The Pocono Community Theater* in East Stroudsburg, PA held an organizational meeting on Saturday February 28th for their upcoming “Jazz It Up” event to be held on Friday June 19th at The Stroudsmoore Country Inn in Stroudsburg, PA in their newly created Terraview facilities cinematic season. Many were on hand in anticipation of the opportunities to aide the Local Movie House in its endeavors to present the best of Independent and foreign films not found in larger venues to the community. There will be another meeting to further plan the event on Saturday March 14th at 1pm at The Pocono Community Theater*.
Please Explore The Pocono Community Theater* Website for more information about the meeting and all they have to offer. You’ll find photographs taken during the meeting in the slideshow found at The Forwardian Arts Society Myspace profile at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, February 28, 2009
Theatrical Review: Daddy’s Little Girl
DADDY’S LITTLE GIRL
Author, Composer, Lyricist: Jeff Lewis
Directed by: Jeremy William Hilgert*
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented an original musical production presented exclusively at the theatre entitled, “Daddy’s Little Girl” by Jeff Lewis. The play is about an overprotective father who encounters a series of situations while trying to keep his daughter “Daddy’s Little Girl.” These situations include entanglements with a self indulgent educational system and his own desire to live in a past that is better left in the past.
The play seemed to be an enjoyable experience to most of the audience who attended the performance. And, the production is certainly enjoyable to those who are fans of The Disney Channels’ programs like “Hannah Montana” and The Suite Life of Zack and Cody.” But, for those of us who aren’t prone to watching “Seventh Heaven” marathons all day, the lack of substance in the relationships portrayed in this quaint musical fell as flat as the one dimensional caricatures who inhabited the show. Still, this reviewer does concede the effect the author is trying to achieve is the creation of a piece those who do like the television programs I mentioned will like this play as well. And, in this, the production works.
What doesn’t quite work is the script itself. It had the feel of being written. This may sound like an odd observation until one realizes people in real life don’t speak in properly formed sentences in their everyday conversations whether they be with their friends, teachers, or parents. This may have led to the persistent pauses between lines and cues being late throughout the production.
Many productions who have the opportunity of working alongside the author of the work during rehearsal also have an advantage of being able to enhance the production by changing the script as it’s being read out loud by the actors to reflect a more flowing dialogue. This reviewer was not privy to the occurrences which took place during rehearsal and it is not this reviewer’s intent on second guessing the director. But, it seemed this opportunity to work with the author in the manner described would have made the play more real and therefore allow the themes the author wish to share become more believable in the reflection of the realities of life.
The cast consisted of Jon Buxton who portrayed Nathan Larson the overprotective father who yearns for the old days when his daughter was a lot less independent, Lisa Grando as Rosemary Larson who is Nathan’s ex wife whose career woman status sometimes takes away from her ex husband’s archaic perception of her role as a mother, Ariel Hudak as their daughter Jennifer Larson who yearns to be treated like an adult while remaining dependent on the privileges being a teenager living on her parents’ income can afford her, Brandon Cabrera as Jennifer’s brother Ted Larson who perspectives on the life of his family are as objective as they can be while being a member of that family, Chrystyna Zenovia as the self indulgent Math teacher whose only goal in teaching is to survive it until the summer months arrive, Michelle Kane as Principal Gibs whose speech impediments mirrors the impediments she has in running a school meant to educate those in its charge, Michael Welten as Jennifer’s somewhat dimwitted boyfriend who occasionally demonstrates his intelligence until his desire for food overrides this trait, and Jackie Lewis as Jennifer’s tattooed friend Becka who offers her own perspective on her girlfriend’s life. The cast is rounded out with a group of teens who mostly serve as the productions chorus. They are Luke Baboolal Lea Buxton, Emily Heller, Philip Benefield, Tara Turnbull, Leah Rosengarten who also served as a member of the production‘s crew, Marshall Haskell who also performed in the orchestra as its percussionist, Jasmine Thomas who also performed in the orchestra as its flutist, Michael Battipaglia who also performed in the orchestra as its trumpeter, and Rachel Miller who also performed in the orchestra as its Clarinetist and Saxophonist. The Orchestra was conducted by the Musical Director who also performed on keyboard while arrangements of the pieces were made by Adam Birnbaum.
The Shawnee Playhouse* production of “Daddy’s Little Girl” by Jeff Lewis was Directed by Jeremy William Hilgert* who also designed the production’s set and Stage Managed by Robin Kessler* who also served the production as Lighting Designer. The Master Carpenter was Bob Walz* and the production’s crew included Rachel Plank and Autumn Reeves The Executive Director of The Shawnee Playhouse* is Midge McClosky* while the producers are Ginny and Charlie Kirkwood. Group Sales of their productions are handled by Mary Horn* (who also served as a member of the Box Office Staff) while The Shawnee Playhouse publicity is handled by Amy Cramer*. The Box office staff includes Becky Haskell and Lillian Gonzalez*.
This production of “Daddy’s Little Girl” by Jeff Lewis will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until March 1st. The next Shawnee Playhouse* in Shawnee on the Delaware, PA presentations will be “A Life in The Theatre” presented March 13th - 22nd, and “A Walk In The Woods” presented March 27th through April 5th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $2.00 discount off the admission fee of The Shawnee Playhouse* Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse* at 570-421-5093 for more information and to reserve your ticket.
No Photographs were taken during the performance.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Author, Composer, Lyricist: Jeff Lewis
Directed by: Jeremy William Hilgert*
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented an original musical production presented exclusively at the theatre entitled, “Daddy’s Little Girl” by Jeff Lewis. The play is about an overprotective father who encounters a series of situations while trying to keep his daughter “Daddy’s Little Girl.” These situations include entanglements with a self indulgent educational system and his own desire to live in a past that is better left in the past.
The play seemed to be an enjoyable experience to most of the audience who attended the performance. And, the production is certainly enjoyable to those who are fans of The Disney Channels’ programs like “Hannah Montana” and The Suite Life of Zack and Cody.” But, for those of us who aren’t prone to watching “Seventh Heaven” marathons all day, the lack of substance in the relationships portrayed in this quaint musical fell as flat as the one dimensional caricatures who inhabited the show. Still, this reviewer does concede the effect the author is trying to achieve is the creation of a piece those who do like the television programs I mentioned will like this play as well. And, in this, the production works.
What doesn’t quite work is the script itself. It had the feel of being written. This may sound like an odd observation until one realizes people in real life don’t speak in properly formed sentences in their everyday conversations whether they be with their friends, teachers, or parents. This may have led to the persistent pauses between lines and cues being late throughout the production.
Many productions who have the opportunity of working alongside the author of the work during rehearsal also have an advantage of being able to enhance the production by changing the script as it’s being read out loud by the actors to reflect a more flowing dialogue. This reviewer was not privy to the occurrences which took place during rehearsal and it is not this reviewer’s intent on second guessing the director. But, it seemed this opportunity to work with the author in the manner described would have made the play more real and therefore allow the themes the author wish to share become more believable in the reflection of the realities of life.
