Dedicating an Unitarian Organ

The Unitarian Universalist Church of Lancaster, PA (UUCL) presented a special Dedication Concert on Sunday February 24th to celebrate the acquisition of its 8th rank Moller organ which was built in 1932. A number of organist lent their musical skills to enhance the celebration allowing those who attended an opportunity to experience the unique tones and nuances of the instrument through their deftly placed fingers. There was a calm excitement within the church’s sanctuary as the anticipation for the first notes to be played grew among the gathering.

The afternoon began with some welcoming words given by the event’s hostess along with the revealing of plaque honoring the donors who shared their funds so the instrument could be purchased. Members of the Church’s Organ Committee which included Anne Mason Evelyn Pendelton, Phil Holzinger, Jeanne Pitz, Thomas Busteed, Robert Maust, and Simon Andrews were also introduced. A deep sense of appreciation for the gifts and endeavors to bring the organ from its previous location and to facilitate the reconstruction needed to install the instrument to its original and enhanced glory were felt by all. This appreciation manifested itself further as the sounds emanating from the instrument itself echoed throughout the sanctuary.

The music began as Donna Burkholder first touched the keys. Her interpretations of the classic and sacred melodies filled the air while giving the instrument a fullness of breath. The pieces she presented included composers of such stature as Schumann and Dubois. Ms. Burkholder is presently the Music Director at St. Peter's Lutheran Church in Lancaster, PA and has been since 1988. She has recently retired from The Conestoga Valley Middle School where she taught and directed choirs for over 20 years.

The afternoon of music continued with a performance given by Simon Andrews who served on the Church’s Organ Committee. Along with a pieces composed by Johann Sebastian Bach and other classical artists, Mr. Andrews also presented an original composition titled, “Fantasia on Te Lucis Ante Terminum.” Some could sense the organ’s thirst for renewal being quenched as the new composition filled its essence while its sounds filled the ears eager to follow the newly born notes to wherever they led. In 1985, Mr. Andrews won the Benjamin Britten Prize for composition and is a member of UUCL while presently serving as the Director of Music at The Highland Presbyterian Church in Lancaster, PA.

Mr. Andrews’s performance was followed by a brief intermission. During this time, wooden bowls were passed around so those who were able could express their financial support for the endeavors of The Unitarian Universalist Church of Lancaster, PA. The intermission also provided an opportunity for audience members to chat with those performing and one another about the magical interludes they communed upon.

After the intermission concluded, Thomas Busteed, who served on the Church’s Organ Committee, took his place behind the organ’s keyboard. Mr. Busteed blessed the instrument with a number of pieces including another composition by Johann Sebastian Bach and a John M. Rasley arrangement of the hymn titled, “Built on a Rock.” Mr. Busteed is an aspirant of the Unitarian Universalist Association and will graduate from The Lancaster Theological Seminary in May of 2013. He currently serves as the organist at Trinity United Church of Christ in East Petersburg, PA and was recently a student minister at UUCL.

I have much to say in praise of this young musician which, while genuine, I must admit there would be a great deal of bias in my statements. After all, he is my nephew. However, let me indulge my unclily admiration for him by saying he was the best one there. See, I told you I was biased. Smiles.

The program concluded with a performance given by Roger Kurtz who serves as the Music Director at the Jerusalem Evangelical Lutheran Church in Rothsville, PA. The selections he presented moved the attendees and the structure they congregated in with their beauty. These selections included compositions by Louis-Nicolas Clerambault, George Frideric Handel, and Johann Sebastian Bach. A silence touched the gathering as the echo of the final note faded from the instrument and reconstituted itself within the human soul. Mr. Kurtz has won the 1983 and 1986 Violet Cassel Organ Competitions subsequently becoming a sought after recitalist. His performance demonstrated why.

After the performance given by Donna Burkholder, Simon Andrews, Thomas Busteed, and Roger Kurtz had concluded, the Unitarian Universalist Church invited everyone to partake of a reception. Many wonderful words were shared while tastes of delectable morsels of food were consumed. One thought I found indicative of the quality of the recital’s experience was the wonderment several people expressed of how a musical instrument, such as the organ, can sound one way when played by one individual musician and sound so different when played by another.

I thought about this while journeying from Lancaster back to Stroudsburg, PA and my reflections led me to surmise the organ and each musician who sat before it formed a symbiotic relationship with one another. And, as with all relationships, the dynamics flowed into a unique pattern as the temperaments and sensibilities of the instrument and its beloved partner find their place in each other’ lives. This symbiotic relationship can be seen among other musicians and their instruments as well as with painters and their canvases, writers and their computer keyboards, and so forth. The phenomena has been defined by numerous metaphysical terms and phrases, but I would prefer to simply refer to it as, “Art.” You’ll find more photographs taken during the recital and the reception that followed in the Special Events 2013 Gallery at www.facebook.com/media/set/?set=a.10151513384020421.546231.636000420&type=1.

The Moller organ was built in 1932 and was housed in the St. Casimir Roman Catholic Church in Kulpmont, PA until Ivan Moyer bought the instrument for his wife to practice on. The instrument moved around the country with them for quite some time after that. During the 1990s, Mr. Moyer built a “Pipe Organ House” in the Poconos in Northeast PA. The structure was nestled among the natural landscape the area has become known for and was built around the musical instrument. It was recently moved from the Pipe Organ House and installed by Mr. Charles Gibson of C. W. Gibson Pipe Organ Specialist of Monroeville, PA into The Unitarian Universalist Church of Lancaster, PA under the auspices of its Organ Committee.

The Unitarian Universalist Church of Lancaster, PA (UUCL) has served the area for over 100 years as a beacon of liberal religion and a sacred force for love and justice. The UUCL seeks to share the spiritual wisdom which can be drawn from many sources. They hold services every Sunday at 10am along with a 11:45am service held most weeks. You can learn more about the Unitarian Universalist Church of Lancaster, PA and all they have to offer by exploring their Facebook Page at www.facebook.com/UUChurchLancaster.

Some Fearsome Fiddling For An Open Mic

The Living Room in Stroudsburg, PA presented another installment of their weekly Open Mic Nite Series on Sunday February 17th. Upon entering, my eyes were greeted by the sight of a modest gathering sitting upon the chairs and floors along the venue’s walls. Although it has happened many times before, I found myself becoming amazed of how soon after I arrived more  Musicians, Poets, and those who sought to experience their talents began to fill the room. A multitude of greetings were shared among long time friends and new comers alike. Like so many who attend the Open Mic Nite every week, it was then when I realized I was home, again.

