Theatrical Review: Rumors

Theatrical Review: Rumors
Written by: Neil Simon
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Center Stage Players‘ production of “Rumors” by Neil Simon. The original production opened at The Broadhurst Theatre in 1988 for a year before moving to The Ethel Barrymore Theatre for which it ran for over 500 performances. It won and was nominated for several prestigious awards and became a favorite among those who are great fans of the comedic literary talents of Neil Simon.

The work of Playwright Neil Simon is well know for filling the theatres in which they’re performed with a great deal of laughter. They have a wonderful way of presenting familiar situations upon the stage so we can see how humorous they really are. This encourages us to forgo much of worry and despair many of us embrace as we muddle through out life’s experiences and to realize how silly such an approach really is.

In his play “Rumors,” the desire to keep secrets in order to keep up appearances and avoid large problems are explored. It is also one of those interesting theatrical pieces in which the main characters of the play never appear in it. I couldn’t help but to be reminded of the 1949 film “The Third Man” in which the Orson Well’s Character “Harry Lime” doesn’t appear until about two thirds into the film but everything is known about him when he does through the other characters’ conversations. There is much to be known about the characters Charley and Myra Brock although most of what is revealed is through innuendo and rumors.

The play is about the friends of Charley and Myra Brock meeting at their home to celebrate their 10th Anniversary. The first couple, Ken and Chris Gorman (as portrayed by Rob Ramos and Katherine Neville who also serves on The Center Stage Players’ Treasurer), arrives to find the host Charley (who is the deputy mayor) had shot himself through the earlobe and Myra along with the house staff are missing. Ken and Chris do their best to cover everything up even as the other expected house guest begin to arrive. They are Claire and Lenny Ganz as portrayed by Sara Ferguson and Patrick Turner who serves as a member of The Center Stage Players’ Board of Directors, Glen and Cassie Cooper as portrayed by David Schappert and Juliet Dunham and Ernie and Cookie Cusack as portrayed by Jack Butler who designed the sets and Pat Van Varick who serves as a member of The Center Stage Players’ Board of Directors. The role of Cookie Cusack is also played by Paulette Pearson on alternate presentations and did not perform during the one I saw. A great deal of mayhem transpires as the cover up is unraveled and those who discover it soon become its co conspirators. As with all such situations, it’s even funnier when the cops (as portrayed by Daniel Helm and Jessica O’ Brien) show up.

The Center Stage Players’ production of Neil Simon’s “Rumors” was very well done as it’s brisk pacing and exceptional acting enhanced its comedic effect without overwhelming the style of the playwright. This is often a difficult balance to obtain and maintain, but this production does so with great finesse. The acting was a joy to experience as one can easily see each actor’s dedication and enjoyment of their craft. In other words, it was a fun time at the theatre.

The Shawnee Playhouse presentation of The Center Stage Players’ production of “Rumors” by Neil Simon was Directed by Sue Butler who also serves as The Center Stage Players’ President and designed the set. The production was Stage Managed by Lillian Ramirez-Gonzalez who also serves as The Center Stage Players’ Secretary. The Lighting Design was done by Arthur Ritter while the Sound and Light Technicians were Eric Dwyer and Dan Eash who serves as a member of The Center Stage Players‘ Board of Directors. Other members of The Center Stage Players include Mary Stewart Erm who serves as Vice President.

The Executive Director of The Shawnee Playhouse is Midge McClosky while the producers are Ginny and Charlie Kirkwood. The Sales Manager is Mary Horn as Becky Haskell serves in Marketing. Members of the Box Office Staff are Barbara Ross and Christina McManus. The Playhouse’s costumer is Missy Benefield. The Shawnee Playhouse publicity is handled by Amy Cramer while David Schrage is its Webmaster.

This presentation of The Center Stage Players’ production of “Rumors” by Neil Simon will conclude its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until October 24th. I would recommend seeing this production as it’s a wonderful opportunity to see actors who love the theatre performing a comedy that truly inspires its audience to laugh. It also allows the audience to explore how the rumors of their lives in which they try to keep hidden from others would look in the bright light of humor.

The next Shawnee Playhouse in Shawnee on the Delaware, PA presentations will include The Frightening Film Festival featuring 13 Horror Films running October 29th - 31st, “Le Cirque Des Mort” on Saturday October 30th featuring a gothic circus with a musical performance by “This Way to the Egress,” The film “House of White Spiders” on Friday November 5th, “Mark Mysterrio‘s Tales of Magic and Mystery for Kids“ running November 5th - December 28th, “From Lincoln Center to Broadway” running November 6th and 7th, “Cooking in Yesterday’s Grease” running November 13th and 14th, “It’s A Wonderful Life” running November 19th - December 19th, “A Winnie the Pooh Christmas carol” running November 19th - December 18th, Tchaikovsky’s “The Nutcracker” running December 6th - 26th, The “Messiah” Free Sing In Concert on Tuesday December 21st, and “Kids’ Kabaret Rocks” running December 28th and 29th. Please contact The Shawnee Playhouse at 570-421-5093 or Explore their Website at www.theshawneeplayhouse.com for more information and to reserve your ticket. Please feel free to Explore The Center Stage Players’ Website at www.centerstageplayers.org to learn more information about them.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of selected productions of The Shawnee Playhouse.

No Photograph from the production was available.

ArtSmash At The Circular Square

The Courthouse Square in Stroudsburg, PA witnessed the collaboration of two meaningful Art Groups on Saturday September 25th as they merged their well known separate events into one satisfying experience for those who enjoy the work of artists and artisan while listening to some truly incredible music. The events in which this merger derived from were The PoconoArts Council “PoconoArts Squared” and The Forwardian Arts Society “ArtSmash of the Poconos.” Both have gained a reputation of showcasing the finest attributes of local art and music and their coming together inspired much praise from those who came by to visit.

Although the “PoconoArts Squared” events began several years ago as sporadic gatherings, it wasn’t until recently they became a monthly occurrence in which many have come to eagerly await during the summer months. The “ArtSmash of the Poconos” festivals began in the fall of 2009 and have since appeared in different forms and venues throughout the year. This first joint endeavor proved to be an intimate affair as there were modest number of artists and artisans participating alongside a tent filled with musicians.

However, the enormity of the talent on display throughout the beautifully sunny day enhanced the entire square and the town surrounding it. The artists and artisans sharing their wares included “Will O’ Wisp Designs,” Ashley Arrington‘s “Odd Art,” handcrafted enameled jewelry created by Karen Bischof of “Millefiori Glass,” a variety of works by “Mandela Designs,” and pottery created by Mary Jane Malinoski, Margaret Benson, and Cathleen Repholz of “Bean’s Pottery.” The musicians gathered together by The Forwardian Arts Society Music Director Kenneth Meyer included Stan Stewart, Soul Q with Mike Pilgermayer on guitar, Christopher Moravek on sax, and Kenneth Meyer on percussion, Joe Nagele from Slick's Blues Band, Holly Avila, and Robb Taylor. A relaxed atmosphere was manifested in this small gathering building a community of friends who loves the arts.

The day began around 10am as artists and artisans placed the finishing adornments on their tents. Among the tents constructed was that of the musicians who began to play in individual sets and together forming a communal voice delighting all who heard it whispering to them. Joyous conversations erupted throughout the day as items were sold, stories were shared, and musical fingers were snapping. The day ended with a warmth surpassing that of the natural skies inspiring a desire to gather once again for another delightful experience. You’ll find more photographs in The Forwardian Arts Society ArtSmash of the Poconos 2010 Gallery at www.myspace.com/forwardian_arts.

The Pocono Arts Council serves the creative community by providing individual member opportunities to share their endeavors with the public and to discover avenues from which they can enhance their skill and understanding of their chosen discipline. Their “PoconoArts Squared” showcases the area and artisans residing in the Pocono Region. The final event for 2010 is scheduled for Saturday October 16th beginning at 10am. Their 2011 season is scheduled to take place the third Saturdays of the month beginning with June and ending with October. Please Contact The PoconoArts Council at 570-476-4460 or Explore their Website at www.poconoarts.org for more information on all they have to offer.