The cast consisted of Jon Buxton who portrayed Nathan Larson the overprotective father who yearns for the old days when his daughter was a lot less independent, Lisa Grando as Rosemary Larson who is Nathan’s ex wife whose career woman status sometimes takes away from her ex husband’s archaic perception of her role as a mother, Ariel Hudak as their daughter Jennifer Larson who yearns to be treated like an adult while remaining dependent on the privileges being a teenager living on her parents’ income can afford her, Brandon Cabrera as Jennifer’s brother Ted Larson who perspectives on the life of his family are as objective as they can be while being a member of that family, Chrystyna Zenovia as the self indulgent Math teacher whose only goal in teaching is to survive it until the summer months arrive, Michelle Kane as Principal Gibs whose speech impediments mirrors the impediments she has in running a school meant to educate those in its charge, Michael Welten as Jennifer’s somewhat dimwitted boyfriend who occasionally demonstrates his intelligence until his desire for food overrides this trait, and Jackie Lewis as Jennifer’s tattooed friend Becka who offers her own perspective on her girlfriend’s life. The cast is rounded out with a group of teens who mostly serve as the productions chorus. They are Luke Baboolal Lea Buxton, Emily Heller, Philip Benefield, Tara Turnbull, Leah Rosengarten who also served as a member of the production‘s crew, Marshall Haskell who also performed in the orchestra as its percussionist, Jasmine Thomas who also performed in the orchestra as its flutist, Michael Battipaglia who also performed in the orchestra as its trumpeter, and Rachel Miller who also performed in the orchestra as its Clarinetist and Saxophonist. The Orchestra was conducted by the Musical Director who also performed on keyboard while arrangements of the pieces were made by Adam Birnbaum.
The Shawnee Playhouse* production of “Daddy’s Little Girl” by Jeff Lewis was Directed by Jeremy William Hilgert* who also designed the production’s set and Stage Managed by Robin Kessler* who also served the production as Lighting Designer. The Master Carpenter was Bob Walz* and the production’s crew included Rachel Plank and Autumn Reeves The Executive Director of The Shawnee Playhouse* is Midge McClosky* while the producers are Ginny and Charlie Kirkwood. Group Sales of their productions are handled by Mary Horn* (who also served as a member of the Box Office Staff) while The Shawnee Playhouse publicity is handled by Amy Cramer*. The Box office staff includes Becky Haskell and Lillian Gonzalez*.
This production of “Daddy’s Little Girl” by Jeff Lewis will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until March 1st. The next Shawnee Playhouse* in Shawnee on the Delaware, PA presentations will be “A Life in The Theatre” presented March 13th - 22nd, and “A Walk In The Woods” presented March 27th through April 5th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $2.00 discount off the admission fee of The Shawnee Playhouse* Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse* at 570-421-5093 for more information and to reserve your ticket.
No Photographs were taken during the performance.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Wednesday, February 25, 2009
Going Organist At LVC
The Lebanon Valley College (LVC) in Annville, PA hosted the students of Dr. Shelly Moorman-Stahlman who presented their Senior Pipe Organ Recitals on Tuesday February 24th in the Campus Miller Chapel. The Students featured were Justin McClure who performed “Prelude and Fugue in C Minor, Op. 37” composed by Felix Mendelssohn and “Prelude, Fugue, and Variation, Op. 18” composed by Cesar Franck along with Thomas Busteed* who performed “Praeludium in C Major, BuxWX 137” composed by Dietrich Buxtehude and an original composition entitled, “Requiem for Organ III. ‘Everything Fades’.” It was an enchanting evening filled with music to inspire all who attended the recital.
Please Explore The Lebanon Valley College (LVC) Website for more information. You’ll find several photographs at The Forwardian Arts Society Going Organist At LVC Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Please Explore The Lebanon Valley College (LVC) Website for more information. You’ll find several photographs at The Forwardian Arts Society Going Organist At LVC Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, February 22, 2009
Rocking at The Sherman
The Sherman Theatre* in Stroudsburg, PA presented another in their Independent Rock Series on Saturday February 21st. This installment of the series featured Bound by Blood* www.myspace.com/boundinbloodnl along with their special guests She Chased The Sky* www.myspace.com/shechasedthesky, Ruina* www.myspace.com/ruinapa, Birth by the Grind* www.myspace.com/vaginalworms, The Only Solace* www.myspace.com/theonlysolace, Aphotic Discord* www.myspace.com/aphoticdiscord, Arencebia*, and The Binary Code* www.myspace.com/thebinarycodenj. The small but enthusiastic crowd were enliven by the sounds of Hard Core and Heavy Metal Music it filled the Theatre inspiring them to sing along while slam dancing (if they still call it that) with (into) one another.
The next events Independent Rock Series taking place at The Sherman Theatre* will feature Split Fifty www.myspace.com/splitfifty at 6pm on Friday March 7th with special guests Pull the Pin www.myspace.com/pullthepinpa, Red Car Wire www.myspace.com/redcarwire, Kelsey and the Chaos www.myspace.com/KELSEYANDTHECHAOS, and more with an additional installment of the Series featuring The Geronimo EP Release Show Friday March 27th at 6pm with performances by City Confessions www.myspace.com/cityconfessions, Slightly Askew* www.myspace.com/slightlyaskew, Stasis* www.myspace.com/stasisrocks, Rosary Ligature* www.myspace.com/rosaryligature, and Tugga War . Other events at The Sherman Theatre* include their Rock N' Art Event on Saturday February 28th at 8pm featuring a special meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.” Another installment in their Severed Sinema Series* will be held on Friday March 13th beginning at 7pm featuring works by filmmakers from the Lehigh Valley PA Area entitled “Hell's Half Acre” and “Brutal Massacre: A Comedy.” An opportunity to meet with members of the cast and crew of both films will be provided.
The Pocono Arts Council’s* “Youth in Music” Scholarship Awards Ceremonies will take place at The Sherman Theatre* on Saturday March 14th beginning at 8am celebrating and honoring the musical achievements of area students while later that day “Who Loves You: A Musical Retrospective” featuring a variety-style musical retrospective presented by some of the Pocono’s most talented teens will be presented at 8pm. Nine Time All-Ireland Fiddle Champion Eileen Ivers and Immigrant Soul will be presented Saturday March 15th at 7:30pm changing the way you think about the violin. The FuSia Pre-Professional Dance Company will present their production entitled, “Array” on Sunday March 22nd at 6pm featuring an evening of artistic exploration consisting of various dance genres where movement truths coexist to include modern, tap, jazz, and hip-hop pieces while the month of March will conclude with The Pocono Choral Society* presentation of their “Bluegrass and Gospel” Concert on Sunday March 29th raising the roof with bluegrass favorites and gospel featuring special guests The Cold Springs Bluegrass Band.
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Rocking at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
The next events Independent Rock Series taking place at The Sherman Theatre* will feature Split Fifty www.myspace.com/splitfifty at 6pm on Friday March 7th with special guests Pull the Pin www.myspace.com/pullthepinpa, Red Car Wire www.myspace.com/redcarwire, Kelsey and the Chaos www.myspace.com/KELSEYANDTHECHAOS, and more with an additional installment of the Series featuring The Geronimo EP Release Show Friday March 27th at 6pm with performances by City Confessions www.myspace.com/cityconfessions, Slightly Askew* www.myspace.com/slightlyaskew, Stasis* www.myspace.com/stasisrocks, Rosary Ligature* www.myspace.com/rosaryligature, and Tugga War . Other events at The Sherman Theatre* include their Rock N' Art Event on Saturday February 28th at 8pm featuring a special meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.” Another installment in their Severed Sinema Series* will be held on Friday March 13th beginning at 7pm featuring works by filmmakers from the Lehigh Valley PA Area entitled “Hell's Half Acre” and “Brutal Massacre: A Comedy.” An opportunity to meet with members of the cast and crew of both films will be provided.
