ONE ACTS 2008
Directed by: The Students of ESU*
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University (ESU)* Theatre Department in East Stroudsburg, PA presented The Stage II* production of “One Acts 2008” which consisted of three One Act Plays directed by three students making their directorial debut. Stage II is the university’s student organization which supports and encourages participation in the Theatre Department’s productions as well as creating opportunities for students to be involved in all aspects of the theatrical arts. The “One Acts 2008” is a clear example of their endeavors.
The first play presented was entitled, “Laundry and Bourbon” written by James McLure and directed by Kendra Getz. This was a slice of life piece focusing on a relationship between two women as they share their thoughts, opinions, and attitudes on the incidents in their daily lives. The performances by Elanor Koenig* (who portrayed Hattie) and Samantha Avola* (who portrayed Elizabeth) were quite well done as their interpretations of their characters were very believable.
However, there were flaws in the play’s pacing which often took away the power behind some of the lines that were spoken and sometimes brought the action of the piece to a dead stop. These flaws might have been avoided and even repaired by a more experienced directors, but it is important to remember this was Ms. Kendra’s first attempt at directing and it’s even more important to point out there were other aspects of the presentation which foretold of what her considerable talents will become as Ms. Kendra become more seasoned in her directorial experiences.
This was evident in some very subtle aspects of the piece which touched upon the relationship of the two main characters. An audience member gained the impression they knew each other for some time and were able to share of themselves very easily because of their history together. This is often brought out by the guidance of a very talented director who has an innate sense of what makes good theatre. Also, the pacing of the play did improve with an additional character, Amy Lee (well portrayed by Amanda Kalinowski), whose presence served as a seasoning added to a recipe to create a marvelous culinary treat.
The second play presented was entitled, “Death” written by Abolafia and directed by Francesca Garrard. One couldn’t watch this contribution to the evening without being reminded of their favorite episode of “The Twilight Zone” or “Alfred Hitchcock Presents.” The play presumed to take place in purgatory where a man comes to learn of his final destination. Meredith Lubin (who portrayed Delia, the evaluator) and Doug Brehony (who portrayed Jack Martin, the departed) were well cast and dead on (ok a pun) on their interpretation.
This presentation was very well done. The director’s ability to draw the audience into this situation and to maintain a curiosity as to what will occur next showed a great talent. This was enhanced by the impressive talents of the actors who participated in the work. This was made even more evident when a M. Night Shyamalan twist was presented in a way that worked even though it had long ceased doing so for M. Night Shyamalan and his films.
The final play presented was entitled, “The Banker” written by David Dougherty and directed by Ryan Groff. This amusing adventure into physical comedy was a delightful ending to an engaging evening of “One Acts 2008.” The constant pacing of Roger (portrayed by Alex Wirth) established the energies of the entire piece. The enjoyment of the play was enhanced by Brian Foley* (who portrayed John) as he served as a hilarious foil to Roger’s ridiculous seriousness. Another foil of Roger came in the form of Mary (portrayed by Jenell Manzi) who reminds us all if it isn’t one thing, it’s your mother. Angelo Reveilla III* rounded out the piece with his portrayal of Alfred, Dalton, and Kevin which added an extra element of satisfaction with his performance.
Oh, the play is about a theatrical producer (Roger) experiencing difficulties financing a show that’s just about to go on. This ensues to a great many comedic occurrences heightened by the producer’s level of stress. It is hoped, by this reviewer, none of the students involved in “One Acts 2008” will ever experience such difficulties in their future theatrical endeavors. But, if they do, I hope they’ll handle them with less stress or, at least, have an audience around who’ll appreciate the humor.
This production of “One Acts 2008” will continue its run at The ESU* Fine and Performing Arts Building in East Stroudsburg, PA until February 10th and is recommended for those who would like to glimpse into the future inhabited by talented directors while enjoying a great evening of theatre. The next East Stroudsburg University (ESU)* Theatre Department in East Stroudsburg, PA production will be “Tartuffe” by Moliere April 22nd - 27th. Please contact The East Stroudsburg University (ESU)* Theatre Department at 570-422-3483 for more information and to reserve your ticket.
Please Note: No pictures were allowed to be taken during the performance.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, February 07, 2008
Saturday, February 02, 2008
Artspace Reception
The Artspace Gallery* (www.artspacegallery.net) in Stroudsburg, PA held an Opening Reception for their members exhibition on Saturday February 2nd. The event also served as a welcoming occasion for The Artspace Gallery* New Director Helen Heeren* and Assistant Director Peter Ambush. Greg and Hong Waltzer* along with Jim Hannan*, Will Daskal*, and Arline M. Smeltz* were among those who enjoyed the evening. The exhibitions will continue until the end of February. Please contact The Artspace Gallery* at 570-476-4460 for more information. You’ll find numerous photographs at The Forwardian Arts Society Artspace Reception Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, January 27, 2008
Mountain Dancing at the Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA hosted The PA Dance Vision, Inc. (PADV) presentation of their annual Mountain Dance Concert featuring Jazz, Contemporary, Ballet, and Modern dance from a variety of dance companies residing in the tri-state areas and beyond on Saturday January 26th. It was a great afternoon filled with the movements that inspire the soul to explore the boundaries of the human form. Richard Berkowitz*, Cheryl Yost*, (both of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will be Invinciblefest featuring Liferuiner, Ambush, Double XL, Addisen, To Outlive the Beginning, Neveragainforyou, and As life ends as part of their Independent Rock Series on Saturday February 2nd. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Mountain Dancing at the Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Winterfest 08 at the Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA made their contribution to The Winterfest 08 (www.Poconobluegrass.org) activities which features Bluegrass music throughout The Stroudsburg and East Stroudsburg areas on Saturday January 26th. It was a great evening filled with lots of toe tapping and foot stomping music filling the sizable audience with enough joy to inspire some dancing at their tables. The bands performing at The Sherman were Louie Setzer and the Appalachian Mountain Boys*, Remington Ryde (www.RemingtonRyde.com), The Lost Ramblers*, Marc Silver (www.marcsilvermusic.com), and (host/emcee) Texas Rose (www.texrosemusic.com). Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz* and Gary Lambert*. The next show at The Sherman Theatre* will The Mountain Dance Concert on Sunday January 27th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Winterfest 08 at the Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, January 26, 2008
Broadway at the Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA hosted The Cavalier Voices presentation of Broadway at the Sherman featuring local performers singing a variety of musical numbers from Broadway shows at a fundraising concert for the J. T. Lambert Intermediate School's Cavalier Voices on Friday January 25th. The event was well attended and the variety of the pieces was only matched by the variety of those who performed them. Richard Berkowitz*, and Theresa Woehrel* (both of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will be their contribution to The Winterfest activities featuring Bluegrass music throughout The Stroudsburg and East Stroudsburg areas on Saturday January 26th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Broadway at the Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, January 19, 2008
Theatrical Review: Lips Together, Teeth Apart
LIPS TOGETHER, TEETH APART
Written by: Terrence McNally
Directed by: Rob Ramos*
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “Lips Together, Teeth Apart” by Terrence McNally. The performance which this review is based upon was a special presentation of a public dress rehearsal brought about by the originally scheduled dress rehearsal being canceled due to inclement weather. Therefore, as with many productions, this presentation was not without numerous flaws. However, it was evident many of these flaws would dissipate once the production begins it’s normal run so to focus a review on them would be grossly unfair to everyone involved and prove a disservice to those who are considering attending the theatrical event.
The play is essentially about two married couples spending the 4th of July at a Fire Island beach house left to a woman by her brother who has died of AIDS. While the play could have simply been about dealing with the death of a loved one who had died from the disease and dealing with the heterosexual diss-ease of confronting an environment embracing the gay lifestyle, it could have been almost about any topic. The play is really about the even more evasive disease of isolationism which is demonstrated through the meaningful and revealing moments containing monologues delivered to the audience while other characters in the play are frozen in tableau. These monologues not only reveal what each character is going through at any given moment or how they perceive their reality, they also entreat the audience to examine their thoughts and perceptions as well.
In spite of the flubbed and dropped lines, lapses in the plays pacing, and lack of stability in some of the tableaus, it was an enjoyable evening once one realized it was a dress rehearsal typical of other theatrical endeavors and the speculation of how brilliant the gems inherent in the show would shine once they were polished. The discovery of these gems were made by simply watching the quality performances by those familiar actors who have gained a reputation for their considerable skills along with unfamiliar actors to those who attend the shows at The Shawnee Playhouse* who deserve the same reputation. These actors are Denise Crawn* who portrayed Chloe Haddock, Patrick Turner who portrayed John Haddock, Amy Cramer* who portrayed Sally Truman and serves as the Shawnee Playhouse* publicist, and Rob Ramos* who portrayed Sam Truman and directed the work.
Rob Ramos‘* directorial duties were shared by Assistant Director Lillian Ramirez Gonzalez* who (along with Mary Horn and Kasey Mesko) also served as a member of the box office staff and Second Assistant Director John Cusumano*. The Production was Stage Managed by Irene Garner* while the scenic and lighting design was created by Kayla Goble. The Executive Director of The Shawnee Playhouse* is Midge McClosky* while the producers are Ginny and Charlie Kirkwood.
This production of “Lips Together, Teeth Apart” by Terrence McNally will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until January 27th and is recommended for those who would value the opportunity to reexamine their thoughts and perceptions in order to seek a cure of their own isolationistic tendencies. The next Shawnee Playhouse* in Shawnee on the Delaware, PA presentation will be The Worthington Players production of “Love Letter” will be February 8th - 17th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $2.00 discount off the admission fee. Please contact The Shawnee Playhouse* at 570-421-5093 for more information and to reserve your ticket.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Terrence McNally
Directed by: Rob Ramos*
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “Lips Together, Teeth Apart” by Terrence McNally. The performance which this review is based upon was a special presentation of a public dress rehearsal brought about by the originally scheduled dress rehearsal being canceled due to inclement weather. Therefore, as with many productions, this presentation was not without numerous flaws. However, it was evident many of these flaws would dissipate once the production begins it’s normal run so to focus a review on them would be grossly unfair to everyone involved and prove a disservice to those who are considering attending the theatrical event.
The play is essentially about two married couples spending the 4th of July at a Fire Island beach house left to a woman by her brother who has died of AIDS. While the play could have simply been about dealing with the death of a loved one who had died from the disease and dealing with the heterosexual diss-ease of confronting an environment embracing the gay lifestyle, it could have been almost about any topic. The play is really about the even more evasive disease of isolationism which is demonstrated through the meaningful and revealing moments containing monologues delivered to the audience while other characters in the play are frozen in tableau. These monologues not only reveal what each character is going through at any given moment or how they perceive their reality, they also entreat the audience to examine their thoughts and perceptions as well.
In spite of the flubbed and dropped lines, lapses in the plays pacing, and lack of stability in some of the tableaus, it was an enjoyable evening once one realized it was a dress rehearsal typical of other theatrical endeavors and the speculation of how brilliant the gems inherent in the show would shine once they were polished. The discovery of these gems were made by simply watching the quality performances by those familiar actors who have gained a reputation for their considerable skills along with unfamiliar actors to those who attend the shows at The Shawnee Playhouse* who deserve the same reputation. These actors are Denise Crawn* who portrayed Chloe Haddock, Patrick Turner who portrayed John Haddock, Amy Cramer* who portrayed Sally Truman and serves as the Shawnee Playhouse* publicist, and Rob Ramos* who portrayed Sam Truman and directed the work.
Rob Ramos‘* directorial duties were shared by Assistant Director Lillian Ramirez Gonzalez* who (along with Mary Horn and Kasey Mesko) also served as a member of the box office staff and Second Assistant Director John Cusumano*. The Production was Stage Managed by Irene Garner* while the scenic and lighting design was created by Kayla Goble. The Executive Director of The Shawnee Playhouse* is Midge McClosky* while the producers are Ginny and Charlie Kirkwood.