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. Their “ArtSmash of the Poconos” festivals showcases the creativity of all visual and performing artists throughout the creative community. While the next festival is presently unscheduled, it is hoped they will once again collaborate with The PoconoArts Council for future “PoconoArts Squared” events.

In addition to holding “ArtSmash of the Poconos” festivals, The Forwardian Arts Society publishes a Literary and Arts Magazine titled, “Forwardian” as well as holding several gatherings throughout the month encouraging those who have affections toward a particular creative genre to meet and explore their favorite artistic disciplines in conversation and sharings. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com or call 570-269-3348 for more information about the fellowship and all it has to offer.

Writers Going Forwardian

The Forwardian Arts Society held their Literary Lovers’ Gathering on Thursday September 23rd at The Cheeky Monkey Coffeehouse in Stroudsburg, PA. A modest number of people attended and the majority of the conversation centered around the future of the group’s literary and arts magazine, “Forwardian.” The cancellation of the Juried Art Show was mentioned as was the thought of approaching the idea in the future along with holding competitions in literary areas.

The gathering also explore the possibility to create a management staff to help facilitate the tasks of putting together a magazine. One person agreed to serve as Literary and Poetry Editor and it was noted a Job Description should be written up so the duties and task would be clearly defined. This was subsequently done along with the positions of Art and Photography Director, Funding and Distribution Director, Copy Editor, and Editor in Chief. Endeavors to fill those positions will commence soon.

In the meantime, the next Literary Lovers’ Gathering will take place Thursday October 21st at 6pm at The Cheeky Monkey Coffeehouse. This will be preceded by a Film Lovers’ Gathering featuring the film “Zardoz” on Friday October 1st at 7pm, a Visual Arts Lovers Gathering on Sunday October 3rd at 3pm, a Performing Arts Gathering on Thursday October 7th at 6pm, and a Music Lovers‘ Gathering on Thursday October 14th at 6pm. Other events The Forwardian Arts Society will hold include “ArtSmash3 of the Poconos: ArtSmash meets PoconoArts Squared” taking place Saturday September 25th beginning at 10am in conjunction with The PoconoArts Council event. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com or call 570-269-3348 for more information about the fellowship and all it has to offer.

Beastly Dreams at The Sherman

The Sherman Theater in Stroudsburg, PA presented another installment in their Severed Sinema Series hosted by Earl Kess on Thursday September 23rd titled, “Never Sleep Again.” The films featured were “Nightmares in a Damaged Brain” (aka Nightmare and Blood Splash) and “A Nightmare in Elm St.” A display of the gloves the later film’s character Fred (aka Freddie) Kruger wore was provided by the series special guest Anders Eriksen. The Blues/Punk band “Beasts of Traal” performed between the films.

The evening began with the screening of the 1981 film directed by Romano Scavolini titled, “Nightmares in a Damaged Brain” (aka Nightmare and Blood Splash). To say this was a cheesy film would cause many such films to take issue in being placed in the same category. It was a mess. But, this is exactly why it was so much fun to watch.

It’s about a man named George Tatum who is seriously warped and potentially homicidal. Due to some early release program which is never quite explained he is left wandering the streets. The medication he was given so he could be discharged from the institution he was in aren’t working and he winds up killing a few people. This is until he arrives at a family’s home and is killed by one of the kids. I suppose family life does have a tendency of doing that.

The narrative style of the film was quite something to experience. It seemed much of film was edited together in the order the scenes were shot leaving it with little cohesive continuality. Many of the actresses who appeared in the film to be killed had very little to do with the overall plot. It seemed they were there to replace others because they couldn’t get off work that day. In other words, a lot of what went on in the film didn’t make sense. Still. Like I mentioned earlier, it was fun to watch.

Once the film was completed those who attended the screening were able to venture out into The Theater’s Lobby to visit Anders Eriksen and his “Nightmare Gloves.” Many had fun trying them on and striking poses for their friends’ camera phones. They were a very impressive collection with each containing a certain artistic quality. It was all very cool.

It was during this time “Beasts of Traal” took the stage and several of those in the Lobby returned to the auditorium. Although the band only consisted of Will Sovinski on Guitar and Corry Scott on Drums, the sound they made gave the impression there were more musicians on stage. And when I say sound, I don’t mean the noise. Their songs had a subtle quality to them which the musicians maintained even while honoring the hard presentation Punk Rock has become known for. This may have been because of the introduction of the musical styling found in the Blues genre which is a very unique element to find in a Punk Rock Band. It all led to an interesting and enjoyable performance.

The second film which was the original 1984 “A Nightmare on Elm Street” directed and written by horror film icon Wes Craven featuring Robert Englund as “Freddy” Krugar and Johnny Depp in his feature film debut began soon after “Beasts of Traal” left the stage. The lasting influences of this classic horror film can be seen in the genre of works being presented up to and including the present day. Wes Craven utilized all the bells and whistles in the spooky movie handbook while inventing some of his own. It won critical acclaim at the time of its release for its originality and filmmaking qualities and is still looked upon with horrified fondness.

When I first saw it during its theatrical release, I found most horror films laughable at best. But, “A Nightmare on Elm Street” was the first film that truly scared me since I was seven. The subsequent sequels, television series, crossover with the inferior “Friday the 13th”, and the remake I don’t really want to see has profoundly diluted much of the “Holy Sh**” quality of the film for me. So, it was with great pleasure the opportunity to see the original film in a theater setting as it allowed me to forget about all that came afterwards and enjoy it as if seeing it for the very first time.

For those of you who don’t know, a child killer named “Freddie Krueger” invades the dreams of the children of those who killed him a number of years prior. In their dreams, he hunts them down and kills them. They never wake up as their deaths become reality in very gruesome manners. One of his potential victims devise a plan on destroying Freddie and succeeds in doing so but not without allowing the groundwork for a sequel to be developed. But, in spite of this contrived ending, the film holds much of the horrifying qualities that made it so scary in 1984 and I found myself going through some contortions at certain scenes. You’ll find more photographs of the event in The Forwardian Arts Society Severed Sinema 2010 Gallery at www,myspace.com/forwardian_arts.

In a special collaboration between The Sherman Theatre and The Pocono Community Theater in East Stroudsburg, PA a special Severed Sinema Series will be presented Sunday Evenings at 7pm beginning October 3rd with the film titled, “Burial Ground.” All the films will be shown in their 35mm format and will continue until Sunday October 31st with the screening of the film, “Zombie.” The next screening in the series to be seen at The Sherman Theater will be their “Halloween Hell Night” event on Friday October 29th beginning at 7pm featuring the films, “The Omen,” “House by the Cemetery,” and a late night screening of “Black Ribbon” featuring a visit by its director John Orrichio. The evening will also feature art by Primo Cardinalli and music by “Methodical.” Please Contact The Sherman Theatre at 570-420-2808 or Explore their Website at www.shermantheatre.com and/or Contact The Pocono Community Theater at 570-421-3456 or Explore their Website at www.poconocommunitytheater.org for more information.

A Place for Songs

The 13th Annual Habitat for Humanity “Raise the Roof” Concert was held at The St. Paul’s Lutheran Church in Tannersville, PA on Sunday September 19th. The concert featured performances by choirs from numerous churches throughout the area. All proceeds taken throughout the evening benefited the work of The Monroe County Habitat for Humanity.

The Concert began with some welcoming words and prayers given and led by The Reverent Dr. Thomas Richards of The St. Paul’s Lutheran Church and continued with the singing of the hymn “God is Here.” Other Hymns followed throughout the concert as each choir got into position to sing. The first to do so was that of The First Presbyterian Church in Stroudsburg, PA under the direction of Patricia thor Straten-Mohr as accompanied by Michael Capone on Piano and Ashley Steen on Flute. They were followed by The Salem-St. Paul’s Lutheran Church in Kresgeville, PA under the direction of Ellen Erb. The Our Lady Queen of Peace Roman Catholic Church in Gilbert, PA Choir took the stage under the direction of Lindsey Blundetto. The Choir of The Mountainhome United Methodist Church in Mountainhome, PA performed under the direction of Jenny Galunic as accompanied by Maryann Miller on Piano. The individual choral performances came to a conclusion with that given by The St. Paul’s Lutheran Church in Tannersville, PA under the direction of Bob Riday as accompanied by Gary Raish on Piano and Bill Below on Drums.