The Pocono Arts Council’s* “Youth in Music” Scholarship Awards Ceremonies will take place at The Sherman Theatre* on Saturday March 14th beginning at 8am celebrating and honoring the musical achievements of area students while later that day “Who Loves You: A Musical Retrospective” featuring a variety-style musical retrospective presented by some of the Pocono’s most talented teens will be presented at 8pm. Nine Time All-Ireland Fiddle Champion Eileen Ivers and Immigrant Soul will be presented Saturday March 15th at 7:30pm changing the way you think about the violin. The FuSia Pre-Professional Dance Company will present their production entitled, “Array” on Sunday March 22nd at 6pm featuring an evening of artistic exploration consisting of various dance genres where movement truths coexist to include modern, tap, jazz, and hip-hop pieces while the month of March will conclude with The Pocono Choral Society* presentation of their “Bluegrass and Gospel” Concert on Sunday March 29th raising the roof with bluegrass favorites and gospel featuring special guests The Cold Springs Bluegrass Band.
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Rocking at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Pocono Community Volunteers
The Pocono Community Theater* in East Stroudsburg, PA held an organizational meeting on Saturday February 21st for their upcoming cinematic season. Many were on hand in anticipation of the opportunities to aide the Local Movie House in its endeavors to present the best of Independent and foreign films not found in larger venues to the community. Among the opportunities explored was the upcoming “Jazz It Up” event to be held on Friday June 19th at The Stroudsmoore Country Inn in Stroudsburg, PA in their newly created Terraview facilities. There will be another meeting specifically addressing the event for Volunteers who would like to participate in its success on Saturday February 28th at 1pm at The Pocono Community Theater*.
Please Explore The Pocono Community Theater* Website for more information about the meeting and all they have to offer. You’ll find photographs taken during the meeting in the slide show found at The Forwardian Arts Society Myspace profile at myspace.com/forwardian_arts.
Please Explore The Pocono Community Theater* Website for more information about the meeting and all they have to offer. You’ll find photographs taken during the meeting in the slide show found at The Forwardian Arts Society Myspace profile at myspace.com/forwardian_arts.
Saturday, February 21, 2009
Zombie Fest Attacks The Sherman
The Sherman Theatre* in Stroudsburg, PA presented another horrifying evening in their Severed Sinema series on Friday February 20th with a special Zombie Fest hosted by the series’ founder Earl Kessler. The films featured that evening were a 1974 English Zombie Film entitled, “Let Sleeping Corpses Lie” by Spanish director, scriptwriter, playwright and painter Jorge Grau and the 1968 horror classic “The Night of the Living Dead” directed by George A. Romero. The films were shown in the theatre’s lobby which served as a perfect setting for an enormous number of people (both living and undead) to experience this Double Feature of Golden Era Cult, Horror, and Bizarre Cinema.
After a viewing of trailers from other cult classics, the film “Let Sleeping Corpses Lie” was shown. This film is also known by several titles which was common for films of this era. This was due to them being shown in several markets and it was much more cost effective to recycle the film by adding a new titled than it was to create another film. Other titles to this film included, “The Living Dead at the Manchester Morgue,” “Don't Open the Window,” “The Living Dead,” “Breakfast at the Manchester Morgue,” “Breakfast With the Dead,” “Brunch with the Dead,” and “Weekend with the Dead.”
The first half to three quarters of the film shown some very good production values along with some equally good acting which thoughtfully explored the dimensions of the characters portrayed in the piece. However, after this cinematic interlude, the film got silly as the Zombies began plodding in to make their overwhelming appearance. It’s as if the director decided during the filming of “Let Sleeping Corpses Lie” that all this was getting much too serious and it was time to have some fun with the project. And, fun it was. This made the entire viewing experience an enjoyable one.
I have heard it said among the horror aficionados attending the event that this was typical of the English Horror genre of that period. Filmmakers would begin filming with a chilling premise and add some comedic effects to reflect the shear joy they had in making it. I’ve also heard this film is considered by many to be an inspiration to George Romero to make his sequel to “The Night of the Living Dead” entitled, “The Dawn of the Dead.”
Speaking of the classic, Zombie Fest continued with the much anticipated showing of George A. Romero‘s “The Night of the Living Dead.” There’s not much to say about this film that hasn’t already been said in countless books and textbook on the entire horror genre. All that can be added is that it was an enjoyable experience to share the film in the company of the large audience who attending the screening. The screams and laughter which filled the room took the film beyond all the academic commentaries to why it was an important film and made it the really great experience it was intended to be.
Among those who were brave enough to be in attendance included Rich Berkowitz*, Bill Kelly* and Theresa Woehrel* of The Sherman Theatre* along with Arline M. Smeltz* and Dave Morton*. I’m sure there were many of you there as well and I invite you to share your experiences of Zombie fest. I would be eager to learn your thoughts as I’m sure others who read this would be as well.
The next presentation in The Severed Sinema Series will be a Special event and screening with members of the cast and crew of “Hell’s Half Acre” (Rated R) and “Brutal Massacre: A Comedy” (Rated R) on Friday March 13th beginning at 7pm. Both films we’re recently shot in the Lehigh Valley Area and have received great acclaim. Discretion is Advised.
The next events taking place at The Sherman Theatre will include The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code*, Aphotic Discord*, She Chased The Sky, Arencebia*, Ruina*, The Only Solace*, and Anathemat* as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Zombie Fest Attacks The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
After a viewing of trailers from other cult classics, the film “Let Sleeping Corpses Lie” was shown. This film is also known by several titles which was common for films of this era. This was due to them being shown in several markets and it was much more cost effective to recycle the film by adding a new titled than it was to create another film. Other titles to this film included, “The Living Dead at the Manchester Morgue,” “Don't Open the Window,” “The Living Dead,” “Breakfast at the Manchester Morgue,” “Breakfast With the Dead,” “Brunch with the Dead,” and “Weekend with the Dead.”
The first half to three quarters of the film shown some very good production values along with some equally good acting which thoughtfully explored the dimensions of the characters portrayed in the piece. However, after this cinematic interlude, the film got silly as the Zombies began plodding in to make their overwhelming appearance. It’s as if the director decided during the filming of “Let Sleeping Corpses Lie” that all this was getting much too serious and it was time to have some fun with the project. And, fun it was. This made the entire viewing experience an enjoyable one.
I have heard it said among the horror aficionados attending the event that this was typical of the English Horror genre of that period. Filmmakers would begin filming with a chilling premise and add some comedic effects to reflect the shear joy they had in making it. I’ve also heard this film is considered by many to be an inspiration to George Romero to make his sequel to “The Night of the Living Dead” entitled, “The Dawn of the Dead.”
Speaking of the classic, Zombie Fest continued with the much anticipated showing of George A. Romero‘s “The Night of the Living Dead.” There’s not much to say about this film that hasn’t already been said in countless books and textbook on the entire horror genre. All that can be added is that it was an enjoyable experience to share the film in the company of the large audience who attending the screening. The screams and laughter which filled the room took the film beyond all the academic commentaries to why it was an important film and made it the really great experience it was intended to be.
Among those who were brave enough to be in attendance included Rich Berkowitz*, Bill Kelly* and Theresa Woehrel* of The Sherman Theatre* along with Arline M. Smeltz* and Dave Morton*. I’m sure there were many of you there as well and I invite you to share your experiences of Zombie fest. I would be eager to learn your thoughts as I’m sure others who read this would be as well.
The next presentation in The Severed Sinema Series will be a Special event and screening with members of the cast and crew of “Hell’s Half Acre” (Rated R) and “Brutal Massacre: A Comedy” (Rated R) on Friday March 13th beginning at 7pm. Both films we’re recently shot in the Lehigh Valley Area and have received great acclaim. Discretion is Advised.
The next events taking place at The Sherman Theatre will include The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code*, Aphotic Discord*, She Chased The Sky, Arencebia*, Ruina*, The Only Solace*, and Anathemat* as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Zombie Fest Attacks The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, February 16, 2009
Crossing Lines at ESU
The East Stroudsburg University (ESU)* in East Stroudsburg, PA held an Opening Reception on Sunday February 15th for Ceramic Sculptor Bruce Dehnert whose exhibition of his work entitled, “Lines Crossed” will be on display in the University’s Madelon Powers Gallery located in its Fine and Performing Arts Center. Those who attended were met with pieces whose “skins” were stripped away to reveal their inner workings. This approach to their creation encouraged and even challenged those who experienced each work to look deeply within themselves to discover what their “skins” might have been covering up during their life encounters. The exhibition continues until February 27th.