Billy Mack, the series’ long established host, welcomed the gathering and was soon joined by his wife, Kathy Freeman, in song. They delighted the audience with some new pieces Billy has composed in preparation of The Billy Mack Collector’s (which comprise of a spontaneous collection of those who are available and willing to perform alongside Billy at any given time) upcoming performance at The Bohemian Coffee House in Baltimore, MD on Tuesday February 19th. Smiles filled the room as the music, once again, created a warm and friendly atmosphere conducive to a night of camaraderie and wonderful sharings.

As Billy and Kathy completed their performance, Electric Guitarist Matt B. took the stage. Although he has been absent from the Living Room for a number of weeks, Matt has become a favorite among the gathering. Those who remembered his previous visits were happy to see his return. Those who were new to the event soon found out why there were so many smiles upon the faces they sat beside of were present. The riffs and melodies moved the room as each vibrational tone swooped upon each listener and carried them away.

Matt B. was followed by Guitarist Michelle Leanna who was also a welcomed sight to those who frequent the Open Mic Nites. She sang a number of songs previously composed by established artists including a rendition of “I Wanna Hold Your Hand” by the Beatles. While listening to it, my memories of sharing the song with my kindergarten teacher filled my thoughts. It was our thing and ranks high among my memories of my time in her class alongside those of eating Oreo Cookies, drinking milk from a small carton, and sneaking over to the girls side of the room during nap time.

After Michelle completed her performance, she was followed by a guitarist known by his stage name, “Sirhan Sirhan.” The performer’s namesake was the assassin who killed Robert F. Kennedy (the brother of assassinated President John F. Kennedy) as he was running for office in 1968. However, unlike his namesake, this Sirhan Sirhan was welcomed by the gathering as his life giving performance echoed those of the previous open mic nites he shared his talents. He was followed by the poet known as Swag Amy (aka Amy Burowski) who inadvertently demonstrated her immense talent relating to the form when she shared her plight in experiencing a bad hair day.

The tone and cadence of her voice led many to believe she was sharing a poem she composed. When it was realized this was not the case, a deeper appreciation of her talent emerged as it was noted she was able to transform any ordinary occurrence into the poetic. Amy was followed by Poet and Musician Joel Craig III who began his time at the mic with a poem which touched the heart of many who heard it. He then sought to dispel what he considered the depressing effects of the work with a more cheerful song. The contrast between the works created a quiet mood among the gathering as they contemplated the experience which just took place. Hmmmmm. Joel was followed by the evening’s featured musician.

Joey Molinaro deftly combines his voice, feet, and violin to create a flurried sensation among those whose only ability to describe what they are experiencing as “WTF.” Being an instrument in a silhouetted darkness, Mr. Molinaro’s mind penetrating sonifications is almost indescribable as elements of Hill Billy and Screamo (a form of Hard core Punk) music emanated from the shadows can be heard. The chords and vibrations travels from the ear to the center of the sub consciousness where few dare to acknowledge let alone visit. But, that dreaded realm becomes prominent as our previous hopes become abandoned and become replaced by new hopes of escaping its lair.

Yet, there’s a familiar fascination to these surroundings which entreats us to stay a little while longer. We want to explore them in order to discover what is really inside our nightmares. Although we become a bit more frightened during our procedures, we also become empowered in realizing we have survived them thus far. Eventually, our sensual overwhelments of WTFs become affirmations of “This is Effing cool.”

Joey Molinaro is based in the Brooklyn, NY and Pittsburgh, PA areas of the United States. His performances are known to be filled with thought alternating riffs and sounds delving deep into the listener’s psyche. You can learn more about Joey Molinaro and his music by exploring his website at www.joeymolinaro.com.

As members of the audience were leading themselves back into this world, Guitarist Charles Lyman took the stage after the light returned to it. None could help note how his music contrasted sharply with that created by the featured performer but its soft melodies became a beacon to those still wandering their netherworlds. Soon, Charles’ voice and musical skills became fully appreciated in their own right as those who surrounded him listened to their quietness. He was followed by Guitarist Justin Rosario.

Justin recently performed during an acoustic night presented at The Living Room along with Crystal Rose, Jesse Morales, Sunny Shading, Nick Fuentes, and others. Many who performed during that special session also performed during the Sunday Open Mic Nites as did Justin. His performance during the February 17th event demonstrated the qualities of his musical gifts. His voice resounded like a bell summoning each thought to that moment to which each one originated.

Justin was followed by Guitarist Mike Strunk whose voice swam with melodies reflecting those created by such iconic musicians of the soul like the Moody Blues and Gordon Lightfoot. One song continuously played on and on yet did not create an impatient wondering when it would end. Instead, each member of the audience gladly traveled upon the gentle journey it offered and found themselves sorry to hear it’s final note as it likened to saying farewell to a dear and beloved friend. Yet, when one thought of what the song had given him or her, it was realized the song still remained with them and can always be heard from within. Mike was followed by a performance artists known as “Only Tonight.”

In combining dance with original music, Only Tonight created a quiet among the audience as each person sought to gain a deeper understanding of her performance. In it, the utilized a tubular apparatus which extended from the ceiling and was able to engulf her form (including her face) which was completely covered by her clothing. The performance proved to be open to a myriad of interpretations to its meaning which demonstrated there can never be a definitive interpretation to any creative endeavor. However, I would like to offer my interpretation to the performance to be considered here.

The tubular apparatus I described utilized in the piece could represent an umbilical cord or the womb. I either case, it represents an anatomical aspect associated with womanhood as they are not commonly found in the male species. Throughout the performance, the actress/dancer kept trying to escape from the apparatus increasing her struggles in every attempt. This seem to symbolized how a male dominated society defines what limitations should be placed upon women due to the nature of her gender. The struggle to be recognized for their ability transcending those relating to giving birth is a recognizable one that has been ongoing for a very long time.

The woman finally escapes the apparatus and celebrates by unveiling herself and dances with her joy. However, the question I have is, “Is she really free?” Is the imposed limitation placed upon her lifted simply because she’s able to dance? Maybe so. But, a seed a doubt enter my thoughts when I realize there are plenty of places where men pay money to watch women dance for them so they placing currency in her Wahoo. Ok, that was deep.

Anyways, the performance was as transfixing and it was thought provoking. As it ended, the artist offered recordings of her music for sale on cassette. Many sought to speak with her about her music and performance as the evening drew to a close. It did so as a Guitarist known simply as “Cape Girl” took the stage.

Her clarion voice traveled around and around until it came back to the soulful walls it echoed off of bringing to them a new meaning to their existence. The sensations she produced with her song stole the breath and replaced with an, “Aw.” It was during such a moment Billy Mack bade those who attended the evening’s installment of the Open Mic Series a fond adieu.

