The Sherman Theatre* in Stroudsburg, PA presented “One Summer Night” Oldies Spectacular featuring Kenny Vance and the Plantotones, Vito Picone and the Elegants, The Del - Vikings, Cleveland Still and The Dubs, and The Passions on Saturday August 18th. The lively show brought back a great many wonderful memories relating to the times when Doo Wop music was in the musical mainstream of their youth. Yet, those who weren’t born during the 50s and 60s were still able to appreciate the great sounds to the point of becoming fans in their own right. Richard Berkowitz*, Cheryl Yost*, Brook*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz* Jill Goodwin* were among the many who showed their enthusiasm during the evening through their dancing, singing, and clapping of hands. The next show at The Sherman Theatre* will be a Benefit Show for Youth Advocacy Program on Saturday August 25th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Spectacular Summer Night at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 19, 2007
Thursday, August 16, 2007
The Sherman Tenors
The Sherman Theatre* in Stroudsburg, PA hosted The Pocono Lively Arts* presentation of “Full Circle: The Three Pocono Tenors in Concert” featuring the voices of Michael Doherty, Spencer Taylor, and Jason Zimmer with Ronan Mariano on piano and assisted by Katie Kane on Thursday August 16th. The Show consited of musical selections ranging from Broadway Shows to Opera and included some pop tunes as well. Richard Berkowitz*, Theresa*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz* were among the many who enjoyed the show. The next show at The Sherman Theatre* will be “One Summer Night” Oldies Spectacular featuring many performers from the 50s and 60s on Saturday August 18th. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society The Sherman Tenors Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, August 14, 2007
Preparing for COTA
The Celebration of the Arts (COTA)* held their next to the last meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Deer Head Inn* in Delaware Water Gap, PA on Tuesday August 14th. The days are winding down for the event which begins Thursday September 6th at The Sherman Theatre in Stroudsburg, PA and continues in Delaware Water Gap, PA on Friday September 7th until Sunday September 9th. They still need Volunteers in Security, Stage Crew, Ticket Sales, and many other areas so feel free to call them at 570-424-2210 or visit www.cotajazz.org to learn more about it. Lauren Chamberlain-Mussner (Chaired the meeting)*, Christine Trembly*, and Tim Helman* (Board Members of COTA) were among those who attended. Jill Goodwin*, Arline M. Smeltz*, Cheryl Joubert*, Spencer Reed*, Cheryl Reed*, Marie Steeger*, and Gary Lambert* along with Bob and Jamie Garner* and Pat and Terri Gaughan* were also present. The next and final meeting will be held Tuesday August 28th at The Sycamore Grill in Delaware Water Gap, PA at 7:30pm. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 12, 2007
Matt Abel at The Gazebo
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented The Matt Abel Group* on Sunday August 12th as part of their summer concert series. A variety of cover and original songs met the eager audience with engaging lyrics which were as amusing as they were enlightening. Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Gary Lambert*, and Betsy Jackson* of The Shawnee Institute along with Terri and James Dellaria* were among those who enjoyed the performance. The next concert at The Presbyterian Church of the Mountain* will feature Kate and Richie Roache* at 6pm on August 19th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM 07 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Theatrical Review: Count Dracula.
COUNT DRACULA
Written by: Ted Tiller
Directed by: Michael J. Harron*
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pennsylvania Repertory Company’s* production of Ted Tiller‘s “Dracula.” The Pennsylvania Repertory Company has gained a well deserved reputation of presenting fine theatre especially through their “Plays in the Curriculum Series“ which presents plays students in local school systems are studying. This is a worthy endeavor gaining a great deal of support from those who care about enhancing the educational experience the theatrical arts can provide.
However, although The Pennsylvania Repertory Company* has presented numerous theatrical gems, this particular production of “Count Dracula” is not one of them. This umpteenth telling of the overly familiar story of the Vampire from Transylvania added nothing to our knowledge nor did it satisfy those of us who are accustomed to the more sophisticated retellings which range from Francis Ford Coppola’s Beauty and the Beast version or Wes Craven Pseudo Biblical rendition which claims Dracula isn’t Vladd the Impaler but Judas Iscariot. Although many may consider the story of Dracula a timeless story mixing horror, romance, and sexuality in a blend unique to the genre, this sentiment wasn’t readily evident in this play. It seems the play was merely written to capitalize on the franchise and cash in on its popularity.
In spite of the mundane manner of the script, the actors portraying the roles they presented did quite well with the work they were given. There were many instances when an actor or actress was quite noticeably transcending the play through a more in-depth exploration of their character. Unfortunately, what made this noticeable was the fact not every everyone decided to go this creative route and stayed within the confines of the written words. There are many times in the theatrical arts when actors and directors must adhere strictly to the playwright’s intent because to do would diminish the integrity of the work but there are times when following your creative instincts are not only appropriate, but necessary to produce work meaningful to everyone experiencing it. Knowing what path to follow and when to do so requires artistic maturity which is usually found in The Pennsylvania Repertory Company’s* production but, surprisingly, not in this one.
“Count Dracula” cast consisted of Katherine Neville who portrayed Sybil Steward, Al Rauch who portrayed Hennessey while serving in The Props Department and participated in the Set Construction, Wayne Dotter who portrayed Dr. Steward and participated in the Set Construction, David Schappert who portrayed Renfield while serving in the Special Effects Department and participated in the Set Construction, Mark Nelson who portrayed Wesley, Justin Rosario who portrayed Jonathan Harker, Kathi Spigelmeyer who portrayed Mina Murry, Professor Emeritus Rob Eilenberger Howell who portrayed Prof. Van Helsing, and Patrick Turner who portrayed Count Dracula.
The Production was Directed Michael Harron* who also designed the set while serving as a Sound Technician along with Glenn Kern and Marty Courtney* and Stage Managed by Brydie Jacques who also served as costumer, in The Props Department, and in The Special Effects Department. Original music for the production was composed by Tick Cummins and Manny Parrish. The Lighting Director was William Kelly*, Additional Set Construction and Stage Crews Members were Sydney Southard, Carl Montano, Edi Martinovie, and Molly Brunkard. The Box Office Staff consisted of Cheryl Yost* and Theresa Woehrel*.
This production of “Count Dracula” by Ted Tiller has concluded its one day run on Saturday August 11th. The next production of The Pennsylvania Repertory Company* will be their annual “Tiny Tim’s Christmas Carol” which will be presented at The Sherman Theater* in Stroudsburg, PA December 13th - 15th. Tickets can be reserved by calling 570-420-2808 or by exploring The Sherman Theatre’s* Website at www.shermantheatre.com.
Photographs from the production can be found at The Forwardian Arts Society Sherman for the Count Gallery on myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Ted Tiller
Directed by: Michael J. Harron*
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pennsylvania Repertory Company’s* production of Ted Tiller‘s “Dracula.” The Pennsylvania Repertory Company has gained a well deserved reputation of presenting fine theatre especially through their “Plays in the Curriculum Series“ which presents plays students in local school systems are studying. This is a worthy endeavor gaining a great deal of support from those who care about enhancing the educational experience the theatrical arts can provide.
However, although The Pennsylvania Repertory Company* has presented numerous theatrical gems, this particular production of “Count Dracula” is not one of them. This umpteenth telling of the overly familiar story of the Vampire from Transylvania added nothing to our knowledge nor did it satisfy those of us who are accustomed to the more sophisticated retellings which range from Francis Ford Coppola’s Beauty and the Beast version or Wes Craven Pseudo Biblical rendition which claims Dracula isn’t Vladd the Impaler but Judas Iscariot. Although many may consider the story of Dracula a timeless story mixing horror, romance, and sexuality in a blend unique to the genre, this sentiment wasn’t readily evident in this play. It seems the play was merely written to capitalize on the franchise and cash in on its popularity.
In spite of the mundane manner of the script, the actors portraying the roles they presented did quite well with the work they were given. There were many instances when an actor or actress was quite noticeably transcending the play through a more in-depth exploration of their character. Unfortunately, what made this noticeable was the fact not every everyone decided to go this creative route and stayed within the confines of the written words. There are many times in the theatrical arts when actors and directors must adhere strictly to the playwright’s intent because to do would diminish the integrity of the work but there are times when following your creative instincts are not only appropriate, but necessary to produce work meaningful to everyone experiencing it. Knowing what path to follow and when to do so requires artistic maturity which is usually found in The Pennsylvania Repertory Company’s* production but, surprisingly, not in this one.
“Count Dracula” cast consisted of Katherine Neville who portrayed Sybil Steward, Al Rauch who portrayed Hennessey while serving in The Props Department and participated in the Set Construction, Wayne Dotter who portrayed Dr. Steward and participated in the Set Construction, David Schappert who portrayed Renfield while serving in the Special Effects Department and participated in the Set Construction, Mark Nelson who portrayed Wesley, Justin Rosario who portrayed Jonathan Harker, Kathi Spigelmeyer who portrayed Mina Murry, Professor Emeritus Rob Eilenberger Howell who portrayed Prof. Van Helsing, and Patrick Turner who portrayed Count Dracula.
The Production was Directed Michael Harron* who also designed the set while serving as a Sound Technician along with Glenn Kern and Marty Courtney* and Stage Managed by Brydie Jacques who also served as costumer, in The Props Department, and in The Special Effects Department. Original music for the production was composed by Tick Cummins and Manny Parrish. The Lighting Director was William Kelly*, Additional Set Construction and Stage Crews Members were Sydney Southard, Carl Montano, Edi Martinovie, and Molly Brunkard. The Box Office Staff consisted of Cheryl Yost* and Theresa Woehrel*.
This production of “Count Dracula” by Ted Tiller has concluded its one day run on Saturday August 11th. The next production of The Pennsylvania Repertory Company* will be their annual “Tiny Tim’s Christmas Carol” which will be presented at The Sherman Theater* in Stroudsburg, PA December 13th - 15th. Tickets can be reserved by calling 570-420-2808 or by exploring The Sherman Theatre’s* Website at www.shermantheatre.com.
Photographs from the production can be found at The Forwardian Arts Society Sherman for the Count Gallery on myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, August 09, 2007
Blues Festival Coverage
Tony Dellaria* has posted some Slideshows, a Festival Write Up, and Podcast Interviews for the 2007 NYS Blues Festival at the following Websites:
www.BluesSource.com
www.bluessource.com/articlesarchive.php www.bluessource.com/slideshows/NYState2007/Day01/index.htm www.bluessource.com/slideshows/NYState2007/Day02/index.htm
Please feel free to explore them and share your comments.
Look for coverage by Tony Dellaria of the 2007 Pocono Blues Festival next Tuesday, August 14th.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
www.BluesSource.com
www.bluessource.com/articlesarchive.php www.bluessource.com/slideshows/NYState2007/Day01/index.htm www.bluessource.com/slideshows/NYState2007/Day02/index.htm
Please feel free to explore them and share your comments.
Look for coverage by Tony Dellaria of the 2007 Pocono Blues Festival next Tuesday, August 14th.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, August 08, 2007
Testament of Music
The Shawnee Press, Inc sponsored a Choral program entitled, “Testament of Praise: A Celebration of Faith” at The Stroudsburg Junior High School in Stroudsburg, PA on Wednesday August 8th as part of their Annual Music in the mountains Choral Symposium. The Choir was directed by David Lantz III with many selections arranged by Joseph M. Martin and inspired by the writings of Charles Wesley who was portrayed by Mark Cabasniss. Arline M. Smeltz* was one of the sixty voices who lent their talents to the evening. A large and appreciative audience attended the program and had their faith uplifted by the music. Proceeds from the event benefited The VNA Hospice House of Monroe County. Please contact at The Shawnee Press, Inc at 1-800-962-8584 for more information. You’ll find numerous photographs at The Forwardian Arts Society Testament of Music Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, August 05, 2007
Happy Jazz Campers
The Presbyterian Church of the Mountain* in Delaware Water Gap, PA presented a Mini Jazz Festival featuring students who attended the COTA Jazz Camp first concert on Sunday August 5th as part of their summer concert series. The Jazz Camp took place August 1st - 4th as an educational extension of The Celebration of the Arts (COTA)* www.cotajazz.org whose 30th Anniversary Festival takes place September 6th -9th. Several established Jazz performers lent their expertise to enhance the talents of these students. They included Spencer Reed*, Jay Rattman*, and Jesse Green* along with Richard Chamberlain* and Phil Wood* (co founders of COTA*).
A delighted audience was thoroughly entertained by the great music as they glimpsed into the future of the Jazz scene through the sounds created by these talented people. Jill and Bill Goodwin*, Cheryl Joubert*, Cyndie Dutkiewicz*, and Lauren Chamberlain-Mussner* (all of whom are members of COTA’s Board of Directors) along with Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Maria Horn*, Bob Durough*, Nancy Scheirer*, Dave Coulter*, Gary Lambert*, and Pat and Terri Gaughan* were among the numerous people who enjoyed the performance.
The next concert at The Presbyterian Church of the Mountain* will feature The Matt Abel* Group at 6pm on August 12th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find Numerous photographs at The Forwardian Arts Society COTA Jazz Camp Festival Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
A delighted audience was thoroughly entertained by the great music as they glimpsed into the future of the Jazz scene through the sounds created by these talented people. Jill and Bill Goodwin*, Cheryl Joubert*, Cyndie Dutkiewicz*, and Lauren Chamberlain-Mussner* (all of whom are members of COTA’s Board of Directors) along with Michael Wetmore* of Support Your Local poets-Hooray (SYLP-H), Arline M. Smeltz*, Maria Horn*, Bob Durough*, Nancy Scheirer*, Dave Coulter*, Gary Lambert*, and Pat and Terri Gaughan* were among the numerous people who enjoyed the performance.
The next concert at The Presbyterian Church of the Mountain* will feature The Matt Abel* Group at 6pm on August 12th. Please contact The Presbyterian Church of the Mountain* at 570-992-3934 for more information. You’ll find Numerous photographs at The Forwardian Arts Society COTA Jazz Camp Festival Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Evening on Main and Sherman
The Jacob Stroud Corporation* in Stroudsburg, PA held their monthly Evening on Main event on Saturday August 4th. A great number of visual and performing artists lent their talents to help make the evening a wonderful event for all who come to experience it. These included exhibitions at ArtSpace* wich featured a wide range of works by Will Daskal* along with performances by The Mark Williams Band and “It’s Just Comedy” Show at The Sherman Theatre*. A great number of people came to the event and I’ve met up with many of Our Good Friends in the fellowship. They are too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me. Please contact The Jacob Stroud Corporation* at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society Evening on Main and Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, August 04, 2007
Theatrical Review: I Ought To Be In Pictures.
I OUGHT TO BE IN PICTURES
Written by: Neil Simon
Directed by: Chris Centrella
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented their production of Neil Simon‘s “I Ought To Be In Pictures” in their Black Box Theatre. This was the second production placed in this new intimate theatrical setting and it proved to be a wise choice. It not only allowed the audience experience the play through the words and behaviors of the actors but it also allowed them to look into the heart of the play.
“I Ought To Be In Pictures” is about a daughter of an out of work screen writer who comes to visit her father whom she hasn’t seen since her early childhood sixteen years ago. The play explores many of the issue arising from such an occurrence which includes regret, anger, and the desire to make amends. However, it’s all done with the fine mixture of humor and pathos the mastery of Neil Simon has become known for. The audience finds itself laughing while coming to terms with the plays deeper exploration of the issues that invades their hearts. This is what comedic theatre does at its best.