This production of “Lips Together, Teeth Apart” by Terrence McNally will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until January 27th and is recommended for those who would value the opportunity to reexamine their thoughts and perceptions in order to seek a cure of their own isolationistic tendencies. The next Shawnee Playhouse* in Shawnee on the Delaware, PA presentation will be The Worthington Players production of “Love Letter” will be February 8th - 17th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $2.00 discount off the admission fee. Please contact The Shawnee Playhouse* at 570-421-5093 for more information and to reserve your ticket.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, January 13, 2008
Buddha Times at Kirkridge
The Kirkridge Retreat Center* (www.kirkridge.org) in Bangor, PA held their January Potluck Dinner which featured a short talk about Thich Nhat Hanh who was a Vietnamese Zen Buddhist Monk, a showing of the Film, “Little Buddha,” and a discussion of the film over the varied cuisine numerous people brought to the table on Sunday January 13th. The evening was filled with fun, film, fellowship, and enlightened conversation. Jean Richardson* and Nancy Scheirer* (both of Kirkridge) were there alone with Arline M. Smeltz, Mark Lichty*, and Don and Jan Slepian*. The next event at The Kirkridge Retreat Center* will be a fireside poetry reading accompanied by a Potluck Dinner on Sunday March 2nd. Please contact The Kirkridge Retreat Center* at 610-588-1793 for more information. You’ll find numerous photographs at The Forwardian Arts Society Buddha Times at Kirkridge Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Friday, January 11, 2008
Hard Core Rocks The Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA presented Methodical along with Crushpile, The Vivid Twisted, For Valor or Vengeance, Bound By Blood, and More as a continuing part of their Independent Rock Series on Friday January 11th. The bands were met by an exuberant audience of young people who frequently attends the hard core extravaganzas the Sherman is known for to their generation. Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will continues their Independent Rock Series featuring Murphy's Law, The Air I Breathe, Wetwork Agenda, Big Attack, Jerk Reactions, and My Ghost My Vengeance on Friday January 18th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Hard Core Rocks The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, January 05, 2008
A Show for Healing at The Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA presented Artimus Pyle and The Street Survivors who paid tribute to The Lynyrd Skynyrd Band for whom Artimus Pyle played drums for on Friday January 4th. The performance of Artimus Pyle and The Street Survivors was preceded by two local bands (Bootleg and Dealer in wares) which complimented the evening. Proceeds of the event were placed into a trust fund to benefit two year old Sean Vanluvender whose father (Lee Vanluvender of Bartonsville, PA) was found dead after being shot several times while hunting close to the state game lands near Chestnuthill and Tunkhannock townships in PA. The audience consisted of friends and members of the Vanluvender family who paid their respects and shared the grief of their loss. However, the life affirming music brought a great deal of comfort to those who attended. Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will a concert which is a continuing part of their Independent Rock Series featuring Methodical along with Crushpile, The Vivid Twisted, For Valor or Vengeance, Bound By Blood and More on Friday January 11th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numeerous photographs at The Forwardian Arts Society A Show for Healing at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, December 25, 2007
A Jazzy Christmas Eve
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA served the Devine through their annual Christmas Eve Jazz Celebration on Monday December 24th. The sounds of Jazz filled the heart, body, and soul of all who came to enjoy the wonderful event. The Service was led by Pastor Karen Nickels* while Bonnie Childs* served as the Celebration Chairperson. Matt Abell*, Saralyn Whitaker*, Marty Wilson*, Bob Dorough*, Michele Bautier*, Denny and Jan Carrig*, Arline M. Smeltz*, Bill Brugger*, Lindsey Buffa*, Kate and Richie Roche, and Jay Rattman were among the numerous musicians and singers who performed while Cheryl Read* along with Sue and Sarah Wilson* were among the many who sang, laughed, and danced while their spirits embodied in the service prepared them for Christmas day. The Presbyterian Church of the Mountain* holds services Sunday Mornings at 10am and presents other musical events throughout the year. Please Contact The Presbyterian Church of the Mountain* at 570-476-0345 for more information. Due to the religious nature of the event, no photographs were taken.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, December 23, 2007
Skaladays at The Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA celebrated the season by giving thanks to everyone in the 21 and under crowd who frequents the numerous Independent Rock Concerts for local musician throughout the year with a free show featuring “Ska” music entitled, “HAPPY SKALADAYS!!!!!!!!!!!!!!!!!!!!” on Saturday December 22nd. Several great bands performed to an eager and energetic audience fill with youthful joy and appreciation. Richard Berkowitz*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there with Arline M. Smeltz* along with Anna and Thomas Busteed*. The next show at The Sherman Theatre* will a Benefit concert featuring Artimus Pyle (legendary drummer of the iconic southern rock band Lynyrd Skynyrd) and The Street Survivors at 8 pm on Friday January 4th. Proceeds will go into a trust fund to benefit two year old Sean Vanluvender whose father (Lee Vanluvender of Bartonsville, PA ) was found dead after being shot several times while hunting close to the state game lands near Chestnuthill and Tunkhannock townships in PA. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Skaladays at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, December 15, 2007
Theatrical Review: Tiny Tim‘s Christmas Carol
TINY TIM’S CHRISTMAS CAROL
Book, Music, and Lyrics by: Michael Harron* and Rick Cummins
Directed by: Michael Harron*
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pennsylvania Repertory Company’s (www.myspace.com/pennsylvaniarepcompany) production of “Tiny Tim‘s Christmas Carol” by Michael Harron* and Rick Cummins and based on the novel “A Christmas Carol“ by Charles Dickens. This original production is offered annually as The Pennsylvania Repertory Company’s gift of a Holiday Family Musical to the community. The love, affection, and appreciation felt by the company is well evident in the care and talent placed in their endeavors to present quality theatre to the area and “Tiny Tim‘s Christmas Carol” is no exception.
The play takes the familiar story created by Charles Dickens and presents it through the eyes of one of the novels most beloved characters. Although this loses some of the depth the novel creates through its third person perspective, rediscovering the transformation of Ebenezer Scrooge through our journey with Tiny Tim still allows us to enjoy the story in a new way. It’s serves us well to remind ourselves this is “Tiny Tim‘s Christmas Carol” and not Charles Dickens.
This is especially true during the novel’s potent scene of Scrooge confronting his own mortality and realizing all of his act lead to their inevitable consequences. Dickens mentioned in in many lectures on the novel this scene was designed to give warning to the business community who has become hard and uncaring toward the poor in the communities in which they did business and their indifference will lead to a societal indifference which leading to their demise. However, Tiny Tim sees this scene as an opportunity to express his childlike faith in the one who was born on Christmas and can provide redemption to those who seek it. This explains why there’s a nativity scene in “Tiny Tim‘s Christmas Carol” that Dickens would never imagine placing in his.
The huge cast consisted of an amount of talented people who are too numerous to mention However, the play was well acted and the actors should be congratulated on a performance well done. Their participation made it a very enjoyable evening at the Theatre.
The Production was Directed Michael Harron* and Stage Managed by Mary Ellen Van CampJoanne Barbetta assisted by Liz Egan-Rivers and Sara Ferguson. Katy Joyce served as Costumer and Nance Brown provided the Musical Staging. Keith LaBar served as Musical Director while the lighting and sets were designed by Leigh Mundy Fretz and Mark Connors. The Sound and Microphones were provided by Glenn Kern and the light board was controlled by William (Bill) Kelly*. Marcy Wilder* and Rick Morales were the follow spot operators. Props were provided by Al Rauch and Brydie Jaques while the stage crew consisted of Mike Brightman, Mark Dodel, Julius Kollar, Liz Miller, Ariana Medero, Vicky Larianova, and Eric Ramos.
This production of “Tiny Tim‘s Christmas Carol” will continue its run at The Sherman Theatre* in Stroudsburg, PA until December 15th which means the run may be over before you read this review. However, it may be good to keep your calendar open for next year’s production as The Pennsylvania Repertory Company’s* (www.myspace.com/pennsylvaniarepcompany) “Tiny Tim‘s Christmas Carol” may prove to be a pleasurable way to spend the 2008 holiday season.
Numerous Photographs from the production can be found in The Forwardian Arts Society Tiny Tim Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Book, Music, and Lyrics by: Michael Harron* and Rick Cummins
Directed by: Michael Harron*
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pennsylvania Repertory Company’s (www.myspace.com/pennsylvaniarepcompany) production of “Tiny Tim‘s Christmas Carol” by Michael Harron* and Rick Cummins and based on the novel “A Christmas Carol“ by Charles Dickens. This original production is offered annually as The Pennsylvania Repertory Company’s gift of a Holiday Family Musical to the community. The love, affection, and appreciation felt by the company is well evident in the care and talent placed in their endeavors to present quality theatre to the area and “Tiny Tim‘s Christmas Carol” is no exception.
The play takes the familiar story created by Charles Dickens and presents it through the eyes of one of the novels most beloved characters. Although this loses some of the depth the novel creates through its third person perspective, rediscovering the transformation of Ebenezer Scrooge through our journey with Tiny Tim still allows us to enjoy the story in a new way. It’s serves us well to remind ourselves this is “Tiny Tim‘s Christmas Carol” and not Charles Dickens.
This is especially true during the novel’s potent scene of Scrooge confronting his own mortality and realizing all of his act lead to their inevitable consequences. Dickens mentioned in in many lectures on the novel this scene was designed to give warning to the business community who has become hard and uncaring toward the poor in the communities in which they did business and their indifference will lead to a societal indifference which leading to their demise. However, Tiny Tim sees this scene as an opportunity to express his childlike faith in the one who was born on Christmas and can provide redemption to those who seek it. This explains why there’s a nativity scene in “Tiny Tim‘s Christmas Carol” that Dickens would never imagine placing in his.
The huge cast consisted of an amount of talented people who are too numerous to mention However, the play was well acted and the actors should be congratulated on a performance well done. Their participation made it a very enjoyable evening at the Theatre.
The Production was Directed Michael Harron* and Stage Managed by Mary Ellen Van CampJoanne Barbetta assisted by Liz Egan-Rivers and Sara Ferguson. Katy Joyce served as Costumer and Nance Brown provided the Musical Staging. Keith LaBar served as Musical Director while the lighting and sets were designed by Leigh Mundy Fretz and Mark Connors. The Sound and Microphones were provided by Glenn Kern and the light board was controlled by William (Bill) Kelly*. Marcy Wilder* and Rick Morales were the follow spot operators. Props were provided by Al Rauch and Brydie Jaques while the stage crew consisted of Mike Brightman, Mark Dodel, Julius Kollar, Liz Miller, Ariana Medero, Vicky Larianova, and Eric Ramos.
This production of “Tiny Tim‘s Christmas Carol” will continue its run at The Sherman Theatre* in Stroudsburg, PA until December 15th which means the run may be over before you read this review. However, it may be good to keep your calendar open for next year’s production as The Pennsylvania Repertory Company’s* (www.myspace.com/pennsylvaniarepcompany) “Tiny Tim‘s Christmas Carol” may prove to be a pleasurable way to spend the 2008 holiday season.
Numerous Photographs from the production can be found in The Forwardian Arts Society Tiny Tim Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, December 11, 2007
A Country Christmas at The Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA presented John Berry’s Country Christmas on Monday December 10th. A multitude of country and even some non country fans came out to enjoy the great show filled with a variety of songs all touched with the unique talents of John Berry and his band. Proceeds from the show went to benefit Family Promise of Monroe County. Richard Berkowitz*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz* and Gary Lambert*. The next show at The Sherman Theatre* will The PA Repertory Company‘s* (www.myspace.com/pennsylvaniarepcompany) production of “Tiny Tim’s Christmas Carol” on December 12th - 15th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society A Country Christmas at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, December 10, 2007
Poem: Instruction
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Instruction
by Peter Serra copyright 2007
"Christian Visions from a common man"
The old man's vision
and the young man's dreams
Are different from the start.
The old man sees the road that's past
And knows the trouble parts.
The young man dreams of future paths
In hurried steps to take
But rarely heeds the warning signs
Of old man's mistakes.
Proverbs 1:8 Listen my son, to your father's instruction
and do not forsake your mother's teaching.
Instruction
by Peter Serra copyright 2007
"Christian Visions from a common man"
The old man's vision
and the young man's dreams
Are different from the start.
The old man sees the road that's past
And knows the trouble parts.
The young man dreams of future paths
In hurried steps to take
But rarely heeds the warning signs
Of old man's mistakes.
Proverbs 1:8 Listen my son, to your father's instruction
and do not forsake your mother's teaching.
Sunday, December 09, 2007
A Boar’s Head Festival
The St. Paul’s Lutheran Church* (www.stpaultannersvillepa.org) in Tannersville, PA celebrated their annual Boar’s Head Festival on December 7th - 9th. The theatrical event recreates medieval and renaissance environments to share the Christian Story of Christmas through a series of processions and choral pieces. Anna Busteed* and Arline M. Smeltz* were among the participants while Rose* and Don Busteed* along with Suzanne McCool* were among those who enjoyed the historic evening. Please contact The St. Paul’s Lutheran Church* at 570-629-1992 for more information on this and other events. You’ll find numerous photographs at The Forwardian Arts Society A Boar’s Head Festival Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Rocking Independently at The Sherman
The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA presented their Independent Rock Series featuring many local bands on Saturday December 8th. Many great local bands shared their musical talents to an enthusiastic audience filled with the energies of youthful vigor. The Highlight of the event was performances by The Mark Williams Band* (www.myspace.com/markwilliamsmusic) and the group named, “Zen Zen.” Proceeds from the show went to benefit The Stroudsburg High School Class of 2008. Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will The Pocono Choral Society* (www.poconochoralsociety.org) presentation of Handel’s Messiah on December 9th and 16th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Rocking Independently at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
A Night of Art, Song, and Spirit
The Jacob Stroud Corporation* (www.Stroudsburg.net) in Stroudsburg, PA held their Annual Night of Art, Song, and Spirit on Saturday December 8th. The wintry weather gave enough of a respite to allow many to gather to share the holiday season with one another. The Artspace Gallery* (www.spezmedia.com/artspace) held their Holiday Show and sale while The Scholl of Visual and Performing Arts presented their exhibition entitled, “Riv5 - Local Artists’ View of the Delaware River. In addition to these exhibitions, The Main Street Jukebox (www.myspace.com/mainstjukebox) featured the works of Jonathon K Slingluff and Keven Margitich. However, the focal point of the festivities was The Pocono Lively Arts* presentation of a Merry Tuba Christmas and Community Sing Along as numerous people gathered around the lit Christmas Tree in the Courthouse Square. Among the numerous people who shared the holiday celebrations were Will Daskal*, Suzanne McCool*, Kathy Kroll*, and Arline M. Smeltz. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information on this and future events.. You’ll find numerous photographs at The Forwardian Arts Society Night of Art, Song, and Spirit Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, December 08, 2007
A Motown Christmas at The Sherman
The Sherman Theatre* in Stroudsburg, PA hosted The Pocono Music Productions presentation of a Motown Christmas Spectacular featuring Lady “A” and Destiny on Friday December 7th. Their performance was preceded by performance artist Donna Maxon (www.Donnamaxon.com) whose impersonation of Bette Midler astounded many. Brice of Pocono Music Productions also performed to add warmth to the evening. The snowy conditions made for a small crowd, but the music brought a warmth for those who traversed the wintry roads to reach their destination which housed the sounds of Motown. Proceeds from the show went to benefit Supporting Autism and Families Everywhere (S.A.F.E.) (www.autismsafe.org). Richard Berkowitz*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz* and Lori Williams*. The next show at The Sherman Theatre* will the first of their Independent Rock Series featuring many local bands on Saturday December 8th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society A Motown Christmas at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Friday, December 07, 2007
Poem: The Nightmare
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
The Nightmare
by Peter Serra copyright 2007
I dreamt I was rich.