A sense of the calm moved along with those leaving the event as they recalled all they had experienced during the evening. And, there was much to recall which transpired both within and without each being inspiring their thoughts to anticipate returning the following week. You’ll be able to find more photographs taken during the Sunday February 17th Open Mic Nite in The Living Room 2013 Gallery at www.facebook.com/media/set/?set=a.10151402355470421.537393.636000420&type=3.

The next installment of the Living Room Open Mic Nite series will take place on Sunday February 24th beginning at 7pm (sign up begins at 6:30pm). Musicians, poets, writers, and anyone who would like to share something with an audience are welcomed to do so. The featured performer for the evening is yet to be announced. You can learn more about The Living Room Open Mic Nite Series by Exploring their facebook Page at www.facebook.com/OpenMicAtTheLivingRoom.

In addition to the Open Mic Nites presented at The Living Room, the venue also holds a Gallery which is currently presenting a group exhibition for their featured artists for the month of February. They include the works of Jesslynn McCauley, Sean Turrell, Patti Keegan, and Patty the Poet. The exhibition continues until February 28th. Their March exhibition will be a group show featuring the work of a huge variety of local artists who will be invited to present their creative endeavors that embody the concept of “Pop Culture.” Artists who wish to participate in thise themed show are invited to submit their work to The Living Room on Friday March 1st from 6-9pm. The Artists’ Reception Scheduled for Saturday March 2nd from 6-10pm with the exhibition continuing until March  31st.

The Living Room opened in April of 2012 and is located on Main Street in Stroudsburg, PA next to The Sherman Theater who owns the building. The Living Room is organized by members of the community who include Shane Izykowski, Martelle Jones, Elisa Byrne, Tom LeFevre, Darlene Farris Labar, Sarah Bouma, Toby Sabatine, and Billy Mack. Please Explore The Living Room Facebook Page at www.facebook.com/pages/The-Living-Room/123978921059378 for more information on The Living Room, all they have to offer, and how to be a part of it all.

www.theforwardianartssociety.com

Theatrical Review: Anything Goes

Theatrical Review: Anything Goes
Music and Lyric by: Cole Porter
Book by: P. G. Wodehouse, Guy Bolton, Howard Lindsay, and Russell Crouse.
Directed by: Sara Ferguson
Theatrical Review by: Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players’ production of Cole Porter’s classic musical “Anything Goes.” The play was written in 1934 when most musicals of the era were designed to simply entertain the audience to enable them to take their minds off the dire financial consequences of “The Great Depression” they encountered every day. To achieve this opium like effect, these musicals often contained a few likable tunes strung together by somewhat amusing dialogue which took place between wooden and shallow characters until some music began to signal the beginning of a song which seldom had anything to do with their conversation. I call it, “Theater of the contrived.”

Although the play reflects the era and it‘s approach to musical theater, The Worthington Players’ production of “Anything Goes” departs from the original version of the play as it’s the 1962 revival of the work whose storyline written by P. G. Wodehouse and Guy Bolton was greatly altered by Howard Lindsay and Russell Crouse to coincide with the film versions of the play. This resulted in changes in the characters and deleting some songs from the original work and replacing them with some compositions found in other plays containing Cole Porter’s music. Of course, those of you who have read previous reviews I’ve written by this reviewer may already know what he thinks about that.

The play takes place aboard a ship bound for Great Britain and is about an heiress named “Hope Harcourt” (as portrayed by Nicole Rideout) who is wooed by a young Wall St. Broker named “Billy Crocker” (as portrayed by Hunter Chadeayne who also served the production as its Assistant Musical Director). Hope boards the ship with her mother, Mrs. Wadsworth T. Harcourt (as portrayed by Pat Van Varick), and her fiancée, Lord Evelyn Oakleigh (as portrayed by Aaron Pappalardo), while Billy arrives with his boss, Elisha Whitney (as portrayed by Christopher Roche). Meanwhile, a former evangelist named, “Reno Sweeny” (as portrayed by Rachel Dickson), who is now a nightclub owner, boards with her “Angels” Chastity (as portrayed by Lauren Santorelli), Charity (as portrayed by Mary Ellen Valenti), Purity (as portrayed by Jillian Dente), and Virtue (as portrayed by Krystal Endrulat). Reno falls in love with Lord Evelyn Oakleigh while Hope falls in love with Billy.

Other characters include a gangster who isn’t really wanted all that much by The FBI named, “Moonface Martin” (as portrayed by Brandon Hanks) and is disguised as a priest who boards the ship with his Moll named, “Bonnie” (as portrayed by Shawna Serpe). In addition to all this, a Missionary Bishop (as portrayed by Paul Prelovsky) arrives on board with two Asian converts named, “Ling” (as portrayed by Samantha Wagner) and “Ching” (as portrayed by Shannon Felleter) and is arrested as the FBI mistakenly identifies him as a gangster they really do want. Rounding out the cast are members of the ship’s crew which comprise of its Captain (as portrayed by Benjamin Cohen), its Steward (as portrayed by William Brazdzionis), and its Purser (as portrayed by Cory Endrulat) along with Bridgette Endrulat as a reporter and Sarah Beairsto as a Camera Person along with Karen Raub, Eileen Cohen, Stephanie Hellman, and Emily Daning (who also served as the production’s Assistant Stage Manager) as the production’s ensemble. A great number of convoluted events occur tied together with some songs until some people get married.

Although the shear number of characters and their eventual far fetched relationship to one another may bring to mind a degree of dread as it does somewhat resemble an episode from the 1970s and 80s television show known as, “The Love Boat” which was program created to give has been actors a job, the collaboration between Cole Porter and P. G. Wodehouse  doesn’t contain the same stigmatic effect as the television show as even this butchered version of the original work is not without a substantive theme. This theme addresses how society often creates objects of worship from materials which a previous generation would shun. But, as new generation seeks to galvanize its youthful approach to the world and differentiate itself from an older generation, it becomes a society in which, as the title suggests, anything goes. This theme is illustrated several times throughout the course of the play.

The first is by the line directed at the Reno Character when it’s mentioned that she’s famous to which the response was, “She’s not famous. She’s notorious.” The theme is also illustrated later in the play when Billy, disguised as a well known gangster in order to avoid being arrested for stowing away upon the ship, decided to cease his deception and reveal who he is. In doing so, he states, “I have killed many people and robbed my way to the top. Yet you have made me out to be a hero. Well, the jokes on you because I’m not the gangster you admire. I’m Billy Crocker.” He is then arrested for being an imposter.