Among the many who came to experience the works of Bruce Dehnert and to gain the insights they and he offered included Edward and Cornelia Evans* of Gallery 705 (www.gallery705.com) located in Stroudsburg, PA, Arline M. Smeltz*, and many students who either participated in the corresponding workshop the ESU Art Department hosted or those offered at The Peters Valley Craft Center (www.petersvalley.org) in Layton, NJ of whom he is the head of their Ceramics Department.
The Next Exhibitions to be held at ESU* will be their Art Association Juried Exhibition taking place March 11th until April 10th with an Opening reception on Wednesday March 18th beginning at 5pm, A Celebration of Sculpture on Thursday March 26th featuring a day long recognition of the outdoor works throughout the campus with special attention given to their newest acquisition from The Berman Foundation, and The Senior Seminar and Portfolio in Art Student Exhibit taking place April 15th - May 1st. The Opening Reception to this exhibition is yet to be announced.
Please Explore The ESU* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Crossing Lines at ESU Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Among the many who came to experience the works of Bruce Dehnert and to gain the insights they and he offered included Edward and Cornelia Evans* of Gallery 705 (www.gallery705.com) located in Stroudsburg, PA, Arline M. Smeltz*, and many students who either participated in the corresponding workshop the ESU Art Department hosted or those offered at The Peters Valley Craft Center (www.petersvalley.org) in Layton, NJ of whom he is the head of their Ceramics Department.
The Next Exhibitions to be held at ESU* will be their Art Association Juried Exhibition taking place March 11th until April 10th with an Opening reception on Wednesday March 18th beginning at 5pm, A Celebration of Sculpture on Thursday March 26th featuring a day long recognition of the outdoor works throughout the campus with special attention given to their newest acquisition from The Berman Foundation, and The Senior Seminar and Portfolio in Art Student Exhibit taking place April 15th - May 1st. The Opening Reception to this exhibition is yet to be announced.
Please Explore The ESU* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Crossing Lines at ESU Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, February 15, 2009
Cupid Hits the Sherman
The Sherman Theatre* in Stroudsburg, PA hosted The Voice Distributions and The Sessoms Group (www.thesessomsgroup.com) presentation of their 2nd Annual Pocono Valentine’s Day Concert and Dance on Saturday February 14th. The event began with an enjoyable dinner which served as a romantic appetizer for the music the large crowd were about to feast upon. The after dinner entrée featured the a smooth array of songs sung by Keith Washington, Meli'sa Morgan, and Glenn Jones who were preceded by sultry renditions of tunes delivered by Songstress Roz Shepard setting the tone for an incredible evening. After the musical interlude of the heart, there was a pause as the theatre cleared the dinner tables and prepared the dance floor for those present to enjoy.
A large number of sweethearts filled The Sherman Theatre* in an evening filled with love and enchantments. Among the many of those who enjoyed the experience included Rich Berkowitz*, Bill Kelly*, and Cheryl Yost* of The Sherman Theatre* along with Philbert Robertson* who were among those who served The Sherman Theatre* as Ushers. There were also representatives The Big Apple Beauty Supply, Inc which is located at the Marshalls Square Shopping Center in East Stroudsburg, PA sharing free beautification products with those who were in attendance. It was great seeing many of our friends beautiful faces there and I would like to encourage those of you not mentioned to share your experiences by adding your comment to this article.
The next events taking place at The Sherman Theatre will include another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Cupid Hits the Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
A large number of sweethearts filled The Sherman Theatre* in an evening filled with love and enchantments. Among the many of those who enjoyed the experience included Rich Berkowitz*, Bill Kelly*, and Cheryl Yost* of The Sherman Theatre* along with Philbert Robertson* who were among those who served The Sherman Theatre* as Ushers. There were also representatives The Big Apple Beauty Supply, Inc which is located at the Marshalls Square Shopping Center in East Stroudsburg, PA sharing free beautification products with those who were in attendance. It was great seeing many of our friends beautiful faces there and I would like to encourage those of you not mentioned to share your experiences by adding your comment to this article.
The next events taking place at The Sherman Theatre will include another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Cupid Hits the Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, February 14, 2009
Spinning at The Sherman
The Sherman Theatre* in Stroudsburg, PA presented the classic R&B group The Spinners on Friday February 13th. They were preceded by The Byrd Pressley Group www.byrdpressley.com whose music not only complimented the show, but their performance inspired the large audience in ways only the best of the soul touching music of the genre could. Only the magic embodied in the music of The Spinners could transcend their wonderful performance, and (top the audience’s delight) it did.
The Spinner’s performance was filled with all the songs they made classics during the 1970’s which included “One of a Kind (Love Affair),” “I’ll Be Around,” “Could It Be I’m Falling in Love,” “Working My Way Back to You/Forgive Me,” and concluded with the show stopping “Rubberband Man.” Many of their fans were seen dancing in the aisles and singing along to the lively tunes. There were also many couples who were singing gently the softer love songs to one another throughout the evening as well. It was a memorable evening destined for inclusion to all the wonderful memories The Spinners have created for all who have experienced them throughout the year.
As mentioned, a large number of fans filled The Sherman Theatre*. Among the many of those who enjoyed the show included Rich Berkowitz*, Theresa Woehrel* Bill Kelly*, and Cheryl Yost* of The Sherman Theatre* along with Philbert Robertson*, Arline M. Smeltz*, Maria Gerena, and Gary Lambert* who were among those who served The Sherman Theatre* as Ushers. It was great seeing many of our friends there and I would like to encourage those of you not mentioned to share your experiences by adding your comment to this article.
The next events taking place at The Sherman Theatre will include a Valentine’s Day Concert and Dance at 8pm on February 14th, another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Spinning at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
The Spinner’s performance was filled with all the songs they made classics during the 1970’s which included “One of a Kind (Love Affair),” “I’ll Be Around,” “Could It Be I’m Falling in Love,” “Working My Way Back to You/Forgive Me,” and concluded with the show stopping “Rubberband Man.” Many of their fans were seen dancing in the aisles and singing along to the lively tunes. There were also many couples who were singing gently the softer love songs to one another throughout the evening as well. It was a memorable evening destined for inclusion to all the wonderful memories The Spinners have created for all who have experienced them throughout the year.
As mentioned, a large number of fans filled The Sherman Theatre*. Among the many of those who enjoyed the show included Rich Berkowitz*, Theresa Woehrel* Bill Kelly*, and Cheryl Yost* of The Sherman Theatre* along with Philbert Robertson*, Arline M. Smeltz*, Maria Gerena, and Gary Lambert* who were among those who served The Sherman Theatre* as Ushers. It was great seeing many of our friends there and I would like to encourage those of you not mentioned to share your experiences by adding your comment to this article.
The next events taking place at The Sherman Theatre will include a Valentine’s Day Concert and Dance at 8pm on February 14th, another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Spinning at The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Sunday, February 08, 2009
Naturally Breaking Down The Sherman
The Sherman Theatre* in Stroudsburg, PA presented a night filled with music featuring Natural Breakdown www.myspace.com/thenaturalbreakdown on Saturday February 7th. They were preceded by Big Boss Sausage www.myspace.com/bigbosssausage and The Big Dirty whose music prepared the minds and souls of the audience who became a gathering of friends as the songs within their beings played along. Numerous vendors were on hand to enhance the festival atmosphere. Jennifer Seme of Gems by Jen www.myspace.com/sweetwaterwoman were among them. There were also artist stationed in front and on stage who offered their renderings inspired by the music they experienced.
