The Eastern Monroe Public Library (EMPL)* in Stroudsburg, PA presented Matt Brown www.fiddler1.com during their Bookhouse Concert Series on Friday November 30th. The Concert was filled with the relaxed sounds memorable blue grass music played upon Fiddle, Banjo, and Guitar inspiring many to tap their toes while singing along with the familiar tunes. Linnae Cintron* (of The EMPL) along with Michael Wetmore* (of Support Your Local Poets - Hooray aka SYLP-H) and Arline M. Smeltz* were among appreciative audience who attended the event. This was the final Bookhouse Concert for the 2007 season. However, a schedule will soon become available by contacting The Eastern Monroe Public Library* at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society Matt Brown at The Bluegrass Bookhouse Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Friday, November 30, 2007
Thursday, November 29, 2007
Theatrical Review: The Laramie Project
THE LARAMIE PROJECT
Written by: Moises Kaufman and the members of The Tectonic Theatre Project
Directed by: Prof. Susan P. O’Hearn
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University* (ESU) in East Stroudsburg, PA (www.esu.edu) presented their Theatre Department’s production of “The Laramie Project” written by Moises Kaufman along with members of The Tectonic Theatre Project in The Fine and Performing Arts Building. The play takes place in Laramie, WY in 1998-99 where the brutal beating and murder of a young man named Matthew Shepard took place. “The Laramie Project” is based upon a series of recollections and reflections mixed in with the facts of the case. This recipe makes the production an evening of compelling theatre.
The play consists of a series of monologues carefully intertwined to not only tell of what happened in Laramie, WY but also to create the mood and the environment leading to a deeper understanding of the occurrence and the multiple issues relating to it. “The Laramie Project” begins with a theatrical group’s desire to learn more about the people effected by the death of Matthew Shepard and ends with the audience asking themselves more questions as they begin to learn how they’re effected by what they’ve seen. Each member of the ensemble cast takes on multiple characters which not only impresses those who see the play with their plentiful acting skills but it also shows how we, the audience, are not immune or innocent of the hatred and intolerance that brought about the young man’s death.
Yet, the play does not leave it’s audience without hope. While there is plenty demonstrations of anti gay sentiment, there is also demonstrations of compassion. The despair of the murder and torture of Matthew Shepard is balanced by the hope we, as a people, will overcome our prejudices and we’ll never hear such news again. It would be foolish to think this would be overcome in the next 10, 20, or even 100 years, but the hope is still there. All it needs is the seed of compassion this play plants in the hearts of those who experiences it.
This ensemble cast included Doug Breheny, Mark Carbanro, Kendra Getz, Rachel Mack, Jenell Anne Manzi, Merrill Mc Ginness*, Alice M. Mol, Heath Myers-Ackerman, Angelo Revilla III*, Raj Shankar*, Keighty Simmons, and Alex Wirth. As eluded to earlier, each actor/actress demonstrated their vast talents with performances transcending even the usually high standards of the production of ESU*. It was quite noticeable the roles they played were very close to their experiences and to their hearts. The Production was expertly Directed Prof. Susan P. O’Hearn and Stage Managed by E. R. Koenig* while Amanda Kalinowski served as Assistant Stage Manager. Paul W McKay was the Set Designer and Technical Director while Christie Berlane* served as Costumer Designer.
This production of “The Laramie Project” will continue its run at The East Stroudsburg University* in East Stroudsburg, PA (www.esu.edu) until December 2nd. Tickets can be reserved by calling 570-422-3483. The East Stroudsburg University* (www.esu.edu) next production will be The Stage II One Act Plays taking place February 5th through 10th. “The Laramie Project” is recommended to those who would like to the deeper side of themselves with the compassion we‘re all capable of.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Moises Kaufman and the members of The Tectonic Theatre Project
Directed by: Prof. Susan P. O’Hearn
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University* (ESU) in East Stroudsburg, PA (www.esu.edu) presented their Theatre Department’s production of “The Laramie Project” written by Moises Kaufman along with members of The Tectonic Theatre Project in The Fine and Performing Arts Building. The play takes place in Laramie, WY in 1998-99 where the brutal beating and murder of a young man named Matthew Shepard took place. “The Laramie Project” is based upon a series of recollections and reflections mixed in with the facts of the case. This recipe makes the production an evening of compelling theatre.
The play consists of a series of monologues carefully intertwined to not only tell of what happened in Laramie, WY but also to create the mood and the environment leading to a deeper understanding of the occurrence and the multiple issues relating to it. “The Laramie Project” begins with a theatrical group’s desire to learn more about the people effected by the death of Matthew Shepard and ends with the audience asking themselves more questions as they begin to learn how they’re effected by what they’ve seen. Each member of the ensemble cast takes on multiple characters which not only impresses those who see the play with their plentiful acting skills but it also shows how we, the audience, are not immune or innocent of the hatred and intolerance that brought about the young man’s death.
Yet, the play does not leave it’s audience without hope. While there is plenty demonstrations of anti gay sentiment, there is also demonstrations of compassion. The despair of the murder and torture of Matthew Shepard is balanced by the hope we, as a people, will overcome our prejudices and we’ll never hear such news again. It would be foolish to think this would be overcome in the next 10, 20, or even 100 years, but the hope is still there. All it needs is the seed of compassion this play plants in the hearts of those who experiences it.
This ensemble cast included Doug Breheny, Mark Carbanro, Kendra Getz, Rachel Mack, Jenell Anne Manzi, Merrill Mc Ginness*, Alice M. Mol, Heath Myers-Ackerman, Angelo Revilla III*, Raj Shankar*, Keighty Simmons, and Alex Wirth. As eluded to earlier, each actor/actress demonstrated their vast talents with performances transcending even the usually high standards of the production of ESU*. It was quite noticeable the roles they played were very close to their experiences and to their hearts. The Production was expertly Directed Prof. Susan P. O’Hearn and Stage Managed by E. R. Koenig* while Amanda Kalinowski served as Assistant Stage Manager. Paul W McKay was the Set Designer and Technical Director while Christie Berlane* served as Costumer Designer.