There are some productions that would have embraced the play’s theme and place it as a focal point of its presentation. After all, it’s theme does have certain elements relevant to a modern audience whose bombardment of “Reality” television shows continues to elevate the notorious to a celebrity status inspiring many to emulate their previously perceived as aberrant behaviors. Example of these are any programs with the name, “Hilton” in it or any that contain a disclaimer saying one should never attempt to do something but spends the next hour showcasing those who do it and therefore teaches the viewer how it’s done. Bringing a modern relevancy to theme contained within a play written several decades earlier can have an enlightening effect on an audience as they may realize the issues and circumstances experienced today are nothing new but those who experienced them in the past may have a perspective we can utilize in the present as we seek to end certain cycles of behavior that we realize doesn’t enhance us.

However, there are some productions that would simply present the play relying on the audience’s ability to nostalgically remember what their parents or grand parents told them about those bygone days and just enjoy the show leaving whatever theme it contains up to each member to notice it or not. This is an acceptable approach as it’s a good one to illicit some much needed good feeling of temporary amnesia among audience members who are experiencing some financial hardships due to the present state of the economy. It’s also a good way for a theater to make money as it’s been proven people are more likely willing to pay to see a production that is merely entertaining and not one that elicits much thought. Again, one can accurately guess which production this reviewer would prefer.

In this reviewer’s mind, it’s unfortunate the Worthington Players has opted to pursue the later theatrical approach to their audience. Yet, this is not an entirely unfortunate occurrence. It is still a well done production with some very good acting which includes an uncanny performance given by Brandon Hanks (who portrays Moonface Martin) presented in scenes in which elevated the entire production and made it all the more enjoyable to watch. It also had some great songs which, regardless from what show they actually came from, were well sung and nice to hear. So, in spite of my preferences, recommend seeing The Worthington Players’ production of “Anything Goes” to anyone who wants to simply enjoy a nice time at the theater.

One special note: The actor originally cast for the role of Moonface Martin was Marty Courtney. He recently suffered some chest pains and was placed in the Internal Care Unit (ICU) of a local hospital. It was later found there were some additional medical issues involving his lungs. Mr. Courtney has been a long time friend to the local theatrical community and has appeared in numerous productions throughout the years. Those who have met him have found themselves very fortunate to have done so. I happen to be one of those people and I hope his condition will improve to the point of experiencing a full recovery. I invite you to join with me and the those involved in the production in keeping a good thought for him as finds his way to wellness.

The Worthington Players serves as the artistic arm of The Shawnee Institute which was formed in December of 1999 as a 501-C3 organization designed to provide diverse, quality artistic programs to the residents of the historic village of Shawnee and the surrounding areas. Their production of “Anything Goes” by Cole Porter, P. G. Wodehouse, Guy Bolton, Howard Lindsay, and Russell Crouse continues its run until March 3rd.

The Worthington Players production of “Anything Goes” was directed by Sarah Ferguson who also served the production as its musical director, Choreographed by Joseph Ambrosia, and Stage Managed by Elizabeth Guarnieri. The Set designer, Light Board Operator, and Technical Director was David Schappert. Debbie Kilfoil served the production as its costumer as was assisted by Meredith Yanuzzi who also served as the production’s Technical Assistant. Special thanks was given to the Shawnee Inn and Golf Resort, Karl Viernstein, and Chef G.

Future presentations at The Shawnee Playhouse will include The SCOMC production of “Dancing at Lughnasa” taking place March 8th - 17th, The Worthington Players’ Productions of “An Easter Cantata: A Musical Celebration” taking place March 22nd - 31st and “The Best of Broadway” taking place April 5th - 14th, The Center Stage Players’ production of “The real Thing.” taking place April 19th - 28th, and The Worthington Players’ Productions of “Sin, Sex, and the CIA” taking place May 3rd - 19th and “Mozart - A Musical Timeline” taking place May 11th - June 15th.

The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn and Becky Haskell serves as the playhouse’s Sales and Marketing Director. The Executive Director of The Shawnee Playhouse is Midge McClosky. The playhouse’s webmaster is David Schrage and their accountant is Erica Stripp. Please contact The Shawnee Playhouse at 570-421-5093 or Explore their Facebook Page at www.facebook.com/shawneeplayhouse?ref=ts&fref=ts for more information and to reserve your ticket for their upcoming presentations.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Headlined and Featured Productions. Please note The Worthington Players production of “Anything Goes” is not included in this discount. Those who have seen the productions mentioned in this review are welcomed to share their thoughts and reflections by leaving a comment with this posting. To learn more about The Forwardian Arts Society and all they have to offer, please explore their website at www.theforwardianartssociety.com.

Photograph provided by The Shawnee Playhouse.

A Brookin’ Cool Open Mic

The Living Room in Stroudsburg, PA presented another installment of their weekly Open Mic Nite Series on Sunday February 10th. The place was packed and filled with excitement as I entered the venue. Musicians, Poets, and those who sought to experience their gifts engulfed the room with their anticipatory conversations as they awaited the onslaught of a creative storm they found more predictable than any meteorological forecast.

After some very brief verbal welcoming remarks given by the series’ long established host, Billy Mack, the latest edition of his group titled, “The Billy Mack Collector” were presented. The music they performed proved to be an extension to his remarks as it helped to rejuvenate the joyful and congenial atmosphere those who have frequented past Open Mic Nites have become familiar with. Those who experienced them for the first time were given a large dose of incentive to return again and again as many of the friends they made during their visit continue to do.

The musicians who perform in The Billy Mack Collector comprise of a spontaneous collection of those who are available and willing to perform alongside Billy at any given time. Tonight, Billy was joined by his wife Kathy Freeman on Ukulele, Zeke Cats (aka Zeki Bird) on various instruments including violin and trumpet, Eric Fun on guitar, and Jerry Fels on percussion. Billy utilize his guitar and vocal abilities to lead the harmonious group in song and the audience to smiles. As The Billy Mack Collector completed their set, the first of the evening’s signed in performers took the stage.

The duo known as Sheila Mark (Sheila Stratton and Mark Hamza) has performed throughout the area for numerous years and has been seen in various venues. These include performing during the Annual Celebration of the Arts (COTA) Jazz and Arts Festival that takes place in Delaware Water Gap, PA in September. Whether performing as street entertainment to provide the vast audience something wonderful to experience during the time it takes to transform the festival’s stage to prepare for the next performer or as a featured performer sharing their talents upon the COTA  stage itself, Sheila Mark has delighted audiences with Mark’s renditions of songs presented on his Accordion and Sheila’s powerful voice as they combine to create an overwhelming effect upon all who hear them. This effect was well evident throughout Living Room as its denizens found themselves moved with every note and struck by every chord. This overwhelming musical experience left enough energy for the audience to simply say, “Whoa.”