“I Ought To Be In Pictures” cast consists of Rob Ramos* who portrayed Herb (the father who left his home to follow his dream of becoming a writer only to realize an even larger and more fulfilling dream when he rediscovers something he left behind), Eileen Schmitt who portrayed Libby (the daughter who wants to desperately connect with the missing pieces in her life and to follow her own dreams while maintaining her new reconnection), and Marie Steeger* who portrayed Steffy (Herb’s girlfriend who provides the emotional wisdom embodied in the soul of the play). Each actor portrayed their part as if it was written for them. This made the evening a very enjoyable one to those who enjoy good theatre.
However, there was one slight flaw in an otherwise stellar evening at the theatre. There is a term in comedic theatre which refers to those utterance which are meant to illicit laughter from the audience. These utterances are called “Laugh Lines.” It’s customary for the actors speaking these lines to give a pause to allow the audience’s laughter to reach its fullness before proceeding to the next line. This pause was missing during some of the production but such a situation is often self correcting as a play continues it run and the watchful eye of the director and the instinctive nature of the actors progresses with each performance.
The Production was Directed Chris Centrella* and Stage Managed by Irene Garner. The Technical Director was Kayla Goble who also operated the Light board and the Costumer was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Midge McClosky* served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Amy Cramer* served as Marketing Assistant.
This production of “I Ought To Be In Pictures” by Neil Simon will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until August 26th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who enjoy exploring the estranged emotional bonds with others and themselves while doing so with a smile.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Neil Simon
Directed by: Chris Centrella
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented their production of Neil Simon‘s “I Ought To Be In Pictures” in their Black Box Theatre. This was the second production placed in this new intimate theatrical setting and it proved to be a wise choice. It not only allowed the audience experience the play through the words and behaviors of the actors but it also allowed them to look into the heart of the play.
“I Ought To Be In Pictures” is about a daughter of an out of work screen writer who comes to visit her father whom she hasn’t seen since her early childhood sixteen years ago. The play explores many of the issue arising from such an occurrence which includes regret, anger, and the desire to make amends. However, it’s all done with the fine mixture of humor and pathos the mastery of Neil Simon has become known for. The audience finds itself laughing while coming to terms with the plays deeper exploration of the issues that invades their hearts. This is what comedic theatre does at its best.
“I Ought To Be In Pictures” cast consists of Rob Ramos* who portrayed Herb (the father who left his home to follow his dream of becoming a writer only to realize an even larger and more fulfilling dream when he rediscovers something he left behind), Eileen Schmitt who portrayed Libby (the daughter who wants to desperately connect with the missing pieces in her life and to follow her own dreams while maintaining her new reconnection), and Marie Steeger* who portrayed Steffy (Herb’s girlfriend who provides the emotional wisdom embodied in the soul of the play). Each actor portrayed their part as if it was written for them. This made the evening a very enjoyable one to those who enjoy good theatre.
However, there was one slight flaw in an otherwise stellar evening at the theatre. There is a term in comedic theatre which refers to those utterance which are meant to illicit laughter from the audience. These utterances are called “Laugh Lines.” It’s customary for the actors speaking these lines to give a pause to allow the audience’s laughter to reach its fullness before proceeding to the next line. This pause was missing during some of the production but such a situation is often self correcting as a play continues it run and the watchful eye of the director and the instinctive nature of the actors progresses with each performance.
The Production was Directed Chris Centrella* and Stage Managed by Irene Garner. The Technical Director was Kayla Goble who also operated the Light board and the Costumer was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Midge McClosky* served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Amy Cramer* served as Marketing Assistant.
This production of “I Ought To Be In Pictures” by Neil Simon will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until August 26th. Tickets can be reserved by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. This play is recommended to those who enjoy exploring the estranged emotional bonds with others and themselves while doing so with a smile.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, August 01, 2007
The Filmmaker Evolution Continues
The Cast of The Shining Star Productions’* film entitled, “The Filmmaker” met with writer and director Dave Morton* to further explore the film before the actual production begins at The Dale Snow Theatre of The Fine Arts Buliding on the Campus of East Stroudsburg University in East Stroudsburg, PA on Wednesday August 1st. The film features the talents of Michael Demyan as Will Sennet, Don "Charlie" Johnson as Mike, Angel Berlane as Mary, Talya Lockwood as Ashley, Lou Lebron as Jimmy DeMille, Paul Adam Smeltz (that’s me)* as Professor Roberts, Merrill McGuiness as Lauren, Daniel McLaughlin as Grant, Jason Pallay as Gary, Armando Medina as Mr. DeMille, Matthew Davidson as Brad, Raj Shankar as Big Boy, Elly Koening as The Girl on Date, and Angelo Revilla* as The Guy on Date. The film is a comedy relating to the dreams of a young filmmaker as he encounters the life changing decisions many artists makes when their dreams seem to be in conflict with whatever reality deems more important. Please visit The Shining Star Productions at www.myspace.com/shiningstar_productions for more information. You’ll find numerous photographs at The Forwardian Arts Society Filmmaker Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, July 30, 2007
The Devil Comes Down to Sherman
The Sherman Theatre* in Stroudsburg, PA presented the Charlie Daniels’ Band on Monday July 30th to a house filled with country music fans. It was a night filled with music, dancing, and down home fun. Richard Berkowitz*, Cheryl Yost*, Theresa*, Brook*, and Bill Kelly* (all of the Sherman) were there along with Arline M. Smeltz*, Scott Flax*, and Gary Lambert* who enjoyed the show. The next show at The Sherman Theatre* will be “It’s Just Comedy” featuring “Talent” Saturday August 3rd. Please contact at The Sherman Theatre* at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society The Devil Comes Down to Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, July 29, 2007
Theatrical Review: Disney‘s High School Musical.
DISNEY’S HIGH SCHOOL MUSICAL
Based on The Disney’s Channel Original Movie by: Peter Barsocchini
Book by: David Simpatico
Songs by: Numerous People
Directed by: Susan Jordon
Choreographed by: Evie Korovesis
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* production of “Disney‘s High School Musical.” There comes times in many reviewers’ endeavors to critique the work they experience when an internal debate occurs. Does what one feel about the work reflects the quality of the piece or are there other considerations to be reckoned with that goes beyond personal taste and understanding of the art. This is a debate I find myself in while watching and preparing to compose this review of “Disney‘s High School Musical.”
“Disney‘s High School Musical” is not a play I would make a considerable effort to see. I find its shallowness, departure from reality, and it’s blatant commercialism repugnant to everything I hold to be true to what the theatrical experience should be about. However, when I ask myself some pointed questions regarding the production, I begin to see a world of thoughts beyond these sensibilities. Was the play well produced? Within the confines of the play as written, yes it was. Was the play well acted? Within the confines of the characterizations created, yes it was. Was the choreography staged well? Yes and with a great deal of energy. Was the production well received? Well, considering most of the large audience consisted of family and friends of the cast, it was.
“Disney‘s High School Musical” has a very large cast consisting of many teens and adults. To say they are talented and have great potential in their future theatrical endeavors would be a gross understatement. The exuberant energy and dedication they brought to their roles were quite impressive and I’ve found myself looking forward to the day when I see many of in more challenging and meaningful work. The choreography was a nice blend of simplistic and complex movements which added an excitement which brought pleasure to the audience and enhanced the production.
“Disney‘s High School Musical” is about (as the title suggests) a High School Musical. The musical the school’s drama teacher wishes to produce is taken from Shakespeare’s “Romeo and Juliet” and is entitled, “Juliet and Romeo.” The story consists of the rivalry between school factions comprising of Jocks (Athletes), Thespians (Actors), and Brainiacs (Science Students). Two students become infatuated with one another during the audition process of the play and their struggle to overcome peer pressures vaguely parallels those of Romeo and Juliet’s struggle to overcome the pressures of being Monique and Capulet. The play concludes with everyone free to make their own choices in whom to associate with while the leads (Troy Bolton as portrayed by Matthew Roseti and Gabriella Montex as portrayed by Megan Griffith) of “Disney‘s High School Musical” get the leads in “Juliet and Romeo.” Surprise Surprise.
“Disney‘s High School Musical” cast consists of The Jocks were portrayed by Brandon Hanks, Peter Korovesis, Birian Gilbert, Ryan McDermott, Aaron Pappalardo, Patrick Murphy, and Brian Sullivan, The Thespians were portrayed by Ali Dickison, Grant Snuffer, Matthew Catrillo, DeJuan Thompson, Akia Williams (who also portrayed a Skater Dude), Alyssa Glueck (who also portrayed a Brainiac), Natalie Gilbert, Kim Van Camp, and Vanessa Rosas (who also portrayed a Brainiac), The Brainiacs were portrayed by Rachel Cohen, Rachel Hettinger, Dominique Perez, and Rebecca Roeber, the Wildcat (the school’s team) Cheerleaders were portrayed by Kaitie Kaiser, Jullian Dente, Anne Braggs, Jasmine Morales, and Annie Spangler, and Kevin Dwyer portrayed a Skater Dudes. The teachers were portrayed by Michael Catrillo as Coach Bolton, Antionette Martinelli as Ms. Darbus, Heather Clarkson (who also served as Stage manager) as Ms. Tenney and the Science Competition Monitor, and Luke Ackerman (who also served as Stage manager) as the Karaoke Announcer.
The Production was Directed Susan Jordan Choreographed by Evie Koroveses, The Music Director was Ronan Marino, The Production Manager was Brenda Roeber, The Technical Director and Lighting Designer was Scott DeSantis, Sound Designer was Glen Kern, and the Set Designer was Michael Eyth.
This Pocono Lively Arts* production of “Disney‘s High School Musical” by David Simpatico has already concluded it’s short run which was July 27th - 29th at The Sherman Theatre* in Stroudsburg, PA. Their next production will be based on the Chrales Dicken’s Classic, “Oliver” running November 16th - 18th. You can reserve tickets by calling the Sherman Theatre* at 570-420-2808 or by exploring their website at www.shermantheatre.com. While I can no longer help the reader of this review decide whether or not to see this play since it‘s already over, I can recommend how going beyond personal taste and experiences can lead to an enjoyable evening at the theatre.
Several Pictures taken by The Forwardian Arts Society could be found at the Disney at The Sherman Gallery at www.myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Based on The Disney’s Channel Original Movie by: Peter Barsocchini
Book by: David Simpatico
Songs by: Numerous People
Directed by: Susan Jordon
Choreographed by: Evie Korovesis
Theatrical Review by: Paul Adam Smeltz
The Sherman Theatre* in Stroudsburg, PA presented The Pocono Lively Arts* production of “Disney‘s High School Musical.” There comes times in many reviewers’ endeavors to critique the work they experience when an internal debate occurs. Does what one feel about the work reflects the quality of the piece or are there other considerations to be reckoned with that goes beyond personal taste and understanding of the art. This is a debate I find myself in while watching and preparing to compose this review of “Disney‘s High School Musical.”
“Disney‘s High School Musical” is not a play I would make a considerable effort to see. I find its shallowness, departure from reality, and it’s blatant commercialism repugnant to everything I hold to be true to what the theatrical experience should be about. However, when I ask myself some pointed questions regarding the production, I begin to see a world of thoughts beyond these sensibilities. Was the play well produced? Within the confines of the play as written, yes it was. Was the play well acted? Within the confines of the characterizations created, yes it was. Was the choreography staged well? Yes and with a great deal of energy. Was the production well received? Well, considering most of the large audience consisted of family and friends of the cast, it was.
“Disney‘s High School Musical” has a very large cast consisting of many teens and adults. To say they are talented and have great potential in their future theatrical endeavors would be a gross understatement. The exuberant energy and dedication they brought to their roles were quite impressive and I’ve found myself looking forward to the day when I see many of in more challenging and meaningful work. The choreography was a nice blend of simplistic and complex movements which added an excitement which brought pleasure to the audience and enhanced the production.
“Disney‘s High School Musical” is about (as the title suggests) a High School Musical. The musical the school’s drama teacher wishes to produce is taken from Shakespeare’s “Romeo and Juliet” and is entitled, “Juliet and Romeo.” The story consists of the rivalry between school factions comprising of Jocks (Athletes), Thespians (Actors), and Brainiacs (Science Students). Two students become infatuated with one another during the audition process of the play and their struggle to overcome peer pressures vaguely parallels those of Romeo and Juliet’s struggle to overcome the pressures of being Monique and Capulet. The play concludes with everyone free to make their own choices in whom to associate with while the leads (Troy Bolton as portrayed by Matthew Roseti and Gabriella Montex as portrayed by Megan Griffith) of “Disney‘s High School Musical” get the leads in “Juliet and Romeo.” Surprise Surprise.
“Disney‘s High School Musical” cast consists of The Jocks were portrayed by Brandon Hanks, Peter Korovesis, Birian Gilbert, Ryan McDermott, Aaron Pappalardo, Patrick Murphy, and Brian Sullivan, The Thespians were portrayed by Ali Dickison, Grant Snuffer, Matthew Catrillo, DeJuan Thompson, Akia Williams (who also portrayed a Skater Dude), Alyssa Glueck (who also portrayed a Brainiac), Natalie Gilbert, Kim Van Camp, and Vanessa Rosas (who also portrayed a Brainiac), The Brainiacs were portrayed by Rachel Cohen, Rachel Hettinger, Dominique Perez, and Rebecca Roeber, the Wildcat (the school’s team) Cheerleaders were portrayed by Kaitie Kaiser, Jullian Dente, Anne Braggs, Jasmine Morales, and Annie Spangler, and Kevin Dwyer portrayed a Skater Dudes. The teachers were portrayed by Michael Catrillo as Coach Bolton, Antionette Martinelli as Ms. Darbus, Heather Clarkson (who also served as Stage manager) as Ms. Tenney and the Science Competition Monitor, and Luke Ackerman (who also served as Stage manager) as the Karaoke Announcer.
The Production was Directed Susan Jordan Choreographed by Evie Koroveses, The Music Director was Ronan Marino, The Production Manager was Brenda Roeber, The Technical Director and Lighting Designer was Scott DeSantis, Sound Designer was Glen Kern, and the Set Designer was Michael Eyth.
This Pocono Lively Arts* production of “Disney‘s High School Musical” by David Simpatico has already concluded it’s short run which was July 27th - 29th at The Sherman Theatre* in Stroudsburg, PA. Their next production will be based on the Chrales Dicken’s Classic, “Oliver” running November 16th - 18th. You can reserve tickets by calling the Sherman Theatre* at 570-420-2808 or by exploring their website at www.shermantheatre.com. While I can no longer help the reader of this review decide whether or not to see this play since it‘s already over, I can recommend how going beyond personal taste and experiences can lead to an enjoyable evening at the theatre.