This production of “The Laramie Project” will continue its run at The East Stroudsburg University* in East Stroudsburg, PA (www.esu.edu) until December 2nd. Tickets can be reserved by calling 570-422-3483. The East Stroudsburg University* (www.esu.edu) next production will be The Stage II One Act Plays taking place February 5th through 10th. “The Laramie Project” is recommended to those who would like to the deeper side of themselves with the compassion we‘re all capable of.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, November 25, 2007
Theatrical Review: The Shawnee Christmas Spectacular
THE SHAWNEE CHRISTMAS SPECTACULAR
Conceived and written by: Corin Hollifield
Directed and Choreographed by: Corin Hollifield
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* (www.theshawneeplayhouse.com) in Shawnee on the Delaware, PA presented their annual holiday production of “The Shawnee Christmas Spectacular.” It was conceived, written, directed, and Choreographed by Corin Hollifield. What the show consists of is a collection of Christmas related songs presented in a very light hearted and family friendly way. I generally don’t like this type of entertainment, but I found myself enjoying this show.
While there was defiantly an effort to be cute enough for family consumption, I found the performances avoided the temptation to be too cutesy for diabetics. The presentations of the songs and the choreography that often accompanied them were very well done especially since many of the dance moves were very intricate and require a more skill that’s often expected in this type of show. There was also the holiday treat of seeing the many familiar faces which performed throughout the 2007 Shawnee Playhouse* season and being able to reflect on the plays they were in and their performances.
These memories were embodied in an ensemble cast consisting of Beth Ann Baker, Kristen Gehling, Christina Maslin, Patrick McLaughlin, TJ O’Connell, Michael Alan Read, Tom Schario, and Laurie Sutton. This main cast was accompanied by a Children/Junior ensemble consisting of (Cast A) Ariel and Marshall Hudak, Aubrey Haskell (also in Cast B), Sarah Bearisito, and Sara Principe along with (Cast B) Marshall Haskell, Jillian and Shannon Andres, Justin Quicksall, and Carson Pelkey.
As mentioned earlier, the Production was conceived, written, directed, and Choreographed by Corin Hollifield and Stage Managed by Rob Del Colles. Betsy Paugh served as Costumer and Drew Rienstra served as Musical Director while Markus Harris served as Technical Director. The set was built and painted by members of the Stagecraft/Design classes at The Arts High School in Newark, NJ. The Shawnee Playhouse* Executive Director is Midge McClosky* and the theatre’s Publicist is Amy Cramer*.
This production of “The Shawnee Christmas Spectacular” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until December 30th. Tickets can be reserved by calling 570-421-5093. The Shawnee Playhouse* (www.theshawneeplayhouse.com) next production will be “Winnie the Pooh’s Christmas Tale” taking place December 1st through 15th. “The Shawnee Christmas Spectacular” is recommended for those who would enjoy light hearted, family oriented entertainment which they can actually enjoy.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Conceived and written by: Corin Hollifield
Directed and Choreographed by: Corin Hollifield
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* (www.theshawneeplayhouse.com) in Shawnee on the Delaware, PA presented their annual holiday production of “The Shawnee Christmas Spectacular.” It was conceived, written, directed, and Choreographed by Corin Hollifield. What the show consists of is a collection of Christmas related songs presented in a very light hearted and family friendly way. I generally don’t like this type of entertainment, but I found myself enjoying this show.
While there was defiantly an effort to be cute enough for family consumption, I found the performances avoided the temptation to be too cutesy for diabetics. The presentations of the songs and the choreography that often accompanied them were very well done especially since many of the dance moves were very intricate and require a more skill that’s often expected in this type of show. There was also the holiday treat of seeing the many familiar faces which performed throughout the 2007 Shawnee Playhouse* season and being able to reflect on the plays they were in and their performances.
These memories were embodied in an ensemble cast consisting of Beth Ann Baker, Kristen Gehling, Christina Maslin, Patrick McLaughlin, TJ O’Connell, Michael Alan Read, Tom Schario, and Laurie Sutton. This main cast was accompanied by a Children/Junior ensemble consisting of (Cast A) Ariel and Marshall Hudak, Aubrey Haskell (also in Cast B), Sarah Bearisito, and Sara Principe along with (Cast B) Marshall Haskell, Jillian and Shannon Andres, Justin Quicksall, and Carson Pelkey.
As mentioned earlier, the Production was conceived, written, directed, and Choreographed by Corin Hollifield and Stage Managed by Rob Del Colles. Betsy Paugh served as Costumer and Drew Rienstra served as Musical Director while Markus Harris served as Technical Director. The set was built and painted by members of the Stagecraft/Design classes at The Arts High School in Newark, NJ. The Shawnee Playhouse* Executive Director is Midge McClosky* and the theatre’s Publicist is Amy Cramer*.
This production of “The Shawnee Christmas Spectacular” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until December 30th. Tickets can be reserved by calling 570-421-5093. The Shawnee Playhouse* (www.theshawneeplayhouse.com) next production will be “Winnie the Pooh’s Christmas Tale” taking place December 1st through 15th. “The Shawnee Christmas Spectacular” is recommended for those who would enjoy light hearted, family oriented entertainment which they can actually enjoy.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Railroad Sherman
The Sherman Theatre* in Stroudsburg, PA presented Railroad Earth on November 23rd and 24th. They were great while delighting a vast audience who enjoyed dancing and experiencing alternative realities created by the Blue Jam Band‘s music. The Show was opened by The Band “Natural Breakdown” whose music equaled the quality and effect of the main performance. What was an added treat on the Saturday evening’s performance was artists creating a painting during the concert based on their reflections and the vibrations they embodied in their piece. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, Brook*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, Gary Lambert*, Dave Coulter*, and Jim Wyckoff*. The next show at The Sherman Theatre* will be the Gospel Group Take 6 Show which will be part of The Pocono Community Church Christmas Concert on Saturday December 1st. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Railroad Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, November 17, 2007
Theatrical Review: Oliver!