As Sheila Mark’s breathtaking performance came to an end, Guitarist Dave D. took the stage to provide the gathering a moment to recapture their breaths while listening to his songs. He was followed by the poet known as Swag Amy (aka Amy Burowski ) whose familiar words combined with newly heard utterances moved the gathering toward a deeper revelation of their own being. Swag Amy was followed by Anastasia Byler who made her singing debut at The Open Mic Nite the previous week.

Anastasia gave an emotionally powerful performance as tears touched her eyes and the hearts of those who experienced it. It was noted by all how difficult it was for her to reach into the place where her sorrows where stored in order to convey the effect they have on her life. This was not an easy thing to do or to witness as her time behind the mic ended with a solemn and supportive pause while the next performer prepared for his set.

Zeke Cats (aka Zeki Bird) made a return to the mic accompanied by his numerous instruments which included a singing bowl, a keyboard, trumpet, violin, accordion, and other musical tools to open the sealed doors of the alternative worlds that dwell within each individual universe. Incantatious notes orbited the subconscious like satellites filled with messages seemingly from beyond until we discover they are truly from within. It’s just that we’ve ignored them for so long that they seem to originate outside ourselves.

Zeke completed his set but remained onstage as he was rejoined by the companions formed during The Billy Mack Collector which included Billy Mack, Kathy Freeman, Eric Fun, and Jerry Fels. However, the reunited fellowship of musicians were renamed, “Holy Men and Ghost” and created a slightly different flavor to be enjoyed. Songs composed by individual members such as some written by Eric Fun were included in the repertoire to be happily greeted by those who heard them.  They were followed by the evening’s featured performer, guitarist Brook Pridemore.

Brook Pridemore’s energetic performance inspired those attending the Open Mic Nite to respond with laughter, rhythmic clapping, and the stomping of feet as each song demanded its listener to become involved with its qualities and to participate accordingly. The tightly sewn lyrics together with his musical stitching weaved a pattern throughout his songs reflecting his experiences and allowing others to adorn themselves in order to expand theirs. The performance proved to be a fine fit as the durable qualities found in the fabric of Mr. Pridemore’s performance lingered long after he completed his set.

The music of Brook Pridemore is often referred to as “Antifolk” which is a musical genre that #takes the earnestness of the politically charged folk music of the 1960s and subverts it by mocking its perceived pretentiousness. Mr. Pridemore has made several albums on Crafty Records including the recently released, “Gory Details.” He has gained a reputation in supporting other musicians in the genre by participating in a number of compilations albums and establishing a performance venue in his apartment titling it “The Brooklyn Tea Party.” You can learn more about Brook Pridemore, his music, and creative endeavors by exploring his Facebook Page at www.facebook.com/brookpridemoremusic?ref=ts&fref=ts.

After Brook Pridemore completed his performance, electric guitarist Maxx Blois-Rosetti took the stage to perform a series of riffs which swooned the audience with its musical qualities. Maxx was followed by guitarist Basil Alsamarai who played a number of songs that further swayed the gathering with their melodies. Basil was followed by A. P. whose hip hop vocalizations amused to gathering which were enhanced by the appearance of four year old Isaac Cats who danced along to the sounds. They were followed by Guitarist Dan McLaughlin who sang a number of original work along with several pieces composed by established musical artists.

It was during one of these pieces titled, “Let it be” by the Beatles which led to a magical moment indicative of the Open Mic Experience. A quite came over the room and was most clearly seen in the face and countenance of young Isaac whose joyful rambunctious was calmed by a communication the song shared with him. Dan McLaughlin completed his set but began something new among the gathering. It’s not something easily described through word and I sense any attempt to convey it in writing would somehow diminish its essence. But, it’s there.

The evening’s list of performers concluded with a performance of Jerry Fels on keyboard. Jerry performed earlier that evening as both part of The Billy Mack Collector and Holy Men and Ghost. His performance upon keyboard was very enjoyable and made especially so when he paused while saying “Every morning I wake up and hate to….” as part of his introduction to the next song he was preparing to perform. Seizing an opportunity, young Isaac filled the pause with the word, “fart.” A great deal of laughter ensued and Jerry spontaneously incorporated the word into the song.

Although Jerry Fels was scheduled to be the final performer of the evening, the number of those who came to share their talent allowed for a waiting list to be created. This was instituted after Jerry performed as there was time remaining in the event. The first to perform from this list was a guitarist simply known as “Nicki” who presented a number of songs and was joined by A. J. who returned to the mic to provide some vocalized percussion to one of the pieces. Nicki and A. J. were followed by guitarist Jack S. who performed an additional number of songs. The final performer on the waiting list was Guitarist Michelle Leanna who began her performance with poetry which later led to a presentation of her original compositions.

As the final note from Michelle’s voice and guitar echoed throughout the room, Billy Mack bade those who attended the evening’s installment of the Open Mic Series a fond adieu. Those who remained the whole night left with thoughts of their experience keeping them warm as they ventured out into a cold February night. The low temperatures seemed to have little effect on many as the anticipation of returning to the Living Room the following week for another Open Mic Nite generated a nice amount of heat. You’ll be able to find more photographs taken during the Sunday February 10th Open Mic Nite in The Living Room 2013 Gallery at www.facebook.com/media/set/?set=a.10151402355470421.537393.636000420&type=3.

The next installment of the Living Room Open Mic Nite series will take place on Sunday February 17th beginning at 7pm (sign up begins at 6:30pm). Musicians, poets, writers, and anyone who would like to share something with an audience are welcomed to do so. The featured performer for the evening is yet to be announced. You can learn more about Brook as well as The Living Room Open Mic Nite Series itself by Exploring their facebook Page at www.facebook.com/OpenMicAtTheLivingRoom.

In addition to the Open Mic Nites presented at The Living Room, the venue also holds a Gallery which is currently presenting a group exhibition for their featured artists for the month of February. They include the works of Jesslynn McCauley, Sean Turrell, Patti Keegan, and Patty the Poet. The exhibition continues until February 28th. Their March exhibition will be a group show featuring the work of a huge variety of local artists who will be invited to present their creative endeavors that embody the concept of “Pop Culture.” Artists who wish to participate in thise themed show are invited to submit their work to The Living Room on Friday March 1st from 6-9pm. The Artists’ Reception Scheduled for Saturday March 2nd from 6-10pm with the exhibition continuing until March  31st.

The Living Room opened in April of 2012 and is located on Main Street in Stroudsburg, PA next to The Sherman Theater who owns the building. The Living Room is organized by members of the community who include Shane Izykowski, Martelle Jones, Elisa Byrne, Tom LeFevre, Darlene Farris Labar, Sarah Bouma, Toby Sabatine, and Billy Mack. Please Explore The Living Room Facebook Page at www.facebook.com/pages/The-Living-Room/123978921059378 for more information on The Living Room, all they have to offer, and how to be a part of it all.