Then they toppled the system.
I sat in a room full of cash, happy.
It was locked from the outside.
I won a huge lottery and built a castle.
I built a great stone wall surrounding it.
Outside of the wall I built a wide trench.
The firemen waved.
The trunk of my car was filled with gold bars.
As I slept it was repossessed.
I found a brown paper bag with bearer bonds.
In a cold articulate and determined voice, she said, "Stick em up!"
I found a treasure chest.
I was surrounded by sharks.
Lastly, I found myself poor.
The telephone rang only to remind me.
I had so many bills I kidnapped my mailbox.
These specters I knew all too well.
Ah, restful sleep.
Thank God.
The Nightmare
by Peter Serra copyright 2007
I dreamt I was rich.
Then they toppled the system.
I sat in a room full of cash, happy.
It was locked from the outside.
I won a huge lottery and built a castle.
I built a great stone wall surrounding it.
Outside of the wall I built a wide trench.
The firemen waved.
The trunk of my car was filled with gold bars.
As I slept it was repossessed.
I found a brown paper bag with bearer bonds.
In a cold articulate and determined voice, she said, "Stick em up!"
I found a treasure chest.
I was surrounded by sharks.
Lastly, I found myself poor.
The telephone rang only to remind me.
I had so many bills I kidnapped my mailbox.
These specters I knew all too well.
Ah, restful sleep.
Thank God.
Thursday, December 06, 2007
An Irish Christmas at The Sherman
The Sherman Theatre* in Stroudsburg, PA presented the Tony Kenny’s Christmastime in Ireland Show featuring Kathy Durkin, Victoria Kenny, and The Dublin City Dancers on Thursday December 6th. The evening delighted the petite crowd as the reminisced along with their favorite songs relating to the holiday season. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, Gary Lambert*, and Christopher McCabe*. The next show at The Sherman Theatre* will be a Motown Christmas Spectacular on Friday December 7th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society An Irish Christmas at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, December 05, 2007
Winter Concert at ESU
The East Stroudsburg University (ESU)* in East Stroudsburg, PA (www.esu.edu) held their Annual Winter Concert in the Cecilia S. Cohen Recital Hall of The Fine and Performing Arts Building on the ESU* Campus on Wednesday December 5th. The evening began with a prelude in the adjacent Madelon Powers Art Gallery with a performance of some chamber music by The University/Community Orchestra as directed by Betsy Buzzelli-Clarke. The evening continued in the recital hall with the A Cappella Ensemble as directed by Dr. James Maroney. Dr. Maroney continued the evening towards its conclusion by directing the Concert Choir which performed a medley of holiday tunes to sooth and delight the audience. Arline M. Smeltz*, Anna H. Busteed*, Brian Foley*, and Christopher D. Palardy were among the performers while Maria Gerena* (whose Daughter Luzmarie performed) enjoyed the concert. The next performance at The East Stroudsburg University* will be The Winter Band Concert on Sunday December 9th. Please Contact The East Stroudsburg University* at 570-422-3483 for more information. You’ll find numerous photographs at The Forwardian Arts Society Winter Concert at ESU Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, December 01, 2007
Church at The Sherman
The Sherman Theatre* in Stroudsburg, PA presented the Annual Pocono Community Church Christmas Concert featuring Take 6 singing soul touching Gospel Music on Saturday December 1st. The evening included the deeply spiritual sounds of Nadeen Edwards* which also inspired the audience to experience the joy of the holiday season. Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will be The Tony Kenny’s Christmas Time in Ireland featuring a great evening filled with singing and dancing in the Celtic tradition on Thursday December 6th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Church at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Friday, November 30, 2007
Matt Brown at The Bluegrass Bookhouse
The Eastern Monroe Public Library (EMPL)* in Stroudsburg, PA presented Matt Brown www.fiddler1.com during their Bookhouse Concert Series on Friday November 30th. The Concert was filled with the relaxed sounds memorable blue grass music played upon Fiddle, Banjo, and Guitar inspiring many to tap their toes while singing along with the familiar tunes. Linnae Cintron* (of The EMPL) along with Michael Wetmore* (of Support Your Local Poets - Hooray aka SYLP-H) and Arline M. Smeltz* were among appreciative audience who attended the event. This was the final Bookhouse Concert for the 2007 season. However, a schedule will soon become available by contacting The Eastern Monroe Public Library* at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society Matt Brown at The Bluegrass Bookhouse Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, November 29, 2007
Theatrical Review: The Laramie Project
THE LARAMIE PROJECT
Written by: Moises Kaufman and the members of The Tectonic Theatre Project
Directed by: Prof. Susan P. O’Hearn
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University* (ESU) in East Stroudsburg, PA (www.esu.edu) presented their Theatre Department’s production of “The Laramie Project” written by Moises Kaufman along with members of The Tectonic Theatre Project in The Fine and Performing Arts Building. The play takes place in Laramie, WY in 1998-99 where the brutal beating and murder of a young man named Matthew Shepard took place. “The Laramie Project” is based upon a series of recollections and reflections mixed in with the facts of the case. This recipe makes the production an evening of compelling theatre.
The play consists of a series of monologues carefully intertwined to not only tell of what happened in Laramie, WY but also to create the mood and the environment leading to a deeper understanding of the occurrence and the multiple issues relating to it. “The Laramie Project” begins with a theatrical group’s desire to learn more about the people effected by the death of Matthew Shepard and ends with the audience asking themselves more questions as they begin to learn how they’re effected by what they’ve seen. Each member of the ensemble cast takes on multiple characters which not only impresses those who see the play with their plentiful acting skills but it also shows how we, the audience, are not immune or innocent of the hatred and intolerance that brought about the young man’s death.
Yet, the play does not leave it’s audience without hope. While there is plenty demonstrations of anti gay sentiment, there is also demonstrations of compassion. The despair of the murder and torture of Matthew Shepard is balanced by the hope we, as a people, will overcome our prejudices and we’ll never hear such news again. It would be foolish to think this would be overcome in the next 10, 20, or even 100 years, but the hope is still there. All it needs is the seed of compassion this play plants in the hearts of those who experiences it.
This ensemble cast included Doug Breheny, Mark Carbanro, Kendra Getz, Rachel Mack, Jenell Anne Manzi, Merrill Mc Ginness*, Alice M. Mol, Heath Myers-Ackerman, Angelo Revilla III*, Raj Shankar*, Keighty Simmons, and Alex Wirth. As eluded to earlier, each actor/actress demonstrated their vast talents with performances transcending even the usually high standards of the production of ESU*. It was quite noticeable the roles they played were very close to their experiences and to their hearts. The Production was expertly Directed Prof. Susan P. O’Hearn and Stage Managed by E. R. Koenig* while Amanda Kalinowski served as Assistant Stage Manager. Paul W McKay was the Set Designer and Technical Director while Christie Berlane* served as Costumer Designer.
This production of “The Laramie Project” will continue its run at The East Stroudsburg University* in East Stroudsburg, PA (www.esu.edu) until December 2nd. Tickets can be reserved by calling 570-422-3483. The East Stroudsburg University* (www.esu.edu) next production will be The Stage II One Act Plays taking place February 5th through 10th. “The Laramie Project” is recommended to those who would like to the deeper side of themselves with the compassion we‘re all capable of.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Moises Kaufman and the members of The Tectonic Theatre Project
Directed by: Prof. Susan P. O’Hearn
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University* (ESU) in East Stroudsburg, PA (www.esu.edu) presented their Theatre Department’s production of “The Laramie Project” written by Moises Kaufman along with members of The Tectonic Theatre Project in The Fine and Performing Arts Building. The play takes place in Laramie, WY in 1998-99 where the brutal beating and murder of a young man named Matthew Shepard took place. “The Laramie Project” is based upon a series of recollections and reflections mixed in with the facts of the case. This recipe makes the production an evening of compelling theatre.
The play consists of a series of monologues carefully intertwined to not only tell of what happened in Laramie, WY but also to create the mood and the environment leading to a deeper understanding of the occurrence and the multiple issues relating to it. “The Laramie Project” begins with a theatrical group’s desire to learn more about the people effected by the death of Matthew Shepard and ends with the audience asking themselves more questions as they begin to learn how they’re effected by what they’ve seen. Each member of the ensemble cast takes on multiple characters which not only impresses those who see the play with their plentiful acting skills but it also shows how we, the audience, are not immune or innocent of the hatred and intolerance that brought about the young man’s death.
Yet, the play does not leave it’s audience without hope. While there is plenty demonstrations of anti gay sentiment, there is also demonstrations of compassion. The despair of the murder and torture of Matthew Shepard is balanced by the hope we, as a people, will overcome our prejudices and we’ll never hear such news again. It would be foolish to think this would be overcome in the next 10, 20, or even 100 years, but the hope is still there. All it needs is the seed of compassion this play plants in the hearts of those who experiences it.
This ensemble cast included Doug Breheny, Mark Carbanro, Kendra Getz, Rachel Mack, Jenell Anne Manzi, Merrill Mc Ginness*, Alice M. Mol, Heath Myers-Ackerman, Angelo Revilla III*, Raj Shankar*, Keighty Simmons, and Alex Wirth. As eluded to earlier, each actor/actress demonstrated their vast talents with performances transcending even the usually high standards of the production of ESU*. It was quite noticeable the roles they played were very close to their experiences and to their hearts. The Production was expertly Directed Prof. Susan P. O’Hearn and Stage Managed by E. R. Koenig* while Amanda Kalinowski served as Assistant Stage Manager. Paul W McKay was the Set Designer and Technical Director while Christie Berlane* served as Costumer Designer.
This production of “The Laramie Project” will continue its run at The East Stroudsburg University* in East Stroudsburg, PA (www.esu.edu) until December 2nd. Tickets can be reserved by calling 570-422-3483. The East Stroudsburg University* (www.esu.edu) next production will be The Stage II One Act Plays taking place February 5th through 10th. “The Laramie Project” is recommended to those who would like to the deeper side of themselves with the compassion we‘re all capable of.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, November 25, 2007
Theatrical Review: The Shawnee Christmas Spectacular
THE SHAWNEE CHRISTMAS SPECTACULAR
Conceived and written by: Corin Hollifield
Directed and Choreographed by: Corin Hollifield
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* (www.theshawneeplayhouse.com) in Shawnee on the Delaware, PA presented their annual holiday production of “The Shawnee Christmas Spectacular.” It was conceived, written, directed, and Choreographed by Corin Hollifield. What the show consists of is a collection of Christmas related songs presented in a very light hearted and family friendly way. I generally don’t like this type of entertainment, but I found myself enjoying this show.
While there was defiantly an effort to be cute enough for family consumption, I found the performances avoided the temptation to be too cutesy for diabetics. The presentations of the songs and the choreography that often accompanied them were very well done especially since many of the dance moves were very intricate and require a more skill that’s often expected in this type of show. There was also the holiday treat of seeing the many familiar faces which performed throughout the 2007 Shawnee Playhouse* season and being able to reflect on the plays they were in and their performances.
These memories were embodied in an ensemble cast consisting of Beth Ann Baker, Kristen Gehling, Christina Maslin, Patrick McLaughlin, TJ O’Connell, Michael Alan Read, Tom Schario, and Laurie Sutton. This main cast was accompanied by a Children/Junior ensemble consisting of (Cast A) Ariel and Marshall Hudak, Aubrey Haskell (also in Cast B), Sarah Bearisito, and Sara Principe along with (Cast B) Marshall Haskell, Jillian and Shannon Andres, Justin Quicksall, and Carson Pelkey.
As mentioned earlier, the Production was conceived, written, directed, and Choreographed by Corin Hollifield and Stage Managed by Rob Del Colles. Betsy Paugh served as Costumer and Drew Rienstra served as Musical Director while Markus Harris served as Technical Director. The set was built and painted by members of the Stagecraft/Design classes at The Arts High School in Newark, NJ. The Shawnee Playhouse* Executive Director is Midge McClosky* and the theatre’s Publicist is Amy Cramer*.
This production of “The Shawnee Christmas Spectacular” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until December 30th. Tickets can be reserved by calling 570-421-5093. The Shawnee Playhouse* (www.theshawneeplayhouse.com) next production will be “Winnie the Pooh’s Christmas Tale” taking place December 1st through 15th. “The Shawnee Christmas Spectacular” is recommended for those who would enjoy light hearted, family oriented entertainment which they can actually enjoy.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Conceived and written by: Corin Hollifield
Directed and Choreographed by: Corin Hollifield
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* (www.theshawneeplayhouse.com) in Shawnee on the Delaware, PA presented their annual holiday production of “The Shawnee Christmas Spectacular.” It was conceived, written, directed, and Choreographed by Corin Hollifield. What the show consists of is a collection of Christmas related songs presented in a very light hearted and family friendly way. I generally don’t like this type of entertainment, but I found myself enjoying this show.
While there was defiantly an effort to be cute enough for family consumption, I found the performances avoided the temptation to be too cutesy for diabetics. The presentations of the songs and the choreography that often accompanied them were very well done especially since many of the dance moves were very intricate and require a more skill that’s often expected in this type of show. There was also the holiday treat of seeing the many familiar faces which performed throughout the 2007 Shawnee Playhouse* season and being able to reflect on the plays they were in and their performances.
These memories were embodied in an ensemble cast consisting of Beth Ann Baker, Kristen Gehling, Christina Maslin, Patrick McLaughlin, TJ O’Connell, Michael Alan Read, Tom Schario, and Laurie Sutton. This main cast was accompanied by a Children/Junior ensemble consisting of (Cast A) Ariel and Marshall Hudak, Aubrey Haskell (also in Cast B), Sarah Bearisito, and Sara Principe along with (Cast B) Marshall Haskell, Jillian and Shannon Andres, Justin Quicksall, and Carson Pelkey.