OLIVER!
Book, Music, and Lyrics by: Lionel Bart
Directed by: Susan Jordan
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” by Lionel Bart based on the novel “Oliver Twist“ by Charles Dickens. As reminded through the director notes published in the play‘s program, Dickens‘ novels often explored the social ills which inflicted the otherwise puritanical Victorian era. His novel “Oliver Twist” is no exception as it deals with issues relating to abuse and exploitation. However, those seeking commentary on society won‘t find it embodied in “Oliver!”
While The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” was typical of their high standards of theatrical presentation, the play itself glossed over some of the major plot elements that could have made it a great play. Instead, the play focuses on the adorability of the characters in the book while adding light hearted tunes merely designed to please an audience into a sense of delight. This often lead to confusion why some parts of the play were occurring.
One example of this came early in the play in which Oliver (portrayed by Phillip Benefield) is met by Mr. And Mrs. Sowerberry (portrayed by Steve Hille and Janice Brightman) to whom he is sold to by Mr. Bumble (portrayed by Luke Ackerman) after his parents pass away. The cuteness and comedic elements of the Sowerberrys makes little sense in Oliver’s singing the song “Where is Love?” If the play overcame its fear to offend people by portraying the Sowerberrys abuse and desire to exploit Oliver in a more realistic manner, the song would be a very appropriate addition to the scene.
However, while there were many similar instances throughout the play, there were many for which the actions taking place in a scene lent itself to the songs that accompanied it as the production progressed. This led to a more enhanced understanding of the human condition explored by Dickens of his time and ours. That’s the good news. The bad news is, even these portions of the play were quickly done away with long before the audience had an opportunity to take it in.
An example of this is towards the end of the play when Nancy (portrayed by Tracy Gross) is brutally killed off stage by her abusive boyfriend Bill Sykes (portrayed by Bill Dogherty). What could have made this scene more poignant was a reflection on how Nancy decides to stay and love the man who abuses her. It is a condition many abused women in our time find themselves in and often leads (as it did for Nancy) in death. Instead, the play deals with Bill Sykes quickly and the remaining cast breaks into song.
The huge cast are too many to mention as their numbers are excessive. However, the play was well acted and the actors should be congratulated on a performance well done. The play had it’s flaws but the production was of a high quality and the actors helped make it so.
The Production was Directed Susan Jordan and Stage Managed by Mary Ellen Van Camp. Missy Benefield served as Costumer and Naomi Naughton served as Choreographer. Bob Riday served as Musical Director while Darcy Chamberlain served as Property Manager.
This production of “Oliver!” will continue its run at The Sherman Theatre* in Stroudsburg, PA until November 18th. Tickets can be reserved by calling 570-420-2808. The Pocono Lively Arts* (www.poconolivelyarts.org) next production will be “Cabaret“ taking place June 27th through 29th. “Oliver!” is recommended to those who would like to enjoy show tunes and good acting without thinking about the issues the novel by Dickens comments on. If you want that, read the book.
Numerous Photographs from the production can be found in The Forwardian Arts Society Oliver at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Book, Music, and Lyrics by: Lionel Bart
Directed by: Susan Jordan
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” by Lionel Bart based on the novel “Oliver Twist“ by Charles Dickens. As reminded through the director notes published in the play‘s program, Dickens‘ novels often explored the social ills which inflicted the otherwise puritanical Victorian era. His novel “Oliver Twist” is no exception as it deals with issues relating to abuse and exploitation. However, those seeking commentary on society won‘t find it embodied in “Oliver!”
While The Pocono Lively Arts* (www.poconolivelyarts.org) production of “Oliver!” was typical of their high standards of theatrical presentation, the play itself glossed over some of the major plot elements that could have made it a great play. Instead, the play focuses on the adorability of the characters in the book while adding light hearted tunes merely designed to please an audience into a sense of delight. This often lead to confusion why some parts of the play were occurring.
One example of this came early in the play in which Oliver (portrayed by Phillip Benefield) is met by Mr. And Mrs. Sowerberry (portrayed by Steve Hille and Janice Brightman) to whom he is sold to by Mr. Bumble (portrayed by Luke Ackerman) after his parents pass away. The cuteness and comedic elements of the Sowerberrys makes little sense in Oliver’s singing the song “Where is Love?” If the play overcame its fear to offend people by portraying the Sowerberrys abuse and desire to exploit Oliver in a more realistic manner, the song would be a very appropriate addition to the scene.
However, while there were many similar instances throughout the play, there were many for which the actions taking place in a scene lent itself to the songs that accompanied it as the production progressed. This led to a more enhanced understanding of the human condition explored by Dickens of his time and ours. That’s the good news. The bad news is, even these portions of the play were quickly done away with long before the audience had an opportunity to take it in.
An example of this is towards the end of the play when Nancy (portrayed by Tracy Gross) is brutally killed off stage by her abusive boyfriend Bill Sykes (portrayed by Bill Dogherty). What could have made this scene more poignant was a reflection on how Nancy decides to stay and love the man who abuses her. It is a condition many abused women in our time find themselves in and often leads (as it did for Nancy) in death. Instead, the play deals with Bill Sykes quickly and the remaining cast breaks into song.
The huge cast are too many to mention as their numbers are excessive. However, the play was well acted and the actors should be congratulated on a performance well done. The play had it’s flaws but the production was of a high quality and the actors helped make it so.