Le Soho du le burg (pardon my French)

The Backstreet Studio and Art Gallerie in Stroudsburg, PA held an Artists’ Reception on Saturday February 9th for their exhibition titled, “The Red Show” which featured the work of over 15 artists sharing their creative endeavors while incorporating the color and/or concept of red in their work. The exhibition wasn’t presented in the gallery but in the Newbery’s building located nearby which allowed for a larger crowd to enjoy the work. This change of venue proved to be as much as a treat to the artistic sensibilities of those who attended the reception as the work that was presented.

One immediately was captured by the vastness of the space which the event’s host, Andrea Robbins Rimberg, excitedly filled by entreating each guest with her delightful imaginings reflecting the potential the space has for the artistic community. Among these included dance classes and other events designed to entice the creative nature from the depth of every soul yearning for expression. However, acquiring the space as a permanent addition to her already established Backstreet Studio and Art Gallerie remains a process to be overcome. But, the excitement Ms. Rimberg created within all who she talked to stirred a hope that her dreams will manifest themselves into a wonderful reality as they have become our dreams as well.

In the meantime, the work presented upon the gallery’s walls proved to be an enjoyable collection of images and were enhanced by the conversation many have inspired. The two dimensional work was also accented by the sculpted pieces who sometimes felt as if they were participants of the number of conversations that were shared during the course of the reception. In combination, the entirety of the work and the varied topics of the discourses that ensued made the reception a pleasant place to spend a late afternoon and early evening. The works included those created by Andrei Protsouk, Jorge L. Cruz, James Chesnick, Marcos Oksenhendler, Joyce Bambach, Jim Smeltz, and many more.

Due to the recent meteorological conditions, the gallery scheduled an additional Artists’ Reception to be held Sunday February 10th for those who were unable to attend the Saturday event. If the Saturday experience could be considered as an indication of what could be in store for those who come the following day, then a treat awaits every art lover who ventures in. In fact, the entire exhibition may well serve as an indication the arts in Stroudsburg, PA are in the process of flourishing to a new level especially when one considers the creation of several other venues established within the past year throughout the town. This is in keeping with one of Andrea’s dreams to establish an Art District which is becoming more tangible with every event of this nature that takes place.

The “Red Show” Exhibition continues at The Backstreet Studio and Art Gallerie in the Newberry’s Building in Stroudsburg, PA until March 9th. Their next exhibition is yet to be announced. You’ll find more photographs taken during the “Red Show” Artist’s Reception in The Stroudsburg Art District 2013 Gallery at www.facebook.com/media/set/?set=a.10151420282390421.539464.636000420&type=3.

The Backstreet Studio and Art Gallerie opened its doors to the public in April of 2012 and is owned by Andrea Robbins Rimberg. Prior to the establishment’s opening, Ms. Rimberg became well known for her creativity as many of her pieces were and continues to be presented in prestigious museums throughout the United States. She is also know for her undying dedication to the arts which she utilizes her exuberant energies to promote at every opportunity. Among her many positions serving in organizations and groups relating to the arts, she is the president of the Pocono Arts Council and the Arts and Photography Director of The Forwardian Arts Society literary and Art magazine titled, “Forwardian.”

The Backstreet Studio and Art Gallerie is currently renting the Newberry’s Building and plans to hold a number of art related events and opportunities there. Newberry’s (aka J. J. Newberry’s) was a national five and dime store which originated in Stroudsburg, PA in 1911 and closed during the 1990s. During its time, it evolved from a family owned business created by John Josiah Newberry into a chain acquiring over 500 stores throughout the United States until it was bought by the McCrory Stores who downsized the business and eventually became bankrupted. The closing of one of the chain’s stores in New Hampshire inspired the composition of the poem titled, “Beans and Frank” written by Donald Hall. You can learn more about The Backstreet Studio and Art Gallerie, their new facilities at The Newberry’s Building, and all it offers by exploring their Facebook Page at www.facebook.com/BackstreetStudioAndArtGallerie.

An Open Mic Bowled Over

The Living Room in Stroudsburg, PA presented another installment of their weekly Open Mic Nite Series on Sunday February 3rd. As I arrived at the venue near the 6 o’clock hour, I noticed the crowd gathering was unusually spars in their numbers. This may have been due to the fact a popular Football game known as “The Super Bowl” was taking place during the same time. However, as the evening progressed, a number of people entered The Living Room in order to offer what proved to be their astonishing talents to evening.

The event began at 7pm with some welcoming words given by the series’ long established host, Billy Mack, who had returned from his touring schedule the previous week. His joyful countenance were reflected in the songs he shared as the Billy Mack Collector which isn’t a band in the conventional sense but rather a spontaneous collection of musicians who are available and willing to perform alongside Billy at any given time. Poet Amy Knopf and Guitarist Crystal Rose happily became part of this musical collection for the evening and together they laid the framework of all the wonderful experiences that were bound to be enjoyed throughout the night.

As Billy completed his set, the evening’s first performer took the stage. C. O. G. sat before the mic with his guitar and began to play the folk songs that echoed off the walls of time. Those among the gathering who remembered the tunes and where they were when they first met them began to whisper the lyrics that touched their lives. C. O. G. was followed by a solo performance given by Crystal Rose whose guitar and voice penetrated the room with its familiar subtleness touching the souls by teaching them the lessons they already knew but placed aside for the world’s sake.

During her performance, Crystal shared with the group she will soon be performing alongside other guitarist during an acoustic night at The Living Room Friday February 8th beginning at 7pm. They will include many who have performed during previous open mic nites such as Jesse Morales, Sunny Shading (who also performed during the current Open Mic Nite), Nick Fuentes, Justin O'neil Rosario, Tyler Reed, and Thomas Lewis. The upcoming show reflects the caliber of those who participate in the Open Mic Nights at The Living Room and it was good to learn the incredible talents these individuals will be showcased in the near future.

As Crystal finished her performance, Jesse Roth took the stage in order to bless the mic with her poetry. Jesse took over the series for Billy while he was away and continues to bring her magical talents to the venue assisting him in this loving endeavor for the arts. The words she utilized to create the moods and imagery her poetry demanded moved from one ear to another allowing each listener to embrace them into the arms of experiences. More poetry followed Jesse as Joel Craig III and Amy Burowski (aka Swag Amy) began to bless the mic with their words.

However, before sharing my impressions of Joel and Amy’s poetic performance, I would like to explore this word, “Swag” that has become a lexiconic icon that I’ve been made aware of in recent months. This intellectual exercise may either be my chance at appearing academically astute or demonstrate I’m someone who is over the age of 50 and only cares about conveying my studies on such trivial things is because I’m an old fart. Regardless of how my endeavors define me,  here is what I’ve found.