As mentioned earlier, the Production was conceived, written, directed, and Choreographed by Corin Hollifield and Stage Managed by Rob Del Colles. Betsy Paugh served as Costumer and Drew Rienstra served as Musical Director while Markus Harris served as Technical Director. The set was built and painted by members of the Stagecraft/Design classes at The Arts High School in Newark, NJ. The Shawnee Playhouse* Executive Director is Midge McClosky* and the theatre’s Publicist is Amy Cramer*.
This production of “The Shawnee Christmas Spectacular” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until December 30th. Tickets can be reserved by calling 570-421-5093. The Shawnee Playhouse* (www.theshawneeplayhouse.com) next production will be “Winnie the Pooh’s Christmas Tale” taking place December 1st through 15th. “The Shawnee Christmas Spectacular” is recommended for those who would enjoy light hearted, family oriented entertainment which they can actually enjoy.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Railroad Sherman
The Sherman Theatre* in Stroudsburg, PA presented Railroad Earth on November 23rd and 24th. They were great while delighting a vast audience who enjoyed dancing and experiencing alternative realities created by the Blue Jam Band‘s music. The Show was opened by The Band “Natural Breakdown” whose music equaled the quality and effect of the main performance. What was an added treat on the Saturday evening’s performance was artists creating a painting during the concert based on their reflections and the vibrations they embodied in their piece. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, Brook*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, Gary Lambert*, Dave Coulter*, and Jim Wyckoff*. The next show at The Sherman Theatre* will be the Gospel Group Take 6 Show which will be part of The Pocono Community Church Christmas Concert on Saturday December 1st. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Railroad Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, November 17, 2007
Theatrical Review: Oliver!
OLIVER!
Book, Music, and Lyrics by: Lionel Bart
Directed by: Susan Jordan
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” by Lionel Bart based on the novel “Oliver Twist“ by Charles Dickens. As reminded through the director notes published in the play‘s program, Dickens‘ novels often explored the social ills which inflicted the otherwise puritanical Victorian era. His novel “Oliver Twist” is no exception as it deals with issues relating to abuse and exploitation. However, those seeking commentary on society won‘t find it embodied in “Oliver!”
While The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” was typical of their high standards of theatrical presentation, the play itself glossed over some of the major plot elements that could have made it a great play. Instead, the play focuses on the adorability of the characters in the book while adding light hearted tunes merely designed to please an audience into a sense of delight. This often lead to confusion why some parts of the play were occurring.
One example of this came early in the play in which Oliver (portrayed by Phillip Benefield) is met by Mr. And Mrs. Sowerberry (portrayed by Steve Hille and Janice Brightman) to whom he is sold to by Mr. Bumble (portrayed by Luke Ackerman) after his parents pass away. The cuteness and comedic elements of the Sowerberrys makes little sense in Oliver’s singing the song “Where is Love?” If the play overcame its fear to offend people by portraying the Sowerberrys abuse and desire to exploit Oliver in a more realistic manner, the song would be a very appropriate addition to the scene.
However, while there were many similar instances throughout the play, there were many for which the actions taking place in a scene lent itself to the songs that accompanied it as the production progressed. This led to a more enhanced understanding of the human condition explored by Dickens of his time and ours. That’s the good news. The bad news is, even these portions of the play were quickly done away with long before the audience had an opportunity to take it in.
An example of this is towards the end of the play when Nancy (portrayed by Tracy Gross) is brutally killed off stage by her abusive boyfriend Bill Sykes (portrayed by Bill Dogherty). What could have made this scene more poignant was a reflection on how Nancy decides to stay and love the man who abuses her. It is a condition many abused women in our time find themselves in and often leads (as it did for Nancy) in death. Instead, the play deals with Bill Sykes quickly and the remaining cast breaks into song.
The huge cast are too many to mention as their numbers are excessive. However, the play was well acted and the actors should be congratulated on a performance well done. The play had it’s flaws but the production was of a high quality and the actors helped make it so.
The Production was Directed Susan Jordan and Stage Managed by Mary Ellen Van Camp. Missy Benefield served as Costumer and Naomi Naughton served as Choreographer. Bob Riday served as Musical Director while Darcy Chamberlain served as Property Manager.
This production of “Oliver!” will continue its run at The Sherman Theatre* in Stroudsburg, PA until November 18th. Tickets can be reserved by calling 570-420-2808. The Pocono Lively Arts* (www.poconolivelyarts.org) next production will be “Cabaret“ taking place June 27th through 29th. “Oliver!” is recommended to those who would like to enjoy show tunes and good acting without thinking about the issues the novel by Dickens comments on. If you want that, read the book.
Numerous Photographs from the production can be found in The Forwardian Arts Society Oliver at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Book, Music, and Lyrics by: Lionel Bart
Directed by: Susan Jordan
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” by Lionel Bart based on the novel “Oliver Twist“ by Charles Dickens. As reminded through the director notes published in the play‘s program, Dickens‘ novels often explored the social ills which inflicted the otherwise puritanical Victorian era. His novel “Oliver Twist” is no exception as it deals with issues relating to abuse and exploitation. However, those seeking commentary on society won‘t find it embodied in “Oliver!”
While The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” was typical of their high standards of theatrical presentation, the play itself glossed over some of the major plot elements that could have made it a great play. Instead, the play focuses on the adorability of the characters in the book while adding light hearted tunes merely designed to please an audience into a sense of delight. This often lead to confusion why some parts of the play were occurring.
One example of this came early in the play in which Oliver (portrayed by Phillip Benefield) is met by Mr. And Mrs. Sowerberry (portrayed by Steve Hille and Janice Brightman) to whom he is sold to by Mr. Bumble (portrayed by Luke Ackerman) after his parents pass away. The cuteness and comedic elements of the Sowerberrys makes little sense in Oliver’s singing the song “Where is Love?” If the play overcame its fear to offend people by portraying the Sowerberrys abuse and desire to exploit Oliver in a more realistic manner, the song would be a very appropriate addition to the scene.
However, while there were many similar instances throughout the play, there were many for which the actions taking place in a scene lent itself to the songs that accompanied it as the production progressed. This led to a more enhanced understanding of the human condition explored by Dickens of his time and ours. That’s the good news. The bad news is, even these portions of the play were quickly done away with long before the audience had an opportunity to take it in.
An example of this is towards the end of the play when Nancy (portrayed by Tracy Gross) is brutally killed off stage by her abusive boyfriend Bill Sykes (portrayed by Bill Dogherty). What could have made this scene more poignant was a reflection on how Nancy decides to stay and love the man who abuses her. It is a condition many abused women in our time find themselves in and often leads (as it did for Nancy) in death. Instead, the play deals with Bill Sykes quickly and the remaining cast breaks into song.
The huge cast are too many to mention as their numbers are excessive. However, the play was well acted and the actors should be congratulated on a performance well done. The play had it’s flaws but the production was of a high quality and the actors helped make it so.
The Production was Directed Susan Jordan and Stage Managed by Mary Ellen Van Camp. Missy Benefield served as Costumer and Naomi Naughton served as Choreographer. Bob Riday served as Musical Director while Darcy Chamberlain served as Property Manager.
This production of “Oliver!” will continue its run at The Sherman Theatre* in Stroudsburg, PA until November 18th. Tickets can be reserved by calling 570-420-2808. The Pocono Lively Arts* (www.poconolivelyarts.org) next production will be “Cabaret“ taking place June 27th through 29th. “Oliver!” is recommended to those who would like to enjoy show tunes and good acting without thinking about the issues the novel by Dickens comments on. If you want that, read the book.
Numerous Photographs from the production can be found in The Forwardian Arts Society Oliver at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, November 11, 2007
The Kirkridge Film Night
The Kirkridge Retreat Center* in Bangor, PA hosted the Community Snack and film night featuring the screening of the film, “The Whale Rider” on Sunday November 11th. A variety of snacks were enjoyed along with the good company during the film while a wide assortment of desserts were shared alongside some enlightening discussion following the film. Shelly Kelly and Nancy Scheirer* both of Kirkridge* while Arline M. Smeltz*, Mark Litchy* and Don and Jane Slepian* were among those who enjoyed the food, film, and fellowship of the night. The next event is currently unscheduled but information about The Kirkridge Retreat Center* and all it has to offer can be gained by contacting them at 610-588-1793. You’ll find several photographs at The Forwardian Arts Society The Kirkridge Film Night Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, November 10, 2007
Amish Comedy at The Sherman
The Sherman Theatre* in Stroudsburg, PA hosted the return of Raymond the Amish Comic on Saturday November 10th. The hilarious evening began with comic Marc W. Jeretus (www.marcjuretus.com) who opened the audience’s mouths with laughter. It was a great night filled with laughter and insight to the world we take for granted while the silliness of it all was pointed out in ways only great comedy can. Richard Berkowitz*, Cheryl Yost*, and Brook* (all of the Sherman) were there along with Arline M. Smeltz*, Gary Lambert, Lisa Werle*, and Jane*. The next show at The Sherman Theatre* will be The Pocono Lively Arts* Production of “Oliver!“ November 16th - 18th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Amish Comedy at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Theatrical Review: The Male Animal
THE MALE ANIMAL
Written by: James Thurber and Elliot Nugent
Directed by: Robert Armin
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “The Male Animal” by James Thurber and Elliot Nugent. Written in 1942, the play served as a herald to the horrors associated with the Communist Witch Hunts during the infamous McCarthy era of the 1950s. However, what makes this play relevant to a modern audience is its discreetly placed warning of what may occur if any of the freedoms we take for granted are ever compromised either out of fear of persecution or it seems more convenient to do so.
“The Male Animal” takes place on a college campus where Professor Thomas (Tommy) Turner finds himself embroiled in controversy when he off handedly mentioned he’d like to read a piece of literature to his English Composition Class considered to be highly subversive. His statement to his contemplated intentions are mentioned in a somewhat radical editorial in a campus literary magazine decrying the censorship of ideas among the faculty in order to appease a politically minded board of trustees. The editorial elevates Professor Turner as a heroic symbol of defiance for his willingness to expose the subversive material to his students. Professor Turner’s fear of the consequences of how the editorial will effect him and his career is transformed to defiance derived from anger at the response to the editorial and later to the realization of the consequences to the freedoms embedded in our constitutional system if he denounces the editorial and declines to read the piece mentioned in it.
It is worthy to reiterate such fears or retribution were very real during the 1940s and they were largely left to fester into what became the McCarthy era of the 1950s. In these days of fear and anger over the terrorist attacks pf September 11th, 2001, it may be wise to consider where our willingness to look the other way while some of our constitutional freedoms are put aside for the sake of national security will lead us to. The well written play serves as a warning and illustrates the importance of safeguarding our freedoms whenever they are threatened.
The production has been advertised as a romantic comedy. Although there were some moments of romance and comedy, I found them too brief to place the production in such a category. Perhaps the present reality of our times relate too closely with those presented in the play to encourage an audience to find much humor in what is transpiring. There wasn’t much evidence of any considerable effort to make the play funny or to emphasize the romantic elements of the work.
However, this does not detract from the merits of the production as the evening proved to be a good theatrical experience. In spite of the occasional dropped and stepped on lines associated with an opening performance, the play was well cast and equally well acted. The direction was sound and the blocking was very appropriate to the play. Although not an extraordinary performance, it is quite satisfying and the themes presented in the play makes it a evening well spent.
The Production was Directed Robert Armin and Stage Managed by Irene Garner. Lillian Gonzalez served as Costumer and Richard Sorger served as Choreographer and Dance Instructor. The cast consisted of Amy Cramer* who portrayed Ellen Turner (the wife of Professor Turner), Glenn Geiser-Getz who portrayed Professor Thomas “Tommy” Turner (the faculty member embroiled in controversy), Kathi Spiegelmyer who Portrayed Patricia Stanley (the sister of Ellen Turner), Matt Christie who portrayed Wally Myers (the star football hero of the present), Jack Butler who portrayed Dean Damon (the dean of the Department for whom Professor Turner is a member of), Sue Butler who portrayed Mrs. Damon (the wife of Dean Damon), Brian Krinsky who portrayed Michael Barnes (the student who writes the controversial editorial), Tom Schario who portrays Joe Ferguson (the football hero of days gone by who also has some remaining affections for Ellen Turner), Bob Otto who portrayed Ed Keller (a member of the college Board of Trustee who objects to anything considered subversive being exposed to the light of day), Amy Jo Shaefer who portrayed Myrtle Keller (Ed Keller’s wife), and Samantha Crawn who portrayed Nutsy Miller.
This production of “The Male Animal” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until November 18th. Tickets can be reserved by calling 570-421-5093. Their next production will be “The Shawnee Christmas Spectacular“ taking place November 23rd through December 30th. “The Male Animal” is recommended to those who would like to enjoy a satisfying night of theatre while contemplating where the dismissal of our willingness to defend our freedoms may lead.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: James Thurber and Elliot Nugent
Directed by: Robert Armin
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “The Male Animal” by James Thurber and Elliot Nugent. Written in 1942, the play served as a herald to the horrors associated with the Communist Witch Hunts during the infamous McCarthy era of the 1950s. However, what makes this play relevant to a modern audience is its discreetly placed warning of what may occur if any of the freedoms we take for granted are ever compromised either out of fear of persecution or it seems more convenient to do so.
“The Male Animal” takes place on a college campus where Professor Thomas (Tommy) Turner finds himself embroiled in controversy when he off handedly mentioned he’d like to read a piece of literature to his English Composition Class considered to be highly subversive. His statement to his contemplated intentions are mentioned in a somewhat radical editorial in a campus literary magazine decrying the censorship of ideas among the faculty in order to appease a politically minded board of trustees. The editorial elevates Professor Turner as a heroic symbol of defiance for his willingness to expose the subversive material to his students. Professor Turner’s fear of the consequences of how the editorial will effect him and his career is transformed to defiance derived from anger at the response to the editorial and later to the realization of the consequences to the freedoms embedded in our constitutional system if he denounces the editorial and declines to read the piece mentioned in it.