The Production was Directed Susan Jordan and Stage Managed by Mary Ellen Van Camp. Missy Benefield served as Costumer and Naomi Naughton served as Choreographer. Bob Riday served as Musical Director while Darcy Chamberlain served as Property Manager.
This production of “Oliver!” will continue its run at The Sherman Theatre* in Stroudsburg, PA until November 18th. Tickets can be reserved by calling 570-420-2808. The Pocono Lively Arts* (www.poconolivelyarts.org) next production will be “Cabaret“ taking place June 27th through 29th. “Oliver!” is recommended to those who would like to enjoy show tunes and good acting without thinking about the issues the novel by Dickens comments on. If you want that, read the book.
Numerous Photographs from the production can be found in The Forwardian Arts Society Oliver at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, November 11, 2007
The Kirkridge Film Night
The Kirkridge Retreat Center* in Bangor, PA hosted the Community Snack and film night featuring the screening of the film, “The Whale Rider” on Sunday November 11th. A variety of snacks were enjoyed along with the good company during the film while a wide assortment of desserts were shared alongside some enlightening discussion following the film. Shelly Kelly and Nancy Scheirer* both of Kirkridge* while Arline M. Smeltz*, Mark Litchy* and Don and Jane Slepian* were among those who enjoyed the food, film, and fellowship of the night. The next event is currently unscheduled but information about The Kirkridge Retreat Center* and all it has to offer can be gained by contacting them at 610-588-1793. You’ll find several photographs at The Forwardian Arts Society The Kirkridge Film Night Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, November 10, 2007
Amish Comedy at The Sherman
The Sherman Theatre* in Stroudsburg, PA hosted the return of Raymond the Amish Comic on Saturday November 10th. The hilarious evening began with comic Marc W. Jeretus (www.marcjuretus.com) who opened the audience’s mouths with laughter. It was a great night filled with laughter and insight to the world we take for granted while the silliness of it all was pointed out in ways only great comedy can. Richard Berkowitz*, Cheryl Yost*, and Brook* (all of the Sherman) were there along with Arline M. Smeltz*, Gary Lambert, Lisa Werle*, and Jane*. The next show at The Sherman Theatre* will be The Pocono Lively Arts* Production of “Oliver!“ November 16th - 18th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Amish Comedy at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Theatrical Review: The Male Animal
THE MALE ANIMAL
Written by: James Thurber and Elliot Nugent
Directed by: Robert Armin
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “The Male Animal” by James Thurber and Elliot Nugent. Written in 1942, the play served as a herald to the horrors associated with the Communist Witch Hunts during the infamous McCarthy era of the 1950s. However, what makes this play relevant to a modern audience is its discreetly placed warning of what may occur if any of the freedoms we take for granted are ever compromised either out of fear of persecution or it seems more convenient to do so.
“The Male Animal” takes place on a college campus where Professor Thomas (Tommy) Turner finds himself embroiled in controversy when he off handedly mentioned he’d like to read a piece of literature to his English Composition Class considered to be highly subversive. His statement to his contemplated intentions are mentioned in a somewhat radical editorial in a campus literary magazine decrying the censorship of ideas among the faculty in order to appease a politically minded board of trustees. The editorial elevates Professor Turner as a heroic symbol of defiance for his willingness to expose the subversive material to his students. Professor Turner’s fear of the consequences of how the editorial will effect him and his career is transformed to defiance derived from anger at the response to the editorial and later to the realization of the consequences to the freedoms embedded in our constitutional system if he denounces the editorial and declines to read the piece mentioned in it.
It is worthy to reiterate such fears or retribution were very real during the 1940s and they were largely left to fester into what became the McCarthy era of the 1950s. In these days of fear and anger over the terrorist attacks pf September 11th, 2001, it may be wise to consider where our willingness to look the other way while some of our constitutional freedoms are put aside for the sake of national security will lead us to. The well written play serves as a warning and illustrates the importance of safeguarding our freedoms whenever they are threatened.
The production has been advertised as a romantic comedy. Although there were some moments of romance and comedy, I found them too brief to place the production in such a category. Perhaps the present reality of our times relate too closely with those presented in the play to encourage an audience to find much humor in what is transpiring. There wasn’t much evidence of any considerable effort to make the play funny or to emphasize the romantic elements of the work.
However, this does not detract from the merits of the production as the evening proved to be a good theatrical experience. In spite of the occasional dropped and stepped on lines associated with an opening performance, the play was well cast and equally well acted. The direction was sound and the blocking was very appropriate to the play. Although not an extraordinary performance, it is quite satisfying and the themes presented in the play makes it a evening well spent.
The Production was Directed Robert Armin and Stage Managed by Irene Garner. Lillian Gonzalez served as Costumer and Richard Sorger served as Choreographer and Dance Instructor. The cast consisted of Amy Cramer* who portrayed Ellen Turner (the wife of Professor Turner), Glenn Geiser-Getz who portrayed Professor Thomas “Tommy” Turner (the faculty member embroiled in controversy), Kathi Spiegelmyer who Portrayed Patricia Stanley (the sister of Ellen Turner), Matt Christie who portrayed Wally Myers (the star football hero of the present), Jack Butler who portrayed Dean Damon (the dean of the Department for whom Professor Turner is a member of), Sue Butler who portrayed Mrs. Damon (the wife of Dean Damon), Brian Krinsky who portrayed Michael Barnes (the student who writes the controversial editorial), Tom Schario who portrays Joe Ferguson (the football hero of days gone by who also has some remaining affections for Ellen Turner), Bob Otto who portrayed Ed Keller (a member of the college Board of Trustee who objects to anything considered subversive being exposed to the light of day), Amy Jo Shaefer who portrayed Myrtle Keller (Ed Keller’s wife), and Samantha Crawn who portrayed Nutsy Miller.