The program continued with some words offered by Leslie M. Howes and others from The Monroe County Habitat for Humanity who shared news of the work they’re doing for the homeless in the area while asking for support for their endeavors. This was followed by a free will collection and the performance of the voices of the individual choirs combined into one. Their blend of vocal talents brought a thoughtful smile to many hearts and faces of those who attended the concert which was considerable in number. The performance of the combined choir was done so under the direction of Bob Riday as accompanied by Gary Raish on Organ, Lindsey Blundetto on Piano, and Ashley Steen on Flute. The concert ended with an invitation to partake of a reception in which an opportunity to chat with the participants and learn more about The Monroe County Habitat for Humanity.

It was an enjoyable concert and the picture you’ll find accompanying this article of from last year’s concert. I did bring my camera to take pictures, but I forgot to bring along some batteries. It’s nice to be reminded one does not have to be perfect or even awake to do what I do.

The St. Paul’s Lutheran Church in Tannersville, PA offers Spiritual Guidance and Solace to those who attend their weekly services. Please Explore their Website at www.stpaultannersvillepa.org or call 570-629-1990 for more information.

The Monroe County Habitat for Humanity, Inc. is a volunteer based, non-profit, ecumenical housing ministry dedicated to eliminating substandard housing and homelessness worldwide by providing ownership of adequate housing to eligible families through no-interest mortgages. Their next event will be a Celebration Dinner held at The Chateau Resort in Tannersville, PA on Thursday October 7th beginning at 6pm. Please Explore The Monroe County Habitat for Humanity Website at www.habitatmc.org or call 570-476-9846 for more information.

A Hopeful Organ Recital

The St. Andrew United Church of Christ (UCC) in Lancaster, PA presented an organ recital titled, "Our Hope for Years to Come: A Journey Through Music and Time" on Saturday September 18th featuring a performance by Thomas D. Busteed. The work presented ranged from pieces composed by Dennis Janzer’s (who was born in 1954) “Galaries Ancien” to Richard Wagner’s (who was born in 1813) “Pilgrim’s Chorus” from his Opera titled, “Tannhäuser und der Sängerkrieg auf Wartburg.” Translation: “Tannhäuser and the Singers' Contest at Wartburg.” The evening also included a work created by Thomas D. Busteed titled, “Prayer for Peace” from a larger work he composed titled, “Requiem for Organ.”

The pieces selected proved to make the evening an entertaining one as the music reflected a thoughtful perspective on the distant years of the past and how they relate to the present as well as the future of our existence. There was on particular piece that caught my attention. It was a work composed by Michael Praetorius who was born Michael Schultze in 1571 and titled, “Allein Gott in der Hoh sei Her.” What made this piece particularly interesting was the introduction of the sounds of bells during its presentation. They seemed aberrant to the piece but their presence almost forced the listener to become more attentive to the melodies and other musical elements of the work. Very interesting.

The concert was well attended and there were an opportunity to chat with Mr. Busteed afterwards during a reception. You’ll find more photographs in The Forwardian Arts Society Music 2010 Gallery at www.myspace.com/forwardian_arts. The St. Andrew United Church of Christ (UCC) in Lancaster, PA offers Spiritual Guidance and Solace to those who attend their weekly services. Please Contact The St. Andrew UCC at 717-394-3311 for more information.

Theatrical Review: Beyond Therapy

Theatrical Review: Beyond Therapy
Written by: Christopher Durang
Directed by: Sue Butler
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Center Stage Players‘ production of “Beyond Therapy” by Christopher Durang. The original production opened at The Marymount Manhattan Theatre on January 1, 1981 and ran for 30 performances. After eleven previews, the play opened on May 26, 1982 at the Brooks Atkinson Theatre where it ran for 21 performances. It is now a very popular among colleges and community theatres such as The Center Stage Players who are considering what plays to include in their theatrical season.

Playwright Christopher Durang is well know for his farcical comedies exploring the absurd and outrageous nature of human relationships. This production of “Beyond Therapy” faithfully reflects the playwright’s perception of the human condition resulting in a very funny night at the theatre. This is no easy task to perform as demonstrated by the production of the 1987 film version which was rewritten substantially by its director the late great Robert Altman which proved to be a critical and commercial failure to which Christopher Durang has been quoted to say it was "a very unhappy experience and outcome" as well as calling it "horrific." I don’t presume to speak for Mr. Durang, but this reviewer thinks his assessment of this production would be quite different.

The play begins when a man named, “Bruce” as portrayed by Dan Eash who also serves on The Center Stage Players’ Board of Directors and a woman named “Prudence” as portrayed by Nicole Dietze who meet in a restaurant after answering each others personal ads. It’s soon discovered Bruce is a highly emotional bisexual who tends to cry easily and Prudence is a bit on the Homophobic side. Not a match made on E harmony. However, they learn they have something in common. They hate each other.

After the “Date,” they are seen speaking to their perspective therapists Sarah McCarrol as Charlotte and Mark Pender as Stuart who seem to have quite a number of psychological issues of their own. Stuart has issues with his manhood which leads him to take advantage of his female patience vulnerabilities and sexually seduces them while Charlotte what some text books refer to as a “Nut Job” who utilized a stuffed Peanuts’ Snoopy and peculiar references to the play and film “Equus” to treat her patients which she often mistakenly calls “Porpoises.”

Later, after re writing their personal ads, Bruce and Prudence meet again in the same restaurant believing they are different people. During the course of their attempt of engraining in a civil conversation in spite of their previous encounter, they begin to like each other and they do, in fact, become different people. They decide to have a future dinner at Bruce’s home which his Live In Lover Bob as portrayed by Glenn Geiser-Getz is not too happy about and threatens suicide thus leading to the involvement of the play’s psychiatrist who make matters worse much to the delight of the audience.

The play explore the psycho babble that was prevalent in the 70s and 80s which were treated as gospel by many psychiatrists of the time and the profession’s change in cataloging homosexuality from a mental illness to a sexual preference is also touched upon. In fact, the only drawback of the play is it often reflects the attitude toward the gay lifestyle of the time it was written. The characters’ names Bruce and Bob are very stereotypical as is Bruce’s propensity of bursting into tears whenever he is upset. However, once we’re “Beyond” these dated cultural restrictions, we can experience the play on its own comedic merits and just enjoy the evening laughing. Something this reviewer and those surrounding him in the audience did a great deal of.

This Production of “Beyond Therapy” by Christopher Durang was very well done with the acting spot on. This includes that of Patrick Murphy who had a minor role of the restaurant’s waiter Andrew who develops a mutual romantic interest with Bob. Yet, it was through his talent typical of the remainder of the cast in which the audience found his character interesting enough that many wanted to know more about him. In other words, his portrayal was subtle yet significant.

The Shawnee Playhouse presentation of The Center Stage Players’ production of “Beyond Therapy” by Christopher Durang was Directed by Sue Butler who also serves as The Center Stage Players’ President and (along with Jack Butler) designed the set. The production was Stage Managed by Lillian Gonzalez who also serves as The Center Stage Players’ Secretary. The Lighting Design was done by Arthur Ritter while Katherine Neville who also designed the production’s Flyer and program as well as serving as The Center Stage Players’ Treasurer and Patrick Turner who also serves on The Center Stage Players’ Board of Directors served as Sound and Light Technicians. Other members of The Center Stage Players include Mary Stewart Erm who serves as Vice President and Pat Van Varick who serves on their Board of Directors.