The next events taking place at The Sherman Theatre will include The Spinners at 8pm on Friday February 13th, a Valentine’s Day Concert and Dance at 8pm on February 14th, another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Naturally Breaking Down The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
The next events taking place at The Sherman Theatre will include The Spinners at 8pm on Friday February 13th, a Valentine’s Day Concert and Dance at 8pm on February 14th, another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Naturally Breaking Down The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Suebdynamo Art at The Jukebox
The Main Street Jukebox* in Stroudsburg, PA held an Art Opening on Saturday February 7th featuring the works of Suebdynamo* www.suebdynamo.com of The Stroudsburg Area Art Alliance* www.myspace.com/sbgartalliance. The Exhibition is scheduled to continue until February 28th.
The Next Opening Reception at The Main Street Jukebox* will be on Saturday March 7th beginning at 5pm featuring the works of Chris Francz* www.chrisfrancz.com of The Stroudsburg Area Art Alliance* www.myspace.com/sbgartalliance in an exhibition entitled, “Skitzo.” The reception will include a performance by The Patchwork Quilt Fallacy* www.myspace.com/thepatchworkquiltfallacy and a Live painting Event at 7pm. This Exhibition is scheduled to continue until April 3rd.
Please Explore The Main Street Jukebox* Website for more information. You’ll find several photographs at The Forwardian Arts Society Suebdynamo Art at The JukeboxGallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
The Next Opening Reception at The Main Street Jukebox* will be on Saturday March 7th beginning at 5pm featuring the works of Chris Francz* www.chrisfrancz.com of The Stroudsburg Area Art Alliance* www.myspace.com/sbgartalliance in an exhibition entitled, “Skitzo.” The reception will include a performance by The Patchwork Quilt Fallacy* www.myspace.com/thepatchworkquiltfallacy and a Live painting Event at 7pm. This Exhibition is scheduled to continue until April 3rd.
Please Explore The Main Street Jukebox* Website for more information. You’ll find several photographs at The Forwardian Arts Society Suebdynamo Art at The JukeboxGallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Saturday, February 07, 2009
Gallagher Smashes The Sherman
The Sherman Theatre* in Stroudsburg, PA presented The Gallagher Full Sledge-O-Matic Show on Friday February 6th the hilarious social commentary Gallagher has been known for throughout his long and illustrious career. However, he is even better known for his culinary exorcisms performed with his handy dandy Sledge-O-Matic. The huge crowd of fans in the specially designated slash zone delighted as a variety of foods ranging from Sour Kraut and Duck Sauce to the ever popular Water Mellon sprayed upon them after making contact with the mighty force of Gallagher’s Sledge-O-Matic Hammer.
As mentioned before, the crowd was huge and a great number of friends were there. Again, I find myself at a loss in my attempts in mentioning them without the fear of neglecting to name then all. So, once again, I’ll take the easy way out and just say to those of you who attended the event it was great seeing there. Please feel free to comment on this article and make yourself known by sharing your’ re reflections and experiences relating to the evening.
The next events taking place at The Sherman Theatre will include The Natural Breakdown* Concert with special guests Big Boss Sausage and The Big Dirty on Saturday February 7th at 8pm, The Spinners at 8pm on Friday February 13th, a Valentine’s Day Concert and Dance at 8pm on February 14th, another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Gallagher Smashes The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
As mentioned before, the crowd was huge and a great number of friends were there. Again, I find myself at a loss in my attempts in mentioning them without the fear of neglecting to name then all. So, once again, I’ll take the easy way out and just say to those of you who attended the event it was great seeing there. Please feel free to comment on this article and make yourself known by sharing your’ re reflections and experiences relating to the evening.
The next events taking place at The Sherman Theatre will include The Natural Breakdown* Concert with special guests Big Boss Sausage and The Big Dirty on Saturday February 7th at 8pm, The Spinners at 8pm on Friday February 13th, a Valentine’s Day Concert and Dance at 8pm on February 14th, another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead,” The Bound by Blood* Concert on Saturday February 21st at 6pm with special guests Binary Code, Aphotic Discord, She Chased The Sky, Arencebia, Ruina, The Only Solace*, and Anathemat as part of their Independent Rock Series, and Rock N' Art Featuring Pink Floyd's The Wall on Saturday February 28th at 8pm with a meet and greet with local artists Bill Kelley* and Chris Francz* followed by a screening of the film, “Pink Floyd's The Wall.”
Please Explore The Sherman Theatre* Website for more information. You’ll find numerous photographs at The Forwardian Arts Society Gallagher Smashes The Sherman Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Thursday, February 05, 2009
Theatrical Review: The Stage II* Student Directed One Act Plays
THE STAGE II* STUDENT DIERECTED ONE ACT PLAYS
Written by: Sam Shepard, David Ives, and Raven Knight
Directed by: David Ausem*, Erica Moshette*, and Amanda Kalinowski*
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University (ESU)* Department of Theatre presented of the Stage II* (the student theatrical club) production of their Student Directed One Act Plays. This production was established long ago to not only demonstrate what the students learned during their years studying the art of theatre, but to expand upon the knowledge they obtained by exploring the directorial aspects of the art. The ESU* Student Directed One Act Plays have opened the door of opportunity for many students who later became inspiring directors in the theatrical community. They also serve as a treat to the audience for it gives them a glimpse of what is in store for the future of theatre in the coming years.
The first of the three plays to be presented was a Sam Shepard piece entitled, “Fool For Love” as directed by David Ausem*. The work is more than a bit confusing at first as demonstrated in the May character’s (as portrayed by Christie Berlane* and also served in the Production’s Carpentry department) conflicting desire to cling to the Eddie Character (as portrayed by Michael Demyan IV* (who also served in the Production’s Carpentry Department) while telling him to leave her alone. Yet, it is this confusion that serves to draw the audience into the work as they become more engaged wondering what the play is about.
As the play evolves, the embittered intoxicated utterances of an Old Man’s spirit (as portrayed by Alex Wirth) brings some revelation to what is transpiring on stage. The entrance of May’s perspective beau Martin (as portrayed by Ryan Drozd) inspired more explorations on what the play and its characters are about leading the audience on journey from being disturbed by the perversity of Eddie and May’s relationship to understanding the overwhelming depth of it.
The blocking (for the uninitiated: “Blocking” is a theatrical term used to describe the process determining the placement and movements of the actors) was straight forward and simple. This allowed the work to speak for itself. If the blocking was more complicated, it would only serve as a distraction to the piece. If too simple, it would leave it lacking in many respects. The Director David Ausem presented a well balance production which made Sam Shepard’s “Fool For Love” a compelling theatrical experience. Julie Wisniewski* served the production as it’s Stage Manager.
The second of the three One Act plays was a David Ives piece entitled, “Sure Thing” as directed by Erica Moshette*. In a vast departure from the previous presentation of Sam Shepard’s “Fool For Love,“ “Sure Thing” is a very simple and straight forward comedy. The play takes place in a coffeehouse in which two characters Bill (as portrayed by Brian Foley*) and Betty (as portrayed by Jessica Pachutta who also served in the Production‘s Publicity department) meet. The evolution of their meeting consisted of a series of faux pas which are remedied by an increasing hilarious series of do overs.
The pacing of the play was well timed by the very talented actors who made the situation very believable in spite of it’s gross departure from reality. Of course, some of the enjoyment of the piece derived from, as Erica Moshette* stated in the Director’s Notes, “…the idea of being able to start over a conversation after it’s already been started would be wonderful.” This reviewer is certain many (if not all) of the audience members agreed.