This production of “The Male Animal” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until November 18th. Tickets can be reserved by calling 570-421-5093. Their next production will be “The Shawnee Christmas Spectacular“ taking place November 23rd through December 30th. “The Male Animal” is recommended to those who would like to enjoy a satisfying night of theatre while contemplating where the dismissal of our willingness to defend our freedoms may lead.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: James Thurber and Elliot Nugent
Directed by: Robert Armin
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players production of “The Male Animal” by James Thurber and Elliot Nugent. Written in 1942, the play served as a herald to the horrors associated with the Communist Witch Hunts during the infamous McCarthy era of the 1950s. However, what makes this play relevant to a modern audience is its discreetly placed warning of what may occur if any of the freedoms we take for granted are ever compromised either out of fear of persecution or it seems more convenient to do so.
“The Male Animal” takes place on a college campus where Professor Thomas (Tommy) Turner finds himself embroiled in controversy when he off handedly mentioned he’d like to read a piece of literature to his English Composition Class considered to be highly subversive. His statement to his contemplated intentions are mentioned in a somewhat radical editorial in a campus literary magazine decrying the censorship of ideas among the faculty in order to appease a politically minded board of trustees. The editorial elevates Professor Turner as a heroic symbol of defiance for his willingness to expose the subversive material to his students. Professor Turner’s fear of the consequences of how the editorial will effect him and his career is transformed to defiance derived from anger at the response to the editorial and later to the realization of the consequences to the freedoms embedded in our constitutional system if he denounces the editorial and declines to read the piece mentioned in it.
It is worthy to reiterate such fears or retribution were very real during the 1940s and they were largely left to fester into what became the McCarthy era of the 1950s. In these days of fear and anger over the terrorist attacks pf September 11th, 2001, it may be wise to consider where our willingness to look the other way while some of our constitutional freedoms are put aside for the sake of national security will lead us to. The well written play serves as a warning and illustrates the importance of safeguarding our freedoms whenever they are threatened.
The production has been advertised as a romantic comedy. Although there were some moments of romance and comedy, I found them too brief to place the production in such a category. Perhaps the present reality of our times relate too closely with those presented in the play to encourage an audience to find much humor in what is transpiring. There wasn’t much evidence of any considerable effort to make the play funny or to emphasize the romantic elements of the work.
However, this does not detract from the merits of the production as the evening proved to be a good theatrical experience. In spite of the occasional dropped and stepped on lines associated with an opening performance, the play was well cast and equally well acted. The direction was sound and the blocking was very appropriate to the play. Although not an extraordinary performance, it is quite satisfying and the themes presented in the play makes it a evening well spent.
The Production was Directed Robert Armin and Stage Managed by Irene Garner. Lillian Gonzalez served as Costumer and Richard Sorger served as Choreographer and Dance Instructor. The cast consisted of Amy Cramer* who portrayed Ellen Turner (the wife of Professor Turner), Glenn Geiser-Getz who portrayed Professor Thomas “Tommy” Turner (the faculty member embroiled in controversy), Kathi Spiegelmyer who Portrayed Patricia Stanley (the sister of Ellen Turner), Matt Christie who portrayed Wally Myers (the star football hero of the present), Jack Butler who portrayed Dean Damon (the dean of the Department for whom Professor Turner is a member of), Sue Butler who portrayed Mrs. Damon (the wife of Dean Damon), Brian Krinsky who portrayed Michael Barnes (the student who writes the controversial editorial), Tom Schario who portrays Joe Ferguson (the football hero of days gone by who also has some remaining affections for Ellen Turner), Bob Otto who portrayed Ed Keller (a member of the college Board of Trustee who objects to anything considered subversive being exposed to the light of day), Amy Jo Shaefer who portrayed Myrtle Keller (Ed Keller’s wife), and Samantha Crawn who portrayed Nutsy Miller.
This production of “The Male Animal” will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until November 18th. Tickets can be reserved by calling 570-421-5093. Their next production will be “The Shawnee Christmas Spectacular“ taking place November 23rd through December 30th. “The Male Animal” is recommended to those who would like to enjoy a satisfying night of theatre while contemplating where the dismissal of our willingness to defend our freedoms may lead.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, November 07, 2007
Poem: Roasting Mickey And Other Lost Arts
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Roasting Mickey And Other Lost Arts
by Peter Serra copyright 2007
Flipping baseball cards was different from today's road rage bird.
Shooting marbles and bottle caps filled with wax
Was different from drive-bye's ending in bang.
Girls loved Buster Brown's with socks neatly folded
Guys learned to bop and flaunt it
Poodle skirts jumped double-dutch
At the hop was a dance
Crashing parties caused trouble and frowns
To crash today is a long way down.
Guys roasted mickey over fire with sticks,
Little hobo's, little cares,
Wrapped it in tinfoil if we could get it.
Marshmallows saw quick transformation, the spud took longer to cook.
Keep the fire going with twigs, branches and popsicle sticks,
There was no hurry, we were kids.
Kings was played with a high bouncer and killers were delivered in boxes,
Two for a quarter it ruled in the street
The pinky had measles and a blue ball was cheap.
Sidewalks were squares of Pennsylvania slate.
Some streets had cobblestones that glistened after a rain.
The space between slates could break the devil's dishes
If kids jumped on a crack one could break the devil's back.
A kid jumps on crack today, and he gets hurt.
Electrified buses and trolly cars
The trolly had rails and the buses had cables
With long pole-connectors that looked like bug antenna searching,
Reaching up to the wires on the street they called Bergen.
The trolly had steel wheels, museum pieces in our lifetime.
Hitchhiking at the rear of the electrified bus was easier than others.
If the driver failed to stop where we wished to get off,
Pulling the overhead cable meant immediate halt,
And away we ran from the invalid bus as the driver
Repositioned the cables and cussed.
The grocer totaled the bill on a brown bag in pencil.
Top shelf items were captured by the grabber, a mechanical hand used to retrieve,
As we waited patiently chewing a slice of American cheese.