The Executive Director of The Shawnee Playhouse is Midge McClosky while the producers are Ginny and Charlie Kirkwood. The Sales Manager is Mary Horn while members of the Box Office Staff are Becky Haskell and Chrissy McManus. The Playhouse’s costumer is Missy Benefield. The Shawnee Playhouse publicity is handled by Amy Cramer while David Schrage is its Webmaster.

This presentation of The Center Stage Players’ production of “Beyond Therapy” by Christopher Durang will conclude its run at The Shawnee Playhouse in Shawnee on the Delaware, PA on Sunday September 19th and this reviewer was unable to make his recommendation of this play until now. However, there are two more days in which you can see it and this reviewer suggest you do so without haste. You’ll find it not only enjoyable but beyond therapeutic. You can stop groaning at the joke anytime now.

The next Shawnee Playhouse in Shawnee on the Delaware, PA presentations will include The Center Stage Production of Neil Simon’s “Rumors” running from September 24th until October 24th, The Frightening Film Festival featuring 13 Horror Films running October 29th - 31st, and “Le Cirque Des Mort” on Saturday October 30th featuring a gothic circus with a musical performance by “This Way to the Egress.” Please contact The Shawnee Playhouse at 570-421-5093 or Explore their Website at www.theshawneeplayhouse.com for more information and to reserve your ticket. Please feel free to Explore The Center Stage Players’ Website at www.centerstageplayers.org to learn more information about them.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of selected production of The Shawnee Playhouse.

Photograph provided by The Shawnee Playhouse and depicts the characters in The Center Stage Players‘ Production of “Beyond Therapy” by Christopher Durang.

A Barrowful of Poetry

The Cheeky Monkey Coffeehouse in Stroudsburg, PA hosted the weekly titled, “Just Say It: A Spoken Word Symposium” facilitated by Joe Landolfa and Emmit Derrick on Thursday September 16th. The event has become known as a venue in which poetry can be heard and a great deal of topics explored through the conversations which occur. This week’s gathering proved to be no exception to the norm.

The gathering began with a discussion of a recent controversy among the poetic community. A suggestion has been brought to the groups attention that a portion of it’s title (A Spoken Word Symposium) could be a misleading misnomer. The suggestion stems from the feeling that Spoken Word Poetry is a form of poetry with a specific form with its own unique elements and to include the phrase disappoint those who attend the gathering expecting it to be focused on this poetic form.

Although there was agreement all forms of poetry are technically “Spoken Word” creations, it was pointed out there are many who associate “Spoken Word” poetry with those presented during Poetry Jams and other similar events. This was not mentioned during the discussion, but (if I could be permitted to offer my reflection on the issue) perhaps a change in the group’s title would be in order as to be more accommodating to those who enjoy all forms of poetic expression. Just a thought.

Other topics of discussion included the nature of human interaction with speculation on how that would effect the individual psyche if there were no humans around. This led to an engaging conversation as issues of what it means to be human and how our innate ability to adapt and survive the situations we encounter would come into play. This and other equally engaging topics inspired those who attended the gathering to leave it with a sense of “hmmmmm.”

In addition to the discussions, there were some poetry recitations and song performances as well. Much of the work was original compositions with some written during the event. There were also few readings from the classic poets which gave the feeling they were in attendance as well.

The “Just Say It: A Spoken Word Symposium” events take place every Thursday evening at 7pm in The Cheeky Monkey Coffeehouse in Stroudsburg, PA. The Cheeky Monkey Coffeehouse offers a variety of coffee, drinks, and culinary treats along with events such as the one described in this article. You’ll find more photographs in The Forwardian Arts Society Cheeky Monkey 2010 Gallery. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-420-8222 for more information.

Prior to the “Just Say It: A Spoken Word Symposium” event, The Forwardian Arts Society held their monthly Music Lovers’ Gathering. Unfortunately, no one attended the gathering which may be moved to another time and day in order to be more accommodating to the schedules of those who would like to attend. If you have any suggestions in this regards, please feel free to share them with me.

In the meantime, the next Music Lovers’ Gathering will take place Thursday October 14th preceding that week’s “Just Say It: A Spoken Word Symposium” event. The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do.

Beside our Music Lovers’ Gathering, other future gatherings of The Forwardian Arts Society will take place at The Cheeky Monkey Coffeehouse include a Literary Lovers’ Gathering on Thursday September 23rd at 6pm, a Film Lovers’ Gathering featuring the film “Zardoz” (1974) with Sean Connery on Friday October 1st at 7pm, an Artists’ Reception for The Cover to Cover Exhibition on Saturday October 2nd beginning at 6pm, a Visual Arts Lovers Gathering on Sunday October 3rd at 3pm. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com or call 570-269-3348 for more information about the fellowship and all it has to offer.

Rezlep at the Monkey

The Cheeky Monkey Coffeehouse in Stroudsburg, PA presented Rezlep and The Apparatus on Wednesday September 15th. A variety of elements were utilized in this what has been described as a “Trip-hop Cabaret.” By combining vocal and musical soundtracks from numerous sources along with original material, Rezlep not only performs a song but creates a world.

This world is a macabre and bizarre one to be sure but, upon hearing the first utterances of notes, one is eager to purchase their ticket so they may obtain entry within it. Of course, all we’re really doing is entering the recesses of our own minds. But, it’s good to have a tour guide like Rezlep along to make the journey more interesting.

In addition to the Rezlep and The Apparatus concert, The Cheeky Monkey Coffeehouse hosts a number of events including poetry readings, film nights, and more. They also offer a variety of coffee, drinks, and culinary treats. You’ll find more photographs in The Forwardian Arts Society Cheeky Monkey 2010 Gallery at www.myspace.com/forwardian_arts. Please Explore The Cheeky Monkey Coffeehouse Website at www.cheekymonkeycoffee.com or call 570-420-8222 for more information.

COTA 2010

The Celebration of the Arts (COTA) held their 33rd Annual Jazz and Arts festival throughout the town of Delaware Water Gap, PA during the three day weekend beginning Friday September 10th and ending Sunday September 12th. The festival have proven to be a haven and Mecca for jazz and art lovers throughout the world attracting people who have traveled as far away as the European nations as well as people who live within a few miles. Those returning to this year’s festival found it to be everything they loved about it and more while those who attended it for the very first time discovered its delightfully addictive quality inspiring them to mark their calendars so they would be sure to attend next year.

The festival began Friday September 10th with an Artists’ Reception at The Antoine Dutot Gallery and Museum featuring works created by numerous artists exploring a variety of medium all centering on the “Music Motif Show” central theme which was (as the exhibition‘s title suggests) music. A number of people waited outside the gallery as the final preparations were made for their entry.

It was during this waiting period that the first of many new additions to the festival made itself known. The Classical Trio “Calliope” (consisted of Laura Goss on Basson along with Gina Bertucci and Barbara McMahon on Flute) performed outside the gallery. The enthrallment of the Classical and Baroque movements almost enticed them to stay even when the long awaited moment of the gallery opening its doors occurred. However, once they found the will power to leave this musical entreatment, they soon found their explorations of the Dutot’s a very worthy endeavor.

A wall singing the delightful tunes of colors and images transfixed those who were fortunate to cast their gaze upon them. The atmosphere was electrifying which increased as the enchanting energies of conversation and delicious foods enhanced the evening’s event. One felt a shear joy while experiencing the work and the camaraderie of those who love the festival and were overjoyed with the event that opened it.

The “Music Motif” Show has long been a part of COTA and features a juried show inviting artists throughout the Pocono Area and beyond to share their talents with the gallery. Jurors for this year’s exhibition were Steve Berger, James Gloria, and Joni Oye-Benintende. Although the work presented was of the highest quality, special awards were given to those artists listed below. Their endeavors were truly outstanding and, as a representative of The Forwardian Arts Society, I congratulate them and I encourage all who read this to share their congratulatory sentiments as a comment to this article.

The Best of Show was given to Garth Woods for his photographic piece titled, “Spencer Reed.” The 1st place award in Photography was given to Francine Douaihy for her work titled, “Philly Groove” while the 2nd place award went to Bud Nealy for his work titled, “Marko.” The 1st place award in Painting was given to Ka-Son Reeves for his work titled, “Jazz in Space” while the 2nd place award went to Bob Doney. The 1st place award in Crafts was given to Lenore Fiore Mills for her work in Batik titled, “Bastille Day at Cercle Rouge” while June Auger was awarded Honorable Mention for her Quilt titled, “JAZZ.”