While much can be said about the skills of the actors which made the play enjoyable. It is the pacing of the piece which determines whether it can be believable enough to be funny. It takes the insight of a director to establish and maintain the pacing of any production. Ms. Moshette* directorial debut has shown she is more than capable of providing this insight to great effect. Emily Harris served the production as it’s Stage Manager and as a member of the Production’s Carpentry Department.
The last of the three plays was an experimental piece written by Raven Knight entitled, “Memories of The Moon” as directed by Amanda Kalinowski*. As with most experimental theatre, the purpose work seems not to be consciously understood during its presentation, but to be simply experienced and understood later. This understanding may come immediately after the play concludes or years afterwards. The work subscribing to this theatrical form challenges the audiences it encounters to discover answers to the many questions it poses.
Raven Knight’s “Memories of The Moon” is no exception to this theatrical form. It entices the audience by it’s beauty and magic soon to leave them to discover the same elements within themselves. The cast consist of characters who go beyond the obviously normal function of most plays. Instead, their usage is more like individual colors of a painting whose sum are greater than their parts. The cast combining their colors included Andrew Confair as Celeste, Luke Swierczek as Sylvanus (who also served in the Production’s Carpentry Department), Michelle Tuite as Kiwidinok, Kelly Perry as Dierdre, Angelo Revilla III* as Boy/Shadow, and Mervant Rivera as the Stage Hand.
The experimental elements of “Memories of the Moon” proved to be the most challenging of the three productions. It not only challenged the audience, but it also stretched the talents of the cast as well. Yet, it takes a very focused director who can remain open to a scattered reality to bring such a piece to fruition. The Director Amanda Kalinowski* demonstrated her considerable ability to sow the seeds and harvest the bountiful crop of ideas the play offers it audience in a manner the author would appreciate. Meg Dowling served the production as it’s Stage Manager.
The East Stroudsburg University (ESU)* Department of Theatre presentation of the Stage II* (the student theatrical club) production of their Student Directed One Act Plays included Sam Shepard’s “Fool For Love” as Directed by David Ausem* (who also served as the Production’s Assistant Set Designer as well as in the Carpentry, Sound Design, Costumes, and Property Departments), David Ives “Sure Thing” as Directed by Erica Moshette* (who also served in the Production’s Sound Design, Costumes, and Property Departments), and Raven Knight’s “Memories of the Moon” as Directed by Amanda Kalinowski* (who also served in the Production’s Sound Design, Costumes, and Property Departments). Rachel Mack* served as The Production Manager, Light Board Operator, and as a member of the Production’s Carpentry Department. Scott Ross served the Production as its Set and Lighting Designer along with being a member of the Production’s Carpentry Department with Robert McIntyre as Assistant Lighting Director along with being a member of the Production’s Carpentry Department. The Production’s Master Scene Painter was Anthony Garbarino* with AJ Cho* serving in the Sound Design, Costumes, and Property Departments. Shamus Halloran* served in the Box Office while Jenell Manzi* served as the House Manager.
This production of the Stage II* Student Directed One Act Plays will continue its run at The East Stroudsburg University (ESU)* in East Stroudsburg, PA at The University’s Fine and Performing Arts Center in it’s Dale Snow Theatre until February 8th and is recommended for those who would like to catch a glimpse of the future of theatre while enjoying a wonderful evening at the theatre. The next East Stroudsburg University (ESU)* in East Stroudsburg, PA production “A Funny Thing Happened on the Way to the Forum” will be presented April 14th - 19th. Please contact The East Stroudsburg University (ESU)* Theatre Department at 570-422-3483 for more information and to reserve your ticket.
No Photographs were allowed to be taken during the production.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Sam Shepard, David Ives, and Raven Knight
Directed by: David Ausem*, Erica Moshette*, and Amanda Kalinowski*
Theatrical Review by: Paul Adam Smeltz
The East Stroudsburg University (ESU)* Department of Theatre presented of the Stage II* (the student theatrical club) production of their Student Directed One Act Plays. This production was established long ago to not only demonstrate what the students learned during their years studying the art of theatre, but to expand upon the knowledge they obtained by exploring the directorial aspects of the art. The ESU* Student Directed One Act Plays have opened the door of opportunity for many students who later became inspiring directors in the theatrical community. They also serve as a treat to the audience for it gives them a glimpse of what is in store for the future of theatre in the coming years.
The first of the three plays to be presented was a Sam Shepard piece entitled, “Fool For Love” as directed by David Ausem*. The work is more than a bit confusing at first as demonstrated in the May character’s (as portrayed by Christie Berlane* and also served in the Production’s Carpentry department) conflicting desire to cling to the Eddie Character (as portrayed by Michael Demyan IV* (who also served in the Production’s Carpentry Department) while telling him to leave her alone. Yet, it is this confusion that serves to draw the audience into the work as they become more engaged wondering what the play is about.
As the play evolves, the embittered intoxicated utterances of an Old Man’s spirit (as portrayed by Alex Wirth) brings some revelation to what is transpiring on stage. The entrance of May’s perspective beau Martin (as portrayed by Ryan Drozd) inspired more explorations on what the play and its characters are about leading the audience on journey from being disturbed by the perversity of Eddie and May’s relationship to understanding the overwhelming depth of it.
The blocking (for the uninitiated: “Blocking” is a theatrical term used to describe the process determining the placement and movements of the actors) was straight forward and simple. This allowed the work to speak for itself. If the blocking was more complicated, it would only serve as a distraction to the piece. If too simple, it would leave it lacking in many respects. The Director David Ausem presented a well balance production which made Sam Shepard’s “Fool For Love” a compelling theatrical experience. Julie Wisniewski* served the production as it’s Stage Manager.
The second of the three One Act plays was a David Ives piece entitled, “Sure Thing” as directed by Erica Moshette*. In a vast departure from the previous presentation of Sam Shepard’s “Fool For Love,“ “Sure Thing” is a very simple and straight forward comedy. The play takes place in a coffeehouse in which two characters Bill (as portrayed by Brian Foley*) and Betty (as portrayed by Jessica Pachutta who also served in the Production‘s Publicity department) meet. The evolution of their meeting consisted of a series of faux pas which are remedied by an increasing hilarious series of do overs.
The pacing of the play was well timed by the very talented actors who made the situation very believable in spite of it’s gross departure from reality. Of course, some of the enjoyment of the piece derived from, as Erica Moshette* stated in the Director’s Notes, “…the idea of being able to start over a conversation after it’s already been started would be wonderful.” This reviewer is certain many (if not all) of the audience members agreed.
While much can be said about the skills of the actors which made the play enjoyable. It is the pacing of the piece which determines whether it can be believable enough to be funny. It takes the insight of a director to establish and maintain the pacing of any production. Ms. Moshette* directorial debut has shown she is more than capable of providing this insight to great effect. Emily Harris served the production as it’s Stage Manager and as a member of the Production’s Carpentry Department.
The last of the three plays was an experimental piece written by Raven Knight entitled, “Memories of The Moon” as directed by Amanda Kalinowski*. As with most experimental theatre, the purpose work seems not to be consciously understood during its presentation, but to be simply experienced and understood later. This understanding may come immediately after the play concludes or years afterwards. The work subscribing to this theatrical form challenges the audiences it encounters to discover answers to the many questions it poses.
Raven Knight’s “Memories of The Moon” is no exception to this theatrical form. It entices the audience by it’s beauty and magic soon to leave them to discover the same elements within themselves. The cast consist of characters who go beyond the obviously normal function of most plays. Instead, their usage is more like individual colors of a painting whose sum are greater than their parts. The cast combining their colors included Andrew Confair as Celeste, Luke Swierczek as Sylvanus (who also served in the Production’s Carpentry Department), Michelle Tuite as Kiwidinok, Kelly Perry as Dierdre, Angelo Revilla III* as Boy/Shadow, and Mervant Rivera as the Stage Hand.