The butcher's floor was sawdust over black and white octagon tiles. Cutlets were flattened to thickness by order, mama knew how to supervise.
A yoyo was a kid's toy, not a greeting.
Schools actually taught
Subway seats had bamboo weave
And old folks had worth.
Hammer and nails box and board
Two halves of a skate and off we roared.
Scooter.
Skates had a key and clamp
One size fit all like light from a lamp.
Riding hood was hit with lies
Big nose big teeth big eyes,
Now the hoods are in SUV's
Big wheels big deals big rides.
Lost in time it seems are the old ways.
Aptitude tests were the mountain guru's of the time.
Back then they let a kid live.
Thank God we survived
.Brooklyn, 1950's.
Roasting Mickey And Other Lost Arts
by Peter Serra copyright 2007
Flipping baseball cards was different from today's road rage bird.
Shooting marbles and bottle caps filled with wax
Was different from drive-bye's ending in bang.
Girls loved Buster Brown's with socks neatly folded
Guys learned to bop and flaunt it
Poodle skirts jumped double-dutch
At the hop was a dance
Crashing parties caused trouble and frowns
To crash today is a long way down.
Guys roasted mickey over fire with sticks,
Little hobo's, little cares,
Wrapped it in tinfoil if we could get it.
Marshmallows saw quick transformation, the spud took longer to cook.
Keep the fire going with twigs, branches and popsicle sticks,
There was no hurry, we were kids.
Kings was played with a high bouncer and killers were delivered in boxes,
Two for a quarter it ruled in the street
The pinky had measles and a blue ball was cheap.
Sidewalks were squares of Pennsylvania slate.
Some streets had cobblestones that glistened after a rain.
The space between slates could break the devil's dishes
If kids jumped on a crack one could break the devil's back.
A kid jumps on crack today, and he gets hurt.
Electrified buses and trolly cars
The trolly had rails and the buses had cables
With long pole-connectors that looked like bug antenna searching,
Reaching up to the wires on the street they called Bergen.
The trolly had steel wheels, museum pieces in our lifetime.
Hitchhiking at the rear of the electrified bus was easier than others.
If the driver failed to stop where we wished to get off,
Pulling the overhead cable meant immediate halt,
And away we ran from the invalid bus as the driver
Repositioned the cables and cussed.
The grocer totaled the bill on a brown bag in pencil.
Top shelf items were captured by the grabber, a mechanical hand used to retrieve,
As we waited patiently chewing a slice of American cheese.
The butcher's floor was sawdust over black and white octagon tiles. Cutlets were flattened to thickness by order, mama knew how to supervise.
A yoyo was a kid's toy, not a greeting.
Schools actually taught
Subway seats had bamboo weave
And old folks had worth.
Hammer and nails box and board
Two halves of a skate and off we roared.
Scooter.
Skates had a key and clamp
One size fit all like light from a lamp.
Riding hood was hit with lies
Big nose big teeth big eyes,
Now the hoods are in SUV's
Big wheels big deals big rides.
Lost in time it seems are the old ways.
Aptitude tests were the mountain guru's of the time.
Back then they let a kid live.
Thank God we survived
.Brooklyn, 1950's.
Poem: Mind Dancing
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Mind Dancing
by Peter Serra copyright 2007
While you were gone I played in my head
I danced around until the right words were said.
Truth interjected a backhand return
Denouncing deception concealment and wrong.
I dithered and bickered back stepped and crawled
Within the darkness with back to the wall.
A side swing solid and strong
Caused me to stare at all that was wrong
Frozen and captured unable to move
Truth hit the heart with positive proof.
I knew it was useless-continue this way
With sun shining brightly on all of my ways.
Acts 17:30In the past God overlooked such ignorance, but now he commands all people everywhere to repent.
Mind Dancing
by Peter Serra copyright 2007
While you were gone I played in my head
I danced around until the right words were said.
Truth interjected a backhand return
Denouncing deception concealment and wrong.
I dithered and bickered back stepped and crawled
Within the darkness with back to the wall.
A side swing solid and strong
Caused me to stare at all that was wrong
Frozen and captured unable to move
Truth hit the heart with positive proof.
I knew it was useless-continue this way
With sun shining brightly on all of my ways.
Acts 17:30In the past God overlooked such ignorance, but now he commands all people everywhere to repent.
Monday, November 05, 2007
Theatrical Review: The Velveteen Rabbit
THE VELVETEEN RABBIT
Based on the Children’s Book by: Margery Williams.
Theatrical Review by: Paul Adam Smeltz
The Fine Arts Discovery Series* presented The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” as it was performed at The Sherman Theatre* in Stroudsburg, PA on Sunday November 4th. The production utilized nearly every tool available in the vast theatrical arsenal to enhance the art of story telling. These tools included Mime, Puppetry, Music, and Dance to which The Enchantment Theatre Company employed with great effect.
The book is about a stuffed rabbit who believes in the promise that love can make him real. He and a boy embarks on numerous adventures as the affection for one another increases with every life affirming moment. However, when the boy is stricken with Scarlet fever, all material with the possibility of containing remnants of the disease must be destroyed. This includes the favored stuffed animal he slept with through his illness. It is while awaiting his destruction the rabbit encounters a fairy and becomes a real rabbit.
Most well written children stories holds something for the adults who reads them to their children. We’re reminded of what we’ve learned as children and tend to put aside as we become more a part of an adult world. We become attached to our daily routines and depend on a reality filled with responsibilities and how well we can defend ourselves from the emotions that keep us from being taken seriously. “The Velveteen Rabbit” reminds us it is not our responsibilities or our ability to keep our emotions in check that make us real. It is love. Without it, all we have or do is meaningless.