The Antoine Dutot Museum and Gallery is an Art Gallery and Museum housed in a brick school house build around the year 1850. The Museum focuses on the local history Delaware Water Gap, PA which was settled by Antoine Dutot which gave the town its original name “Dutotsville.” The French flavor of the early settlers can still be seen in Delaware Water Gap’s architecture. This and the prevalence of Jazz has led some to dub the town as “the New Orleans of the Poconos.”

The Gallery features a variety of exhibitions throughout the summer and early fall months featuring an eclectic array of artists whose qualities enhance the community through their talents. The “Music Motif Show” continues until September 19th. The next exhibition will feature the work of Arthur Kvarnstrom with an Artist’s Reception on Friday September 24th beginning at 7pm and continuing until October 10th. Please Explore The Antoine Dutot Gallery and Museum Website at www.dutotmuseum.com or call them at 570-476-4240 for more information.

The first day of the festival continued with an evening filled with music, theatre, dance, and poetry at The Presbyterian Church of the Mountain (PCOM) located across the street from The Dutot. This presentation has long been part of COTA and has become well known for the grace, beauty, and burlesque aspects of the performances. This festival proved to be no exception as expectations were not only satisfied but were exceeded beyond imagination.

The evening at PCOM began with some welcoming remarks made by Pastor Karen Nickles and soon gave way to a few words given by the event’s host Denny Carrig. The Marsha Cahn Ensemble performed with Marsha on Viola and Agnieszka Rybska on Cello along with Wendy Davis and Mark Woodyatt on Violin. The selection proved to be a wonderfully elegant beginning with works ranging from Charpientier to Bach and from Gershwin to Richard Rogers. The music moved its listeners even while they remained stationary. Ahhh.

The night continued with a dance composition Choreographed by Angeline Wolf based on the Bob Dorough song “Three is a Magic Number” which he written for the 1970’s ABC Schoolhouse Rock Series which appeared between the Saturday Morning Cartoon Schedule. Bob performed the song while Laura Buzzard, Rose Gloria, and Maeve Godshalk of The TOTTS Gap Arts Institute (TGAI) located in Bangor, PA interpreted the lyrics through the art of dance.

Later in the evening, Rose Gloria of TGAI danced to the Eric Doney composition titled, “And Why Not?” and Emily Perkins along with Angeline Wolf performed a piece titled, “Duet” based on a composition written by John Coats titled, “Never Have Known an Esther.” Both works were Choreographed by Angeline Wolf of TGAI and performed musically by Eric Doney.

The Tott's Gap Arts Institute (TGAI) is “a school designed to nurture artists of all ages, and to awaken the excitement, passion, and possibility of both the fine and performing arts by offering classes, showcasing talent, and hosting events that will infuse our community and the region with a love and respect for the creative process.” (from the TGAI Mission Statement) Please Explore The Tott's Gap Arts Institute Website at www.tottsgap.com or call them at 610-588-5817 for more information.

The show at PCOM continued to introduce some new additions to the festival by presenting a number of non musical performances. These included not only the theatrical presentations those who frequent the festival have come to expect and appreciate but a variety of poetry and spoken word performances. This all proved to be a refreshing change of pace and led many to hope this will be a permanent feature in the festivals yet to come.

The first of these performances was the presentation of a monologue which was written and performed by Betsy Jackson titled, “Why I Write: Chapter 9.” Those who were in the audience were taken upon a literary journey which led to roads of laughter and avenues of reflection. Laughter and thoughtful silence touched our hearts as each story interwove with one another creating a pattern for a cloth the soul longs to adorn itself in.

The second of these performances were some spoken word presentations given by Amber, Sofiya, Joel, Bekah, and Ceez Live of Urban Mountain Voices (UMV). After some introductory words given by UMV Coordinator Tricia McGarvin, the poets “Spat” (a new colloquialism for the act of recitation) their thoughts, experiences, and revelations onto the audience. This was met by some perplexity by those who have come to the festival throughout the many years of its existence, but soon the universality of their poetic messages struck a cord leading many to nod their head in recognition of the experiences as the poets shined a mirror onto their souls.

Urban Mountain Voices (UMV) is dedicated to strengthening the community by embracing its multicultural diversity through the empowerment of young adults ages 13-20 years throughout Monroe County. They provide safe and uncensored creative writing and performance workshops, adult and peer mentoring, public performance opportunities and the publication of works addressing issues of Social Justice while becoming effective leaders in the community. Please Explore The Urban Mountain Voices Website at www.urbanmountainvoices.org or call them at 610-587-3725 for more information.

A One Act Play titled, “Sure Thing” written by David Ives was well performed by Leah Thomas and Joe Arner. The play is about a couple who meets in a coffeehouse and explore the many avenues a conversation can take as it transpires. This was demonstrated by a ringing of a bell whenever the male character found himself saying something that bought about an unfavorable reaction of the female character whom he wanted to develop a romantic relationship with. This comic device led to some hilarious play on words and delighted the audience greatly. In other words, it was funny.

Jazz Drummer Michael Stephans left his drums at home but not the beat his talents produce as he reads a selection of his poetry. Many amused the listeners while quite a number of them gave cause for reflection. The entire performance allowed many to see another side to the well known drummer which inspired a deeper appreciation to the multidimensionality of his artistic gifts.

Host Denny Carrig along with Dave Hymes performed not one but two classic pieces written by The Monty Python’s Flying Circus Comedy Troupe. They were “Flying Sheep” and “Blue Parrot/Lumberjack.” The performance was quite remarkable as the work was presented without any resemblance to they way it was originally delivered. This force the audience to see the work in a new light and experience the work merely on its merits as a funny piece of theatre. This combined with the comedic talents of the duo inspired a great deal of laughter and brought the evening to a delightful conclusion.

As those attending the PCOM event left the church, one can see their thoughts of anticipation as they looked forward to the remainder of the festival to continue. In addition to their participation in The Celebration of the arts festival The Presbyterian Church of the Mountain (PMOC) holds a weekly concert at their Gazebo every Sunday from 6pm until 7:30pm running from June until August. They are free and open to the public with concessions available for purchase. When it rains (or rain is expected), the concert moves inside the church itself. Please Explore The Presbyterian Church of the Mountain Website at www.churchofthemountain.org or call 570-476-0345 for more information.

The remaining two days of COTA continued outside in its main festival area. The full days of concerts, strolling musicians, and artists sharing their work in their perspective booths are what many think about when they think of the festival. Among the many things that made this year’s festival more special than those in previous incarnations was the celebration of The COTA Cats 30th year of existence. There will be much more about them along with the special tribute later paid to them in this article. But for now, I would like to share with you all the wonderful occurrences that took place during the time I was fortunate enough to be a part of.

On the second day of the festival began on Saturday September 11th. A mellow tone was set by a performance given by Eric Doney and Zack Brock featuring Eric on Piano and Zack on Violin as they took the stage at noon. This tone was continued with few exceptions throughout the remaining two days of the festival which encouraged attendees to take a breath from the hectic times we live in and just relax. They were followed by The Matt Vashlishan featuring Matt on saxophone, Phil Markowitz on piano, Evan Gregor on bass, and Ian Froman on drums and then by Urbie and Kathy Green with the Jesse Green Trio featuring John Jensen featuring Urbie along with John Jensen on trombone, Kathy Green on vocals, Jesse Green on piano, Paul Rostock on bass, and Bud Nealy on drums. Michael Stephans Spatial Edition featuring Michael on drums, Zach Brock on violin, Jim Ridl on piano, and Steve Varner on bass took the stage with Michael moved his sticks causing those who experienced his reading at the PCOM on the previous Friday night were a gracefully moved by his words.