Several Pictures taken by The Forwardian Arts Society could be found at the Disney at The Sherman Gallery at www.myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, July 28, 2007
The Bookhouse Robin
The Eastern Monroe Public Library (EMPL)* in Stroudsburg, PA presented a concert featuring Acoustic Guitarist Robin Greenstein www.robingreenstein.com with a percussionist (sorry-forgot the name) during their Bookhouse Concert Series on Friday July 27th. The Concert was filled with many original songs written by Ms. Greenstein mixed in with a number of folk tunes which led to a delightfully pleasant evening for all who attended. Rob Ramos*, John Cusumano*, and Linnae Cintron* (all of The EMPL) along with Arline M. Smeltz* was among appreciative audience who attended the event. The Next Bookhouse concert will be jazz quintet Co-Op-Bop* www.co-opbop.net for an incredible night of jazz on Friday September 28th. Please contact The Eastern Monroe Public Library* at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society The Bookhouse Robin Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Tuesday, July 24, 2007
Second July COTA
The Celebration of the Arts (COTA)* held their monthly meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at The Deer Head Inn* in Delaware Water Gap, PA on Tuesday July 24th. The General Meetings are held the 2nd and 4th Tuesday of the month and all who wish to participate in the great event are welcomed to attend. Volunteers in Security, Stage Crew, Ticket Sales, and other areas are always valued. Cyndie Dutkiewicz*, Lauren Chamberlain-Mussner (Chaired the meeting)*, Jim Wyckoff*, and Tim Helman* (Board Members of COTA) were among those who attended. Jill Goodwin*, Arline M. Smeltz*, Cheryl Joubert*, Phil Woods*, and Richard Chamberlain* along with Bob and Jamie Garner* and Pat and Terri Gaughan* were also present. The next meeting will be held Tuesday August 14th at 7:30pm. Please contact The Celebration of the Arts at 570-424-2210 for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, July 21, 2007
Buck Hill Falls Festival
The Buck Hill Falls Art Association* in Buck Hill Falls, PA held their Annual Fine Arts and Crafts Festival on July 21st and 22nd. The grand event was filled with numerous pieces of arts to delight the eye and soul along with crafts to adorn the home and body. Hector Byrd* of Functional Bronze Sculptors (www.HVQByrd.com), William D. Hobbs*, William Daskal*, Linda Mann*, Leigh Ann Stratakos* of 3 Moons Yoga, Milan Melicharek, Jamie Agins, and Jennifer Vavala were among the many artists and crafters who shared their work. Ron Ford*, Arline M. Smeltz*, and Tina Mandry* (who served as a volunteer for the festival) were also present at the event. Please contact The Buck Hill Falls Art Association* at 570-595-2514 for more information. You’ll find numerous photographs at The Forwardian Arts Society Buck Hill Falls Festival Gallery at myspace.com/forwardian_arts. Visual Arts JAS 07
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, July 15, 2007
Organs in the Afternoon
The East Stroudsburg United Methodist Church in East Stroudsburg, PA presented a “Program of Organ Music” by Pauline Fox with Brian McNulty, Jonathan Strack, and Our Good Friend Thomas D. Busteed (my Nephew) on Sunday July 15th. The program consisted of pipe organ music from a variety of composers along with some selections which included other musical instruments and voice. Our Good Friends Donald, Anna, and Rose Busteed along with Arline M. Smeltz were present during the much appreciated performance. Please contact The East Stroudsburg United Methodist Church at 570-421-3280 for more information. You’ll find numerous photographs at The Forwardian Arts Society Organs in the Afternoon Gallery at myspace.com/forwardian_arts.
Theatrical Review: The Best Little Whorehouse in Texas.
THE BEST LITTLE WHOREHOUSE IN TEXAS
Music and Lyrics by: Carol Hall
Book by: Larry L. King and Peter Masterson
Based on a story by: Larry L. King
Directed and Choreographed by: Carmela Guiteras Mayo
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of Larry L. King‘s “The Best Little Whorehouse in Texas.” There are times I reflect upon some of the women in my life and wonder what I was thinking. Thanks to this production, I know. From the arousing opening number featuring shadow dances encouraging members of the audience to remark, “Holy Kama Sutra, Batman” to the climatic ending, “The Best Little Whorehouse in Texas” is filled with enough energy, humor, and tantalizations to delight even the most moralistic audience member.
In fact, the play’s down to earthy humor and subsequent wisdom reminds its audience a high moral sense isn’t just for those who proclaim it as their own personal means of gaining attention. It is the providence of anyone who wish to better the lives and situations of everyone they come in contact with including themselves. “The Best Little Whorehouse in Texas” demonstrates this through the independence of its women to enter a profession in which they have a control over their destinies while finding a way to pursue their profession without the pitfall others who made a similar choice have. These pitfalls include abusive pimps, contracting venereal diseases, and serving time in jail.
“The Best Little Whorehouse in Texas” seems to be a manifesto for the decriminalization of prostitution but it is more than that. The play also explores the emotional side of human relationship including those involving neglect and abuse and political and moral hypocrisy. One only have to observe the recent news to be reminded how little things have changed since the time when “The Best Little Whorehouse in Texas” was first presented. Unfortunately, the play may remain relevant for some time to come.
The play is well written as it addresses these issues through humor and music without becoming silly as a lesser play might be tempted to do. The acting was superb as everyone came to the stage with ell developed characters and consistently maintained a high level of performance throughout the evening. The timing of the actors as well as the scene and costume changes were very impressive. This production could be the basis on how a musical on a small stage should be performed.
“The Best Little Whorehouse in Texas” cast consists of Kristen Gehling portrayed Mona (the Madam of the house) with a self assuredness in her wisdom which came from many years of experience. The Girls of “The Best Little Whorehouse in Texas” (aka “The Chicken Ranch”) are Holli Banks who portrayed Jewell, Laurie Sutton who portrayed Angel, Chelsea Best who portrayed Shy, Audrey Holeman who portrayed Dawn, Christina Maslin who portrayed Ruby Rae, Jessica Bay Blyweiss who portrayed Ginger, Becky Day who portrayed Beatrice, and Lindsie Van Winkle who (with a striking resemblance to First Lady Laura Bush) portrayed Linda Lou and a waitress named Doatsy Mae.
Although these ladies were the main attraction of the evening, the male members of the cast were equally impressive. Chris J. Hadley portrayed Sheriff Dodd with a balanced mixture of common sense attitudes and political incorrectness which amused, enlightened, and even disturbed members of the audience with its bluntness. Other male roles were Michael Pine who portrayed the publicity seeking moral watchdog Melvin P. Thorpe, Thomas Schario who portrayed both C. J. Scruggs and the side stepping Governor, Michael Alan Read who portrayed both Local Journalist Edsel Mackey and “Good Ol’ Boy” Senator Wingwoah, Michael Bauer who portrayed Mayor Rufus Poindexter, Chris Johnson who portrayed the TV Colorman for the football game sequence, and Elvin Roytman who portrayed Pete. Besides the roles noted, many of the actors and actresses also portrayed Doggettes, Thorpe Singers, Aggies, and Angelettes.
The Production was Directed and Choreographed by Carmela Guiteras Mayo, The Music Director was Tim Rosser on piano along with Brian McNulty on Drums and Matt O‘Donnell on Bass, The Production Manager was Susan Bourn, and The Stage and Company Manager was Elizabeth Creamer. The Technical Director was Kayla Goble who also operated the Light board, and the Costumer was Betsy Paugh. William J Ulichney was the scenic designer. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer served as Marketing Assistant.
This production of “The Best Little Whorehouse in Texas” by Larry L. King will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until September 2nd. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. With all the humor, singing, dancing, expressions of common sense, and sex, what’s there not to like? I recommend seeing this play for all who would like to visit a place where (as one song in the show states) “nothing dirty goes on.”
Music and Lyrics by: Carol Hall
Book by: Larry L. King and Peter Masterson
Based on a story by: Larry L. King
Directed and Choreographed by: Carmela Guiteras Mayo
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of Larry L. King‘s “The Best Little Whorehouse in Texas.” There are times I reflect upon some of the women in my life and wonder what I was thinking. Thanks to this production, I know. From the arousing opening number featuring shadow dances encouraging members of the audience to remark, “Holy Kama Sutra, Batman” to the climatic ending, “The Best Little Whorehouse in Texas” is filled with enough energy, humor, and tantalizations to delight even the most moralistic audience member.
In fact, the play’s down to earthy humor and subsequent wisdom reminds its audience a high moral sense isn’t just for those who proclaim it as their own personal means of gaining attention. It is the providence of anyone who wish to better the lives and situations of everyone they come in contact with including themselves. “The Best Little Whorehouse in Texas” demonstrates this through the independence of its women to enter a profession in which they have a control over their destinies while finding a way to pursue their profession without the pitfall others who made a similar choice have. These pitfalls include abusive pimps, contracting venereal diseases, and serving time in jail.
“The Best Little Whorehouse in Texas” seems to be a manifesto for the decriminalization of prostitution but it is more than that. The play also explores the emotional side of human relationship including those involving neglect and abuse and political and moral hypocrisy. One only have to observe the recent news to be reminded how little things have changed since the time when “The Best Little Whorehouse in Texas” was first presented. Unfortunately, the play may remain relevant for some time to come.
The play is well written as it addresses these issues through humor and music without becoming silly as a lesser play might be tempted to do. The acting was superb as everyone came to the stage with ell developed characters and consistently maintained a high level of performance throughout the evening. The timing of the actors as well as the scene and costume changes were very impressive. This production could be the basis on how a musical on a small stage should be performed.
“The Best Little Whorehouse in Texas” cast consists of Kristen Gehling portrayed Mona (the Madam of the house) with a self assuredness in her wisdom which came from many years of experience. The Girls of “The Best Little Whorehouse in Texas” (aka “The Chicken Ranch”) are Holli Banks who portrayed Jewell, Laurie Sutton who portrayed Angel, Chelsea Best who portrayed Shy, Audrey Holeman who portrayed Dawn, Christina Maslin who portrayed Ruby Rae, Jessica Bay Blyweiss who portrayed Ginger, Becky Day who portrayed Beatrice, and Lindsie Van Winkle who (with a striking resemblance to First Lady Laura Bush) portrayed Linda Lou and a waitress named Doatsy Mae.
Although these ladies were the main attraction of the evening, the male members of the cast were equally impressive. Chris J. Hadley portrayed Sheriff Dodd with a balanced mixture of common sense attitudes and political incorrectness which amused, enlightened, and even disturbed members of the audience with its bluntness. Other male roles were Michael Pine who portrayed the publicity seeking moral watchdog Melvin P. Thorpe, Thomas Schario who portrayed both C. J. Scruggs and the side stepping Governor, Michael Alan Read who portrayed both Local Journalist Edsel Mackey and “Good Ol’ Boy” Senator Wingwoah, Michael Bauer who portrayed Mayor Rufus Poindexter, Chris Johnson who portrayed the TV Colorman for the football game sequence, and Elvin Roytman who portrayed Pete. Besides the roles noted, many of the actors and actresses also portrayed Doggettes, Thorpe Singers, Aggies, and Angelettes.
The Production was Directed and Choreographed by Carmela Guiteras Mayo, The Music Director was Tim Rosser on piano along with Brian McNulty on Drums and Matt O‘Donnell on Bass, The Production Manager was Susan Bourn, and The Stage and Company Manager was Elizabeth Creamer. The Technical Director was Kayla Goble who also operated the Light board, and the Costumer was Betsy Paugh. William J Ulichney was the scenic designer. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer served as Marketing Assistant.
This production of “The Best Little Whorehouse in Texas” by Larry L. King will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until September 2nd. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. With all the humor, singing, dancing, expressions of common sense, and sex, what’s there not to like? I recommend seeing this play for all who would like to visit a place where (as one song in the show states) “nothing dirty goes on.”
Saturday, July 14, 2007
PCAC Art Show
Our Good Friends at The Pike County Arts and Crafts, Inc. (PCAC) in Milford, PA held an Artists’ Reception for their 57th Annual Art Show on Friday July 13th. Our Good Friends Christine Griffin of The BUZZ Arts Guide and BUZZ online (www.BuzzArtsGuide.com) and Paul Adam Smeltz (that’s me) of The Forwardian Arts Society were among the jurors who selected several pieces representing the best of the works to be given special recognition for the talent they manifested.
The evening began with a ceremony at The Episcopal Church of The Good Shepard and St. John the Divine in Milford, PA to honor those whose work made the event meaningful. The Ceremonies began with some welcoming words by Our Good Friend James A. Campistrious of J. Angelo Event Planning who Coordinated the Show along with Ellen Bawcom of La Tienda. They continued with the recognition Our Good Friend John Longendorfer and his family of The Golden Fish Gallery in Milford, PA for whom this year’s Art Show was dedicated to. The remainder of the ceremonies consisted of some inspiring words from the founders of PCAC and the awarding of The 12th Annual Georgiana P. Kiger “Excellence in Art” Scholarships to Anika Scheepers and Syndney Polatnick.
Afterwards, all those attended were treated with an enormous array of enticing foods prior to partaking of the wonderful opportunity to experience the work and share in the good conversation with the very talented artists who made the entire evening a further delight. It was good to meet some new friends as well as becoming reacquainted with those I’ve met in the past. There were too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me.
The Art Show will continue until July 22nd. Please contact Our Good Friends at The Pike County Arts and Crafts, Inc. (PCAC) at 570-296-2338 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCAC Art Show Gallery at myspace.com/forwardian_arts.
The evening began with a ceremony at The Episcopal Church of The Good Shepard and St. John the Divine in Milford, PA to honor those whose work made the event meaningful. The Ceremonies began with some welcoming words by Our Good Friend James A. Campistrious of J. Angelo Event Planning who Coordinated the Show along with Ellen Bawcom of La Tienda. They continued with the recognition Our Good Friend John Longendorfer and his family of The Golden Fish Gallery in Milford, PA for whom this year’s Art Show was dedicated to. The remainder of the ceremonies consisted of some inspiring words from the founders of PCAC and the awarding of The 12th Annual Georgiana P. Kiger “Excellence in Art” Scholarships to Anika Scheepers and Syndney Polatnick.
Afterwards, all those attended were treated with an enormous array of enticing foods prior to partaking of the wonderful opportunity to experience the work and share in the good conversation with the very talented artists who made the entire evening a further delight. It was good to meet some new friends as well as becoming reacquainted with those I’ve met in the past. There were too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me.
The Art Show will continue until July 22nd. Please contact Our Good Friends at The Pike County Arts and Crafts, Inc. (PCAC) at 570-296-2338 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCAC Art Show Gallery at myspace.com/forwardian_arts.
Tuesday, July 10, 2007
July COTA
Our Good Friends at The Celebration of the Arts (COTA) held their monthly meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at Our Good Friends at The Deer Head Inn in Delaware Water Gap, PA on Tuesday July 10th. The General Meetings are held the 2nd and 4th Tuesday of the month and all who wish to participate in the great event are welcomed to attend. Volunteers in Security, Stage Crew, Ticket Sales, and other areas are always valued. Our Good Friends Cyndie Dutkiewicz, Lauren Chamberlain-Mussner, Jim Wyckoff, Bill Goodwin, and Tim Helman (Board Members of COTA) were among those who attended. Our Good Friends Arline M. Smeltz, Krissy Bender, and Steve Krawlitz along with Bob and Jamie Garner and Pat and Terri Gaughan were also present. The next meeting will be held Tuesday July 24th at 7:30pm. Please contact Our Good Friends at The Celebration of the Arts at 570-424-2210 for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
Monday, July 09, 2007
Theatrical Review: Proof
PROOF
Written by: David Auburn
Directed by: Jon Baptiste
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of David Auburn’s “Proof” in their new “Black Box Theatre” designed to enhance the experience more intimate pieces than the musicals the playhouse has become known for. This setting was an ideal one as “Proof” is a play about intimacy and its staging in a small area engaged the audience to share in the deeper dynamics of each character and the scenes they inhabit.
The play is well written and has won many awards. However, if the acting is not sufficient, all the awards and recognition can not keep an audience from a bad production. This is not the case here. Besides the occasional stepping on lines which can be attributed to “Opening Night Jitters,” this production was superbly done. Each actor shared with the audience their character’s emotional depth which allowed each member of the audience to explore themselves and their relationship with those who hold significance in their lives.
Besides these emotional properties, the play is unique in its presentation of events within it. The plot of the play is told in flashbacks. This isn’t usually done in theatre and it’s more common in film or television. But, the proof (pun can be intended) it can be done well on stage is quite evident. This technique in storytelling enables the audience to see the motivation underlying words and actions. Therefore, this production becomes more real than real for its audience by not only suspends their disbelief but also breaks down the barriers of the fourth wall by presenting it in their new “Black Box Theatre.”