The Enchantment Theatre Company kept faith with “The Velveteen Rabbit’s” lesson while enhancing the telling of it through the techniques I mentioned earlier. The production touched the children in ways they may not yet be able to understand along with the parents who were visibly reflective of what they’ve experienced. The simplicity of the production enhanced the subtlety embodied in the original tale. This is children’s theatre at its best.
The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” was presented one day only at The Sherman Theatre*. As a custom with The Fine Arts Discovery Series*, there was a workshop for children prior to the performance. This consisted of a reading of the original book featuring the storytelling skills of Anita Bondi* and an opportunity for the children to create a book of their own. Their next presentation will be an African Dance Ensemble called, “Kulu Mele” on February 10th at The Sherman Theatre*. Tickets can be reserved by calling 570-420-2808.
You’ll be able to find pictures from the production in The Forwardian Arts Society Velveteen Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Based on the Children’s Book by: Margery Williams.
Theatrical Review by: Paul Adam Smeltz
The Fine Arts Discovery Series* presented The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” as it was performed at The Sherman Theatre* in Stroudsburg, PA on Sunday November 4th. The production utilized nearly every tool available in the vast theatrical arsenal to enhance the art of story telling. These tools included Mime, Puppetry, Music, and Dance to which The Enchantment Theatre Company employed with great effect.
The book is about a stuffed rabbit who believes in the promise that love can make him real. He and a boy embarks on numerous adventures as the affection for one another increases with every life affirming moment. However, when the boy is stricken with Scarlet fever, all material with the possibility of containing remnants of the disease must be destroyed. This includes the favored stuffed animal he slept with through his illness. It is while awaiting his destruction the rabbit encounters a fairy and becomes a real rabbit.
Most well written children stories holds something for the adults who reads them to their children. We’re reminded of what we’ve learned as children and tend to put aside as we become more a part of an adult world. We become attached to our daily routines and depend on a reality filled with responsibilities and how well we can defend ourselves from the emotions that keep us from being taken seriously. “The Velveteen Rabbit” reminds us it is not our responsibilities or our ability to keep our emotions in check that make us real. It is love. Without it, all we have or do is meaningless.
The Enchantment Theatre Company kept faith with “The Velveteen Rabbit’s” lesson while enhancing the telling of it through the techniques I mentioned earlier. The production touched the children in ways they may not yet be able to understand along with the parents who were visibly reflective of what they’ve experienced. The simplicity of the production enhanced the subtlety embodied in the original tale. This is children’s theatre at its best.
The Enchantment Theatre Company production of Margery Williams’ “The Velveteen Rabbit” was presented one day only at The Sherman Theatre*. As a custom with The Fine Arts Discovery Series*, there was a workshop for children prior to the performance. This consisted of a reading of the original book featuring the storytelling skills of Anita Bondi* and an opportunity for the children to create a book of their own. Their next presentation will be an African Dance Ensemble called, “Kulu Mele” on February 10th at The Sherman Theatre*. Tickets can be reserved by calling 570-420-2808.
You’ll be able to find pictures from the production in The Forwardian Arts Society Velveteen Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Band-O-ESU-Rama
The Sherman Theatre* in Stroudsburg, PA hosted the East Stroudsburg University (ESU)* presentation of their “Band-O-Rama” featuring the University Woodwind Ensemble, The University/Community Concert Band, and The Warrior Marching Band and Color Guard on Sunday November 4th. It was a fun time with plenty of school spirit. Richard Berkowitz*, Cheryl Yost*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*. The next show at The Sherman Theatre* will be the return of Raymond the Amish Comic on Saturday November 10th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numereous photographs at The Forwardian Arts Society Band-O-ESU-Rama Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sherman Who
The Sherman Theatre* in Stroudsburg, PA presented the classic rock sounds of The Who as the tribute band entitled, “Bargain” played their most famous songs on Saturday November 3rd. The band was preceded by a group who was equally good but, unfortunately, their name escapes me. However, my lack of memory dose in no way reflects the quality of the band’s performance. It only denotes my inability to remember some things at times. Richard Berkowitz*, Cheryl Yost*, Theresa Woehrel*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, and Gary Lambert*. The next show at The Sherman Theatre* will be the return of Raymond the Amish Comic on Saturday November 10th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Sherman Who Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
November Evening on Main
The Jacob Stroud Corporation* in Stroudsburg, PA held their monthly Evening on Main event on Saturday November 3rd. The cooler weather of the season enticed few to meander through the streets of Stroudsburg to find the only two galleries to hold exhibitions. These included an exhibition featuring Jim Smeltz* at The D. R. Custom Framing Gallery and The Artspace Gallery* held a members’ show with special guest John Sittig of The River Front Studio in Shawnee on the Delaware, PA. Greg Waltzer* was among those I met that evening. I welcome any of you who would like to share their recollections the event with me. The exhibitions will continue until the end of November. Please contact The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society November Evening on Main Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, November 04, 2007
Poem: Emergency-911
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Emergency-911
by Peter Serra copyright 2007
From: Christian visions From A Common Man
Once the sound of peaceful pace busy feet from place to place
Within an instant hope is forced to halt in silent marvel gaze
At courage racing in the brave.
In the Finest thoughts as flint faced the beast for innocence.
EMT healing hands joined the Boldest in the task presented to the Tower's Best.
Bells and preacher disbelief forestall movement of the feet.
All is well return remain halts the flight of downward gain.
Hope laid stricken bound in tears as truth in windows gripped despair.
Heart to heart and eye to eye as a beggars bowl advanced
Ignites the bond in common man.
Determined feet in turnout coats through the heat and blinding smoke.
Hope renewed in just a glance of axe and strength in hero's hand.
Of light in crowded stairwell floors
Of steadfast hearts beating grace into the maw of hell they raced
To meet the beast face to face.
Angels marveled in refrain:
No greater love can man display.
Flashing lights and sirens prayed as courage faced the beast.
Falling beams of crippled steel as arrows to the heart,
Concrete sighs afflict the eye and all things fed the heat.