These groups of Jazz artists were followed by The Jazz Artists Repertory Orchestra (JARO) as directed by Jazz Pianist Wolfgang Knittel and consists of numerous musicians well known to those who attended COTA throughout the years and are too many to name here. Their stated desire to preserve and promote the rich heritage of big band jazz was delightfully manifested through their performance. Their smooth sounds were reminiscent of the big band era of the 1930s and 40s while bringing a sense of newness to the pieces they played.

An Intermezzo followed their performance featuring a "Tribute to Bob Dorough" given by Spoken Word Performing Artist Tricia McGarvin. One could tell a great deal of love and poetic skill when into the piece as its delivery gave many more reasons to appreciate the talents of Bob Dorough. This appreciation was further enhanced when The Bob Dorough Ambassadorial Trio Plus took the stage. The group featured Bob piano and vocals, Steve Berger on guitar and vocals, Pat O'Leary on bass, Bill Goodwin on drums, Ed Hudak on percussion, Matt Vashlishan on alto saxophone, Jay Rattman on baritone saxophone, and Rick Chamberlain on trombone. The word “Plus” in the group’s name indicated there were more musicians performing than the usual number in a Trio. But then, to Bob, three has always been a magic number.

Soon after Bob left the stage, The Dennis Jeter Quintet featuring Dennis on trumpet and vocals, John Jensen on trombone, Jesse Green on piano, Evan Gregor on bass, and Bill Goodwin on drums performed. They were followed by Co-Op Bop featuring Alan Gaumer on trumpet, Nelson Hill on saxophones, Tom Kozic on guitar, Ron Oswanski on The Hammond B3 organ, and Gary Rissmiller on drums. While the music continued the mellowed tone set by Eric and Zack earlier in the day, a definite crescendo began to build as the final group prepared to play. The Gypsy Jazz Quintet featuring John Curtin and Vince Marrone on guitars, Nick Driscoll on clarinet, Mark Woodyatt on violin, and Bob Wilson on bass presented music that moved the entire hillside on which the majority of festival goers are seated off their mounds so their dancing could reflect the wildly subtle tunes before going home to sleep in preparation of a new day at COTA.

The last day of the festival was met with some rainy weather. There were periods of drizzles, heavier downpours, and dry spells all taking their turns in a randomized fashion. This proved unfortunate as it kept the number attendees down. But, for those who braved the elements discovered their courage was well worth the endeavor as the music and other events of the day made if a memorable one.

Sunday September 12th began under the big COTA tent used under such weather conditions with The Annual COTA Jazz Mass with music composed and conducted by Jazz Pianist Wolfgang Knittel and led by The Reverend Karen Nickels of The Presbyterian Church of the Mountain along with The Reverend Bill Cohn. The service featured The JazzMass Choir under the direction of Teresa Marino with solo performances given by Michele Bautier, Bob Dorough, and Bonnie Childs. Also featured was a huge Jazz Orchestra with numbers too many to name. The service provided its usual uplifting spiritual encouragements.

This year’s message by Pastor Karen was notably prevalent as it addressed the recent moves by some Christian sects to “honor” those who were killed in the September 11th, 2001 attacks by burning a Koran and working to keep a Mosque from being built at the Twin Towers Area known as “Ground Zero” in spite of the facts that contradict their position’s hyperbole. She noted the Muslim Sacred holiday of Ramadan ended this year on September 11th which signifies an end of a fasting period and is traditionally celebrated with great feasts. She continued to wonder aloud how their celebrations might seem insensitive to those still harboring resentments of the day. She then concluded her message by stating such moves are inspired by hate and fear and she refused to live a life ruled by such impediments. She further declared the day to be a “Day for Peace in Delaware Water Gap” with hopes it’ll be recognized annually. This was met with a great amount of cheering from the many who came to partake of the service and I share in this hope the day will be recognized and become a part of the COTA Tradition.

Note: The full text of Pastor Karen’s sermon can be found at www.churchofthemountain.org

As the Service ended, the rain (at that time) seemed to be leaving the festival so the stage was rearranged so the remainder of the performances could be played for an outside audience. Once all work toward this endeavor was completed, The Absolute Trio featuring Bill Washer on guitar, Paul Rostock on bass, and Glenn Davis on drums began the musical performances in the afternoon. It was a great way to be reunited with the wonderful jazz COTA has become known for.

This was followed by another of COTA’s new addition to the festival experience. Members of the Urban Mountain Voices (UMV) presented their Spoken Word Poetry to those who were sitting on the hillside. A soul to soul communication occurred as each utterance, each syllable, each pause was taken in and kept in that special place where we keep the most dearest of our thoughtful possessions. It is said music speaks to us in ways words cannot. And, many who come to COTA to hear its music find this to be very true. But, the word shared by these young poets come pretty damn close and I hope they will be given a permanent place to utter them in future festivals.

As mentioned much earlier in this article, the one of the special highlights of the festival is the 30th Celebration of the COTA Cats formation. This formation occurred when COTA surviving founders Phil Woods and Rick Chamberlain saw a need for area high school to develop their music programs to include instruction in the art of Jazz. This realization led to the development of a mentorship program in which established world class jazz musicians work with students who exhibit interests and extraordinary talent in order to enhance their skill with their chosen instrument. The tutoring and sharing of inspirational experiences cumulate with a performance during the festival by all those students who benefit from the program. Thus, a COTA Cat is born.

COTA Cats Volume XXX as directed by Ryan Churchoe, Thomas Fadden, Lance Rauh, and Special Guest Kayte Clogg showcased the talents of the students who benefited from the program this year. Their many instruments and numbers prohibit me from naming them all but their talents shown like a beacon and allowing a glimpse to the future of the musical art form. Although each COTA Cat possess exceptional talent, there are some who are recognized for having special promise and are awarded scholarships so they may continue their musical education. This year, the precipitants are Nate Partis, Tim Gillies, and Erica Jack. Please join with me in congratulating these talented musicians through leaving a sentiment in this regard in the comment section of this posting.

The festival continued with a performance by Nancy and Spencer Reed featuring Nancy on bass and vocals and Spencer on guitar and vocals. They were followed by The David Liebman Group featuring David on saxophone, Vic Juris on guitar, Tony Marino on bass, and Marko Marcinko on drums. This led up to one of the grand events of the festival.

Phil Woods and The COTA Festival Orchestra presented a Special Tribute in honor of The COTA Cats
the 30th year featuring former COTA Cats Nellie McKay and Najwa Parkins on vocals along with quest performance by Joe Boga on trumpet and Phil Hyman on bass trombone. The COTAlum Sax Attack and Pianolums were also featured throughout the set. The remaining membership of the Orchestra read like a who’s who of COTA with most of the musicians being COTA Cats Alumni. They are too numerous to name individually but many are know throughout the jazz world and several have receive honors and awards including Grammys. I was a not only a delight to hear the entire ensemble play but a cause of reflection on how COTA and its programs can change and enhance the creative lives of all it touches.

This performance was followed by that of The Bobby Avey Group featuring Bobby on piano, David Liebman on saxophone, Thomson Kneeland on bass, and Jordan Perlson on drums. The festival came to its conclusion with a rousing set given by The Roamin' Gabriels featuring Len Mooney on keyboards and vocals, Erin McClelland on guitar and vocals, Chuck Cooper on drums and percussion, and Special Guest Tim Carbone on violin, guitar, and vocals. Dancing and laughter along with an eagerness for the 34th Annual Celebration of the Arts to arrive in 2011 filled the Delaware Water Gap as the moist evening atmosphere brought them home.

Throughout the Saturday and Sunday portion of the festival, there was much to experience that wasn‘t on the main stage. There was music, storytelling, and art to experience and explore. The children who attended the festival enjoyed the stories Maria Horn and Rick Peoples wove along with the tunes played by Bob Dorough and Steve Berger at the COTA Children’s Area. In addition to this, Artists Andrea Levergood Flaherty painted the faces of all children (regardless of their age) much to their delight.