As I mentioned earlier, the acting was superb as each actor found and maintained an almost mathematical balance in their character’s emotion throughout the play. Sara Ferguson (who portrayed Catherine) balanced her resentment and anger for giving up her life to care for her father with the loving memories she has after his passing. Our Good Friend Amy Cramer (who portrayed Claire - Catherine‘s sister) balanced her condescending clarity with her desire to control others through her benevolence. Mark Vance (who portrayed Hal) balanced his deep respect for the mathematical accomplishments of Catherine’s father with the desire to further his career by learning from what he left behind. Finally, there is Dennis Carrig (who portrayed Robert - Catherine and Claire’s father) who balanced his desire to learn the further reaches of his genius with the fear his exploration will end in the further reaches of his madness.
The balance each character strikes is not the only aspect of this production that makes it so compelling. There is also how each character reacts to one another and how that interaction effects the balance. I’m reminded of an equation which has been referred to as the human equation. It’s simply a + b + c. Even if a person represented by “a” or “b” remain constant, any changes in the other variant changes the dynamic of the relationship as represented be “c.” This was demonstrated throughout the play as each character revised their variant to meet each thought and situation they encountered. Therefore, the mood of the play changed as did the level of the audience’s involvement which enhanced the theatrical experience.
The Production was Directed by Jon Baptiste, The Production Manager was Susan Bourn, and Stage Managed by Marissa Phillips. The Technical Director was Kayla Goble, the Light and Sound Operator was Gerald Siegler, and the Costume and Dresser was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer (who portrayed Claire) served as Marketing Assistant.
This production of “Proof” by David Auburn will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until July 29th. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. I recommend seeing this play for all who would like to explore their relationships with themselves and those who inhabit their lives.
Written by: David Auburn
Directed by: Jon Baptiste
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Shawnee Playhouse in Shawnee on the Delaware, PA presented their production of David Auburn’s “Proof” in their new “Black Box Theatre” designed to enhance the experience more intimate pieces than the musicals the playhouse has become known for. This setting was an ideal one as “Proof” is a play about intimacy and its staging in a small area engaged the audience to share in the deeper dynamics of each character and the scenes they inhabit.
The play is well written and has won many awards. However, if the acting is not sufficient, all the awards and recognition can not keep an audience from a bad production. This is not the case here. Besides the occasional stepping on lines which can be attributed to “Opening Night Jitters,” this production was superbly done. Each actor shared with the audience their character’s emotional depth which allowed each member of the audience to explore themselves and their relationship with those who hold significance in their lives.
Besides these emotional properties, the play is unique in its presentation of events within it. The plot of the play is told in flashbacks. This isn’t usually done in theatre and it’s more common in film or television. But, the proof (pun can be intended) it can be done well on stage is quite evident. This technique in storytelling enables the audience to see the motivation underlying words and actions. Therefore, this production becomes more real than real for its audience by not only suspends their disbelief but also breaks down the barriers of the fourth wall by presenting it in their new “Black Box Theatre.”
As I mentioned earlier, the acting was superb as each actor found and maintained an almost mathematical balance in their character’s emotion throughout the play. Sara Ferguson (who portrayed Catherine) balanced her resentment and anger for giving up her life to care for her father with the loving memories she has after his passing. Our Good Friend Amy Cramer (who portrayed Claire - Catherine‘s sister) balanced her condescending clarity with her desire to control others through her benevolence. Mark Vance (who portrayed Hal) balanced his deep respect for the mathematical accomplishments of Catherine’s father with the desire to further his career by learning from what he left behind. Finally, there is Dennis Carrig (who portrayed Robert - Catherine and Claire’s father) who balanced his desire to learn the further reaches of his genius with the fear his exploration will end in the further reaches of his madness.
The balance each character strikes is not the only aspect of this production that makes it so compelling. There is also how each character reacts to one another and how that interaction effects the balance. I’m reminded of an equation which has been referred to as the human equation. It’s simply a + b + c. Even if a person represented by “a” or “b” remain constant, any changes in the other variant changes the dynamic of the relationship as represented be “c.” This was demonstrated throughout the play as each character revised their variant to meet each thought and situation they encountered. Therefore, the mood of the play changed as did the level of the audience’s involvement which enhanced the theatrical experience.
The Production was Directed by Jon Baptiste, The Production Manager was Susan Bourn, and Stage Managed by Marissa Phillips. The Technical Director was Kayla Goble, the Light and Sound Operator was Gerald Siegler, and the Costume and Dresser was Amanda Hughlette. Producers were Ginny and Charlie Kirkwood while Our Good Friend Midge McClosky served as The Theatre’s Executive Director. The Box Office Staff consists of Mary Horn, Lillian Gonzalez, and Kasey Mesko. Our Good Friend Amy Cramer (who portrayed Claire) served as Marketing Assistant.
This production of “Proof” by David Auburn will continue its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until July 29th. You can reserve tickets by calling 570-421-5093 or by exploring their website at www.theshawneeplayhouse.com. I recommend seeing this play for all who would like to explore their relationships with themselves and those who inhabit their lives.
Sunday, July 08, 2007
A Bautier Evening at The Gazebo
Our Good Friends at The Presbyterian Church of the Mountain in Delaware Water Gap, PA presented the lively sounds of Our Good Friend Michele Bautier on Sunday July 8th as part of their summer concert series. A delighted audience were thoroughly entertained by the great music. Our Good Friends Michael Wetmore of Support Your Local poets-Hooray (SYLP-H), James Dellaria, Gary Lambert, John Weiss, Sarah Bentz, Nancy Scheirer of Kirkridge, Maria Horn of The Pocono Record, and Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at The Presbyterian Church of the Mountain will feature JARO at 6pm. Please contact Our Good Friends at The Presbyterian Church of the Mountain at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM 07 Gallery at myspace.com/forwardian_arts.
Art of the 7s
Our Good Friends at The Jacob Stroud Corporation in Stroudsburg, PA held their monthly Evening on Main event on Saturday July 7th. A great number of visual and performing artists lent their talents to help make the evening a wonderful event for all who come to experience it. These included exhibitions at Our Good Friends at Gallery 705 and ArtSpace along with performances by Our Good Friends Spencer and Nancy Reed and The Pocono Lively Arts preview of their upcoming production of Disney’s “High School Musical” to take place July 27th - 29th at Our Good Friends at The Sherman Theatre. A great number of people came to the event and I’ve met up with many of Our Good Friends in the fellowship. They are too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me. Please contact Our Good Friends at The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society July Arts in Stroudsburg Gallery at myspace.com/forwardian_arts.
Sunday, July 01, 2007
Hamza at the Gazebo
Our Good Friends at The Presbyterian Church of the Mountain (PMOC) in Delaware Water Gap, PA presented the lively sounds of Mark Hamza and the Great Swamp Blues Band on Sunday July 1st as part of their summer concert series. A delighted audience were thoroughly entertained by the great music featured upon the wonderful Organ which has become associated with the group. Our Good Friends Michael Wetmore of Support Your Local poets-Hooray (SYLP-H), John Weiss, and Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at The Presbyterian Church of the Mountain will feature Our Good Friend Michele Bautier on Sunday July 8th at 6pm. Please contact Our Good Friends at The Presbyterian Church of the Mountain at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM Gallery at myspace.com/forwardian_arts.
Idol at The Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented a fantastic benefit concert featuring “American Idol” winner Ruben Studdard with proceeds going to the YMCA, Women’s Resources, and Leadership Pocono on Saturday June 30th. The lively and soul filled performance was preceded by Our Good Friend Nadeen Edwards whose talents could easily qualify her as an “Idol” in her own right. Our Good Friends Richard Berkowitz, Bill Kelly and Theresa (all of the Sherman) were there along with Our Good Friends Arline M. Smeltz, Mark Litchy, and Monroe County Commissioner Suzanne McCool with the very large audience who enjoyed the performance. The next show at Our Good Friends at The Sherman Theatre will be an Independent Rock Series Event featuring Pull the Pin, Atralen, Geronimo, Full Security, A Burden Called Aimara, Pearl Heart, and Set to Detonate on Friday July 6th at 6pm. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Idol at the Sherman Gallery at myspace.com/forwardian_arts.
Monday, June 25, 2007
Theatrical Review: Jekyll and Hyde
JEKYLL AND HYDE
Written by: Steve Cuden and Frank Wildhorn
Book and Lyrics by: Leslie Bricusse
Directed by: Kelly Foley
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented Our Good Friends at The Pocono Lively Arts’ production of Steve Cuden and Frank Wildhorn‘ “Jekyll and Hyde.” The company continued earning its reputation for presenting entertaining plays to satisfy the family oriented taste of their audience. “Jekyll and Hyde” not only add its name to the list of such productions, but enhances the joy of audiences who‘ve come to find great delight in the Broadway Musicals that have been performed during the last 15-20 years.
Numerous musical productions on Broadway have gone beyond the theatrical formulas of the past which consisted of a blend of dialogue with show tunes toward a more operaesque presentation of the work. Examples of this would be the productions of “Les Misérables“ and “The Phantom of the Opera.” “Jekyll and Hyde” follows this trend and does so much to its credit. There was a sense of one song with few variations flowing throughout the play which gave it an unique feeling of continuity and connection between the characters and the situations they found themselves in. However, there were a number of stand alone pieces which help to avid a feeling of monotony that may have occurred for some members of the audience.
“Jekyll and Hyde” is based on the famous horror story written by Robert Lewis Stevenson which was said to be inspired by a nightmare he once had. The work explore Man’s (in the non gender sense of the word) duality of good and evil. How we all possess both of these traits and how we often try to deny one in favor of the other. However, doing so may cause some undesired results as our repressed emotions rebel and make their desires known.
Our Good Friends at The Pocono Lively Arts’ production of “Jekyll and Hyde” captured the nightmarish inspiration of the work through its dreamlike sets, costuming, and staging. This created an atmosphere for the audience which enhanced their experience of the show. The play also explored the duality theme more fully by depicting people of the Victorian gentile members of society as not always being what they pretend to be and those of the so called, “Lower” order possessing many admirable traits in spite (or because) of their social standing.
The play was very well acted as the presentational style well associated with Victorian theatre was mimicked for an added effect. The quality of the acting shown through even the technical difficulties which presented themselves during the evening I attended. This distracted from the play and it is hoped this situation will be remedied soon.
Although the play was well done and performed, I did have some contention with the ending. It felt contrived and awkward. There was an attempt to counteract this sensation with a preceding narrative, but the feeling of the scene was created just to give the play an ending persisted. Luckily, it didn’t ruin the entire experience but it did leave a questionable taste in one’s mouth.
The only other unfortunate aspect of the play is the same of any short run production. It’s over. Therefore, I’m unable to encourage anyone to come out to enjoy the theatrical experience. However, I could encourage you to remain aware of future productions of The Pocono Lively Arts which are coming to Our Good Friends at The Sherman Theatre. This will be the case of their production of Disney‘s “High School Musical” taking place July 27th - 29th. Please explore The Pocono Lively Arts Website at www.poconolivelyarts.org for more information.
The Production was Directed by Kelly Foley who also designed the set, Musically Directed by Nancy Joy Koch, The Production Manager was Dale Foley, and Stage Managed by Marie Gannon. The cast included Jeffery Gilbert who portrayed Dr. Henry Jekyll and Edward Hyde, Evie Korovesis who portrayed Lucy Harris, Jessica Krupshi who portrayed Emma Carew, Luke Ackerman who portrayed Gabriel John Utterson, Neil Snuffer who portrayed Sir Danvers Carew, Jason Zimmer who portrayed Simon Stride, Jane Asher who portrayed Lady Beaconsfield, Steve Spangler who portrayed The Bishop of Basingstoke, Spencer Taylor who portrayed Lord Savage, Bill Doherty who portrayed General Lord Glossop, Gilbert James who portrayed Sir Archibald Proops, Judy Lawler who portrayed Nellie-a prostitute, Dan Eash who portrayed Spider, a pimp, and a priest, Michael Doherty who portrayed Poole-Manservant, Mike Catrillo, Ryan Groff, and Frank Shierloh portrayed some men of society while Kathie Avery, Heather dean, Beth Spangler, Olivia Weiss, Alexandra Dickenson, and Molly Brunkard portrayed some women of society.
Numerous people participated in this production as staff personnel. Although they are not listed here, they should be complimented for their outstanding contributions to the production. Their behind the scenes work helped make this and all of Our Good Friends at The Pocono Lively Arts’ productions an enjoyable experience.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Jekyll and Hyde Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts and at IIP Studios’ Website at www.iipstudios.com.
Written by: Steve Cuden and Frank Wildhorn
Book and Lyrics by: Leslie Bricusse
Directed by: Kelly Foley
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented Our Good Friends at The Pocono Lively Arts’ production of Steve Cuden and Frank Wildhorn‘ “Jekyll and Hyde.” The company continued earning its reputation for presenting entertaining plays to satisfy the family oriented taste of their audience. “Jekyll and Hyde” not only add its name to the list of such productions, but enhances the joy of audiences who‘ve come to find great delight in the Broadway Musicals that have been performed during the last 15-20 years.
Numerous musical productions on Broadway have gone beyond the theatrical formulas of the past which consisted of a blend of dialogue with show tunes toward a more operaesque presentation of the work. Examples of this would be the productions of “Les Misérables“ and “The Phantom of the Opera.” “Jekyll and Hyde” follows this trend and does so much to its credit. There was a sense of one song with few variations flowing throughout the play which gave it an unique feeling of continuity and connection between the characters and the situations they found themselves in. However, there were a number of stand alone pieces which help to avid a feeling of monotony that may have occurred for some members of the audience.
“Jekyll and Hyde” is based on the famous horror story written by Robert Lewis Stevenson which was said to be inspired by a nightmare he once had. The work explore Man’s (in the non gender sense of the word) duality of good and evil. How we all possess both of these traits and how we often try to deny one in favor of the other. However, doing so may cause some undesired results as our repressed emotions rebel and make their desires known.
Our Good Friends at The Pocono Lively Arts’ production of “Jekyll and Hyde” captured the nightmarish inspiration of the work through its dreamlike sets, costuming, and staging. This created an atmosphere for the audience which enhanced their experience of the show. The play also explored the duality theme more fully by depicting people of the Victorian gentile members of society as not always being what they pretend to be and those of the so called, “Lower” order possessing many admirable traits in spite (or because) of their social standing.
The play was very well acted as the presentational style well associated with Victorian theatre was mimicked for an added effect. The quality of the acting shown through even the technical difficulties which presented themselves during the evening I attended. This distracted from the play and it is hoped this situation will be remedied soon.
Although the play was well done and performed, I did have some contention with the ending. It felt contrived and awkward. There was an attempt to counteract this sensation with a preceding narrative, but the feeling of the scene was created just to give the play an ending persisted. Luckily, it didn’t ruin the entire experience but it did leave a questionable taste in one’s mouth.
The only other unfortunate aspect of the play is the same of any short run production. It’s over. Therefore, I’m unable to encourage anyone to come out to enjoy the theatrical experience. However, I could encourage you to remain aware of future productions of The Pocono Lively Arts which are coming to Our Good Friends at The Sherman Theatre. This will be the case of their production of Disney‘s “High School Musical” taking place July 27th - 29th. Please explore The Pocono Lively Arts Website at www.poconolivelyarts.org for more information.
