McNulty on Drums and Matt O‘Donnell on Bass, The Production Manager was Susan Bourn, and The Stage and Company Manager was Elizabeth Creamer. The Technical Director was Kayla Goble who also operated the Light board, and the Costumer was Betsy Paugh. William J Ulichney was the scenic designer. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer served as Marketing Assistant.
This production of “The Best Little Whorehouse in Texas” by Larry L. King will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until September 2nd. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. With all the humor, singing, dancing, expressions of common sense, and sex, what’s there not to like? I recommend seeing this play for all who would like to visit a place where (as one song in the show states) “nothing dirty goes on.”
Music and Lyrics by: Carol Hall
Book by: Larry L. King and Peter Masterson
Based on a story by: Larry L. King
Directed and Choreographed by: Carmela Guiteras Mayo
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of Larry L. King‘s “The Best Little Whorehouse in Texas.” There are times I reflect upon some of the women in my life and wonder what I was thinking. Thanks to this production, I know. From the arousing opening number featuring shadow dances encouraging members of the audience to remark, “Holy Kama Sutra, Batman” to the climatic ending, “The Best Little Whorehouse in Texas” is filled with enough energy, humor, and tantalizations to delight even the most moralistic audience member.
In fact, the play’s down to earthy humor and subsequent wisdom reminds its audience a high moral sense isn’t just for those who proclaim it as their own personal means of gaining attention. It is the providence of anyone who wish to better the lives and situations of everyone they come in contact with including themselves. “The Best Little Whorehouse in Texas” demonstrates this through the independence of its women to enter a profession in which they have a control over their destinies while finding a way to pursue their profession without the pitfall others who made a similar choice have. These pitfalls include abusive pimps, contracting venereal diseases, and serving time in jail.
“The Best Little Whorehouse in Texas” seems to be a manifesto for the decriminalization of prostitution but it is more than that. The play also explores the emotional side of human relationship including those involving neglect and abuse and political and moral hypocrisy. One only have to observe the recent news to be reminded how little things have changed since the time when “The Best Little Whorehouse in Texas” was first presented. Unfortunately, the play may remain relevant for some time to come.
The play is well written as it addresses these issues through humor and music without becoming silly as a lesser play might be tempted to do. The acting was superb as everyone came to the stage with ell developed characters and consistently maintained a high level of performance throughout the evening. The timing of the actors as well as the scene and costume changes were very impressive. This production could be the basis on how a musical on a small stage should be performed.
“The Best Little Whorehouse in Texas” cast consists of Kristen Gehling portrayed Mona (the Madam of the house) with a self assuredness in her wisdom which came from many years of experience. The Girls of “The Best Little Whorehouse in Texas” (aka “The Chicken Ranch”) are Holli Banks who portrayed Jewell, Laurie Sutton who portrayed Angel, Chelsea Best who portrayed Shy, Audrey Holeman who portrayed Dawn, Christina Maslin who portrayed Ruby Rae, Jessica Bay Blyweiss who portrayed Ginger, Becky Day who portrayed Beatrice, and Lindsie Van Winkle who (with a striking resemblance to First Lady Laura Bush) portrayed Linda Lou and a waitress named Doatsy Mae.
Although these ladies were the main attraction of the evening, the male members of the cast were equally impressive. Chris J. Hadley portrayed Sheriff Dodd with a balanced mixture of common sense attitudes and political incorrectness which amused, enlightened, and even disturbed members of the audience with its bluntness. Other male roles were Michael Pine who portrayed the publicity seeking moral watchdog Melvin P. Thorpe, Thomas Schario who portrayed both C. J. Scruggs and the side stepping Governor, Michael Alan Read who portrayed both Local Journalist Edsel Mackey and “Good Ol’ Boy” Senator Wingwoah, Michael Bauer who portrayed Mayor Rufus Poindexter, Chris Johnson who portrayed the TV Colorman for the football game sequence, and Elvin Roytman who portrayed Pete. Besides the roles noted, many of the actors and actresses also portrayed Doggettes, Thorpe Singers, Aggies, and Angelettes.
The Production was Directed and Choreographed by Carmela Guiteras Mayo, The Music Director was Tim Rosser on piano along with Brian McNulty on Drums and Matt O‘Donnell on Bass, The Production Manager was Susan Bourn, and The Stage and Company Manager was Elizabeth Creamer. The Technical Director was Kayla Goble who also operated the Light board, and the Costumer was Betsy Paugh. William J Ulichney was the scenic designer. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer served as Marketing Assistant.