Flashing lights and sirens prayed as courage faced the beast.
A moment in the sun's retreat children's laughter turned to gray.
O my God! all voices speak through crashing sounds and panicked feet.
Flashing lights and sirens prayed as courage faced the beast.
"Haul away now lads haul away fast with hope in your helmets and strength in your hands.
Haul away now lads haul away fast from the top of the rubble to a pocket of chance.
"Remember truth is freedom's key.
Hold to the breast thoughts long past of what life used to be.
Captured thoughts of what was lost is food to keep us free.
The mind reasons, separation brief.
Yes, in paradise united.
Still, the heart weeps.
Have mercy, O Lord, on us who remain and into your kingdom embrace the Brave.
Proverbs 11:21Be sure of this: The wicked will not go unpunished, but those who are righteous will go free.
Emergency-911
by Peter Serra copyright 2007
From: Christian visions From A Common Man
Once the sound of peaceful pace busy feet from place to place
Within an instant hope is forced to halt in silent marvel gaze
At courage racing in the brave.
In the Finest thoughts as flint faced the beast for innocence.
EMT healing hands joined the Boldest in the task presented to the Tower's Best.
Bells and preacher disbelief forestall movement of the feet.
All is well return remain halts the flight of downward gain.
Hope laid stricken bound in tears as truth in windows gripped despair.
Heart to heart and eye to eye as a beggars bowl advanced
Ignites the bond in common man.
Determined feet in turnout coats through the heat and blinding smoke.
Hope renewed in just a glance of axe and strength in hero's hand.
Of light in crowded stairwell floors
Of steadfast hearts beating grace into the maw of hell they raced
To meet the beast face to face.
Angels marveled in refrain:
No greater love can man display.
Flashing lights and sirens prayed as courage faced the beast.
Falling beams of crippled steel as arrows to the heart,
Concrete sighs afflict the eye and all things fed the heat.
Flashing lights and sirens prayed as courage faced the beast.
A moment in the sun's retreat children's laughter turned to gray.
O my God! all voices speak through crashing sounds and panicked feet.
Flashing lights and sirens prayed as courage faced the beast.
"Haul away now lads haul away fast with hope in your helmets and strength in your hands.
Haul away now lads haul away fast from the top of the rubble to a pocket of chance.
"Remember truth is freedom's key.
Hold to the breast thoughts long past of what life used to be.
Captured thoughts of what was lost is food to keep us free.
The mind reasons, separation brief.
Yes, in paradise united.
Still, the heart weeps.
Have mercy, O Lord, on us who remain and into your kingdom embrace the Brave.
Proverbs 11:21Be sure of this: The wicked will not go unpunished, but those who are righteous will go free.
Poem: Prism
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Prism
by Peter Serra copyright 2007
The nature of light is to reveal.
In darkness all is concealed.
In one lives deception, in the other correction.
A forest of night a room without light
A candle of wax absent wick,
Inhibited movement caution advised
What good is beauty, what purpose is life,
Absent the prism of light?
Corrective lenses high wattage bulb
Movement captured by the timing of strobe
Fly to the paper moth to the flame
The nature of man does the same.
Within the rainbow nothing's concealed
In the spectrum of light love is revealed.
All that is must be tested, even the black light must undergo inspection
And where there is darkness its movement arrested.
1 John 4:1Dear friends, do not believe every spirit, but test the spirits to see if they are from God,
because many false prophets have gone out into the world.
Prism
by Peter Serra copyright 2007
The nature of light is to reveal.
In darkness all is concealed.
In one lives deception, in the other correction.
A forest of night a room without light
A candle of wax absent wick,
Inhibited movement caution advised
What good is beauty, what purpose is life,
Absent the prism of light?
Corrective lenses high wattage bulb
Movement captured by the timing of strobe
Fly to the paper moth to the flame
The nature of man does the same.
Within the rainbow nothing's concealed
In the spectrum of light love is revealed.
All that is must be tested, even the black light must undergo inspection
And where there is darkness its movement arrested.
1 John 4:1Dear friends, do not believe every spirit, but test the spirits to see if they are from God,
because many false prophets have gone out into the world.
Struggles
The Forwardian Arts Society is honored to share the poetic works of Peter Serra with you. Please feel free to send us your literary works to be considered for publication on our Blog. We welcome any topic or style. We also welcome your comments on this and anything we post. We look forward to reading your work and we’ll keep a good thought for you until then.
Struggles
By Peter F. Serra copyright 2007
It seems that when we master the walk
along comes the struggle to talk.
There's a struggle outside of the gate wanting to get in
Companions of sin bringing welts filled with pain.
Like the wobble of a top at the end of its spin
We struggle to remain upright
As a ship listing we look for a pier of support,
As would a ghost slanted and bent
Diminished with every breath.
Like the advent of troubling days
And water rushing the shore to lord-over the sand
We struggle with footing that's wet
And struggle sometimes to forget.
There are times we struggle to recall
A time when the struggle was spent
Always wondering just when the struggles will end.
Galatians 6:9Let us not become weary of doing good,
for at the proper time we will reap a harvest
if we do not give up
Struggles
By Peter F. Serra copyright 2007
It seems that when we master the walk
along comes the struggle to talk.
There's a struggle outside of the gate wanting to get in
Companions of sin bringing welts filled with pain.
Like the wobble of a top at the end of its spin
We struggle to remain upright
As a ship listing we look for a pier of support,
As would a ghost slanted and bent
Diminished with every breath.
Like the advent of troubling days
And water rushing the shore to lord-over the sand
We struggle with footing that's wet
And struggle sometimes to forget.
There are times we struggle to recall
A time when the struggle was spent
Always wondering just when the struggles will end.
Galatians 6:9Let us not become weary of doing good,
for at the proper time we will reap a harvest
if we do not give up
Subscribe to:
Posts (Atom)