The Production was Directed by Kelly Foley who also designed the set, Musically Directed by Nancy Joy Koch, The Production Manager was Dale Foley, and Stage Managed by Marie Gannon. The cast included Jeffery Gilbert who portrayed Dr. Henry Jekyll and Edward Hyde, Evie Korovesis who portrayed Lucy Harris, Jessica Krupshi who portrayed Emma Carew, Luke Ackerman who portrayed Gabriel John Utterson, Neil Snuffer who portrayed Sir Danvers Carew, Jason Zimmer who portrayed Simon Stride, Jane Asher who portrayed Lady Beaconsfield, Steve Spangler who portrayed The Bishop of Basingstoke, Spencer Taylor who portrayed Lord Savage, Bill Doherty who portrayed General Lord Glossop, Gilbert James who portrayed Sir Archibald Proops, Judy Lawler who portrayed Nellie-a prostitute, Dan Eash who portrayed Spider, a pimp, and a priest, Michael Doherty who portrayed Poole-Manservant, Mike Catrillo, Ryan Groff, and Frank Shierloh portrayed some men of society while Kathie Avery, Heather dean, Beth Spangler, Olivia Weiss, Alexandra Dickenson, and Molly Brunkard portrayed some women of society.
Numerous people participated in this production as staff personnel. Although they are not listed here, they should be complimented for their outstanding contributions to the production. Their behind the scenes work helped make this and all of Our Good Friends at The Pocono Lively Arts’ productions an enjoyable experience.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Jekyll and Hyde Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts and at IIP Studios’ Website at www.iipstudios.com.
Sunday, June 24, 2007
Trinity at Stroud
Our Good Friends at Stroud Township in Stroudsburg, PA presented the nostalgic sounds of The Trinity Centennial Band on Sunday June 24th as part of their summer concert series. A delighted audience were thoroughly entertained by the memorable and rousing tunes that touched composed by John Phillip Sousa, Roger and Hammerstein along with many many more. Our Good Friends Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at Stroud Township will feature Zac Lawless on July 22nd at 6pm. Please contact Our Good Friends at Stroud Township at 570-421-3362 for more information. You’ll find numerous photographs at The Forwardian Arts Society Trinity Gallery at myspace.com/forwardian_arts.
Saturday, June 23, 2007
The Saycon Senbloh Bookhouse
Our Good Friends at The Eastern Monroe Public Library (EMPL) in Stroudsburg, PA presented an Evening with Saycon Senbloh sharing a variety of Broadway Show Tunes along with some very soulful ones on Friday June 22nd. It was a delightful evening filling the audience with a sense of enchantment as Ms. Shebloh shared her considerable talents demonstrated through her intoxicating renderings of the memorable compositions she performed. And, when I say she performed the songs, I don’t mean she merely sung them. She became an intricate part of each piece making them her own. This may be attributed to her immense theatrical skills gained through her extensive experience on Broadway and other venues including film and television. The evening also featured Scott Patterson whose fine and expert interpretation of the program’s songs added even more delight to an audience who enjoyed the sounds of the library’s piano through his considerable skill. Our Good Friends Rob Ramos and Linnae Cintron (both of The EMPL) co produced the event while Our Good Friends Arline M. Smeltz and Mrk Litchy were among the very large and appreciative audience who attended the event. The Next Bookhouse concert will be Singer-Songwriter Robin Greenstein on July 27th at 7pm. Please contact Our Good Friends at The Eastern Monroe Public Library at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society Saycon at The Bookhouse Gallery at myspace.com/forwardian_arts.
Sunday, June 17, 2007
One Hill of a Show
Our Good Friends at The Presbyterian Church of the Mountain in Delaware Water Gap, PA presented the exciting yet relaxing sounds of The Nelson Hill Band on Sunday June 17th as part of their summer concert series. Our Good Friend Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at The Presbyterian Church of the Mountain will feature Our Good Friend Saralyn Whitaker on Sunday June 24th at 6pm. Please contact Our Good Friends at The Presbyterian Church of the Mountain at 570-992-3934 for more information. You’ll find more photographs at The Forwardian Arts Society PCOM 07 Gallery at myspace.com/forwardian_arts.
ArtBeat the Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented “The Artbeat Dance Concert” featuring works choreographed by members of the PA Dance Network on Sunday June 17th. The proceeds of this great show benefited PA Dance Vision, Inc and Our Good Friends at The Fine Arts Discovery Series. Our Good Friends Richard Berkowitz and Theresa (both of the Sherman) were there along with Our Good Friend Arline M. Smeltz to enjoy the performance during the entrancing afternoon. The next show at Our Good Friends at The Sherman Theatre will be Our Good Friends at The Pocono Lively Arts production of “Dr. Jekyll and Mr. Hyde” taking place June 22nd - 24th. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Artbeat Gallery at myspace.com/forwardian_arts.
Saturday, June 16, 2007
Magical Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented “A Night of Magic” featuring Mark Clark, Mark Mysterrio, and Bill Wisch on Saturday June 16th. Proceeds of the performance benefited the Salvation Army and The Penn Tech Search and Rescue Units. An enthusiastic gathering of children of all ages expressed their delight in the magical experience. Our Good Friends Richard Berkowitz and Cheryl Yost (all of the Sherman) were there along with Our Good Friends Arline M. Smeltz and Mark Litchy to enjoy the mystifying event. The next show at Our Good Friends at The Sherman Theatre will be Our Good Friends at The Pocono Lively Arts production of “Dr. Jekyll and Mr. Hyde” taking place June 22nd - 24th. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Magical Sherman Gallery at myspace.com/forwardian_arts.
Tuesday, June 12, 2007
June COTA
Our Good Friends at The Celebration of the Arts (COTA) held their monthly meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed form of Jazz Music at Our Good Friends at The Deer Head Inn in Delaware Water Gap, PA on Tuesday June 12th. The General Meetings are held the 2nd Tuesday of the month and all who wish to participate in the great event are welcomed to attend. Volunteers in Security, Stage Crew, Ticket Sales, and other areas are always valued. Our Good Friends Tim Helman and Cyndie Dutkiewicz (who both chaired the meeting), along with Our Good Friends Jill Goodwin, Lauren Chamberlain-Mussner, Jim Wyckoff, Cheryl Joubert, Cheryl Reed, and Christine Trembly (Board Members of COTA) were among those who attended. Our Good Friends Arline M. Smeltz, David Coulter, Bill Goodwin, and Garth Woods along with Bob and Jamie Garner were also present. Please contact Our Good Friends at The Celebration of the Arts at 570-424-2210 for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
Sunday, June 10, 2007
A Gentle Reed at The Gazebo
Our Good Friends at The Presbyterian Church of the Mountain (PCOM) in Delaware Water Gap, PA presented their summer Gazebo Concert series featuring the sweet and relaxing sounds of Our Good Friends Spencer and Nancy Reed along with Our Good Friend Bill Goodwin on Sunday June 10th. A delighted audience were thoroughly entertained by the memorable tunes that touched their ears and hearts. Our Good Friends Michael Wetmore of Support Your Local poets-Hooray (SYLP-H), Jill Goodwin, Jacqueline Lima, and Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at The Presbyterian Church of the Mountain will feature The Nelson Hill Band on June 17th at 6pm. Please contact Our Good Friends at The Presbyterian Church of the Mountain at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society PCOM 07 Gallery at myspace.com/forwardian_arts.
Music Up The Pike (County)
Our Good Friends at The Milford Music Festival in Milford (Pike County), PA held their Fifth Annual Event throughout the area from June 8th until the 10th. It was a wonderful experience especially since it ran in conjunction with the town’s “Art After Dark” event which allows the wonderful art galleries opportunities to share the work of their gifted artists with those who can admire the insightfulness of their work. These Mecas to the visual arts included Our Good Friends at The Artery, The Highland Photography Guild, Pike Modern, and The Golden Fish Galleries. The music festival itself presented numerous musicians throughout the town settled upon the porches of many area businesses including Our Good Friend Celeste who performed her very soulful Celtic renderings at The TLC Salon and Spa located along a very enchanting stream. There were also a main stage sharing the musical entertainments of numerous styles including The Alfred James Band and Dave Mason. I met many of Our Good Friends while wandering the streets of Milford and they included Rep. John Siptroth and his wife along with Arline M. Smeltz. I personally look forward to next year’s festival and I hope to be able to share it with you. Please contact Our Good Friends at The Milford Music Festival at 570-296-1339 for more information. You’ll find numberous photographs at The Forwardian Arts Society Milford Music Festival 07 Gallery at myspace.com/forwardian_arts.
Monday, June 04, 2007
Exploring The Filmmaker
The Cast of Our Good Friends at The Shining Star Productions’ film entitled, “The Filmmaker” met with writer and director Dave Morton to explore the film before the actual production begins. The film features the talents of Michael Demyan as Will Sennet, Don "Charlie" Johnson as Mike, Angel Berlane as Mary, Talya Lockwood as Ashley, Lou Lebron as Jimmy DeMille, Our Good Friend Paul Adam Smeltz (that’s me) as Professor Roberts, Merrill McGuiness as Lauren, Daniel McLaughlin as Grant, Jason Pallay as Gary, Armando Medina as Mr. DeMille, Matthew Davidson as Brad, Raj Shankar as Big Boy, Elly Koening as The Girl on Date, and Our Good Friend Angelo Revilla as The Guy on Date at The Dale Snow Theatre of The Fine Arts Buliding on the Campus of East Stroudsburg University in East Stroudsburg, PA on Monday June 4th. The film is a comedy relating to the dreams of a young filmmaker as he encounters the life changing decisions many artists makes when their dreams seem to be in conflict with whatever reality deems more important. We‘re pretty sure. Please visit Our Good Friends at The Shining Star Productions at www.myspace.com/shiningstar_productions for more information. You’ll find numerous photographs at The Forwardian Arts Society Filmmaker Gallery at myspace.com/forwardian_arts.
Music Led by A Child
Our Good Friends at The Presbyterian Church of the Mountain in Delaware Water Gap, PA presented the first of their summer concert series featuring the sweet and relaxing sounds of Bonnie Childs along with Walter Bibinger and Evan Gregor on Sunday June 3rd. A delighted audience were thoroughly entertained by the memorable tunes that touched their ears and hearts. Our Good Friends Michael Wetmore of Support Your Local poets-Hooray (SYLP-H) and Arline M. Smeltz were among those who enjoyed the performance. The next concert at Our Good Friends at The Presbyterian Church of the Mountain will feature Our Good Friends Spencer and Nancy Reed Sunday June 10th. Please contact Our Good Friends at The Presbyterian Church of the Mountain at 570-992-3934 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
The Sherman Century
Our Good Friends at The Sherman Theatre in Stroudsburg, PA hosted The Pocono Choral Society’s presentation of “Music for a New Century” featuring works composed during the last seven years on Sunday June 3rd. A small but dedicated crowd showed up to share their enthusiasm for this wonderful art form. Our Good Friends Richard Berkowitz, Cheryl Yost, and Bill Kelly (all of the Sherman) were there along with Our Good Friend Arline M. Smeltz to enjoy the performance. Our Good Friends Bob Hartman, Linda Ross, Eileen Cox, and Danny Grae were among the very talented singers who lent their voices to the enjoyable afternoon. The next show at Our Good Friends at The Sherman Theatre will be their Summer Slam ‘07 taking place Friday June 15th. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Saturday, June 02, 2007
June on Main
Our Good Friends at The Jacob Stroud Corporation in Stroudsburg, PA held their monthly Evening on Main event on Saturday June 2nd. A great number of visual and performing artists lent their talents to help make the evening a wonderful event for all who come to experience it. A great number of people came to the event and I’ve met up with many of Our Good Friends in the fellowship. They are too many to name here without the risk of forgetting a few. However, I do welcome any of you who would like to share their recollections with me. Please contact Our Good Friends at The Jacob Stroud Corporation at 570-424-9131 for more information. You’ll find numerous photographs at The Forwardian Arts Society Visual Arts AMJ 07 Gallery at myspace.com/forwardian_arts.
Wednesday, May 30, 2007
Sherman Biker Dudes
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented The Commander Cody Band with special guest The Booze Brothers along with Boots and Saddles all featured in The Sherman’s first Biker Show on Saturday May 26th. A small but lively crowd showed up to enjoy the music and share some stories with the performers. Our Good Friends Richard Berkowitz, Cheryl Yost, and Bill Kelly (all of the Sherman) were there along with Our Good Friends Gary Lambert and Arline M. Smeltz to enjoy the performance. The next show at Our Good Friends at The Sherman Theatre will be The Pocono Choral Society’s “Music for a New Century” Concert taking place Sunday June 3rd. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Sunday, May 20, 2007
Theatrical Review: Nunsense
NUNSENSE
Written by: Dan Goggin
Directed by: Susan Jordan
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented Our Good Friends at The Pocono Lively Arts’ production of Dan Goggin‘s “Nunsense.” The company has gained a reputation for presenting entertaining plays to satisfy the family oriented taste of their audience. While this play about a convent of nuns preparing to stage a show may tend to adventure into some risqué realms, it does so with a high degree of tastefulness to ease any concern families may have in this regard.
As mentioned earlier, the play takes place in a convent whose nunnery is preparing a show. The mixture of songs and comedic pieces brings an uproarious delight to the audience and the production transpires. While most comedies I’ve seen of late inspired only a smile or a slight chuckle, I found myself laughing out loud quite a bit as the play progress. In short, this play is funny.
The play was very well acted as one had an overwhelming sense the situations were met for the very first time by the actors. This is a text book example of what many in the art form refers to “The Suspension of Disbelief” or the concept of “Being in the moment.“ Either way, the cast mastery of these concepts and forms made the evening all the more enjoyable.
The only unfortunate aspect of the play is the fact it‘s run is complete. Therefore, I’m unable to encourage anyone to come out to enjoy the theatrical experience. However, I could encourage you to remain aware of future productions of The Pocono Lively Arts which are coming to Our Good Friends at The Sherman Theatre. This will be the case of their production of “Jekyll and Hyde” taking place June 22nd - 24th. Please explore The Pocono Lively Arts Website at www.poconolivelyarts.org for more information.
The Production was Directed by Susan Jordan, Musically Directed by Nancy Joy Koch who also served as the Orchestra‘s Conductor, Production Manager Heather Clarkson , and Stage Managed by Luke Ackerman (who also appeared in the play). The cast included Tassy Gilbert who portrayed Sister Mary Regina (Mother Superior), Kelly Foley who portrayed Sister Mary Hubert (Mistress of Novices) who also served as Choreographer, Trudy Austin who portrayed Sister Robert Ann, Heather Dean who portrayed Sister Mary Amnesia and who also served in the marketing staff, and Alexandra Dickison who portrayed Sister Mary Leo. The orchestra consisted of Gary Raish on Keyboards, Bob Riday on Woodwinds, and Charlie Cahn on Percussion. Other members of the production staff included Scott Desantis who served as Lighting and Technical Director, Eric Ramos, David Diaz, and Eric Dwyer who served as members of The Technical Assistants, and Michael Eyth who Designed the set for the production and helped Merlyn Clark build it, Kathie Avery served as Costume Mistress with Neil Snuffer as her assistant, Antoinette Martinelli served as Property Mistress while Theresa Lawrence, Annette Kaiser, and Peter Korovesis served as part of the marketing staff..
Numerous photographs relating to the production can be found in The Forwardian Arts Society Theatre 07 Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts
Written by: Dan Goggin
Directed by: Susan Jordan
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented Our Good Friends at The Pocono Lively Arts’ production of Dan Goggin‘s “Nunsense.” The company has gained a reputation for presenting entertaining plays to satisfy the family oriented taste of their audience. While this play about a convent of nuns preparing to stage a show may tend to adventure into some risqué realms, it does so with a high degree of tastefulness to ease any concern families may have in this regard.