This production of “The Best Little Whorehouse in Texas” by Larry L. King will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until September 2nd. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. With all the humor, singing, dancing, expressions of common sense, and sex, what’s there not to like? I recommend seeing this play for all who would like to visit a place where (as one song in the show states) “nothing dirty goes on.”
Saturday, July 14, 2007
PCAC Art Show
Our Good Friends at The Pike County Arts and Crafts, Inc. (PCAC) in Milford, PA held an Artists’ Reception for their 57th Annual Art Show on Friday July 13th. Our Good Friends Christine Griffin of The BUZZ Arts Guide and BUZZ online (www.BuzzArtsGuide.com) and Paul Adam Smeltz (that’s me) of The Forwardian Arts Society were among the jurors who selected several pieces representing the best of the works to be given special recognition for the talent they manifested.
The evening began with a ceremony at The Episcopal Church of The Good Shepard and St. John the Divine in Milford, PA to honor those whose work made the event meaningful. The Ceremonies began with some welcoming words by Our Good Friend James A. Campistrious of J. Angelo Event Planning who Coordinated the Show along with Ellen Bawcom of La Tienda. They continued with the recognition Our Good Friend John Longendorfer and his family of The Golden Fish Gallery in Milford, PA for whom this year’s Art Show was dedicated to. The remainder of the ceremonies consisted of some inspiring words from the founders of PCAC and the awarding of The 12th Annual Georgiana P. Kiger “Excellence in Art” Scholarships to Anika Scheepers and Syndney Polatnick.
Afterwards, all those attended were treated with an enormous array of enticing foods prior to partaking of the wonderful opportunity to experience the work and share in the good conversation with the very talented artists who made the entire evening a further delight. It was good to meet some new friends as well as becoming reacquainted with those I’ve met in the past. There were too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me.
The Art Show will continue until July 22nd. Please contact Our Good Friends at The Pike County Arts and Crafts, Inc. (PCAC) at 570-296-2338 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCAC Art Show Gallery at myspace.com/forwardian_arts.
The evening began with a ceremony at The Episcopal Church of The Good Shepard and St. John the Divine in Milford, PA to honor those whose work made the event meaningful. The Ceremonies began with some welcoming words by Our Good Friend James A. Campistrious of J. Angelo Event Planning who Coordinated the Show along with Ellen Bawcom of La Tienda. They continued with the recognition Our Good Friend John Longendorfer and his family of The Golden Fish Gallery in Milford, PA for whom this year’s Art Show was dedicated to. The remainder of the ceremonies consisted of some inspiring words from the founders of PCAC and the awarding of The 12th Annual Georgiana P. Kiger “Excellence in Art” Scholarships to Anika Scheepers and Syndney Polatnick.
Afterwards, all those attended were treated with an enormous array of enticing foods prior to partaking of the wonderful opportunity to experience the work and share in the good conversation with the very talented artists who made the entire evening a further delight. It was good to meet some new friends as well as becoming reacquainted with those I’ve met in the past. There were too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me.
The Art Show will continue until July 22nd. Please contact Our Good Friends at The Pike County Arts and Crafts, Inc. (PCAC) at 570-296-2338 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCAC Art Show Gallery at myspace.com/forwardian_arts.
Tuesday, July 10, 2007
July COTA
Our Good Friends at The Celebration of the Arts (COTA) held their monthly meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at Our Good Friends at The Deer Head Inn in Delaware Water Gap, PA on Tuesday July 10th. The General Meetings are held the 2nd and 4th Tuesday of the month and all who wish to participate in the great event are welcomed to attend. Volunteers in Security, Stage Crew, Ticket Sales, and other areas are always valued. Our Good Friends Cyndie Dutkiewicz, Lauren Chamberlain-Mussner, Jim Wyckoff, Bill Goodwin, and Tim Helman (Board Members of COTA) were among those who attended. Our Good Friends Arline M. Smeltz, Krissy Bender, and Steve Krawlitz along with Bob and Jamie Garner and Pat and Terri Gaughan were also present. The next meeting will be held Tuesday July 24th at 7:30pm. Please contact Our Good Friends at The Celebration of the Arts at 570-424-2210 for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
Monday, July 09, 2007
Theatrical Review: Proof
PROOF
Written by: David Auburn
Directed by: Jon Baptiste
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of David Auburn’s “Proof” in their new “Black Box Theatre” designed to enhance the experience more intimate pieces than the musicals the playhouse has become known for. This setting was an ideal one as “Proof” is a play about intimacy and its staging in a small area engaged the audience to share in the deeper dynamics of each character and the scenes they inhabit.