Swag is currently a word that defines how one presents him or herself. It was originally taken from the Scottish slang word “swagger” which was a description of the way some Scots walked. It later became a word that described where stolen possessions where kept. During the 1960’s, it became an acronym created by a group of men which meant “Secretly We Are Gay.” The word presently replaces the oft used catchphrase, “cool” just as referring everything during the 1990’s as “da bomb” did. However, there are still a lot of people who still say “cool.”

Whether the word “Swag” is destined to have the longevity of “cool” or fizzle out like “da bomb” is yet to be seen. However, in my research, I’ve found a warning that people over the age of 50 (like myself) who can kill the word by just knowing about it. Sorry about that.

Anyways, the heart revealing poetry of Amy Burowski and Joel Craig III filled the room with their varied styles. Both poets touched the essence of love and relationships but from different perspectives which served to remind those who experienced their work how the emotion elicits a myriad of life changing memories as time allows one to reflect upon them. Amy and Joel were followed by Theo (aka Sunny Shading) and his guitar whose new songs echoed the delight found in the pieces he sang during previous Open Mic Nights. He will also be performing alongside Crystal Rose and others during the acoustic night to be presented at The Living Room Friday February 8th mentioned earlier in this article.

Theo (aka Sunny Shading) was followed by Guitarist Michelle Leanna whose powerful voice enhanced the soul of each song. However, during the singing of one piece, she had forgotten the song’s lyrics which gave rise to an opportunity for those who enjoyed and supported her performance to demonstrate what a meaningful experience attending an Open Mic Nite at The Living Room can be. A number of Soul Sisters and Brothers lovingly sang the song for her until her recollection its words recovered from its lapse.

After Michelle ended her set, Theo (aka Sunny Shading) returned to the stage with his guitar and was accompanied by Anastasia Byler whose voice lent a new substance to every song she sang. This was her first performance at The Living Room and perhaps her first performance anywhere. Her nervousness was felt by those who are intensely intuitive about such things. However, her impressive talents shown through as each note echoed throughout hearts of the appreciative audience. Theo and Anastasia were followed by a return to the mic by poet Amy Knopf whose familiar words inspired many who were revisited by them to delve deeper to their essence by asking questions about them. This exploration brought a new dimension to the work as well as a higher level of appreciation for the poetry and poet.

Amy was followed by a group of friends who embodied the joyous and spontaneous spirit of the Open Mic Nite series. They consisted of Travis, Joel (Craig III), and “any other odd fuck who can’t sing.” Amidst the laughter filled frivolity, one can certainly say they lived up to their harmonic pretensions. I personally felt inspired by their performance and may take the stage to share my singing talents with the gathering. But then, I may not as I don’t want to dissuade anyone with sensitive hearing from attending future Open Mic Nites. Smiles.

After the performance given by Travis, Joel, and others came to an end, they were followed by a guitarist known simply as, “Mike” whose outstanding voice filled the room with “whoa.” Mike was followed by a return of Travis who performed an instrumentally touching piece on his guitar. Billy Mack returned to the mic after Travis’ performance with a new collation of talent. 

Poets Amy Burowski (who performed earlier) and Cydnee Bence explored their singing talents with an audience who were very pleased by them. The evening ended with an a cappella version of the song titled, “Listen to Your Heart” which originated with the Swedish (post ABBA) duo known as “Roxette” and became popular during the late 1980’s and early 90’s. Jesse Roth sang the song enhancing its deeper meanings through her favorably comparable rendition of it.

As the words of the song Jesse sang were quietly heeded, Billy Mack began to bid those who attended the evening’s installment of the Open Mic Series a fond adieu. During his parting words, he made note that, while there were many who performed in previous events, there were many who stepped before the mic for the very first time. It was agreed this enhanced the experience even more than usual and created a super bowl of talent each person could take a sip from and become more nourished by it’s ingredients. Those who left did so eager to return the following week to partake of the fulfilling meal The Living Room’s Open Mic Nite has to offer. You’ll be able to find more photographs taken during the Sunday February 3rd Open Mic Nite in The Living Room 2013 Gallery at www.facebook.com/media/set/?set=a.10151402355470421.537393.636000420&type=3.

The next installment of the Living Room Open Mic Nite series will take place on Sunday February 10th beginning at 7pm (sign up begins at 6:30pm). Musicians, poets, writers, and anyone who would like to share something with an audience are welcomed to do so. The featured performer for the evening will be Brook Pridemore who will be making the trek from New York City to bring with him his masterful version of folk punk music. You can learn more about Brook as well as The Living Room Open Mic Nite Series itself by Exploring their facebook Page at www.facebook.com/OpenMicAtTheLivingRoom.

In addition to the Open Mic Nites presented at The Living Room, the venue also holds a Gallery which is currently presenting a group exhibition for their featured artists for the month of February. They include the works of Jesslynn McCauley, Sean Turrell, Patti Keegan, and Patty the Poet. The exhibition continues until February 28th. Their March exhibition will be a group exhibition featuring the work of a huge variety of local artists who will be invited to participate in a show embodying the concept of “Pop Culture.” Artists who wish to participate are invited to submit their work to The Living Room on Friday March 1st from 6-9pm. The Artists’ Reception Scheduled for Saturday March 2nd from 6-10pm with the exhibition continuing until March  31st.

The Living Room opened in April of 2012 and is located on Main Street in Stroudsburg, PA next to The Sherman Theater who owns the building. The Living Room is organized by members of the community who include Shane Izykowski, Martelle Jones, Elisa Byrne, Tom LeFevre, Darlene Farris Labar, Sarah Bouma, Toby Sabatine, and Billy Mack. Please Explore The Living Room Facebook Page at www.facebook.com/pages/The-Living-Room/123978921059378 for more information on The Living Room, all they have to offer, and how to be a part of it all.

Theatrical Review: The Obituary I’m Dying to Write

Theatrical Review: The Obituary I’m Dying to Write
Written by: Lawrence B. Fox
Directed by: David Schappert
Review Written by Paul Adam Smeltz

The Shawnee Playhouse in Shawnee on the Delaware, PA presented The Worthington Players production of the Original Full Length Play which won their 2012 Playwright Competition as part of The Shawnee Original Playwright Series (SOPS). The annual event is a result of inviting playwrights to send in their original works, forming a panel to select the finalist, presenting the chosen plays in a series of staged readings, and tallying the votes received from the viewing audiences to determine which plays will be presented as full productions. This process not only gives a local playwright an opportunity to have his/her work presented on The Shawnee Playhouse stage but also gives the audiences who frequent the venue a chance to experience some new and interesting work.