It is worthy to reiterate such fears or retribution were very real during the 1940s and they were largely left to fester into what became the McCarthy era of the 1950s. In these days of fear and anger over the terrorist attacks pf September 11th, 2001, it may be wise to consider where our willingness to look the other way while some of our constitutional freedoms are put aside for the sake of national security will lead us to. The well written play serves as a warning and illustrates the importance of safeguarding our freedoms whenever they are threatened.
The production has been advertised as a romantic comedy. Although there were some moments of romance and comedy, I found them too brief to place the production in such a category. Perhaps the present reality of our times relate too closely with those presented in the play to encourage an audience to find much humor in what is transpiring. There wasn’t much evidence of any considerable effort to make the play funny or to emphasize the romantic elements of the work.
However, this does not detract from the merits of the production as the evening proved to be a good theatrical experience. In spite of the occasional dropped and stepped on lines associated with an opening performance, the play was well cast and equally well acted. The direction was sound and the blocking was very appropriate to the play. Although not an extraordinary performance, it is quite satisfying and the themes presented in the play makes it a evening well spent.
The Production was Directed Robert Armin and Stage Managed by Irene Garner. Lillian Gonzalez served as Costumer and Richard Sorger served as Choreographer and Dance Instructor. The cast consisted of Amy Cramer* who portrayed Ellen Turner (the wife of Professor Turner), Glenn Geiser-Getz who portrayed Professor Thomas “Tommy” Turner (the faculty member embroiled in controversy), Kathi Spiegelmyer who Portrayed Patricia Stanley (the sister of Ellen Turner), Matt Christie who portrayed Wally Myers (the star football hero of the present), Jack Butler who portrayed Dean Damon (the dean of the Department for whom Professor Turner is a member of), Sue Butler who portrayed Mrs. Damon (the wife of Dean Damon), Brian Krinsky who portrayed Michael Barnes (the student who writes the controversial editorial), Tom Schario who portrays Joe Ferguson (the football hero of days gone by who also has some remaining affections for Ellen Turner), Bob Otto who portrayed Ed Keller (a member of the college Board of Trustee who objects to anything considered subversive being exposed to the light of day), Amy Jo Shaefer who portrayed Myrtle Keller (Ed Keller’s wife), and Samantha Crawn who portrayed Nutsy Miller.
This production of “The Male Animal” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until November 18th. Tickets can be reserved by calling 570-421-5093. Their next production will be “The Shawnee Christmas Spectacular“ taking place November 23rd through December 30th. “The Male Animal” is recommended to those who would like to enjoy a satisfying night of theatre while contemplating where the dismissal of our willingness to defend our freedoms may lead.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, November 07, 2007
Poem: Roasting Mickey And Other Lost Arts
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Roasting Mickey And Other Lost Arts
by Peter Serra copyright 2007
Flipping baseball cards was different from today's road rage bird.
Shooting marbles and bottle caps filled with wax
Was different from drive-bye's ending in bang.
Girls loved Buster Brown's with socks neatly folded
Guys learned to bop and flaunt it
Poodle skirts jumped double-dutch
At the hop was a dance
Crashing parties caused trouble and frowns
To crash today is a long way down.
Guys roasted mickey over fire with sticks,
Little hobo's, little cares,
Wrapped it in tinfoil if we could get it.
Marshmallows saw quick transformation, the spud took longer to cook.
Keep the fire going with twigs, branches and popsicle sticks,
There was no hurry, we were kids.
Kings was played with a high bouncer and killers were delivered in boxes,
Two for a quarter it ruled in the street
The pinky had measles and a blue ball was cheap.
Sidewalks were squares of Pennsylvania slate.
Some streets had cobblestones that glistened after a rain.
The space between slates could break the devil's dishes
If kids jumped on a crack one could break the devil's back.
A kid jumps on crack today, and he gets hurt.
Electrified buses and trolly cars
The trolly had rails and the buses had cables
With long pole-connectors that looked like bug antenna searching,
Reaching up to the wires on the street they called Bergen.
The trolly had steel wheels, museum pieces in our lifetime.
Hitchhiking at the rear of the electrified bus was easier than others.
If the driver failed to stop where we wished to get off,
Pulling the overhead cable meant immediate halt,
And away we ran from the invalid bus as the driver
Repositioned the cables and cussed.
The grocer totaled the bill on a brown bag in pencil.
Top shelf items were captured by the grabber, a mechanical hand used to retrieve,
As we waited patiently chewing a slice of American cheese.
The butcher's floor was sawdust over black and white octagon tiles. Cutlets were flattened to thickness by order, mama knew how to supervise.
A yoyo was a kid's toy, not a greeting.
Schools actually taught
Subway seats had bamboo weave
And old folks had worth.
Hammer and nails box and board
Two halves of a skate and off we roared.
Scooter.
Skates had a key and clamp
One size fit all like light from a lamp.
Riding hood was hit with lies
Big nose big teeth big eyes,
Now the hoods are in SUV's
Big wheels big deals big rides.
Lost in time it seems are the old ways.
Aptitude tests were the mountain guru's of the time.
Back then they let a kid live.
Thank God we survived
.Brooklyn, 1950's.
Roasting Mickey And Other Lost Arts
by Peter Serra copyright 2007
Flipping baseball cards was different from today's road rage bird.
Shooting marbles and bottle caps filled with wax
Was different from drive-bye's ending in bang.
Girls loved Buster Brown's with socks neatly folded
Guys learned to bop and flaunt it
Poodle skirts jumped double-dutch
At the hop was a dance
Crashing parties caused trouble and frowns
To crash today is a long way down.
Guys roasted mickey over fire with sticks,
Little hobo's, little cares,
Wrapped it in tinfoil if we could get it.
Marshmallows saw quick transformation, the spud took longer to cook.
Keep the fire going with twigs, branches and popsicle sticks,
There was no hurry, we were kids.
Kings was played with a high bouncer and killers were delivered in boxes,
Two for a quarter it ruled in the street
The pinky had measles and a blue ball was cheap.
Sidewalks were squares of Pennsylvania slate.
Some streets had cobblestones that glistened after a rain.
The space between slates could break the devil's dishes
If kids jumped on a crack one could break the devil's back.
A kid jumps on crack today, and he gets hurt.
Electrified buses and trolly cars
The trolly had rails and the buses had cables
With long pole-connectors that looked like bug antenna searching,
Reaching up to the wires on the street they called Bergen.
The trolly had steel wheels, museum pieces in our lifetime.
Hitchhiking at the rear of the electrified bus was easier than others.
If the driver failed to stop where we wished to get off,
Pulling the overhead cable meant immediate halt,
And away we ran from the invalid bus as the driver
Repositioned the cables and cussed.
The grocer totaled the bill on a brown bag in pencil.
Top shelf items were captured by the grabber, a mechanical hand used to retrieve,
As we waited patiently chewing a slice of American cheese.
The butcher's floor was sawdust over black and white octagon tiles. Cutlets were flattened to thickness by order, mama knew how to supervise.
A yoyo was a kid's toy, not a greeting.
Schools actually taught
Subway seats had bamboo weave
And old folks had worth.
Hammer and nails box and board
Two halves of a skate and off we roared.
Scooter.
Skates had a key and clamp
One size fit all like light from a lamp.
Riding hood was hit with lies
Big nose big teeth big eyes,
Now the hoods are in SUV's
Big wheels big deals big rides.
Lost in time it seems are the old ways.
Aptitude tests were the mountain guru's of the time.
Back then they let a kid live.
Thank God we survived
.Brooklyn, 1950's.
Poem: Mind Dancing
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Mind Dancing
by Peter Serra copyright 2007
While you were gone I played in my head
I danced around until the right words were said.
Truth interjected a backhand return
Denouncing deception concealment and wrong.
I dithered and bickered back stepped and crawled
Within the darkness with back to the wall.
A side swing solid and strong
Caused me to stare at all that was wrong
Frozen and captured unable to move
Truth hit the heart with positive proof.
I knew it was useless-continue this way
With sun shining brightly on all of my ways.
Acts 17:30In the past God overlooked such ignorance, but now he commands all people everywhere to repent.
Mind Dancing
by Peter Serra copyright 2007
While you were gone I played in my head
I danced around until the right words were said.
Truth interjected a backhand return
Denouncing deception concealment and wrong.
I dithered and bickered back stepped and crawled
Within the darkness with back to the wall.
A side swing solid and strong
Caused me to stare at all that was wrong
Frozen and captured unable to move
Truth hit the heart with positive proof.
I knew it was useless-continue this way
With sun shining brightly on all of my ways.
Acts 17:30In the past God overlooked such ignorance, but now he commands all people everywhere to repent.
Monday, November 05, 2007
Theatrical Review: The Velveteen Rabbit
THE VELVETEEN RABBIT
Based on the Children’s Book by: Margery Williams.
Theatrical Review by: Paul Adam Smeltz
The Fine Arts Discovery Series* presented The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” as it was performed at The Sherman Theatre* in Stroudsburg, PA on Sunday November 4th. The production utilized nearly every tool available in the vast theatrical arsenal to enhance the art of story telling. These tools included Mime, Puppetry, Music, and Dance to which The Enchantment Theatre Company employed with great effect.
The book is about a stuffed rabbit who believes in the promise that love can make him real. He and a boy embarks on numerous adventures as the affection for one another increases with every life affirming moment. However, when the boy is stricken with Scarlet fever, all material with the possibility of containing remnants of the disease must be destroyed. This includes the favored stuffed animal he slept with through his illness. It is while awaiting his destruction the rabbit encounters a fairy and becomes a real rabbit.
Most well written children stories holds something for the adults who reads them to their children. We’re reminded of what we’ve learned as children and tend to put aside as we become more a part of an adult world. We become attached to our daily routines and depend on a reality filled with responsibilities and how well we can defend ourselves from the emotions that keep us from being taken seriously. “The Velveteen Rabbit” reminds us it is not our responsibilities or our ability to keep our emotions in check that make us real. It is love. Without it, all we have or do is meaningless.
The Enchantment Theatre Company kept faith with “The Velveteen Rabbit’s” lesson while enhancing the telling of it through the techniques I mentioned earlier. The production touched the children in ways they may not yet be able to understand along with the parents who were visibly reflective of what they’ve experienced. The simplicity of the production enhanced the subtlety embodied in the original tale. This is children’s theatre at its best.
The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” was presented one day only at The Sherman Theatre*. As a custom with The Fine Arts Discovery Series*, there was a workshop for children prior to the performance. This consisted of a reading of the original book featuring the storytelling skills of Anita Bondi* and an opportunity for the children to create a book of their own. Their next presentation will be an African Dance Ensemble called, “Kulu Mele” on February 10th at The Sherman Theatre*. Tickets can be reserved by calling 570-420-2808.
You’ll be able to find pictures from the production in The Forwardian Arts Society Velveteen Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Based on the Children’s Book by: Margery Williams.
Theatrical Review by: Paul Adam Smeltz
The Fine Arts Discovery Series* presented The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” as it was performed at The Sherman Theatre* in Stroudsburg, PA on Sunday November 4th. The production utilized nearly every tool available in the vast theatrical arsenal to enhance the art of story telling. These tools included Mime, Puppetry, Music, and Dance to which The Enchantment Theatre Company employed with great effect.
The book is about a stuffed rabbit who believes in the promise that love can make him real. He and a boy embarks on numerous adventures as the affection for one another increases with every life affirming moment. However, when the boy is stricken with Scarlet fever, all material with the possibility of containing remnants of the disease must be destroyed. This includes the favored stuffed animal he slept with through his illness. It is while awaiting his destruction the rabbit encounters a fairy and becomes a real rabbit.
Most well written children stories holds something for the adults who reads them to their children. We’re reminded of what we’ve learned as children and tend to put aside as we become more a part of an adult world. We become attached to our daily routines and depend on a reality filled with responsibilities and how well we can defend ourselves from the emotions that keep us from being taken seriously. “The Velveteen Rabbit” reminds us it is not our responsibilities or our ability to keep our emotions in check that make us real. It is love. Without it, all we have or do is meaningless.
The Enchantment Theatre Company kept faith with “The Velveteen Rabbit’s” lesson while enhancing the telling of it through the techniques I mentioned earlier. The production touched the children in ways they may not yet be able to understand along with the parents who were visibly reflective of what they’ve experienced. The simplicity of the production enhanced the subtlety embodied in the original tale. This is children’s theatre at its best.
The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” was presented one day only at The Sherman Theatre*. As a custom with The Fine Arts Discovery Series*, there was a workshop for children prior to the performance. This consisted of a reading of the original book featuring the storytelling skills of Anita Bondi* and an opportunity for the children to create a book of their own. Their next presentation will be an African Dance Ensemble called, “Kulu Mele” on February 10th at The Sherman Theatre*. Tickets can be reserved by calling 570-420-2808.