The play is well written and has won many awards. However, if the acting is not sufficient, all the awards and recognition can not keep an audience from a bad production. This is not the case here. Besides the occasional stepping on lines which can be attributed to “Opening Night Jitters,” this production was superbly done. Each actor shared with the audience their character’s emotional depth which allowed each member of the audience to explore themselves and their relationship with those who hold significance in their lives.
Besides these emotional properties, the play is unique in its presentation of events within it. The plot of the play is told in flashbacks. This isn’t usually done in theatre and it’s more common in film or television. But, the proof (pun can be intended) it can be done well on stage is quite evident. This technique in storytelling enables the audience to see the motivation underlying words and actions. Therefore, this production becomes more real than real for its audience by not only suspends their disbelief but also breaks down the barriers of the fourth wall by presenting it in their new “Black Box Theatre.”
As I mentioned earlier, the acting was superb as each actor found and maintained an almost mathematical balance in their character’s emotion throughout the play. Sara Ferguson (who portrayed Catherine) balanced her resentment and anger for giving up her life to care for her father with the loving memories she has after his passing. Our Good Friend Amy Cramer (who portrayed Claire - Catherine‘s sister) balanced her condescending clarity with her desire to control others through her benevolence. Mark Vance (who portrayed Hal) balanced his deep respect for the mathematical accomplishments of Catherine’s father with the desire to further his career by learning from what he left behind. Finally, there is Dennis Carrig (who portrayed Robert - Catherine and Claire’s father) who balanced his desire to learn the further reaches of his genius with the fear his exploration will end in the further reaches of his madness.
The balance each character strikes is not the only aspect of this production that makes it so compelling. There is also how each character reacts to one another and how that interaction effects the balance. I’m reminded of an equation which has been referred to as the human equation. It’s simply a + b + c. Even if a person represented by “a” or “b” remain constant, any changes in the other variant changes the dynamic of the relationship as represented be “c.” This was demonstrated throughout the play as each character revised their variant to meet each thought and situation they encountered. Therefore, the mood of the play changed as did the level of the audience’s involvement which enhanced the theatrical experience.
The Production was Directed by Jon Baptiste, The Production Manager was Susan Bourn, and Stage Managed by Marissa Phillips. The Technical Director was Kayla Goble, the Light and Sound Operator was Gerald Siegler, and the Costume and Dresser was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer (who portrayed Claire) served as Marketing Assistant.
This production of “Proof” by David Auburn will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until July 29th. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. I recommend seeing this play for all who would like to explore their relationships with themselves and those who inhabit their lives.
Written by: David Auburn
Directed by: Jon Baptiste
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of David Auburn’s “Proof” in their new “Black Box Theatre” designed to enhance the experience more intimate pieces than the musicals the playhouse has become known for. This setting was an ideal one as “Proof” is a play about intimacy and its staging in a small area engaged the audience to share in the deeper dynamics of each character and the scenes they inhabit.
The play is well written and has won many awards. However, if the acting is not sufficient, all the awards and recognition can not keep an audience from a bad production. This is not the case here. Besides the occasional stepping on lines which can be attributed to “Opening Night Jitters,” this production was superbly done. Each actor shared with the audience their character’s emotional depth which allowed each member of the audience to explore themselves and their relationship with those who hold significance in their lives.
Besides these emotional properties, the play is unique in its presentation of events within it. The plot of the play is told in flashbacks. This isn’t usually done in theatre and it’s more common in film or television. But, the proof (pun can be intended) it can be done well on stage is quite evident. This technique in storytelling enables the audience to see the motivation underlying words and actions. Therefore, this production becomes more real than real for its audience by not only suspends their disbelief but also breaks down the barriers of the fourth wall by presenting it in their new “Black Box Theatre.”
As I mentioned earlier, the acting was superb as each actor found and maintained an almost mathematical balance in their character’s emotion throughout the play. Sara Ferguson (who portrayed Catherine) balanced her resentment and anger for giving up her life to care for her father with the loving memories she has after his passing. Our Good Friend Amy Cramer (who portrayed Claire - Catherine‘s sister) balanced her condescending clarity with her desire to control others through her benevolence. Mark Vance (who portrayed Hal) balanced his deep respect for the mathematical accomplishments of Catherine’s father with the desire to further his career by learning from what he left behind. Finally, there is Dennis Carrig (who portrayed Robert - Catherine and Claire’s father) who balanced his desire to learn the further reaches of his genius with the fear his exploration will end in the further reaches of his madness.