As mentioned earlier, the play takes place in a convent whose nunnery is preparing a show. The mixture of songs and comedic pieces brings an uproarious delight to the audience and the production transpires. While most comedies I’ve seen of late inspired only a smile or a slight chuckle, I found myself laughing out loud quite a bit as the play progress. In short, this play is funny.
The play was very well acted as one had an overwhelming sense the situations were met for the very first time by the actors. This is a text book example of what many in the art form refers to “The Suspension of Disbelief” or the concept of “Being in the moment.“ Either way, the cast mastery of these concepts and forms made the evening all the more enjoyable.
The only unfortunate aspect of the play is the fact it‘s run is complete. Therefore, I’m unable to encourage anyone to come out to enjoy the theatrical experience. However, I could encourage you to remain aware of future productions of The Pocono Lively Arts which are coming to Our Good Friends at The Sherman Theatre. This will be the case of their production of “Jekyll and Hyde” taking place June 22nd - 24th. Please explore The Pocono Lively Arts Website at www.poconolivelyarts.org for more information.
The Production was Directed by Susan Jordan, Musically Directed by Nancy Joy Koch who also served as the Orchestra‘s Conductor, Production Manager Heather Clarkson , and Stage Managed by Luke Ackerman (who also appeared in the play). The cast included Tassy Gilbert who portrayed Sister Mary Regina (Mother Superior), Kelly Foley who portrayed Sister Mary Hubert (Mistress of Novices) who also served as Choreographer, Trudy Austin who portrayed Sister Robert Ann, Heather Dean who portrayed Sister Mary Amnesia and who also served in the marketing staff, and Alexandra Dickison who portrayed Sister Mary Leo. The orchestra consisted of Gary Raish on Keyboards, Bob Riday on Woodwinds, and Charlie Cahn on Percussion. Other members of the production staff included Scott Desantis who served as Lighting and Technical Director, Eric Ramos, David Diaz, and Eric Dwyer who served as members of The Technical Assistants, and Michael Eyth who Designed the set for the production and helped Merlyn Clark build it, Kathie Avery served as Costume Mistress with Neil Snuffer as her assistant, Antoinette Martinelli served as Property Mistress while Theresa Lawrence, Annette Kaiser, and Peter Korovesis served as part of the marketing staff..
Numerous photographs relating to the production can be found in The Forwardian Arts Society Theatre 07 Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts
Friday, May 18, 2007
A Lot of Hoagy at The Library
Our Good Friends at The Eastern Monroe Public Library (EMPL) in Stroudsburg, PA presented a concert entitled, “Just an Old Sweet Song” with John Abernathy featuring the songs of Hoagy Carmichael with Tom LaMark at the piano during their Bookhouse Concert Series on Friday May 18th. It was a delightful evening filled with many memorable tunes. Our Good Friends Rob Ramos, John Cusumano, and Linnae Cintron (both of The EMPL) along with Our Good Friends Arline M. Smeltz was among the very large and appreciative audience who attended the event. The Next Bookhouse concert will be An Evening with Saycon Senbloh sharing a variety of Broadway Show Tunes on Friday June 22nd. Please contact Our Good Friends at The Eastern Monroe Public Library at 570-421-0800 for more information. You’ll find Numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Monday, May 14, 2007
Gratefully Tripping at The Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented The Dark Star Orchestra Concert on Sunday May 13th. The Dark Star Orchestra recreates Grateful Dead concerts so those who would like to relive or experience them for the first time can do so. Hundreds of people showed up so they could be passengers on the long, strange trip recreated from a concert performed in April of 1989. The vast audience danced and sang their way through the four hour show and left with the delightfully satisfying buzz associated with being in communion with The Grateful Dead and their music. I saw too many of Our Good Friends to list but I welcome any of you who attend to share their recollections of the show with me. However, I would like to take special note of Our New Friend Bill Kelly who had his creative endeavors hanging upon the walls among The Sherman. His work not only reflected the spirit of the show, but they demonstrated a talent touching the soul of all who view it under any circumstances. I encourage anyone to come visit the Sherman to see his work whether there’s a show going on or not. The next show at Our Good Friends at The Sherman Theatre will be The Pocono Lively Arts production of “Nunsense” taking place May 18th-20th. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Friday, May 11, 2007
The Filmmaker Evolution
Our Good Friends at The Shining Star Productions presented food, fun, conversation, and a reading of their new film entitled, “The Filmmaker” written and directed by Dave Morton while featuring Michael Demyan as Will Sennet, Don "Charlie" Johnson as Mike, Angel Berlane as Mary, Talya Lockwood as Ashley, Lou Lebron as Jimmy DeMille, Our Good Friend Paul Adam Smeltz (that’s me) as Professor Roberts, Merrill McGuiness as Lauren, Daniel McLaughlin as Grant, Jason Pallay as Gary, Armando Medina as Mr. DeMille, Matthew Davidson as Brad, Raj Shankar as Big Boy, Elly Koening as The Girl on Date, and Our Good Friend Angelo Revilla as The Guy on Date at The Dansbury Park in East Stroudsburg, PA on Friday May 11th. The film is a comedy relating to the dreams of a young filmmaker as he encounters the life changing decisions many artists makes when their dreams seem to be in conflict with whatever reality deems more important. I think. Please visit Our Good Friends at The Shining Star Productions at www.myspace.com/shiningstar_productions for more information. You’ll find numerous photographs at The Forwardian Arts Society Filmmaker Gallery at myspace.com/forwardian_arts.
Wednesday, May 09, 2007
COTA Meeting for May
Our Good Friends at The Celebration of the Arts (COTA) held their monthly meeting to plan their annual festival honoring all areas of the arts especially the lively yet relaxed for of Jazz Music at Our Good Friends at The Deer Head Inn in Delaware Water Gap, PA on Tuesday May 8th. The General Meetings are held the 2nd Tuesday of the month and all who wish to participate in the great event are welcomed to attend. Volunteers in Security, Stage Crew, Ticket Sales, and other areas are always valued. Our Good Friends Cyndie Dutkiewicz and Lauren Chamberlain-Mussner (who both chaired the meeting), along with Our Good Friends Jill Goodwin, Tim Helman, andChristine Trembly (Board Members of COTA) were among those who attended. Our Good Friends Marie Steeger, and Arline M. Smeltz along with Pat (who took the minutes) and Terri Gaughan were also present. Please contact Our Good Friends at The Celebration of the Arts at 570-424-2210 for more information. You’ll find numerous photographs at The Forwardian Arts Society COTA Meetings 2007 Gallery at myspace.com/forwardian_arts.
Monday, May 07, 2007
Potluck of Hearts
Our Good Friends at The Kirkridge Retreat Center in Bangor, PA held a Film and Potluck event featuring the film, “King of Hearts on Sunday May 6th. The classic film humorously explored the insanity of war in terms which still speaks to the audience of our modern times. A wonderful variety of foods complimented the sharing of culinary treats, enlightening conversation, and good fellowship. Our Good Friends Jean Richardson and Nancy Scheirer of The Kirkridge Retreat Center along with Don Slepian and Arline M. Smeltz was part of the delightful day. Please contact Our Good Friends at The Kirkridge Retreat Center at 610-588-1793 for more information. You’ll find a photographs at The Forwardian Arts Society Friends Gallery at myspace.com/forwardian_arts.
Theatrical Review: Twelfth Night
TWELFTH NIGHT
Written by: William Shakespeare
Directed by: Michael J. Harron
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented Our Good Friends at The Pennsylvania Reparatory Company’s production of William Shakespeare‘s “Twelfth Night.” The company has gained a reputation for presenting Shakespeare in unique interpretations of the works while faithfully honoring the integrity of the text. This makes the Bard’s work more accessible to the modern day audience which includes those students who benefit from their “Plays in the Curriculum Series.” This production of “Twelfth Night” adds to the evidence the company’s reputation is well deserved.
The play begins with a tragedy. Two twin siblings (a brother and sister) become victims of an accident at sea. They both wash up separately on shore believing the other to be dead. They then set out learning to cope with their new environs the best they could without the other. Thence the tragedy begins to evolve into comedy through the people and situations they encounter throughout the course of the play.
Many theatrical companies have discovered Shakespeare and other classical works are timeless. They are not limited to the time they were written in. They can take place in any era and embrace any social situation as long as it remains a faithful interpretation of the text. The Pennsylvania Reparatory Company has proven this assertion by placing the play in the 1960 during the Hippie Renaissance. Although I must admit hearing the singing of “Age of Aquarius” during the early scenes caused me to wonder if this show was going to be a bit (forgive the pun) Hairy, this was soon replaced by another form of wonder inspiring an appreciation of the production and all it presented.
To say this play is well acted would be an understatement. The clarity brought to what may easily become a recitation of an arcane manner of speaking which turns many off from Shakespeare brought more hilarity the humor embodied in the play. In fact, a Shakespearean purist might have to strain their ears to hear the “Thous” and “Thees” associated with his work. They were present, but they did not hinder the flow of the production.
The only unfortunate aspect of the play is the fact it‘s run is complete. Therefore, I’m unable to encourage anyone to come out to enjoy the theatrical experience. However, I could encourage you to remain aware of future productions of The Pennsylvania Reparatory Company. If they stay true to form, it’ll sure to be a evening worthy of your attention.
The Production was Directed by Our Good Friend Michael J. Harron who also designed the production and Stage Managed by Nance Brown (who also served as Assistant Director and Sound). The cast included Michael Alan Read who portrayed Feste - The Jester and also served in the construction crew, Will Erwin who portrayed Duke Orsino - The Lifeguard, Travis Southward who portrayed Curio - The Guitar Player, Sara Ferguson who portrayed Viola - The Surfer Girl, Our Good Friend Marty Courtney who portrayed Valentine - A Sea Captain, Wayne Dotteer who portrayed Sir Toby Belch - A Drunk and also served in the construction crew, Lorin Gartner who portrayed Maria - The Maid and also served in the construction crew, Our Good Friend Jerry Durkin who portrayed Sir Andrew Aueecheek - ??, Kate Nevill who portrayed Olivia - The Countess, Ryan Moore who portrayed Malvolio - The Butler, David Schappert who portrayed Sebastian - Viola‘s Brother, Patrick Turner who portrayed Antonio - Smitten with Sebastian and also served in the construction crew, and Brydie Jacques who portrayed Fabian and also served as a member of The Property Personnel while a chorus of Beach Bums were portrayed by Evan Wichman, Molly Brunkard, Tameshaa Ventiere, Faith Revera, Sydney Southard, and Edi Martinovic. Other members of the production staff included Scott Marlin who served as Lighting Designer, Al Raunch who served as a member of The Property Personnel and in Set Construction, and Our Good Friend Jill Howell who Designed Poster Art for the production.
Please call The Pennsylvania Reparatory Company at 570-223-7034 for more information.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Theatre 07 Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts.
Written by: William Shakespeare
Directed by: Michael J. Harron
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented Our Good Friends at The Pennsylvania Reparatory Company’s production of William Shakespeare‘s “Twelfth Night.” The company has gained a reputation for presenting Shakespeare in unique interpretations of the works while faithfully honoring the integrity of the text. This makes the Bard’s work more accessible to the modern day audience which includes those students who benefit from their “Plays in the Curriculum Series.” This production of “Twelfth Night” adds to the evidence the company’s reputation is well deserved.
The play begins with a tragedy. Two twin siblings (a brother and sister) become victims of an accident at sea. They both wash up separately on shore believing the other to be dead. They then set out learning to cope with their new environs the best they could without the other. Thence the tragedy begins to evolve into comedy through the people and situations they encounter throughout the course of the play.
Many theatrical companies have discovered Shakespeare and other classical works are timeless. They are not limited to the time they were written in. They can take place in any era and embrace any social situation as long as it remains a faithful interpretation of the text. The Pennsylvania Reparatory Company has proven this assertion by placing the play in the 1960 during the Hippie Renaissance. Although I must admit hearing the singing of “Age of Aquarius” during the early scenes caused me to wonder if this show was going to be a bit (forgive the pun) Hairy, this was soon replaced by another form of wonder inspiring an appreciation of the production and all it presented.
To say this play is well acted would be an understatement. The clarity brought to what may easily become a recitation of an arcane manner of speaking which turns many off from Shakespeare brought more hilarity the humor embodied in the play. In fact, a Shakespearean purist might have to strain their ears to hear the “Thous” and “Thees” associated with his work. They were present, but they did not hinder the flow of the production.
The only unfortunate aspect of the play is the fact it‘s run is complete. Therefore, I’m unable to encourage anyone to come out to enjoy the theatrical experience. However, I could encourage you to remain aware of future productions of The Pennsylvania Reparatory Company. If they stay true to form, it’ll sure to be a evening worthy of your attention.
The Production was Directed by Our Good Friend Michael J. Harron who also designed the production and Stage Managed by Nance Brown (who also served as Assistant Director and Sound). The cast included Michael Alan Read who portrayed Feste - The Jester and also served in the construction crew, Will Erwin who portrayed Duke Orsino - The Lifeguard, Travis Southward who portrayed Curio - The Guitar Player, Sara Ferguson who portrayed Viola - The Surfer Girl, Our Good Friend Marty Courtney who portrayed Valentine - A Sea Captain, Wayne Dotteer who portrayed Sir Toby Belch - A Drunk and also served in the construction crew, Lorin Gartner who portrayed Maria - The Maid and also served in the construction crew, Our Good Friend Jerry Durkin who portrayed Sir Andrew Aueecheek - ??, Kate Nevill who portrayed Olivia - The Countess, Ryan Moore who portrayed Malvolio - The Butler, David Schappert who portrayed Sebastian - Viola‘s Brother, Patrick Turner who portrayed Antonio - Smitten with Sebastian and also served in the construction crew, and Brydie Jacques who portrayed Fabian and also served as a member of The Property Personnel while a chorus of Beach Bums were portrayed by Evan Wichman, Molly Brunkard, Tameshaa Ventiere, Faith Revera, Sydney Southard, and Edi Martinovic. Other members of the production staff included Scott Marlin who served as Lighting Designer, Al Raunch who served as a member of The Property Personnel and in Set Construction, and Our Good Friend Jill Howell who Designed Poster Art for the production.
Please call The Pennsylvania Reparatory Company at 570-223-7034 for more information.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Theatre 07 Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts.
May on Main
Our Good Friends at The Pocono Arts Council and The Jacob Stroud Corporation in Stroudsburg, PA held an grand event to kick off their summer Evening on Main Season on Saturday May 5th. The event takes place the first Saturday of the month. A great number of colorful works were on display to the delight of the many who were in attendance. These included the numerous bags decorating the parking meters and the exhibition at Our Good Friends at The Artspace Gallery who hosted the Pocono Arts Council’s Membership Show. Many awards were presented in recognition to the creative achievements of artists throughout the area. They included Our Good Friends Joan Polishook, Marcia Flammonde, and Brandon Durand. Although the turnout was a bit more sparse than in previous years, I’ve met up with many of Our Good Friends and I’m sure to forget a few if I tried to list them all. So, I won’t. However, I do welcome any of you who would like to share their recollections with me. Please contact Our Good Friends at The Pocono Arts Council at 570-476-4460 for more information. You’ll find numerous photographs at The Forwardian Arts Society Visual Arts AMJ 07 Gallery at myspace.com/forwardian_arts.