Strolling Musicians such as The Dixie Gents featuring Bob Leive on Trumpet, Paul Hubbell on Soprano Saxophone, Rich Chamberlain on Trombone, Ray Schweisguth on Banjo, and Jim Daniels on Tuba who performed on Saturday while The Lost Ramblers featuring John Updike on 5 string banjo, Neil Morris on guitar, Coleman Smith on fiddle, Anthony Hannigan on mandolin, Jillian Brosnan on flute and pennywhistles, and Scott Hornick on bass performed on Sunday. In addition to this, Mark Hamza performed with his accordion throughout the weekend and was occasionally accompanied by Jay Rattman on Saxophone and Mark Woodyatt who whistled along. Artists and Artisans such as Jewelers Ingrid Blackert, Shelly Ann D’Anna (along with Clay works), Harriet Ford, Patrice Jiunta, and Ursula Pooley (Me Crazy Jewelry) presente their work. Clay works, Pottery, and Sculpture by Rachel Cohen, Steve Linden, Don Conklin, Tim Helman, John Sittig, Pia Somerlock, Joann Stratakos (MudWorks Pottery), and members of the Madala Design Works presented their work. Also David Coulter and Ron Ford presented their photography, Dawn Linden and Robert Doney presented their paintings, and various other works were presented by Emily Gartner, Linda Newswanger, Liz Pemberton, Paul Reiche, and The Totts Gap Institute.

The Celebration of the Arts Festival is an all volunteer organization and receives a great deal of community support. As a sign of appreciation for this support, COTA recognizes exceptional individuals by presenting them with awards. The 2010 Sterling and Dorothy Strauser Award which was given to James Gloria in honor of his contribution to the visual arts, The 2010 Joanne Mayer Award which was given to Allisen Trotter in honor of her Volunteer endeavors for COTA, and The 2010 Fred Waring Award which was given to Spencer Reed for his outstanding contributions to the arts and the community. Each of these awards reflect an intricate aspect of the spirit that moves COTA to be what it is to so many people.

The Celebration of the Arts (COTA) Jazz and Arts Festival is an annual event that began in 1978 by Phil Woods, Rich Chamberlain, and the late Ed Joubert. From its humble beginnings which consisted of a 4 hour concert held on risers at the steps of an Annex of the Castle Inn (which was later destroyed by a fire). The size of the audience of just over 500 people and was mostly made up of friends, family, and some ardent jazz fans. It only took a few years for the festival to become what it is today. It has expanded considerably to include the COTA Cats Program and Camp Jazz which is a Summer Camp designed to provide musical education in a more relaxed environment than that found in a school.

Those who wish to be part of COTA may do so by attending their General Meetings which are held the Second Tuesday of the Month at The Deer Head Inn in Delaware Water Gap, PA. They begin at 7:30pm and all who wish to volunteer their services in the variety of positions available are welcomed. Photographs taken during these Meetings can be found in The Forwardian Arts Society COTA Meetings 2010 Gallery while more Photographs of The 33rd Annual Celebration of the Arts Festival can be found in The Forwardian Arts Society COTA 2010 Gallery at www.myspace.com/forwardian_arts. Please Explore The Celebration of the Arts (COTA) Website at www.cotajazz.org or Contact them at 570-424-2210 for more details. I look forward to seeing you next year and I’ll keep a good thought for you until then.

The Final Meeting

The Celebration of the Arts (COTA) held their final meeting on Tuesday September 7th at The Deer Head in Delaware Water Gap, PA for those who would like to help plan their 33rd Annual Festival. It was wonderful to experience the listing of final preparations to the festival given by the committees and individuals in charge of the many areas the festival covers. An excited energy moved among the attendees which enlivened those who have been a part of the festival throughout its long tenure and ignited the imaginations of those who have recently joined the endeavor; including those who came to the meetings for the first time that night. It’s going to be a great time. You’ll find more photographs in The Forwardian Arts Society COTA Meetings 2010 Gallery at www.myspace.com/forwardian_arts.

The Celebration of the Arts (COTA) Jazz and Arts Festival is held in Delaware Water Gap, PA over a three day period in September on the weekend after Labor Day. It consists of Friday evening events of an Artists’ Reception at The Antoine Dutot Gallery and Museum featuring artists participating in their juried “Music Motif” exhibition and presentations at The Presbyterian Church of the Mountain presenting theater, dance, classical music, and other forms of performing arts. The following Saturday and Sunday features Jazz performed by world class musicians and singers along with numerous booths filled with artist and artisans to be visited throughout the day. Please Explore The COTA Website at www.cotajazz.org or Call 570-424-2210 for more information.

A Creation of Contrasts

The Dreamland Creations in Stroudsburg, PA held an Artists Reception on Sunday September 5th featuring the work of numerous artists for their exhibition titled, “The Black and White Show.” As with all their themed shows, Dreamland Creations encouraged artists to devise their own interpretation to what a world consisting of Black and White world and its many shades of grey would entail. This led to a wide variety of styles and subjects presented in various mediums ranging from simple depictions silhouettes entreating the imagination to portraits revealing the stark aspects of the human soul the use of color seems to obscure.

In all the visual arts (including film), it is interesting how the usage of Black and White often makes the images it represents more real than those depicted in color. This is in spite of the fact we naturally see our world in color. Yet, there is something about this lack of color that makes us pay more attention to the detail of what we’re seeing and entices us to explore the vast contrasts and shadows we find. It is said humans didn’t always perceive the world in color and perhaps images presented in Black and White calls to our collective primeval souls to reflect on our beginnings. This refection can be why we perceive them in a more profound way.

The reception concluded with a performance by the duo “You and Charlie” whose Cabaret style renditions of original music filled room with smiles and laughter. This proved to be a delightful ending to a wonderful evening of meaningful art, congenial conversation, and long lasting memories formed throughout the Dreamland Creation’s halls. This led many to eagerly anticipate next month’s gathering of friends and artists. You’ll find more photographs taken during the reception in The Forwardian Arts Society Dreamland Creations 2010 Gallery at www.myspace.com/forwardian_arts.

Those artists participating in “The Black and White Show” include David B. Schappert, M. J. McCauley, Rendi, Helen Victoria, Rob VanNess, Jake Roth, J. J. Shlutz, Don Menza, Narlene Jacobs, Shane Izykowski, Sherley Escribano, Abby Braman, Sander Martijn, Barbara Courouble, Amber Trulio, Kailei (Kat) Picciotti, Ben Gilmore, Medi, Hayley Lushinsky, Thomas Augusta, Andrew Collenburg, Peter Ambush, Mark Purcell, Judy Zarach, Tim Nebel, Derek McCauley, Jamie Ratchford, Sometimes Confuse You With Isis, Charles Hanson, Abbe Auringer, Joe Landolfa, Stephan Lippay, Allison Gray, Nate Klingel, Kyle Kuczuma, Wil Mohenhoff, Victoria Penna, Kari, and Paul (yeah, that‘s me). The Exhibition continues until September 29th.

The Dreamland Creations in Stroudsburg, PA serves as a studio where individuals can adorn their forms with a variety of body art such as tattoos and piercing reaching out to the vast community of conventional and non mainstream artists throughout the area. Their next Artists’ Reception will feature a variety of artists in an exhibition titled, “The Life and Death Show.” The reception will take place Sunday October 3rd beginning at 4pm. The Exhibition will continue until October 31st. Please Explore The Dreamland Creations Website at www.myspace.com/dreamlandcreations or call 570-421-6313 for more information about the artists, the current and future exhibitions, and all they have to offer.

Prior to the Artists’ Receptions at Dreamland Creations, The Forwardian Arts Society held their monthly Visual Arts Gathering at the neighboring Cheeky Monkey Coffeehouse. Hardly anyone attended but it was nice to relax a bit until the hour of “The Black and White Show” Reception arrived. The Next Visual Art Lovers Gathering is yet to be scheduled to take place Sunday October 3rd at 3pm at The Cheeky Monkey Coffeehouse prior to “The Life and Death Show.”