The balance each character strikes is not the only aspect of this production that makes it so compelling. There is also how each character reacts to one another and how that interaction effects the balance. I’m reminded of an equation which has been referred to as the human equation. It’s simply a + b + c. Even if a person represented by “a” or “b” remain constant, any changes in the other variant changes the dynamic of the relationship as represented be “c.” This was demonstrated throughout the play as each character revised their variant to meet each thought and situation they encountered. Therefore, the mood of the play changed as did the level of the audience’s involvement which enhanced the theatrical experience.
The Production was Directed by Jon Baptiste, The Production Manager was Susan Bourn, and Stage Managed by Marissa Phillips. The Technical Director was Kayla Goble, the Light and Sound Operator was Gerald Siegler, and the Costume and Dresser was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer (who portrayed Claire) served as Marketing Assistant.
This production of “Proof” by David Auburn will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until July 29th. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. I recommend seeing this play for all who would like to explore their relationships with themselves and those who inhabit their lives.
Sunday, July 08, 2007
A Bautier Evening at The Gazebo
Our Good Friends at The Presbyterian Church of the Mountain in Delaware Water Gap, PA presented the lively sounds of Our Good Friend Michele Bautier on Sunday July 8th as part of their summer concert series. A delighted audience were thoroughly entertained by the great music. Our Good Friends Michael Wetmore of Support Your Local poets-Hooray (SYLP-H), James Dellaria, Gary Lambert, John Weiss, Sarah Bentz, Nancy Scheirer of Kirkridge, Maria Horn of The Pocono Record, and Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at The Presbyterian Church of the Mountain will feature JARO at 6pm. Please contact Our Good Friends at The Presbyterian Church of the Mountain at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM 07 Gallery at myspace.com/forwardian_arts.
Art of the 7s
Our Good Friends at The Jacob Stroud Corporation in Stroudsburg, PA held their monthly Evening on Main event on Saturday July 7th. A great number of visual and performing artists lent their talents to help make the evening a wonderful event for all who come to experience it. These included exhibitions at Our Good Friends at Gallery 705 and ArtSpace along with performances by Our Good Friends Spencer and Nancy Reed and The Pocono Lively Arts preview of their upcoming production of Disney’s “High School Musical” to take place July 27th - 29th at Our Good Friends at The Sherman Theatre. A great number of people came to the event and I’ve met up with many of Our Good Friends in the fellowship. They are too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me. Please contact Our Good Friends at The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society July Arts in Stroudsburg Gallery at myspace.com/forwardian_arts.
Sunday, July 01, 2007
Hamza at the Gazebo
Our Good Friends at The Presbyterian Church of the Mountain (PMOC) in Delaware Water Gap, PA presented the lively sounds of Mark Hamza and the Great Swamp Blues Band on Sunday July 1st as part of their summer concert series. A delighted audience were thoroughly entertained by the great music featured upon the wonderful Organ which has become associated with the group. Our Good Friends Michael Wetmore of Support Your Local poets-Hooray (SYLP-H), John Weiss, and Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at The Presbyterian Church of the Mountain will feature Our Good Friend Michele Bautier on Sunday July 8th at 6pm. Please contact Our Good Friends at The Presbyterian Church of the Mountain at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM Gallery at myspace.com/forwardian_arts.
Idol at The Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented a fantastic benefit concert featuring “American Idol” winner Ruben Studdard with proceeds going to the YMCA, Women’s Resources, and Leadership Pocono on Saturday June 30th. The lively and soul filled performance was preceded by Our Good Friend Nadeen Edwards whose talents could easily qualify her as an “Idol” in her own right. Our Good Friends Richard Berkowitz, Bill Kelly and Theresa (all of the Sherman) were there along with Our Good Friends Arline M. Smeltz, Mark Litchy, and Monroe County Commissioner Suzanne McCool with the very large audience who enjoyed the performance. The next show at Our Good Friends at The Sherman Theatre will be an Independent Rock Series Event featuring Pull the Pin, Atralen, Geronimo, Full Security, A Burden Called Aimara, Pearl Heart, and Set to Detonate on Friday July 6th at 6pm. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Idol at the Sherman Gallery at myspace.com/forwardian_arts.
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