This year’s selections for the Full Length Presentation was a comedy titled, “The Obituary I’m Dying to Write” written by Lawrence B. Fox. According to the playbill, the work is based upon true accounts of life stories experienced by individuals who were similar to the characters depicted on stage. “Except,” as the author noted, “Where I may have lied a little.” Whether the stories shared during the performance were truthful or a result of “Artistic Lie-sense,” they were well spun by the actors who portrayed the characters.

The play takes place in a nursing home where a group of it’s denizens reads an obituary and realizes the usual announcement of one’s departure from this world seldom reflects the life one has led or the impact he or she had in the lives of others during their time on Earth. The group, therefore, decides to share with one another how they would like their obituary to read. This sharing transforms an ordinary pronouncement of death into an emotionally engaging affirmation of life.

The denizens of this nursing home include Gertie (as portrayed by Eileen Cohen), Lillian (as portrayed by Elizabeth Guarnieri), Milton (as portrayed by Stephen Hellman), Artie (as portrayed by Edward Joseph), Benny (as portrayed by Aaron Pappalardo), “Sarge” (as portrayed by Paul Prevolvsky), Glen (as portrayed by Christopher Roche), and Janice (as portrayed by Meredith Yanuzzi). The cast is rounded out by the appearance of Ben Cohen and Scott E. MacIntosh who portray a number of male characters who serve to dramatize the stories along with Gillian Geraghty who portray a number of female characters. The cast also include Amy Cramer who portrays a nurse at the nursing home facility named, “Sylvia” who eventually shares her story with her charges reminding the audience that each member has their own stories to tell regardless of what milestone on their journey of life they see whenever they peer into a mirror.

This reviewer found the majority of the stories told during the production to be funny, captivating, and touched with a nostalgic sadness. This was not true of all the stories I’ve experienced but, as I looked upon my fellow audience members, I realized each story had a different message to each person in the theater and, while I didn’t find a story particularly meaningful, there were others who did. So, while this reviewer can’t say an audience member attending this production will be entertained by every story they will encounter while viewing “The Obituary I’m Dying to Write,” each person who comes into The Shawnee Playhouse will leave it touched by some element they discover during their visit to the venue.

Other than the subjective point I made regarding the effects of the stories embodied in the production, this reviewer found one tangible flaw in its presentation. While many of the actors were made up to resemble individuals old enough to attend a nursing home, there were some who were not. This takes away from the production integrity as it reminds the audience some members of the cast are really young people pretending to be old people. However, there were actors who were made up to appear elderly and shed some of their disguise in order to reflect the age they were in the story they told. Why this was not done for all the actors in the production is a mystery to this reviewer but it is hoped this observation may be considered by those who decide such matters as a valid one that would enhance the theatrical experience for those who attend future presentations of it.

The Shawnee Playhouse presentation of The Worthington Players production of the Original Full Length Play which won their 2011 Playwright Competition as part of The Shawnee Original Playwright Series (SOPS) titled, “The Obituary I’m Dying to Write” was written by Lawrence B. Fox. It was Directed by David Schappert (who also served as the production’s Technical Director) and Stage Managed by Anne O’Brian. Stephanie Hellman served as the production’s “Follow Spot” light person. Special thanks were given in the program to Sean Olson and Joby Poster, USMC (ret.).

The Worthington Players production of “The Obituary I’m Dying to Write” by Lawrence B. Fox continues its run at The Shawnee Playhouse in Shawnee on the Delaware, PA until Sunday February 10th. In spite of the one area this reviewer found theatrically distracting from the believability of the play, it remains a production many theatre lovers are likely to enjoy. The play and the fine performances it inspires reflects the subtle essence of life whose vibrant qualities are not diminished by its seemingly ordinary and mundane attributes perceived in our everyday living of it. It’s a good play and worth while seeing.

The Worthington Players were established in 1999 and is the non-musical contingent of the Shawnee Playhouse. They present a variety of semi-professional theatrical productions from January through May working with community members to bring a quality-working atmosphere for those participating in the production and a quality performance for those attending. Their Original Playwright Series is one of the many programs the offer to the community.

As mentioned earlier, “The Obituary I’m Dying to Write” by Lawrence B. Fox is the full length play chosen from those submitted for The Worthington Players 2012 playwright competition and to be presented during The Shawnee Original Playwright Series (SOPS). The competition also selected three One Act Plays to be presented as well. This year’s winners were “Getting Out The Green” by Paul Kodiak, Succession” by Charles White, and “Real Friends Help You Move” by K. K. Gordon. They were presented January 5th - 13th. You may read our review of these productions at www.facebook.com/notes/paul-adam-smeltz/theatrical-review-original-one-act-plays/10151240638901232.

The Worthington Players 2013 playwright competition discontinued accepting original work on Tuesday January 31st and will begin holding their weekly Staged Readings for the finalist on Friday February 15th and continue to do so until Friday March 29th. This stage of the competition will consist of  a number of actors who will read the plays submitted for the competition from the script. Audiences attending the readings will be afforded the opportunity to vote for the work they enjoy the most. Those receiving the most votes will be presented as full productions early in 2014.

Other Shawnee Playhouse presentations will be The Shawnee Playhouse special presentation of “Anything Goes” taking place February 15th - March 3rd, The SCOMC production of “Dancing at Lughnasa” taking place March 8th - 17th, The Worthington Players’ Productions of “An Easter Cantata: A Musical Celebration” taking place March 22nd - 31st and “The Best of Broadway” taking place April 5th - 14th, The Center Stage Players’ production of “The real Thing.” taking place April 19th - 28th, and The Worthington Players’ Productions of “Sin, Sex, and the CIA” taking place May 3rd - 19th and “Mozart - A Musical Timeline” taking place May 11th - June 15th.

The producers of the productions presented at The Shawnee Playhouse are Ginny and Charlie Kirkwood while the group sales manager is Mary Horn and Becky Haskell serves as the playhouse’s Sales and Marketing Director. The Executive Director of The Shawnee Playhouse is Midge McClosky. The playhouse’s webmaster is David Schrage and their accountant is Erica Stripp. Please contact The Shawnee Playhouse at 570-421-5093 or Explore their Facebook Page at www.facebook.com/shawneeplayhouse?ref=ts&fref=ts for more information and to reserve your ticket for their upcoming presentations.

Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $3.00 discount off the admission fee of The Shawnee Playhouse Headlined and Featured Productions. Those who have seen the productions mentioned in this review are welcomed to share their thoughts and reflections by leaving a comment with this posting. To learn more about The Forwardian Arts Society and all they have to offer, please explore their website at www.theforwardianartssociety.com.

Photograph provided by The Shawnee Playhouse.