The experimental elements of “Memories of the Moon” proved to be the most challenging of the three productions. It not only challenged the audience, but it also stretched the talents of the cast as well. Yet, it takes a very focused director who can remain open to a scattered reality to bring such a piece to fruition. The Director Amanda Kalinowski* demonstrated her considerable ability to sow the seeds and harvest the bountiful crop of ideas the play offers it audience in a manner the author would appreciate. Meg Dowling served the production as it’s Stage Manager.
The East Stroudsburg University (ESU)* Department of Theatre presentation of the Stage II* (the student theatrical club) production of their Student Directed One Act Plays included Sam Shepard’s “Fool For Love” as Directed by David Ausem* (who also served as the Production’s Assistant Set Designer as well as in the Carpentry, Sound Design, Costumes, and Property Departments), David Ives “Sure Thing” as Directed by Erica Moshette* (who also served in the Production’s Sound Design, Costumes, and Property Departments), and Raven Knight’s “Memories of the Moon” as Directed by Amanda Kalinowski* (who also served in the Production’s Sound Design, Costumes, and Property Departments). Rachel Mack* served as The Production Manager, Light Board Operator, and as a member of the Production’s Carpentry Department. Scott Ross served the Production as its Set and Lighting Designer along with being a member of the Production’s Carpentry Department with Robert McIntyre as Assistant Lighting Director along with being a member of the Production’s Carpentry Department. The Production’s Master Scene Painter was Anthony Garbarino* with AJ Cho* serving in the Sound Design, Costumes, and Property Departments. Shamus Halloran* served in the Box Office while Jenell Manzi* served as the House Manager.
This production of the Stage II* Student Directed One Act Plays will continue its run at The East Stroudsburg University (ESU)* in East Stroudsburg, PA at The University’s Fine and Performing Arts Center in it’s Dale Snow Theatre until February 8th and is recommended for those who would like to catch a glimpse of the future of theatre while enjoying a wonderful evening at the theatre. The next East Stroudsburg University (ESU)* in East Stroudsburg, PA production “A Funny Thing Happened on the Way to the Forum” will be presented April 14th - 19th. Please contact The East Stroudsburg University (ESU)* Theatre Department at 570-422-3483 for more information and to reserve your ticket.
No Photographs were allowed to be taken during the production.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Monday, February 02, 2009
Theatrical Review: ‘Night, Mother
‘NIGHT MOTHER
Written by: Marsha Norman
Directed by: Rob Ramos*
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players* production of “ ‘Night, Mother” by Marsha Norman. The play is about a daughter revealing to her mother her determined desire to end her life. This revelation leads to the mother’s attempts to persuade her daughter to change her course while her daughter continues making plans for her self extermination.
The play gives the audience no reason for the suicide rather it focuses on the dynamics of a mother/daughter relationship that goes beyond the daughter’s announcement and her mother’s reactions to it. This allows the audience to utilize the work to examine their own relationships and how they effect and are effected by them. As in all good theatre, the characters we experience on stage are merely extensions of who we are challenging us to explore who we are and how we conduct our lives.
However, this production was not without its flaws. Although the delivery of the dialogue felt as real as any mother/daughter conversation would, there were moments of hesitations prior to the uttering of some line. There was also something which bothered this reviewer which makes this a challenging review to write.
In my humble opinion, a reviewer’s purpose is to give his/her honest assessments on what the play is really about in regards to its themes and larger social meanings (if present) as well as sharing what he/she observes during the work‘s presentation. Reviews (at least my reviews) are written to serve in helping productions (as well as those participating in them such as the actors) by either reaffirming what they’re doing or to re examine their approach to theatre and thus making better decisions aiding them in their quest to enhance their present and/or future theatrical endeavors. However, it is always good to remember a reviewer’s opinion is only one opinion and should only be regarded as valid when it is. Otherwise, it should be disregarded.
With all that said, here is what this reviewer found bothersome throughout this production “ ’Night, Mother.” The Thelma Cates (the mother of the piece as portrayed by Mary Morales) Character kept a basket full of her crochet work close to her throughout the play. There were more than many times she kept looking into her basket while delivering her lines. It is this reviewer’s opinion (an it could be wrong) Ms. Morales was reading her script during most of her performance. This reviewer has personally appeared in a number of productions in which many actors have brought their script on stage with them for numerous reasons, but that doesn’t make it ok. It’s a distraction to the audience and it takes away from their enjoyment of the work. The inflection and thoughtfulness ms Morales gave to the delivery of the lines were very well done, but being on book during an active production nullified all that.
Ms. Adia Williams portrayal of the daughter Jessie Cates was well done, but the power of her performance was diminished. The suspension of disbelief is important in any production including this one and it was seriously compromised when the audience was reminded it was only a play by the apparent presence of a script in the basket. It seemed to this reviewer Ms. Williams spent the entire play making the best of a bad situation and it’s hope she well appear in future productions in which her talents can be properly assessed.
The Worthington Players* production of “ ‘Night, Mother” by Marsha Norman was Directed by Rob Ramos* as assisted by Chris Webster*. The production was Stage Managed by Ryan Irvin Moore while Tom Nordin served as Production Assistant. The Lighting and Sound Designer was Eric Dwyer*. The Executive Director of The Shawnee Playhouse* is Midge McClosky* while the producers are Ginny and Charlie Kirkwood. Group Sales of their productions are handled by Mary Horn* (who also served as a member of the Box Office Staff) while The Shawnee Playhouse publicity is handled by Amy Cramer*. The Box office staff includes Becky Haskell and Lillian Gonzalez*.
This production of “ ‘Night, Mother” by Marsha Norman will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until February 8th. The next Shawnee Playhouse* in Shawnee on the Delaware, PA presentations will be their annual St. Valentine’s production of “Love Letters” presented February 13th - 15th, “Daddy’s Little Girl” presented February 20th through March 1st, “A Life in The Theatre” presented March 13th - 22nd, and “A Walk In The Woods” presented March 27th through April 5th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $2.00 discount off the admission fee of The Shawnee Playhouse* Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse* at 570-421-5093 for more information and to reserve your ticket.
You’ll find a Photograph provided by The Shawnee Playhouse currently posted on The Forwardian Arts Society profile at myspace.com/forwardian_arts..
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Written by: Marsha Norman
Directed by: Rob Ramos*
Theatrical Review by: Paul Adam Smeltz
The Shawnee Playhouse* in Shawnee on the Delaware, PA presented The Worthington Players* production of “ ‘Night, Mother” by Marsha Norman. The play is about a daughter revealing to her mother her determined desire to end her life. This revelation leads to the mother’s attempts to persuade her daughter to change her course while her daughter continues making plans for her self extermination.
The play gives the audience no reason for the suicide rather it focuses on the dynamics of a mother/daughter relationship that goes beyond the daughter’s announcement and her mother’s reactions to it. This allows the audience to utilize the work to examine their own relationships and how they effect and are effected by them. As in all good theatre, the characters we experience on stage are merely extensions of who we are challenging us to explore who we are and how we conduct our lives.
However, this production was not without its flaws. Although the delivery of the dialogue felt as real as any mother/daughter conversation would, there were moments of hesitations prior to the uttering of some line. There was also something which bothered this reviewer which makes this a challenging review to write.