You’ll be able to find pictures from the production in The Forwardian Arts Society Velveteen Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Band-O-ESU-Rama
The Sherman Theatre* in Stroudsburg, PA hosted the East Stroudsburg University (ESU)* presentation of their “Band-O-Rama” featuring the University Woodwind Ensemble, The University/Community Concert Band, and The Warrior Marching Band and Color Guard on Sunday November 4th. It was a fun time with plenty of school spirit. Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will be the return of Raymond the Amish Comic on Saturday November 10th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numereous photographs at The Forwardian Arts Society Band-O-ESU-Rama Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sherman Who
The Sherman Theatre* in Stroudsburg, PA presented the classic rock sounds of The Who as the tribute band entitled, “Bargain” played their most famous songs on Saturday November 3rd. The band was preceded by a group who was equally good but, unfortunately, their name escapes me. However, my lack of memory dose in no way reflects the quality of the band’s performance. It only denotes my inability to remember some things at times. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, and Gary Lambert*. The next show at The Sherman Theatre* will be the return of Raymond the Amish Comic on Saturday November 10th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Sherman Who Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
November Evening on Main
The Jacob Stroud Corporation* in Stroudsburg, PA held their monthly Evening on Main event on Saturday November 3rd. The cooler weather of the season enticed few to meander through the streets of Stroudsburg to find the only two galleries to hold exhibitions. These included an exhibition featuring Jim Smeltz* at The D. R. Custom Framing Gallery and The Artspace Gallery* held a members’ show with special guest John Sittig of The River Front Studio in Shawnee on the Delaware, PA. Greg Waltzer* was among those I met that evening. I welcome any of you who would like to share their recollections the event with me. The exhibitions will continue until the end of November. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society November Evening on Main Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, November 04, 2007
Poem: Emergency-911
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Emergency-911
by Peter Serra copyright 2007
From: Christian visions From A Common Man
Once the sound of peaceful pace busy feet from place to place
Within an instant hope is forced to halt in silent marvel gaze
At courage racing in the brave.
In the Finest thoughts as flint faced the beast for innocence.
EMT healing hands joined the Boldest in the task presented to the Tower's Best.
Bells and preacher disbelief forestall movement of the feet.
All is well return remain halts the flight of downward gain.
Hope laid stricken bound in tears as truth in windows gripped despair.
Heart to heart and eye to eye as a beggars bowl advanced
Ignites the bond in common man.
Determined feet in turnout coats through the heat and blinding smoke.
Hope renewed in just a glance of axe and strength in hero's hand.
Of light in crowded stairwell floors
Of steadfast hearts beating grace into the maw of hell they raced
To meet the beast face to face.
Angels marveled in refrain:
No greater love can man display.
Flashing lights and sirens prayed as courage faced the beast.
Falling beams of crippled steel as arrows to the heart,
Concrete sighs afflict the eye and all things fed the heat.
Flashing lights and sirens prayed as courage faced the beast.
A moment in the sun's retreat children's laughter turned to gray.
O my God! all voices speak through crashing sounds and panicked feet.
Flashing lights and sirens prayed as courage faced the beast.
"Haul away now lads haul away fast with hope in your helmets and strength in your hands.
Haul away now lads haul away fast from the top of the rubble to a pocket of chance.
"Remember truth is freedom's key.
Hold to the breast thoughts long past of what life used to be.
Captured thoughts of what was lost is food to keep us free.
The mind reasons, separation brief.
Yes, in paradise united.
Still, the heart weeps.
Have mercy, O Lord, on us who remain and into your kingdom embrace the Brave.
Proverbs 11:21Be sure of this: The wicked will not go unpunished, but those who are righteous will go free.
Emergency-911
by Peter Serra copyright 2007
From: Christian visions From A Common Man
Once the sound of peaceful pace busy feet from place to place
Within an instant hope is forced to halt in silent marvel gaze
At courage racing in the brave.
In the Finest thoughts as flint faced the beast for innocence.
EMT healing hands joined the Boldest in the task presented to the Tower's Best.
Bells and preacher disbelief forestall movement of the feet.
All is well return remain halts the flight of downward gain.
Hope laid stricken bound in tears as truth in windows gripped despair.
Heart to heart and eye to eye as a beggars bowl advanced
Ignites the bond in common man.
Determined feet in turnout coats through the heat and blinding smoke.
Hope renewed in just a glance of axe and strength in hero's hand.
Of light in crowded stairwell floors
Of steadfast hearts beating grace into the maw of hell they raced
To meet the beast face to face.
Angels marveled in refrain:
No greater love can man display.
Flashing lights and sirens prayed as courage faced the beast.
Falling beams of crippled steel as arrows to the heart,
Concrete sighs afflict the eye and all things fed the heat.
Flashing lights and sirens prayed as courage faced the beast.
A moment in the sun's retreat children's laughter turned to gray.
O my God! all voices speak through crashing sounds and panicked feet.
Flashing lights and sirens prayed as courage faced the beast.
"Haul away now lads haul away fast with hope in your helmets and strength in your hands.
Haul away now lads haul away fast from the top of the rubble to a pocket of chance.
"Remember truth is freedom's key.
Hold to the breast thoughts long past of what life used to be.
Captured thoughts of what was lost is food to keep us free.
The mind reasons, separation brief.
Yes, in paradise united.
Still, the heart weeps.
Have mercy, O Lord, on us who remain and into your kingdom embrace the Brave.
Proverbs 11:21Be sure of this: The wicked will not go unpunished, but those who are righteous will go free.
Poem: Prism
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Prism
by Peter Serra copyright 2007
The nature of light is to reveal.
In darkness all is concealed.
In one lives deception, in the other correction.
A forest of night a room without light
A candle of wax absent wick,
Inhibited movement caution advised
What good is beauty, what purpose is life,
Absent the prism of light?
Corrective lenses high wattage bulb
Movement captured by the timing of strobe
Fly to the paper moth to the flame
The nature of man does the same.
Within the rainbow nothing's concealed
In the spectrum of light love is revealed.
All that is must be tested, even the black light must undergo inspection
And where there is darkness its movement arrested.
1 John 4:1Dear friends, do not believe every spirit, but test the spirits to see if they are from God,
because many false prophets have gone out into the world.
Prism
by Peter Serra copyright 2007
The nature of light is to reveal.
In darkness all is concealed.
In one lives deception, in the other correction.
A forest of night a room without light
A candle of wax absent wick,
Inhibited movement caution advised
What good is beauty, what purpose is life,
Absent the prism of light?
Corrective lenses high wattage bulb
Movement captured by the timing of strobe
Fly to the paper moth to the flame
The nature of man does the same.
Within the rainbow nothing's concealed
In the spectrum of light love is revealed.
All that is must be tested, even the black light must undergo inspection
And where there is darkness its movement arrested.
1 John 4:1Dear friends, do not believe every spirit, but test the spirits to see if they are from God,
because many false prophets have gone out into the world.
Struggles
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Struggles
By Peter F. Serra copyright 2007
It seems that when we master the walk
along comes the struggle to talk.
There's a struggle outside of the gate wanting to get in
Companions of sin bringing welts filled with pain.
Like the wobble of a top at the end of its spin
We struggle to remain upright
As a ship listing we look for a pier of support,
As would a ghost slanted and bent
Diminished with every breath.
Like the advent of troubling days
And water rushing the shore to lord-over the sand
We struggle with footing that's wet
And struggle sometimes to forget.
There are times we struggle to recall
A time when the struggle was spent
Always wondering just when the struggles will end.
Galatians 6:9Let us not become weary of doing good,
for at the proper time we will reap a harvest
if we do not give up
Struggles
By Peter F. Serra copyright 2007
It seems that when we master the walk
along comes the struggle to talk.
There's a struggle outside of the gate wanting to get in
Companions of sin bringing welts filled with pain.
Like the wobble of a top at the end of its spin
We struggle to remain upright
As a ship listing we look for a pier of support,
As would a ghost slanted and bent
Diminished with every breath.
Like the advent of troubling days
And water rushing the shore to lord-over the sand
We struggle with footing that's wet
And struggle sometimes to forget.
There are times we struggle to recall
A time when the struggle was spent
Always wondering just when the struggles will end.
Galatians 6:9Let us not become weary of doing good,
for at the proper time we will reap a harvest
if we do not give up
Sunday, October 28, 2007
Mudworks Show and Sale
The Mudworks and Friends First Annual Art Show and Sale took place at 3 Moons Yoga* in Delaware Water Gap, PA on October 27th and 28th. The exhibition featured a variety of crafts and designs create by numerous artists including Shelly of Willow of the Wisp Dolls*, Ursula Pooley of Me Crazy Jewelry*, Jo Ann Stratakos of Mudworks pottery*, and Jone Bush of Wander Wheel Studio. Arline M. Smeltz* was among the many who visited the event. Please contact 3 Moons Yoga* at 570-730-2026 for more information. You’ll find numerous photographs at The Forwardian Arts Society Mudworks Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, October 27, 2007
Haunted Sherman Theatre
The Sherman Theatre* in Stroudsburg, PA presented their Annual Haunted Theatre event on October 26th and 27th featuring a horrifying experience climaxing with a Midnight screening of “The Rocky Horror Picture Show on the final evening. The film was preceded by party and the audience participation was led by Sweet Translucent Dreams. Many of those who’ve never seen the movie live were devirginalized. Cheryl Yost*, Bill Kelly*, Richard Berkowitz*, and Arline M. Smeltz* were among those who participated in the Haunted theatre while Neil and Jessica Johnson* were among those who enjoyed the terror inflicted upon them. The Sherman’s* next event will be their presentation of “Bargain-The Who Tribute Band” on Saturday November 3rd. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Haunted Sherman Theatre Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, October 25, 2007
Lofty Sherman Skiers
The Sherman Theatre* in Stroudsburg, PA presented The Loft Ski Shop’s film event featuring skiers from around the world on Thursday October 25th. It was a fascinating look at the skill involved in the sport that often elevates itself to an art form. The talent demonstrated in the film was uncanny and few among the audience may have the skills to match it. Cheryl Yost*, Bill Kelly*, Richard Berkowitz*, and Arline M. Smeltz* along with were among those who enjoyed the event. The Sherman’s* next event will be their Haunted Theatre on October 26th and 27th. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Lofty Sherman Skiers at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, October 21, 2007
A Choice Audition
Over The Edge Productions* held auditions for a new play written and directed by John Cusumano* entitled, “Choices” at The School of Visual and Performing Arts (SVPA)* in Stroudsburg, PA on Sunday October 21st. Marie Steeger*, Chris Webster*, and Michael Wetmore* were among the many who allowed their talent to explore the characters they sought to play. The date of the performance is yet to be announced. Please contact Over The Edge Productions* at 570-801-3303 for more information. You’ll find numerous pictures at The Forwardian Arts Society A Choice Audition Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, October 20, 2007
Theatrical Review: Schoolhouse Rock Live!
STEEL SCHOOLHOUSE ROCK LIVE!
Book by: Scott Ferguson, George Keating, and Klye Hall.
Music and Lyrics by: Lynn Ahrens, Bob Dorough*, Dave Frishberg, Kathy Mandry, George Newall, and Tom Yohe.
Directed by: Margaret Joyce Ball
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University (ESU)* in East Stroudsburg, PA presented their Theatre Department’s production of “Schoolhouse Rock Live!” The play was originally adapted and produced for the stage by Theatre BAM from the memorable animation series shown between Saturday morning cartoons. For those of us who grew up during these broadcasts, not only learned something about Mathematics, U. S. History, Governmental procedures, and English Grammar, but we were also given a songbook which we stored in our subconscious to be taken out whenever we needed to relive our youth once again.
Experiencing this production of “Schoolhouse Rock Live!” reopened this songbook in a very delightful way. Although the play is directed toward elementary school children, those of us who have not quite grown up enjoyed it as well. Personally, there were many times I felt like singing along to the tunes I remembers only to have my very adult, theatrical critic stifle such expressions. However, these were later pushed aside but the exuberance of the performance and the audience members who were quite less inhibited.
“Schoolhouse Rock Live!” evolves around a young school teacher named, “Tom” (as portrayed by Robin A Kessler*) whose concerns and imagination brings his thoughts to the animation series and creates a cast characters who demonstrate their continued relevance in education. This ensemble cast consisted of Krista Beam, Michelle DiBella, Brian Foley*, Francesca Garrard, Kendra Getz (who also served in scene painting and set construction), Shamus Halloran, Rachel Mack, Jenell Anne Manzi, Christopher Palardy*, and Kristen Stachina.
Although I did find some slight flaws in the production like a few actors in the ensemble appearing with the blank stars associated with the thinking of their lines and dance steps and not being in the moment the play, I found it to be a very enjoyable experience enabling the creation of new memories and the resurrection of those lovingly placed in the past. The only other fault I find is the run of the show will be nearly completed by the time this review is published. This is very unfortunate as it deserves the audience a longer run would provide.
The Production was Directed Margaret Joyce Ball and Stage Managed by E. R. Koenig* who also served in scene painting and set construction. Samantha Avola and Alex Wirth served as the assistant Stage Managers while Erick served as The Lighting Designer and Paul W McKay served as Set designer and Technical Director. The scene painting and set construction were completed by Jason Barry*, Mathew Bouboulis, Katherine Burkard, Matty Colazzo, Kenneth Garry, Rich Gross, and Angelo Revillo*.
This production of “Schoolhouse Rock Live!” will continue its run at The Fine and Performing Arts Building on the Campus of East Stroudsburg University (ESU) in East Stroudsburg, PA until October 21st. Tickets can be reserved by calling 570-422-3483. Their next production will be “The Laramie Project by Moises Kaufman November 27th thought December 2nd. This play is recommended to those who would like to reopen the educational songbooks of their youthful hearts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Book by: Scott Ferguson, George Keating, and Klye Hall.
Music and Lyrics by: Lynn Ahrens, Bob Dorough*, Dave Frishberg, Kathy Mandry, George Newall, and Tom Yohe.
Directed by: Margaret Joyce Ball
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University (ESU)* in East Stroudsburg, PA presented their Theatre Department’s production of “Schoolhouse Rock Live!” The play was originally adapted and produced for the stage by Theatre BAM from the memorable animation series shown between Saturday morning cartoons. For those of us who grew up during these broadcasts, not only learned something about Mathematics, U. S. History, Governmental procedures, and English Grammar, but we were also given a songbook which we stored in our subconscious to be taken out whenever we needed to relive our youth once again.