Saturday, May 05, 2007
Weird Night at The Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented a Live Concert entitled, “The Straight Outta Hollywood Tour” featuring Weird Al Yankovic on Friday May 4th. A vast audience of over 2000 people laughed their way through the evening. The spectacle included clips from Al TV with other film and television references to the Dude along with a multitude of parodies of songs from the 80s, 90s, and the 0h 0h’s. I saw too many of Our Good Friends to list but I welcome any of you who attend to share their recollections of the show with me. The next show at Our Good Friends at The Sherman Theatre will be The Pennsylvania Reparatory Theatre’s continuation of their production of William Shakespeare’s “Twelfth Night” on Saturday May 5th. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Wednesday, May 02, 2007
Choral Springs Eternal
Our Good Friends at East Stroudsburg University in East Stroudsburg, PA presented their Spring Choral Concert with The Concert Choir and A Cappella Ensemble on Wednesday May 2nd. A variety of music ranging from classical to African American Spiritual were part of an entertaining program. Our Good Friends Anna Busteed and Arline M. Smeltz were among the soothing blend of voices while Our Good Friends Jim Hannan and Helen Heeren were a part of the appreciative audience. Please contact Our Good Friends at East Stroudsburg University at 570-422-3483 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Saturday, April 28, 2007
Theatrical Review: The Desperate Hours by Joseph Hayes
THE DESPERATE HOURS
Written by: Joseph Hayes
Directed by: Susan Butler
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Center Stage Players presented the first production of their 2007 season with Joseph Hayes’ “The Desperate Hours” in The Shawnee Playhouse in Shawnee on the Delaware, PA which may bring to mind the classic film made during the 1950s staring Humphrey Bogart and Fredric March. The play focuses on what has become known as a home invasion where three escaped convicts set themselves up in a home to await money that’ll enhance their ability to elude the police who are searching for them. The family are terrorized by the convicts as they do their best to endure and survive the situation they find themselves in.
The play entices each audience member to ask themselves, “What would I do?” We see the situation unfolding and begin to devise our remedies to the scenarios we’re being witnessed to. However, we slowly begin to realize we may not think as clearly when actually faced with a similar situation as we would be merely viewing it from a detached perspective. Therefore, the play encourages its viewers to examine their own sense of certainty and allows them to understand those who may not take the perfect actions to remedy their situations.
Although The Center Stage Players is well know for its numerous stellar productions, “The Desperate Hours” is not their best show. The time in which the play was written doesn’t seem to translate well into our modern times in spite of the attempts to modernize it with cordless phones and other gadgets. Also, in the 50 plus years since the play was written, many potential members of the audience have become used to the more sophisticated and realistic crime dramas found on television.
In addition to this, the acting was a bit uneven. There is a motto among those who study the theatrical arts which states “Acting is reacting.” There were many times I’ve noticed actors reacting to things that hasn’t yet occurred. This anticipation took away from the sense of the characters experiencing things for the first time as we do in real life. I’ve also noticed how some actors delivered their line in a certain register which varied little or none at all. This took away from any sense of tension the production could have created as it prohibited a climax in emotion since everything was the same. This observation is unfortunate as these actors have proven they could do better work.
The Production was Directed by Susan Butler (who also served as Set Designer) and Stage Managed by Lillian Gonzalez. The large cast included Jack Butler who portrayed Mr. Paterson and served as Assistant Director and Set Designer, Our Good Friend Amy Cramer who portrayed Eleanor Hilliard and served in Publicity, Dan Eash who portrayed Jesse Bard, Ed Erm who portrayed Robish, Mary Stewart Erm who portrayed Miss. Swift, Glen Geisner-Getz who portrayed Dan Hilliard, Andrew Hendry who portrayed Ralphie Hilliard, Kyle Hess who portrayed the voice of Dutch, Tom Leeds who portrayed Chuck Wright, Chris Martinelli who portrayed Glenn Griffen, Kaitlen Miller who portrayed Cindy Hilliard, Christine Oberg who portrayed Harriet Carson, Steve Paugh who portrayed Lt. Carl Fredericks, Mark Pender who portrayed Tom Einston, and Brant Snuffer who portrayed Hank Griffen. Other members of the production staff included Arthur Ritter who served as Lighting Designer, Sarah Hendry Jesse Berlane who served as a Light/Sound Technician, Katherine Neville who served in Publicity and Designed the Program/Flyer for the production, and Roselinda Karlson provided production photographs.
“The Desperate Hours” by Joseph Hayes is currently being performed at The Shawnee Playhouse in Shawnee on the Delaware, PA. The Production runs until Sunday April 29th and continues on May 4th, 5th, and 6th. Please call 570-424-4050 ext 1544 for information and ticket reservation.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Theatre 07 Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts.
Written by: Joseph Hayes
Directed by: Susan Butler
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The Center Stage Players presented the first production of their 2007 season with Joseph Hayes’ “The Desperate Hours” in The Shawnee Playhouse in Shawnee on the Delaware, PA which may bring to mind the classic film made during the 1950s staring Humphrey Bogart and Fredric March. The play focuses on what has become known as a home invasion where three escaped convicts set themselves up in a home to await money that’ll enhance their ability to elude the police who are searching for them. The family are terrorized by the convicts as they do their best to endure and survive the situation they find themselves in.
The play entices each audience member to ask themselves, “What would I do?” We see the situation unfolding and begin to devise our remedies to the scenarios we’re being witnessed to. However, we slowly begin to realize we may not think as clearly when actually faced with a similar situation as we would be merely viewing it from a detached perspective. Therefore, the play encourages its viewers to examine their own sense of certainty and allows them to understand those who may not take the perfect actions to remedy their situations.
Although The Center Stage Players is well know for its numerous stellar productions, “The Desperate Hours” is not their best show. The time in which the play was written doesn’t seem to translate well into our modern times in spite of the attempts to modernize it with cordless phones and other gadgets. Also, in the 50 plus years since the play was written, many potential members of the audience have become used to the more sophisticated and realistic crime dramas found on television.
In addition to this, the acting was a bit uneven. There is a motto among those who study the theatrical arts which states “Acting is reacting.” There were many times I’ve noticed actors reacting to things that hasn’t yet occurred. This anticipation took away from the sense of the characters experiencing things for the first time as we do in real life. I’ve also noticed how some actors delivered their line in a certain register which varied little or none at all. This took away from any sense of tension the production could have created as it prohibited a climax in emotion since everything was the same. This observation is unfortunate as these actors have proven they could do better work.
The Production was Directed by Susan Butler (who also served as Set Designer) and Stage Managed by Lillian Gonzalez. The large cast included Jack Butler who portrayed Mr. Paterson and served as Assistant Director and Set Designer, Our Good Friend Amy Cramer who portrayed Eleanor Hilliard and served in Publicity, Dan Eash who portrayed Jesse Bard, Ed Erm who portrayed Robish, Mary Stewart Erm who portrayed Miss. Swift, Glen Geisner-Getz who portrayed Dan Hilliard, Andrew Hendry who portrayed Ralphie Hilliard, Kyle Hess who portrayed the voice of Dutch, Tom Leeds who portrayed Chuck Wright, Chris Martinelli who portrayed Glenn Griffen, Kaitlen Miller who portrayed Cindy Hilliard, Christine Oberg who portrayed Harriet Carson, Steve Paugh who portrayed Lt. Carl Fredericks, Mark Pender who portrayed Tom Einston, and Brant Snuffer who portrayed Hank Griffen. Other members of the production staff included Arthur Ritter who served as Lighting Designer, Sarah Hendry Jesse Berlane who served as a Light/Sound Technician, Katherine Neville who served in Publicity and Designed the Program/Flyer for the production, and Roselinda Karlson provided production photographs.
“The Desperate Hours” by Joseph Hayes is currently being performed at The Shawnee Playhouse in Shawnee on the Delaware, PA. The Production runs until Sunday April 29th and continues on May 4th, 5th, and 6th. Please call 570-424-4050 ext 1544 for information and ticket reservation.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Theatre 07 Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts.
Thursday, April 26, 2007
Theatrical Review: A Streetcar Named Desire.
A STREETCAR NAMED DESIRE
Written by: Tennessee Williams
Directed by: Prof. Stephanie Daventry French
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The East Stroudsburg University (ESU) Theatre Department in East Stroudsburg, PA presented the classic Tennessee Williams’ “A Streetcar Named Desire” which takes place in a steamy section of New Orleans in 1946. As those who come to experience precious ESU theatrical productions have come to expect, the scene design by Our Good Friend Prof. Q. Brian Sickels brought a dimension to the play creating an expectation of excellence to the audience before the first lines were uttered. This expectation did not lead to disappointment.
There has been much said as to what this classic to the “American Theatre” is about and the meanings it has for those who view it. In fact, many of the character in the work seem to have more issues than the New York Times. Some see it as a play about abuse while others see it as a play about alcoholism. I see the play to be about a woman’s continuing spiral into madness.
The woman in question is Blanche Dubois. She is excellently played by Angel Berlane. Ms. Berlane’s performance embodies the multitude of elements the character demands of an actress who desires to be faithful to the part. These elements include ingredients consisting of melodrama along with deceit, melancholy, and pathos. All of which could be part of a recipe book entitled, “Cooking with Bourbon.” Ms. Barlane’s talent is to find a balance between these ingredients as not to allow one to overshadow the others thus spoiling the stew while at the same time presenting a meal to be partaken by the audience which is, by its very nature, unbalanced. This is no small feat and a great deal of recognition for her accomplishment is well deserved.
The play itself evolves around Blanche’s visit to her sister Stella Kowalski who is played by Crystal Berlane. Casting these two sisters to play sisters provides the audience an opportunity to experience a sibling relationship which has developed naturally throughout lifetimes as compared to one artificially manufactured during the course of rehearsals. This adds a welcomed dimension to the production lending a degree of reality which may have otherwise been lacking. One got the sense Crystal and Angel Berlane utilized the understanding they have of one another to bring more life into their characters. Together, the two sisters work well as a team.
However, like all pairs of siblings, Ms. Crystal Berlane has considerable talents of her own. Her portrayal of Stella brought into reality of what a life as an abused woman who loves her abuser is to the audience. The seemingly peculiar balance of naivety and worldliness most women in these circumstances exhibits was well presented by Ms. Berlane thereby demonstrating how many who seem to be victims of circumstances are sometimes volunteers. It may be appropriate here to note the presence of The Women’s Resources of Monroe County 24 Hour Hotline number of 570-421-4200 placed in the program. It’s good to be reminded we no longer live a time where no one can end the abuse in their lives.
In previous reviews of ESU productions, I’ve mentioned the enjoyment one can have in watching a young actor or actress grow in their talent as they gain more experience in the theatrical arts. This joy was pleasantly experienced by D. E. Ausem’s portrayal of Stanley Kowalski. A lesser actor could easily allow himself to be overshadowed to the point of imitation by the filmed performance that made Marlon Brando famous. However, Mr. Ausem’s talents brings a new life to the character leaving the image many people had of Brando’s portrayal in the far distant past. This is a new Kowalski with far more depth and understanding than Brando’s. At least it is according to this humble reviewer’s opinion.
A supporting character not well know by those who’ve heard of the play is that of Harold “Mitch” Mitchell as played by Jason Pallay. It’s unfortunate supporting characters don’t get the recognition they deserve as they are often essential to the play’s development and leads to a more enriched understanding of the other characters. “Mitch” is a simple man who is smitten by Blanche. Through his eyes we see the depth of Blanche’s insanity and her attempts to self medicate through bourbon and sexuality because she believes “Desire is the opposite of Death.”
Mr. Pallay’s portrayal of Harold “Mitch” Mitchell is done with the simplicity of a sponge absorbing all that is around him. This allows the audience to absorb the play through his innocence. Although there were times I was wondering when Mr. Pallay was going to tell Ms. Angel Berlane “life is like a box of Chocolates,” I felt his over all performance added something wonderful to the play and it wouldn’t have been as good without it. I look forward to seeing Mr. Pallay in future ESU productions.
The Production was well directed by Prof. Stephanie Daventry French who seem to have brought the talents of the cast to a deeper understanding of the play and themselves. Besides those already mentioned, other cast members and crew included Elanor Koening who portrayed Eunice Hubbell and served as a Prop Assistant, Michael Demyan who portrayed the Young Man and the Doctor, Our Good Friend Robin Kessler who portrayed the Musician and serves as Assistant Stage Manager and Sound Designer, Dave Morton who portrayed the Hot Tamale Man and served as the Assistant Director/Dramaturg, Alice M. Mol who portrayed a Neighbor and the Nurse, Our Good Friend Angelo Revilla III who portrayed Pabou Babin, Merrill McGuinness who portrayed a Neighbor and Flower Girl, Samantha Avola who portrayed a Saloon Girl and served as an Assistant Stage Manager, Raj Shankar who portrayed Steve Hubbell, Amanda Kalinowski who served as Stage Manager, Eric Creegan who serves as Lighting Designer, Jesse Berlane who served as Costume Designer, Patrick C. Dorian and Luis Lebron who served as Sound Consultants, Matthew Jacobsen who served as Master Carpenter, Jason Barry who served as Master Electrician, Jesse Jackson who served as Lighting Crew, Christopher Parlardy who served as Light Board Operator, Ryan Werkheiser who serves as Sound Board Operator, Stephanie Reyes who served as Wardrobe Mistress, Samantha Guy who served as Costume Assistant, Kendra Cruz who served as Prop Master, Melissa Rogers and Kaitlyn Howard who served as Pro Assistants, Janell Manzi who served as Prop Crew, Allison Getz who served as Make Up Designer, Kenny Garry and Ryan Groff who served as Running Crew, Rachel Mack and Meredith Lubin who served as Box office Managers, Heather Werline who served as House Manager, Krista Scott who served as Dialect Consultant, and Shaunenne Holt designed the Poster.
“A Streetcar Named Desire” by Tennessee Williams is currently being performed at The Fine Arts Building on the Campus of East Stroudsburg University in East Stroudsburg, PA. The Production runs until Sunday April 29th. Please call 570-422-3483 for information and ticket reservation.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Our Good Friends Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts.
Written by: Tennessee Williams
Directed by: Prof. Stephanie Daventry French
Theatrical Review by: Paul Adam Smeltz
Our Good Friends at The East Stroudsburg University (ESU) Theatre Department in East Stroudsburg, PA presented the classic Tennessee Williams’ “A Streetcar Named Desire” which takes place in a steamy section of New Orleans in 1946. As those who come to experience precious ESU theatrical productions have come to expect, the scene design by Our Good Friend Prof. Q. Brian Sickels brought a dimension to the play creating an expectation of excellence to the audience before the first lines were uttered. This expectation did not lead to disappointment.
There has been much said as to what this classic to the “American Theatre” is about and the meanings it has for those who view it. In fact, many of the character in the work seem to have more issues than the New York Times. Some see it as a play about abuse while others see it as a play about alcoholism. I see the play to be about a woman’s continuing spiral into madness.
The woman in question is Blanche Dubois. She is excellently played by Angel Berlane. Ms. Berlane’s performance embodies the multitude of elements the character demands of an actress who desires to be faithful to the part. These elements include ingredients consisting of melodrama along with deceit, melancholy, and pathos. All of which could be part of a recipe book entitled, “Cooking with Bourbon.” Ms. Barlane’s talent is to find a balance between these ingredients as not to allow one to overshadow the others thus spoiling the stew while at the same time presenting a meal to be partaken by the audience which is, by its very nature, unbalanced. This is no small feat and a great deal of recognition for her accomplishment is well deserved.
The play itself evolves around Blanche’s visit to her sister Stella Kowalski who is played by Crystal Berlane. Casting these two sisters to play sisters provides the audience an opportunity to experience a sibling relationship which has developed naturally throughout lifetimes as compared to one artificially manufactured during the course of rehearsals. This adds a welcomed dimension to the production lending a degree of reality which may have otherwise been lacking. One got the sense Crystal and Angel Berlane utilized the understanding they have of one another to bring more life into their characters. Together, the two sisters work well as a team.