In my humble opinion, a reviewer’s purpose is to give his/her honest assessments on what the play is really about in regards to its themes and larger social meanings (if present) as well as sharing what he/she observes during the work‘s presentation. Reviews (at least my reviews) are written to serve in helping productions (as well as those participating in them such as the actors) by either reaffirming what they’re doing or to re examine their approach to theatre and thus making better decisions aiding them in their quest to enhance their present and/or future theatrical endeavors. However, it is always good to remember a reviewer’s opinion is only one opinion and should only be regarded as valid when it is. Otherwise, it should be disregarded.
With all that said, here is what this reviewer found bothersome throughout this production “ ’Night, Mother.” The Thelma Cates (the mother of the piece as portrayed by Mary Morales) Character kept a basket full of her crochet work close to her throughout the play. There were more than many times she kept looking into her basket while delivering her lines. It is this reviewer’s opinion (an it could be wrong) Ms. Morales was reading her script during most of her performance. This reviewer has personally appeared in a number of productions in which many actors have brought their script on stage with them for numerous reasons, but that doesn’t make it ok. It’s a distraction to the audience and it takes away from their enjoyment of the work. The inflection and thoughtfulness ms Morales gave to the delivery of the lines were very well done, but being on book during an active production nullified all that.
Ms. Adia Williams portrayal of the daughter Jessie Cates was well done, but the power of her performance was diminished. The suspension of disbelief is important in any production including this one and it was seriously compromised when the audience was reminded it was only a play by the apparent presence of a script in the basket. It seemed to this reviewer Ms. Williams spent the entire play making the best of a bad situation and it’s hope she well appear in future productions in which her talents can be properly assessed.
The Worthington Players* production of “ ‘Night, Mother” by Marsha Norman was Directed by Rob Ramos* as assisted by Chris Webster*. The production was Stage Managed by Ryan Irvin Moore while Tom Nordin served as Production Assistant. The Lighting and Sound Designer was Eric Dwyer*. The Executive Director of The Shawnee Playhouse* is Midge McClosky* while the producers are Ginny and Charlie Kirkwood. Group Sales of their productions are handled by Mary Horn* (who also served as a member of the Box Office Staff) while The Shawnee Playhouse publicity is handled by Amy Cramer*. The Box office staff includes Becky Haskell and Lillian Gonzalez*.
This production of “ ‘Night, Mother” by Marsha Norman will continue its run at The Shawnee Playhouse* in Shawnee on the Delaware, PA until February 8th. The next Shawnee Playhouse* in Shawnee on the Delaware, PA presentations will be their annual St. Valentine’s production of “Love Letters” presented February 13th - 15th, “Daddy’s Little Girl” presented February 20th through March 1st, “A Life in The Theatre” presented March 13th - 22nd, and “A Walk In The Woods” presented March 27th through April 5th. Those who enjoy the Passionate Art Lover level of membership in The Forwardian Arts Society are offered a $2.00 discount off the admission fee of The Shawnee Playhouse* Productions (excluding Children Theatrical Productions and those presented by non Shawnee Production Companies). Please contact The Shawnee Playhouse* at 570-421-5093 for more information and to reserve your ticket.
You’ll find a Photograph provided by The Shawnee Playhouse currently posted on The Forwardian Arts Society profile at myspace.com/forwardian_arts..
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
Winterfest 2009
The Pocono Bluegrass and Folk Society* held their 7th Annual Bluegrass Festival entitled, “WinterFest 2009” throughout the town of Stroudsburg, PA. This three day celebration began Friday January 30th and concluded on Sunday February 1st. The festival provided foot stomping entertainment in several venues which included Mollies, The Main Street Lounge, and The Sarah Street Grill on Friday night with some concluding events on Sunday held at The Elks Lodge with a Gospel Show and a Shindig.
However, the main events were held throughout the entire day (11am to 12 am) on Saturday January 31st at The Sherman Theatre*. Numerous musicians were greeted by a multitude of Bluegrass fans who share stories and their love of the musical genre with one another. In addition to the entertainment on stage, there were impromptu jam sessions and opportunities to support the many vendors who offered their wares throughout the theatre’s lobby.
The good natured mood created by the festival goers and supporters was only enhanced by the great bands who performed on stage throughout the day. They included Cabinet www.myspace.com/cabinetwax, Heavy Traffic www.myspace.com/heavytrafficbluegrass, Texas Rose www.texasrosemusic.blogspot.com, Aimless Pursuit www.aimlesspursuit.com, Remington Ryde www.myspace.com/remingtonrydeband, and Dan Paisley and The Southern Grass www.myspace.com/thesoutherngrass. Their performances moved the audience to laughter, joy, tears, and all other areas discovered while on a journey to the heart.
I didn’t get an opportunity to see every performer who appeared during Winterfest 2009, but those I have experienced will linger in my memory for quite some time. And those who know how bad my memory is, knows this is saying a lot. It was also good to meet many of Our Good Friends in The Forwardian Arts Society along with some new ones. But, they are too many to mention and I don’t want to risk forgetting some while naming others. But, I would love it if you would share your reflections and memories of the festival. I’m sure many would love to learn about and from them.
The next events taking place at The Sherman Theatre will include The Gallagher full Sledge-O-Matic Show on Friday February 6th at 8pm, The Natural Breakdown Concert with special guests Big Boss Sausage and The Big Dirty on Saturday February 7th at 8pm, and another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead.”
Please Explore The Sherman Theatre* Website for more information. To learn more about The Pocono Bluegrass and Folk Society* and what they have to offer music lovers, please Explore their Website at www.poconobluegrass.org. You’ll find numerous photographs at The Forwardian Arts Society Winterfest 2009 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
However, the main events were held throughout the entire day (11am to 12 am) on Saturday January 31st at The Sherman Theatre*. Numerous musicians were greeted by a multitude of Bluegrass fans who share stories and their love of the musical genre with one another. In addition to the entertainment on stage, there were impromptu jam sessions and opportunities to support the many vendors who offered their wares throughout the theatre’s lobby.
The good natured mood created by the festival goers and supporters was only enhanced by the great bands who performed on stage throughout the day. They included Cabinet www.myspace.com/cabinetwax, Heavy Traffic www.myspace.com/heavytrafficbluegrass, Texas Rose www.texasrosemusic.blogspot.com, Aimless Pursuit www.aimlesspursuit.com, Remington Ryde www.myspace.com/remingtonrydeband, and Dan Paisley and The Southern Grass www.myspace.com/thesoutherngrass. Their performances moved the audience to laughter, joy, tears, and all other areas discovered while on a journey to the heart.
I didn’t get an opportunity to see every performer who appeared during Winterfest 2009, but those I have experienced will linger in my memory for quite some time. And those who know how bad my memory is, knows this is saying a lot. It was also good to meet many of Our Good Friends in The Forwardian Arts Society along with some new ones. But, they are too many to mention and I don’t want to risk forgetting some while naming others. But, I would love it if you would share your reflections and memories of the festival. I’m sure many would love to learn about and from them.
The next events taking place at The Sherman Theatre will include The Gallagher full Sledge-O-Matic Show on Friday February 6th at 8pm, The Natural Breakdown Concert with special guests Big Boss Sausage and The Big Dirty on Saturday February 7th at 8pm, and another night of horrors in The Sherman Theatre* Severed Sinema Series on Friday February 20th beginning at 7pm a Zombie Fest double feature presenting the films “Let Sleeping Corpses Lie” and the original “Night of the Living Dead.”
Please Explore The Sherman Theatre* Website for more information. To learn more about The Pocono Bluegrass and Folk Society* and what they have to offer music lovers, please Explore their Website at www.poconobluegrass.org. You’ll find numerous photographs at The Forwardian Arts Society Winterfest 2009 Gallery at myspace.com/forwardian_arts.
(*) denotes members of The Forwardian Arts Society in good standing and are considered Our Good Friends.
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