Experiencing this production of “Schoolhouse Rock Live!” reopened this songbook in a very delightful way. Although the play is directed toward elementary school children, those of us who have not quite grown up enjoyed it as well. Personally, there were many times I felt like singing along to the tunes I remembers only to have my very adult, theatrical critic stifle such expressions. However, these were later pushed aside but the exuberance of the performance and the audience members who were quite less inhibited.
“Schoolhouse Rock Live!” evolves around a young school teacher named, “Tom” (as portrayed by Robin A Kessler*) whose concerns and imagination brings his thoughts to the animation series and creates a cast characters who demonstrate their continued relevance in education. This ensemble cast consisted of Krista Beam, Michelle DiBella, Brian Foley*, Francesca Garrard, Kendra Getz (who also served in scene painting and set construction), Shamus Halloran, Rachel Mack, Jenell Anne Manzi, Christopher Palardy*, and Kristen Stachina.
Although I did find some slight flaws in the production like a few actors in the ensemble appearing with the blank stars associated with the thinking of their lines and dance steps and not being in the moment the play, I found it to be a very enjoyable experience enabling the creation of new memories and the resurrection of those lovingly placed in the past. The only other fault I find is the run of the show will be nearly completed by the time this review is published. This is very unfortunate as it deserves the audience a longer run would provide.
The Production was Directed Margaret Joyce Ball and Stage Managed by E. R. Koenig* who also served in scene painting and set construction. Samantha Avola and Alex Wirth served as the assistant Stage Managers while Erick served as The Lighting Designer and Paul W McKay served as Set designer and Technical Director. The scene painting and set construction were completed by Jason Barry*, Mathew Bouboulis, Katherine Burkard, Matty Colazzo, Kenneth Garry, Rich Gross, and Angelo Revillo*.
This production of “Schoolhouse Rock Live!” will continue its run at The Fine and Performing Arts Building on the Campus of East Stroudsburg University (ESU) in East Stroudsburg, PA until October 21st. Tickets can be reserved by calling 570-422-3483. Their next production will be “The Laramie Project by Moises Kaufman November 27th thought December 2nd. This play is recommended to those who would like to reopen the educational songbooks of their youthful hearts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, October 08, 2007
Theatrical Review: Steel Magnolias
STEEL MAGNOLIAS
Written by: Robert Harling
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Center Stage Players* production of Robert Harling‘s “Steel Magnolias” on their main stage. The play was the basis of the film of the same name which has become a cinematic icon for many.
The film has become well known for its rarity in presenting a small ensemble cast without the special effects or the other overstated characteristics attributed to a successful film. The play, “Steel Magnolias,” brings the audience’s focus more pointedly back to the ensemble cast and the experiences they encounter by making these experiences more real for us through the more physical presence of those living them. In other words, a live performance of the play provides something a film version can not. No matter how well the film is made or how faithful it is to the source material, film has a distancing effect on its audience while theatre often eliminates such effects.
I would normally take this time in a reviews to relay the plot of the play but to do so would ruin the enjoyment of the production. However, the play is not so much about what happens on stage as it is about how the characters respond to the situations they find themselves in and the support they gain from the friendship they have in one another. This attribute elevates the play as we realize this is a lesson which could be applied to our daily lives.
Many of us go through life thinking it’s just a series of experiences. But, these experiences are not our lives nor do they define us. How we respond to these experiences and how we accept and give support to those around us either enhances or diminishes the quality of our lives. “Steel Magnolias” reminds us we’re not defined by our circumstances but by how we meet them.
“Steel Magnolias” cast consists of Midge McClosky* who portrayed Truvy (the owner of Truvy;s Beauty Shop where the entire play takes place), Kathi Spigelmyer who portrayed Annelle (the new beautician who grow in her awareness and spirituality as her life progresses), Michele Frankenberg who portrayed Clairee (the receptionist and friend of Truvy), Pat Van Varick who portrayed Ouiser (a cantankerous woman whose negative outlook on life is often overshadowed by the love she has for and from her friends), Katherine Neville who portrayed M’ Lynn (the mother of a bride to be who learns to allow her child to grow into her life and beyond), and Sara Ferguson who portrayed Shelby (M’ Lynn’s daughter who embarks on a life of her own).
To say the play was well acted would be a very gross understatement. Each actress brought to their role a depth seldom seen in local theatre. Together, this ensemble cast brought a meaningfulness to the production through their combined strengths. The production itself presented the exact blend of humor and pathos needed to honor the work and make it an enjoyable theatrical experience to everyone involved.
The Production was Directed Sue Butler and Jack Butler served as the Assistant director. Both were responsible for the very well designed set as they had the authentic feel of a salon. “Steel Magnolias” was Stage Managed by Lillian Ramirez-Gonzalez with the lighting designed by Arthur Ritter.
This production of “Steel Magnolias” by Robert Harling will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until October 28th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who like to see how they are more than their experiences demonstrated before their eyes.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Robert Harling
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Center Stage Players* production of Robert Harling‘s “Steel Magnolias” on their main stage. The play was the basis of the film of the same name which has become a cinematic icon for many.
The film has become well known for its rarity in presenting a small ensemble cast without the special effects or the other overstated characteristics attributed to a successful film. The play, “Steel Magnolias,” brings the audience’s focus more pointedly back to the ensemble cast and the experiences they encounter by making these experiences more real for us through the more physical presence of those living them. In other words, a live performance of the play provides something a film version can not. No matter how well the film is made or how faithful it is to the source material, film has a distancing effect on its audience while theatre often eliminates such effects.
I would normally take this time in a reviews to relay the plot of the play but to do so would ruin the enjoyment of the production. However, the play is not so much about what happens on stage as it is about how the characters respond to the situations they find themselves in and the support they gain from the friendship they have in one another. This attribute elevates the play as we realize this is a lesson which could be applied to our daily lives.
Many of us go through life thinking it’s just a series of experiences. But, these experiences are not our lives nor do they define us. How we respond to these experiences and how we accept and give support to those around us either enhances or diminishes the quality of our lives. “Steel Magnolias” reminds us we’re not defined by our circumstances but by how we meet them.
“Steel Magnolias” cast consists of Midge McClosky* who portrayed Truvy (the owner of Truvy;s Beauty Shop where the entire play takes place), Kathi Spigelmyer who portrayed Annelle (the new beautician who grow in her awareness and spirituality as her life progresses), Michele Frankenberg who portrayed Clairee (the receptionist and friend of Truvy), Pat Van Varick who portrayed Ouiser (a cantankerous woman whose negative outlook on life is often overshadowed by the love she has for and from her friends), Katherine Neville who portrayed M’ Lynn (the mother of a bride to be who learns to allow her child to grow into her life and beyond), and Sara Ferguson who portrayed Shelby (M’ Lynn’s daughter who embarks on a life of her own).
To say the play was well acted would be a very gross understatement. Each actress brought to their role a depth seldom seen in local theatre. Together, this ensemble cast brought a meaningfulness to the production through their combined strengths. The production itself presented the exact blend of humor and pathos needed to honor the work and make it an enjoyable theatrical experience to everyone involved.
The Production was Directed Sue Butler and Jack Butler served as the Assistant director. Both were responsible for the very well designed set as they had the authentic feel of a salon. “Steel Magnolias” was Stage Managed by Lillian Ramirez-Gonzalez with the lighting designed by Arthur Ritter.
This production of “Steel Magnolias” by Robert Harling will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until October 28th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who like to see how they are more than their experiences demonstrated before their eyes.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
October Evening on Main
The Jacob Stroud Corporation* (www.stroudsburg.net) in Stroudsburg, PA held their monthly Evening on Main event on Saturday October 6th. A great number of visual and performing artists lent their talents to help make the evening a wonderful event for all who come to experience it. These included an exhibition entitled, “Structured Randomness” at The ArtSpace Gallery* (www.spezmedia.com/artspace) which featured a wide range of works by Greg Waltzer* (www.gregwaltzer.com) along with a gallery performances by New Atlantis* (www.newatlantismusic.com). Other Opening Receptions included work by new artist Chance Tedesco whose work was shown at The D. R.‘s Custom Design Framing and Art Gallery featuring a variety of charcoal, acrylic, and graphite pieces. The works of these artists brought a balance of serenity and excitement to their viewers as they explored the meaningful intricacies of Greg Waltzer’s* work and looked afresh through the new eyes of Chance Tedesco.
However, it is worthwhile noting a revelation I and other attendees of the Evening on Main St. Stroudsburg had during the event. Art exhibition are not confined to designated galleries but can be found in any venue and in any circumstances; even those dwelling in the human heart. This revelation was well demonstrated in The Yellow Moon Boutique (www.yellowmoonboutique.com) whose show entitled, “An Autumn Showing” featured the Watercolor Paintings of Thomas Augusta. These works not only enhanced the merchandise populating the boutique, but they along with the atmosphere they helped create elevated the appreciation of the arts and where they can be found.
Jane and Don Slepian* (www.donslepian.com) along with Will Daskal*(www.willdaskal.com) and his wife were among the many friends I met during the evening. However, I have made many new friends which was a wonderful treat making the event even more meaningful to me. I do welcome any of you who would like to share their recollections the event with me. The exhibitions will continue until the end of October. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find Numerous photographs at The Forwardian Arts Society October Evening on Main Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
However, it is worthwhile noting a revelation I and other attendees of the Evening on Main St. Stroudsburg had during the event. Art exhibition are not confined to designated galleries but can be found in any venue and in any circumstances; even those dwelling in the human heart. This revelation was well demonstrated in The Yellow Moon Boutique (www.yellowmoonboutique.com) whose show entitled, “An Autumn Showing” featured the Watercolor Paintings of Thomas Augusta. These works not only enhanced the merchandise populating the boutique, but they along with the atmosphere they helped create elevated the appreciation of the arts and where they can be found.
Jane and Don Slepian* (www.donslepian.com) along with Will Daskal*(www.willdaskal.com) and his wife were among the many friends I met during the evening. However, I have made many new friends which was a wonderful treat making the event even more meaningful to me. I do welcome any of you who would like to share their recollections the event with me. The exhibitions will continue until the end of October. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find Numerous photographs at The Forwardian Arts Society October Evening on Main Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Friday, October 05, 2007
Spooky Sherman Meetings II
The Sherman Theatre* in Stroudsburg, PA held their second meeting to plan this year’s Haunted Theatre Event on Friday October 5th. The Actual event will be held October 26th and 27th. Ideas from the first meeting were furthered along proving the people involved are a sick group of individuals. Cheryl Yost*, Bill Kelly*, and Arline M. Smeltz* along with Richard and Catherine Berkowitz* were among those who contributed their ideas toward the event. The next meeting to plan The Haunted Theatre Event will be announced soon but they are still in need of numerous volunteers to participate as actors in the individual rooms and props of all kinds. The more grotesque the better. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Spooky Sherman Meetings Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, October 02, 2007
Sherman Feats
The Sherman Theatre* in Stroudsburg, PA presented the classic rock band “Little Feat” on Monday October 1st. The band was preceded by a local group called, “The Scott Weis Band” whose music not only served as a satisfying prelude to the main feature but also held their own to the point an audience member might forfeit their expectations anything was to follow. This was simply because the musical need was fulfilled by this fantastic band. Yet, more music was to come enhancing everything that came before. Fans of “Little Feat” sang along with each song and danced to every beat. It was a lively show to say the least but that doesn‘t mean more can be said in appreciation to the concert and to The Sherman Theatre* who made it happen. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Scot Flax* of NEMO Magazine, Arline M. Smeltz*, and Gary Lambert*. The next show at The Sherman Theatre* will be Waidestock 2007 featuring a variety of bands performing music from a variety of sounds including rock, alternative, punk, and ska on Saturday October 20th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Sherman Feats Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 30, 2007
Art Across The River 2007
The Annual Art Across The River Festival took place simultaneously in Portland, PA and Columbia, NJ on Sunday September 30th. The event featured numerous artists and crafters from the areas which could be visited by crossing a foot bridge connecting the two towns separated by the Delaware River. Theresa Popiolek*, Linda Mann*, and Marcia Flammonde* were among the participants along with many new friends I met that day. Arline M. Smeltz* and Tricia Lippert Lowery* were among the many who visited the event. You’ll find numerous photographs at The Forwardian Arts Society Art Across The River Gallery 2007 at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, September 29, 2007
Co Op Bookhouse
The Eastern Monroe Public Library (EMPL)* in Stroudsburg, PA presented Jazz Quintet Co-Op-Bop* www.co-opbop.net during their Bookhouse Concert Series on Friday September 28th. The Concert was filled with the lively relaxed sounds great jazz is known for to a delightfully pleasant evening for all who attended. Rob Ramos* and Linnae Cintron* (both of The EMPL) along with Arline M. Smeltz* was among appreciative audience who attended the event. The Next Bookhouse concert will be Singer-Songwriter Zac Lawless www.zaclawless.com with Ross the Mentalist on Friday October 26th. Please contact The Eastern Monroe Public Library* at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society Co Op Bookhouse Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, September 24, 2007
Spooky Sherman Meetings
The Sherman Theatre* in Stroudsburg, PA held their first meeting to plan this year’s Haunted Theatre Event on Monday September 24th. The Actual event will be held October 26th and 27th. Many ideas were shared but they won’t be revealed here as they may cause nightmares. Cheryl Yost*, Theresa Woehrel*, Bill Kelly*, and Arline M. Smeltz* along with Richard and Catherine Berkowitz* were among those who contributed their ideas toward the event. If you knew what some of those ideas were, you may not send too much time with these people. Pretty scary stuff. The next meeting to plan The Haunted Theatre Event will be Friday October 5th at 6pm. Numerous volunteers are welcomed to participate especially actors and people with theatre and/or film experience. Please contact The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Spooky Sherman Meetings Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 23, 2007
Stroud Finale
The Stroud Township* Summer Gazebo Concert Series near Stroudsburg, PA presented The Bonnie Childs Trio* as their final concert for the 2007 Summer season on Sunday September 23rd. It was a wonderful early evening filled with nostalgic songs that created meaningful memories for all who experienced them. Arline M. Smeltz* were among those who enjoyed the entertaining finale. You’ll find numerous photographs at The Forwardian Arts Society Stroud Finale Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Columcille Equinox
The Columcille Megalithic Park and Celtic Center* in Bangor, PA held a Fall Equinox Celebration and Celtic Concert featuring a dedication of the new stone work "The Celtic Eye" with bagpipe music by Darius Kaufman* along with Sarah Cohea on recorders and Ann Socha on Celtic Harp on Sunday September 23rd. It was an inspiring afternoon filed with peaceful reverence fot the change in seasons. Bill Cohea* of The Columcille Megalithic Park and Celtic Center*, Arline M. Smeltz*, Mark Letchy*, Wendy Watkins*, Gary Lambert*, Peter Taney*, Amy Cramer*, and Cheryl Peretz* along with Pat and Terri Gaughan* were among the people who made the afternoon a wonderful way to spend the first day of Autumn. The next event at The Columcille Megalithic Park and Celtic Center* will be a Samhuinn Celebration with a Torch lit pageant on Sunday October 27th. Please contact The Columcille Megalithic Park and Celtic Center* at (610) 588-1174 for more information. You’ll find numoerous photographs at The Forwardian Arts Society Columcille Equinox Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 16, 2007
Musical Habitat
The Monroe Chapter of Habitat for Humanity held a Habitat Awareness Concert entitled “Raise The Roof” at The St. Paul Lutheran Church in Tannersville, PA featuring the lending of choirs (both individually and collectively) from the vast area on Sunday September 16th. It was an inspiring evening filled with religious music and hymns all to benefit those who are without homes. The Monroe Chapter of Habitat for Humanity works with local builders to provide homes for families who are in need of them. Arline M. Smeltz*, Anna Busteed*, and Suzanne McCool were among the voices that made the evening a delight to experience while Don and Rose Busteed* were among the appreciative audience. Please contact The Monroe Chapter of Habitat for Humanity at 570-476-9846 for more information. You’ll find numerous photographs at The Forwardian Arts Society Musical Habitat Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, September 15, 2007
Electric Mussorgsky
The Unitarian Universalist Fellowship of the Poconos* in Stroudsburg, PA presented a live concert entitled “Mussorgsky: Pictures at an Exhibition” and was performed by Electric Diamond featuring Don Slepian* along with Greg and Hong Waltzer* on September 15th. It was a wonderfully relaxed presentation filled with many meditative sounds and images. Arline M. Smeltz* and Jane Slepian* along with Spencer and Nancy Reed* were among the appreciative audience who experienced a transcendence during the performance. Please contact The Unitarian Universalist Fellowship of the Poconos* at 570-420-0580 for more information about them and the work they do relating to the arts. You’ll find numerous photographs at The Forwardian Arts Society Electric Mussorgsky Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, September 10, 2007
COTA 2007
The Celebration of the Arts (COTA)* began their 30th Annual festival on Thursday September 6th with a World Premiere presentation of “Buttercup Days” which is a Jazz Suite composed by COTA* Co-Founder Phil Woods* at The Sherman Theatre* (www.shermantheatre.com) in Stroudsburg, PA and is based upon the A. A. Milne work entitled, “Now We Are Six.” This special event was held as an addition to the three day event usually associated with COTA* in commemoration of their 30th Anniversary. The evening was filled with poetry, singing, and the great jazz compositions which enchanted and entertained the large audience which attended the event. It was a great prelude to the festival and it was appreciated by all.