However, like all pairs of siblings, Ms. Crystal Berlane has considerable talents of her own. Her portrayal of Stella brought into reality of what a life as an abused woman who loves her abuser is to the audience. The seemingly peculiar balance of naivety and worldliness most women in these circumstances exhibits was well presented by Ms. Berlane thereby demonstrating how many who seem to be victims of circumstances are sometimes volunteers. It may be appropriate here to note the presence of The Women’s Resources of Monroe County 24 Hour Hotline number of 570-421-4200 placed in the program. It’s good to be reminded we no longer live a time where no one can end the abuse in their lives.
In previous reviews of ESU productions, I’ve mentioned the enjoyment one can have in watching a young actor or actress grow in their talent as they gain more experience in the theatrical arts. This joy was pleasantly experienced by D. E. Ausem’s portrayal of Stanley Kowalski. A lesser actor could easily allow himself to be overshadowed to the point of imitation by the filmed performance that made Marlon Brando famous. However, Mr. Ausem’s talents brings a new life to the character leaving the image many people had of Brando’s portrayal in the far distant past. This is a new Kowalski with far more depth and understanding than Brando’s. At least it is according to this humble reviewer’s opinion.
A supporting character not well know by those who’ve heard of the play is that of Harold “Mitch” Mitchell as played by Jason Pallay. It’s unfortunate supporting characters don’t get the recognition they deserve as they are often essential to the play’s development and leads to a more enriched understanding of the other characters. “Mitch” is a simple man who is smitten by Blanche. Through his eyes we see the depth of Blanche’s insanity and her attempts to self medicate through bourbon and sexuality because she believes “Desire is the opposite of Death.”
Mr. Pallay’s portrayal of Harold “Mitch” Mitchell is done with the simplicity of a sponge absorbing all that is around him. This allows the audience to absorb the play through his innocence. Although there were times I was wondering when Mr. Pallay was going to tell Ms. Angel Berlane “life is like a box of Chocolates,” I felt his over all performance added something wonderful to the play and it wouldn’t have been as good without it. I look forward to seeing Mr. Pallay in future ESU productions.
The Production was well directed by Prof. Stephanie Daventry French who seem to have brought the talents of the cast to a deeper understanding of the play and themselves. Besides those already mentioned, other cast members and crew included Elanor Koening who portrayed Eunice Hubbell and served as a Prop Assistant, Michael Demyan who portrayed the Young Man and the Doctor, Our Good Friend Robin Kessler who portrayed the Musician and serves as Assistant Stage Manager and Sound Designer, Dave Morton who portrayed the Hot Tamale Man and served as the Assistant Director/Dramaturg, Alice M. Mol who portrayed a Neighbor and the Nurse, Our Good Friend Angelo Revilla III who portrayed Pabou Babin, Merrill McGuinness who portrayed a Neighbor and Flower Girl, Samantha Avola who portrayed a Saloon Girl and served as an Assistant Stage Manager, Raj Shankar who portrayed Steve Hubbell, Amanda Kalinowski who served as Stage Manager, Eric Creegan who serves as Lighting Designer, Jesse Berlane who served as Costume Designer, Patrick C. Dorian and Luis Lebron who served as Sound Consultants, Matthew Jacobsen who served as Master Carpenter, Jason Barry who served as Master Electrician, Jesse Jackson who served as Lighting Crew, Christopher Parlardy who served as Light Board Operator, Ryan Werkheiser who serves as Sound Board Operator, Stephanie Reyes who served as Wardrobe Mistress, Samantha Guy who served as Costume Assistant, Kendra Cruz who served as Prop Master, Melissa Rogers and Kaitlyn Howard who served as Pro Assistants, Janell Manzi who served as Prop Crew, Allison Getz who served as Make Up Designer, Kenny Garry and Ryan Groff who served as Running Crew, Rachel Mack and Meredith Lubin who served as Box office Managers, Heather Werline who served as House Manager, Krista Scott who served as Dialect Consultant, and Shaunenne Holt designed the Poster.
“A Streetcar Named Desire” by Tennessee Williams is currently being performed at The Fine Arts Building on the Campus of East Stroudsburg University in East Stroudsburg, PA. The Production runs until Sunday April 29th. Please call 570-422-3483 for information and ticket reservation.
Numerous photographs relating to the production can be found in The Forwardian Arts Society Our Good Friends Gallery on The Forwardian Arts Society Blog at myspace.com/forwardian_arts.
Sunday, April 22, 2007
Pages of The Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA hosted The Pocono Arts Council presentation of “Pages From The American Songbook” with The Fryer/Balaban Swingtet on Sunday April 22nd. A small but appreciative crowd enjoyed the nostalgic tunes. Our Good Friends Cheryl Yost, Richard Berkowitz, and Fran Henry (All of The Sherman Theatre) along with Our Good Friends Laura Goss (of the Pocono Arts Council) and Arline M. Smeltz were among those who enjoyed the show. The next show at Our Good Friends at The Sherman Theatre will be The Nancy Wilson of the Supremes Concert on Friday April 27th. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Saturday, April 21, 2007
Circus Sherman
Our Good Friends at The Sherman Theatre in Stroudsburg, PA presented The Russian American Kids Circus on Saturday April 21st. It was a great show delighting of all ages. Our Good Friends Cheryl Yost, Richard Berkowitz, and Fran Henry (All of The Sherman Theatre) along with Our Good Friends Gary Lambert and Arline M. Smeltz were among those who enjoyed the show. The next show at Our Good Friends at The Sherman Theatre will be The Pocono Arts Council presentation of “Pages From The American Songbook” with The Fryer/Balaban Swingtet on Sunday April 22nd. Please contact Our Good Friends at The Sherman Theatre at 570-420-2808 for more information.
Bookhouse Bluegrass
Our Good Friends at The Eastern Monroe Public Library (EMPL) in Stroudsburg, PA presented Our Good Friend Louie Setzer and the Appalachian Mountain Boys during their Bookhouse Concert on Friday April 20th. It was a great evening filled with the delightful toe tapping sounds of Bluegrass music. Our Good Friends Rob Ramos and Linnae Cintron (both of The EMPL) along with Our Good Friends Michael Wetmore of SYLP-H (Support Your local Poet-Hooray), Mark Lichty, and Arline M. Smeltz were among the very enthusiastic audience. The Next Bookhouse concert will be entitled, “Just an Old Sweet Song” with John Abernathy on Friday May 18th. Please contact Our Good Friends at The Eastern Monroe Public Library at 570-421-0800 for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
Thursday, April 19, 2007
A Little Night Poetry
Our Good Friends at The Shawnee Inn and Resort in Shawnee on the Delaware, PA presented their 2nd Annual Night of Poetry on Thursday April 19th. A small but very talented group of poets gathered to share word touching the soul of all who heard them. Our Good Friends Betsy Jackson, Rob Howell, and Amy Cramer were among those who shared their voices while Our Good Friends Jill Hammaren and Arline M. Smeltz were among those who listened with their hearts. Please contact Our Good Friends at The Shawnee Inn and Resort at 570-424-4000 for more information. You’ll find numerous photographs at The Forwardian Arts Society Literature 07 Gallery at myspace.com/forwardian_arts.
Wednesday, April 18, 2007
Coffee and Sayles at ESU
Our Good Friends at East Stroudsburg University in East Stroudsburg, PA presented Our Good Friend Regina Sayles in a solo Common Grounds coffeehouse concert on Wednesday April 18th. Regina has the wonderful ability to bring something very meaningful to the songs she performs making even the cover tunes written before her birth as if they were her own compositions. However, the concert also included songs from her new CD which often surpassed the depth of the classics she offered. Our Good Friend Arline M. Smeltz was among the small but satisfied crowd who were in attendance. Please contact Our Good Friend Regina Sayles at www.myspace.com/reginasayles for more information. You’ll find numerous photographs at The Forwardian Arts Society Music AMJ 07 Gallery at myspace.com/forwardian_arts.
The NEPTA Awards Show Report
We hope our words find you well. Our Good Friend Marty Courtney has shared with us his impressions of what occurred during the NEPTA Awards Show which took place on Saturday April 14th in Scranton, PA. We, at The Forwardian Arts Society, would like to express our sincere appreciation to Marty for keeping us informed on what is happening in the Theatrical world and in reminding us of the many wonderful achievements of our local (i.e. NEPA) talent. We’d like to encourage you to share your news with us so we may post it on our blogs. We look forward to hearing from you and we’ll keep a good thought for you until then.
The Forwardian Arts Society
NEPTA Awards Show
Written by Marty Courtney
Last night at the annual NEPTA Awards Show it was proven that there is a great amount of talent in Northeastern Pennsylvania. Community theatre groups from all over the area received awards for their performances in 2006 and the competition was fierce. Here are some of the highlights for the Monroe County area theatre groups and their performers.
The Pennsylvania Rep Company won 3 awards for "Tiny Tim's Christmas Carol".
Best Choreographer.....Nance Brown.
Best Supporting Actress in a Musical.....Debbie Chambers as Mrs. Cratchit.
Best Director of a Musical.....Michael Harron.
The Stone Porch Theatre Company won 3 awards for "One Flew Over The Cuckoo's Nest".
Best Lighting Design.....Arthur Ritter & Will Rothfuss.
Best Director of a Drama..... Will Rothfuss.
Best Drama of the Year.
The Stone Porch Theatre Company won an award for "Breaking Legs".
Best Lead Actor in a Comedy..... Marty Courtney as Lou Graziano.
Among the awards won by The Lakeside Players was Best Supporting Actor in a Drama won by Marty Courtney as Doctor Lane in "The House On The Cliff".
Nance Brown and Marty Courtney represented Penn Rep, and Amy Cramer and Matt Christie represented Stone Porch as presenters.
Cassie Dierolf beautified the stage as she represented Penn Rep as a "Trophy Girl" handing awards to the winners.
Chris Martinelli and Danielle Catrillo led several cast members from "Tiny Tim's Christmas Carol" in a scene from the show including the song "Christmas Time".
Easily the best acceptance speech of the night was by Chris Martinelli speaking on behalf of the cast of "One Flew Over The Cuckoo's Nest" for the Best Drama award.
Rick Cummins spoke from the heart as part of the tribute to Michael Harron and film clips were shown going back to 1983 that included dramatic and musical scenes as well as some very funny bloopers and
out-takes. Michael received an extended standing ovation when he was given the NEPTA Lifetime Achievement Award and in his speech he called it the Half-Lifetime Award because he is not even half finished yet.
Community Theatre keeps getting better and better in our area and it will keep getting better as long as we all keep supporting it. If you involved with one theatre group in our area, support the other groups too. Go to their shows, audition for their shows, you'll find they have the same interests that you have. We are all in this for fun and the more we work together, the more fun we will all have. If you're not having fun acting, you must be doing something wrong.
He who laughs the most before he dies wins, and I'm in the lead.
The Forwardian Arts Society
NEPTA Awards Show
Written by Marty Courtney
Last night at the annual NEPTA Awards Show it was proven that there is a great amount of talent in Northeastern Pennsylvania. Community theatre groups from all over the area received awards for their performances in 2006 and the competition was fierce. Here are some of the highlights for the Monroe County area theatre groups and their performers.
The Pennsylvania Rep Company won 3 awards for "Tiny Tim's Christmas Carol".
Best Choreographer.....Nance Brown.
Best Supporting Actress in a Musical.....Debbie Chambers as Mrs. Cratchit.
Best Director of a Musical.....Michael Harron.
The Stone Porch Theatre Company won 3 awards for "One Flew Over The Cuckoo's Nest".
Best Lighting Design.....Arthur Ritter & Will Rothfuss.
Best Director of a Drama..... Will Rothfuss.
Best Drama of the Year.
The Stone Porch Theatre Company won an award for "Breaking Legs".
Best Lead Actor in a Comedy..... Marty Courtney as Lou Graziano.
Among the awards won by The Lakeside Players was Best Supporting Actor in a Drama won by Marty Courtney as Doctor Lane in "The House On The Cliff".
Nance Brown and Marty Courtney represented Penn Rep, and Amy Cramer and Matt Christie represented Stone Porch as presenters.
Cassie Dierolf beautified the stage as she represented Penn Rep as a "Trophy Girl" handing awards to the winners.
Chris Martinelli and Danielle Catrillo led several cast members from "Tiny Tim's Christmas Carol" in a scene from the show including the song "Christmas Time".
Easily the best acceptance speech of the night was by Chris Martinelli speaking on behalf of the cast of "One Flew Over The Cuckoo's Nest" for the Best Drama award.
Rick Cummins spoke from the heart as part of the tribute to Michael Harron and film clips were shown going back to 1983 that included dramatic and musical scenes as well as some very funny bloopers and
out-takes. Michael received an extended standing ovation when he was given the NEPTA Lifetime Achievement Award and in his speech he called it the Half-Lifetime Award because he is not even half finished yet.
Community Theatre keeps getting better and better in our area and it will keep getting better as long as we all keep supporting it. If you involved with one theatre group in our area, support the other groups too. Go to their shows, audition for their shows, you'll find they have the same interests that you have. We are all in this for fun and the more we work together, the more fun we will all have. If you're not having fun acting, you must be doing something wrong.
He who laughs the most before he dies wins, and I'm in the lead.
Sunday, April 15, 2007
Climate Fest 2007
Our Good Friends The Deer Head Inn and The Antoine Dutot Museum Gallery in Delaware Water Gap, PA hosted The First Annual Climate Fest, which brought a much needed awareness of many environmental issues though speeches, music, art, and film, on Saturday April 14th. It was a great day filled with entertainment and meaningful information enabling the huge numbers of attendees to gain a sense they can help save the planet through their new awareness. Our Good Friends Michèle Bautier, Maxwell Kofi Donkor of The Sankofa Ensemble, Ron Penska of The Lost Ramblers, Phil Woods along with John Coats Jr., Spencer and Nancy Reed, Kate and Richie Roache, Marty Wilson along with Don Donato, and Peter Taney of the Juggernaut String Band were among the performers while Our Good Friends Richard Chamberlain, Marie Steeger, Ann and Willie François, Bill and Jill Goodwin, Christine M. Griffin (co Coordinator of the event), Jean Richardson and Nancy Scheirer of The Kirkridge Retreat Center, Gary Lambert, Mark Lichty, Suzanne McCool (Monroe County Commissioner), John J. Siptroth (PA State Representative), Mike Wetmore of SYLP-H, and Arline M. Smeltz were among the many who enjoyed the day. Please Explore www.poconoclimatefest.com for more information. You’ll find numerous photographs at The Forwardian Arts Society Climate Fest 2007 Gallery at myspace.com/forwardian_arts.
Monday, April 02, 2007
TFAS Poetry Festival
The Forwardian Arts Society (TFAS) held its First Annual Poetry Festival to honor National poetry Month at Our Good Friends at The Eastern Monroe Public Library (EMPL) in Stroudsburg, PA on Monday April 2nd. A small yet supportive group consisting of Our New Friends Doreen Torres, Kimberly Shultz, and LeeAnn Antal listened attentively with their hearts while Our Good Friends Ellen Bihler and Jeanette J. Jennis shared their poetry. The Forwardian Arts Society publishes poetry in their blogs so please feel free to email forwardian@hotmail.com to have your work considered. Please contact The Forwardian Arts Society at 570-269-3348 for more information about the group. You’ll find numerous photographs at The Forwardian Arts Society Gallery at 360.yahoo.com/pauladam.
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