The Forwardian Arts Society next scheduled Gatherings and Events at The Cheeky Monkey Coffeehouse will be a Music Lovers’ Gathering on Thursday September 16th at 6pm, a Literary Lovers’ Gathering on Thursday September 23rd at 6pm, a Film Lovers‘ Gathering featuring the film, “Zardoz“ on Friday October 1st at 7pm, and an Artists’ Reception on Saturday October 2nd showcasing artists and photographers who entered their work in our first juried exhibition titled, “Cover to Cover.” The Forwardian Arts Society will also host “ArtSmash3 of the Poconos: ArtSmash meets PoconoArts Squared” on Saturday September 25th in conjunction with The PoconoArts Council event.

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com or call 570-269-3348 for more information about the fellowship and all it has to offer.

Maldonado at The Jukebox

The Main Street Jukebox in Stroudsburg, PA held an Artist’s Reception featuring The Art of Myke Maldonado on Saturday September 4th. An intimate crowd of art lovers gathered to partake of the work and each other’s company. The work itself was in keeping with the style of Myke Maldonado many of those who frequent his Dreamland Creations which offers a variety of body art and jewelry to their customers.

Music for the evening was provided by the band called “Varuna” who played a number of cover tunes along with a few original pieces. The liveliness of their performance kept the entire reception hopping to an enjoyable beat. You’ll find more photographs taken during the reception in The Forwardian Arts Society Main St. Jukebox 2010 Gallery at www.myspace.com/forwardian_arts.

In addition to Art Exhibitions and Concerts, The Main Street Jukebox offers recordings made on CDs, Tapes, and Vinyl. The Art of Myke Maldonado Exhibition continues until September 26th. The Next Exhibition will feature The Photography of David Schappert with an Artist’s Reception on Saturday October 2nd beginning at 6pm and concluding on October 24th. Please Explore The Main St. Jukebox Website at www.myspace.com/mainstjukebox or call 570-424-2246 for more information about these events and all they have to offer.

A Festive Day in Stroudsburg

On a blistery late s Summer Day, the town of Stroudsburg, PA came alive Saturday September 4th with it’s 3rd Annual event titled, “Stroudfest 2010.” The day was filled with music, art, dance, and the frivolity that made spending the day in town a very enjoyable one. It proved to be a great opportunity for those who have lived in the area for a number of years to meet the friends they made in that time as well as those who are new to meet others with stories to tell.

The main attraction of the festival were the many stages which were set up throughout the town. Although it didn’t take much traveling though the town to enjoy the entertainment presented on each of the stages, they were strategically situated as the sounds emanating from one performance didn’t interfere with the enjoyment of another’s. The stages were also spaced far enough apart so people who strolled and chatted with one another could speak in a normal tone of voice so all the nuances of the conversation could be enjoyed. I personally didn’t have a chance to see most of the musical performances as I was delightfully engaged in numerous conversations. But, the ones I did manage to experience were well worth while taking in.

The main “Stroudfest” Stage was located in courthouse square and surrounded by the majority of the festival’s food vendors featuring performances given by The Pocono Duo, The Bobby Syvarth Band, Spoken Movement, Universal Rebel, Dream of Fire, and Jonah Smith. The Sherman “Indie” Stage was located across from the Sherman Theater featuring performances given by Mat Parsons, Which Way’s West, Edelweiss, Who We Are, and Roger Silverberg. The “Dance” Stage was located at Brite Cleaners featuring performances given by Adam Barth, Pocono Tango, Pocono Vocal Arts, Pocono Tango, McElligot's Irish Dancing, and The Northeast Ballet Ensemble. The Latino American Alliance of NEPA LAANEPA Stage (which was a festival within a festival) was located at 6th and Monroe Streets featuring performances given by a DJ for the Tiemp Latino, Los Chinellos, Eddie Acevedo Salsa Band, La Tipica, a Mariachi Band, and Strings Caribieno. Randy Bigness and Friends with the Mackie Muscle Car was located at Williams Street along with many musicians who presented impromptu performances throughout the streets of Stroudsburg. In addition to this, a “Fun” Stage was located at 7th and Main Streets featuring opportunities for a passersby to participate in some Karaoke.

There were numerous Artists and Artisans who lined the streets of Stroudsburg offering their talents and wares. The work I’ve seen was varied and plentiful ranging from sparkling jewelry dazzling the imagination to sublime paintings gently touching the divine recesses of the soul. I was fortunate enough to have an opportunity to chat with some of these vendors and found myself enriched by the experience. Their ranks included a portrait artist, David Ohlerking, who captured passerbys on canvas as they stood before him.

There were also many businesses and organizations who were present in order to share what they were about with the public. I also found chatting with them an enlightening experience as I was able to learn more about what they had to offer. Some of what I learned was quite surprising as I didn’t expect some vendors of this type to be avid lovers of the arts. But, with the years of experiences I’ve had, I guess I shouldn’t have been.

Among the Artists, Vendors, and Groups I met during Stroudfest 2010 and here is a small representation of who they are. They included “Katie’s Kreations,” The Liquid Martini Bar, The Pink Ribbon Boutique, “Jewelry by Mindy Davies,” Karen DeMatteo of Silpada Jewelry, “SunSational Shades,” “Beaded Expressions,” “Maiden Hope,” Stone Row Studio,” “Rusty Transformations,” Artist Terry McCabe, “Primitive Nature: Handcrafted Jewelry,” “The Animal Welfare Society of Monroe County,” “Roney Creations,” Sweet Illusions,” “The Mud Place Pottery,” “AQB Mosaics,” Wood Artist Mariana Russo, and there was an Artists Reception for an exhibit being held in The PoconoArts Council Studio Gallery featuring the works of Marcos Oksenhendler, Andrea Rimberg, and Jean Sayer which runs throughout the month of September. As mentioned earlier, there were so many artists, artisans, businesses, and groups attending the festival that I’m sure there are well deserved apologies for not including them on the list I presented. However, if any of you reading this article are not mentioned in it, please feel free to leave a comment so you’ll be properly recognized.

Stroudfest 2010 is an annual festival showcasing the creative and business community centralized in Stroudsburg, PA as well as those located throughout the entire Monroe County, PA Region. Information on the festival can be gained through exploring The Sherman Theater Website at www.shermantheatre.com or by calling them at 570-420-2808. It was a great day and I got to meet up with many of my friends which made it all the more enjoyable. I hope to see you next year.

During Stroudfest 2010, The Forwardian Arts Society held a Photography Lovers’ Gathering. Although no one officially came to be a part of the gathering, it was a wonderful day to take photographs of all the delightful offerings the festival presented. This included the people who came to enjoy the day as well. It was a lot of fun. You’ll find more photographs in The Forwardian Arts Society Stroudfest 2010 and Photography Lovers’ 2010 Galleries at www.myspace.com/forwardian_arts.

The Forwardian Arts Society next scheduled Gatherings and Events will be held at The Cheeky Monkey Coffeehouse in Stroudsburg, PA. They will be a Music Lovers’ Gathering on Thursday September 16th at 6pm, a Literary Lovers’ Gathering on Thursday September 23rd at 6pm, a Film Lovers‘ Gathering featuring the film, “Zardoz“ on Friday October 1st at 7pm, an Artists’ Reception on Saturday October 2nd showcasing artists and photographers who entered their work in our first juried exhibition titled, “Cover to Cover,” and a Visual Art Lovers’ Gathering on Sunday October 3rd. The Forwardian Arts Society will also present the third of their Festival Series titled, “ArtSmash3 of the Poconos: ArtSmash meets PoconoArts Squared” on Saturday September 25th which is held in conjunction with The PoconoArts Council event. More information on The PoconoArts Council can be gained by exploring their website at www.poconoarts.org or by calling them at 570-476-4460

The Forwardian Arts Society is a fellowship for people who love the arts seeking to enhance the creative community by encouraging those interested in the arts to go forward toward their dreams, by supporting those groups and individuals who are manifesting their dreams through performances and/or presentations, and by loving them and all they do. Please Explore The Forwardian Arts Society Website at www.theforwardianartssociety.com or call 570-269-3348 for more information about the fellowship and all it has to offer.