The festival continued the next evening on Friday September 7th in Delaware Water Gap, PA with Opening Reception of the Music Motif Show at The Antoine Dutot Museum and Gallery* (www.dutotmuseum.com) and an evening of Music, Theatre, and Dance at The Presbyterian Church of the Mountain*(www.churchofthemountain.org) My duties of preparing the presentations at the church prohibited me from attending the Opening Reception, but this does not mean my evening was void of meaningful and satisfying experiences. After all, I did manage to visit the gallery later during the festival and I enjoyed that experience a great deal. The evening at the church began with the theatrical hilarity of The Water Gap Players which has gained a reputation of presenting biting comedic sketches sprinkled with social and political commentary brining some thought to those who enjoy the humor. The evening continued with the renderings of Calliope whose soothing sounds pleases all who cherish the classics of the centuries.
Anita Bondi* and Company presented their final performance. After making her introductory remarks which included the announcement of this being their final performance, there was a pause before she expressed her appreciation for the opportunity to share her love for dance with the simple words of “Thank you.” Each member of the audience utilized that pause to recount the many meaningful insights the years of performances and how they had enhanced their lives. The hearing of the words “Thank you” placed each remembrances forever in their hearts. The performance which followed was an accumulation of all the love embodied Anita Bondi* and Company’s love and talent in this discipline.
The evening at The Presbyterian Church of the Mountain* concluded with the relaxing sounds of Jazz Pianist Donna Antonnow and her trio. It was a wonderful end to a great evening as it entreated the audience to discover what was yet to come during the two day outdoor festival. Ah, the delights that awaited them.
The outdoor festival on was greeted by some opening remarks by PA State Representative John J. Siptroth*. The music began Saturday September 8th at 12 noon with The Absolute Trio and ended after 9pm on Sunday September 9th with the Bottom O’ the Fox All Stars. These brief doesn’t come near to bring all the incredible happenings of the festival justice. In fact, no amount of words can do so. All I can say is, I’ve taken a great many pictures as they seem to share more than words can convey. You’ll find even more pictures taken by COTA’s official photographers on their website at www.cotajazz.org. There will also be a broadcast of the entire festival on WVIA TV (PBS)* sometime in November if not earlier.
The greatest please I had during the festival is meeting people. I have seen many among The Forwardian Arts Society fellowship during my time at COTA* and they are too numerous to mention without the risk of forgetting to name a few. However, I do welcome your comments, recollections, and reflections on what your experiences were. So, please feel free to comment on this blog and/or the picture I took. Share them with your friends who may not see this. I thank you for being my friend and for all the things you mean to me.
You’ll find a complete album of photographs taken during the Celebration of the Arts at The Forwardian Arts Society COTA 2007 Gallery at 360.yahoo.com/pauladam.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
The festival continued the next evening on Friday September 7th in Delaware Water Gap, PA with Opening Reception of the Music Motif Show at The Antoine Dutot Museum and Gallery* (www.dutotmuseum.com) and an evening of Music, Theatre, and Dance at The Presbyterian Church of the Mountain*(www.churchofthemountain.org) My duties of preparing the presentations at the church prohibited me from attending the Opening Reception, but this does not mean my evening was void of meaningful and satisfying experiences. After all, I did manage to visit the gallery later during the festival and I enjoyed that experience a great deal. The evening at the church began with the theatrical hilarity of The Water Gap Players which has gained a reputation of presenting biting comedic sketches sprinkled with social and political commentary brining some thought to those who enjoy the humor. The evening continued with the renderings of Calliope whose soothing sounds pleases all who cherish the classics of the centuries.
Anita Bondi* and Company presented their final performance. After making her introductory remarks which included the announcement of this being their final performance, there was a pause before she expressed her appreciation for the opportunity to share her love for dance with the simple words of “Thank you.” Each member of the audience utilized that pause to recount the many meaningful insights the years of performances and how they had enhanced their lives. The hearing of the words “Thank you” placed each remembrances forever in their hearts. The performance which followed was an accumulation of all the love embodied Anita Bondi* and Company’s love and talent in this discipline.
The evening at The Presbyterian Church of the Mountain* concluded with the relaxing sounds of Jazz Pianist Donna Antonnow and her trio. It was a wonderful end to a great evening as it entreated the audience to discover what was yet to come during the two day outdoor festival. Ah, the delights that awaited them.
The outdoor festival on was greeted by some opening remarks by PA State Representative John J. Siptroth*. The music began Saturday September 8th at 12 noon with The Absolute Trio and ended after 9pm on Sunday September 9th with the Bottom O’ the Fox All Stars. These brief doesn’t come near to bring all the incredible happenings of the festival justice. In fact, no amount of words can do so. All I can say is, I’ve taken a great many pictures as they seem to share more than words can convey. You’ll find even more pictures taken by COTA’s official photographers on their website at www.cotajazz.org. There will also be a broadcast of the entire festival on WVIA TV (PBS)* sometime in November if not earlier.
The greatest please I had during the festival is meeting people. I have seen many among The Forwardian Arts Society fellowship during my time at COTA* and they are too numerous to mention without the risk of forgetting to name a few. However, I do welcome your comments, recollections, and reflections on what your experiences were. So, please feel free to comment on this blog and/or the picture I took. Share them with your friends who may not see this. I thank you for being my friend and for all the things you mean to me.
You’ll find a complete album of photographs taken during the Celebration of the Arts at The Forwardian Arts Society COTA 2007 Gallery at 360.yahoo.com/pauladam.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, September 05, 2007
Final COTA Meeting
The Celebration of the Arts (COTA)* held their final meeting to plan their 30th annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Deer Head Inn in Delaware Water Gap, PA on Tuesday September 4th. However, before the meeting took place, The Water Gap Races presented their first “Run in the Gap.” It had very little to do with the meetings but I couldn’t help think associating the beginning of that race to the beginning of another 30 years of COTA with all the stamina and endurance that will require. It was great to witness this event as it was the meeting which brought many month of planning and coordinating to an end toward this year’s event. COTA* will begin Thursday September 6th at The Sherman Theatre* in Stroudsburg, PA with a special presentation for children of all ages and continues in Delaware Water Gap, PA on Friday September 7th until Sunday September 9th. Cyndie Dutkiewicz*, Lauren Chamberlain-Mussner*, Jim Wyckoff*, Christine Trembly*, Cheryl Read*, and Tim Helman* (Board Members of COTA) were among those who attended. Richard Chamberlain* and Phil Woods* (two of the co founders of COTA*) were there along with Marie Steeger*, Cheryl Joubert*, Jill Goodwin*, Katie Roche*, Pat and Terri Gaughan* and Bob and Jamie Garner* and were also present. Please Contact COTA* at 570-424-2210 or visit www.cotajazz.org for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, September 02, 2007
Stroudfest 2007 and More
The First Annual Stroudfest 2007 took place throughout Stroudsburg, PA on Saturday September 1st. The Courthouse Square and the entire Main Street was filled with music, art, food, and merchandise representing the variety of businesses populating the downtown area. The entire event was a joyous celebration of what the town has to offer culturally alongside the material conveniences which enhances our lives. This included many musical performances at the Main Stage and an acoustic performance by Split Fifty* at The Main St. Jukebox*. This event was followed by the Monthly Evening on Main which features the galleries which enlightens the Main Street area. These Galleries include Artspace featuring the works of Richard Spezzano* and Don Manza. In addition to this, The Sherman Theatre* held its First Annual Reggae Festival within its arts center. Please contact Stroudfest at 570-421-2200 for more information on this and next year’s festival. I’ve meet so many of Our Good Friends who are members of The Forwardian Arts Society, any attempt to name them all would result in neglecting more than a few. So, I won’t. However, I invite you to share your experiences of the events on this Blog and/or comment on my words and images. You’ll find numerous photographs at The Forwardian Arts Society Stroudfest 2007 and More Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, August 29, 2007
The COTA Wind Down
The Celebration of the Arts (COTA)* held their next to the last meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Sycamore Grill in Delaware Water Gap, PA on Tuesday August 28th. It was great to witness the many things putting together a festival of this size and meaning involves becoming solidified toward this year’s event. COTA will begin Thursday September 6th at The Sherman Theatre* in Stroudsburg, PA with a special presentation for children of all ages and continues in Delaware Water Gap, PA on Friday September 7th until Sunday September 9th. They still need Volunteers in Security, Stage Crew, Ticket Sales, and many other areas so feel free to call them at 570-424-2210 or visit www.cotajazz.org to learn more about it. Cyndie Dutkiewicz* and Lauren Chamberlain-Mussner* Co Chaired the meeting while Jim Wyckoff*, Christine Trembly*, and Tim Helman* (Board Members of COTA) were among those who attended. Nancy Reed*, Marie Steeger*, Gary Lambert*, Cheryl Joubert*, Pat Gaughan* and Richard Chamberlain* along with Bob and Jamie Garner* and were also present. The next and final meeting will be held Tuesday September 4th at The Deer Head in Delaware Water Gap, PA at 7:30pm. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 26, 2007
A Grand Jazz Finale
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented their final Gazebo Concert for the 2007 Summer Season featuring Jay Rattman* on Saxophone, Jesse Green* on Keyboards, Nancy Reed* on Base Guitar and Vocals, Spencer Reed* on Jazz Guitar, and Bill Goodwin* on Drums at 6pm on August 26th. It was a great ending to a wonderful summer filled with many delightful memories to sustain the multitude who have attended the series until next summer arrives. Among this multitude are Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Nancy Scheirer*, John Weiss*, Jill Goodwin*, Lauren Chamberlain-Mussner*, Richard Chamberlain*, and Cyndie Dutkiewicz*. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information regarding The Gazebo Concerts and other work they do relating to the arts. You’ll find numerous photographs at The Forwardian Arts Society PCOM Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 19, 2007
Roches at the Gazebo
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented Kate and Richie Roche* on Sunday August 19th as part of their summer concert series. The concert was held inside the church due to the inclement weather but the smooth sound warmed the audience with its soft selections which included classical jazz pieces and show tunes. Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Ursula Pooley, and Jill Goodwin along with Terri and James Dellaria* were among those who enjoyed the performance. The final concert for the summer season at The Presbyterian Church of the Mountain* will feature Jay Rattman and Friends* at 6pm on August 26th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
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